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Lot 218

Whitefriars grey glass art vase approx. 8" tall and Whitefriars red bubble vase approx. 5" tall

Lot 223

Troika vase tapering in brown and green with the letter A monogrammed to the base approx. 7"

Lot 296

Qty of china ware, tea ware and an octagonal vase

Lot 1

A Powell glass vase, circa 1930, the inverted baluster form threaded in dark blue on pale blue 20½cm (8in)

Lot 10

A Mado, Nancy, art glass vase, the mottled body enamelled with flowers and foliage, signed to base 29cm (11in)

Lot 100

Mary Watts (British, 1849-1938), a Compton Potters' Arts Guild vase, the drip glazed vase with twin handles 24cm (9in)

Lot 101

Please note this is now lacking teapot and the Gordon Plahn vase. Attributed to Ray Finch (born 1914), a Winchcombe Pottery stoneware teapot and cover, glazed to the foot with tenmoku over ash glaze with simple combed decoration, together with a small Winchcombe pottery wall pocket, a vase by Gordon Plahn, and two further studio pottery vases (5)

Lot 103

§ Dame Lucie Rie (Austrian, 1902-1995), a rare dolomite glaze vase, the compressed bottle form with wrythen fluted body and slightly flared rim, seal mark to base and Peter Dingley Gallery paper trade label 20cm (8in) Dame Lucie Rie, DBE (1902-1995) is one of Britain's most eminent potters. She was born in Vienna and fled Nazi Austria in 1938 to England where she set up her studio in London, working with Hans Coper from 1946. Her goal was to make vessels that would harmonise in a domestic setting, concentrating on the simple bowl or cylindrical forms which relied upon textured or coloured glazes for surface interest. Her repertoire of forms, including the footed bowl and lipped vases such as the one now being offered at auction, balanced simplicity of line with bold and strong design. Her impact and contribution to British and world ceramics is immeasurable. Her pieces are part of the permanent collections of museums throughout the world; the Victoria and Albert Museum has a reconstruction of her studio and you need go no further than the Fitzwilliam Museum and Kettle's Yard in Cambridge to study her work.

Lot 104

§ Michael Casson (1925-2003) a stoneware vase, the brown glazed vessel with twin loop handles and incised decoration, impressed seal mark 20cm (8in)

Lot 107

§ Alan Wallwork, (British, b. 1931), a large stoneware vase, the ovoid form with incised decoration, incised marks to base, dated (19)65 54 x 24cm (21 x 9in) In good condition.

Lot 13

André Delatte (French, circa 1887-1953), an art glass vase, the mottled yellow body with long slender neck, signed, together with five further similar vases attributed to Delatte and Daum (6) 22cm (9in)

Lot 14

Attributed to Legras, a miniature cameo glass vase, with lake scene, unsigned, together with a set of four acid etched liquor glasses with gilt metal bases (5) 9½cm (4in)

Lot 196

Wolfgang von Wersin (1882-1976) for WMF, a four-piece chrome tea set, each with lucite handles and finials, together with a WMF Ikora vase, a similar plate and an English chrome two-tier cake stand (7)

Lot 23

A Scheider art glass vase, the cased orange glass vase with bubble inclusions, etched mark, together with a Legras acid etched cameo glass vase (2) 24cm (9in)

Lot 24

A Schneider art glass vase, the bell form with applied handles and decoration, the clear body with yellow swirls, etched mark 12cm (5in) In good condition.

Lot 3

A collection of late 19th and early 20th century Austrian glass, including two compressed bottle form vases attributed to Kralik, a Rindskopf Pepita iridescent glass vase, a silver overlay vase, a clear glass rhinoceros and a further small Loetz style glass vase (6)

Lot 32

A collection of Barovier & Toso glass vases, comprising an amethyst coloured top hat vase with etched signature, a grey swirl glass vase with etched signature and four further unsigned vases (6)

Lot 33

A collection of Murano glass, including a Venini facet cut vase attributed to Carlo Scarpa, a Seguso sommerso vase designed by Flavio Poli, an aventurine included glass vase, probably by Dino Martens and four other pieces (7)

Lot 34

A Murano glass slab form vase, with lustrous inclusions set within a metal frame, together with two further Murano vases and a large Murano charger with silver and gilt inclusions (4) 35cm (14in)

Lot 35

A Whitefriars 'TV' vase designed by Geoffrey Baxter, the willow coloured vase decorated with concentric rectangles 18cm (7in)

Lot 36

Arnoldo Toso, a Murano glass vase, with ribbon trailed decoration, together with a Barbini scavo vase and another Murano vase on elongated form (3) 31cm (12in)

Lot 38

An Art glass vase, the frosted cased glass ovoid body with brown and white wave designs, traces of original label to base 27cm (11in)

Lot 39

Attributed to Borje Eriksson for Orrefors, an engraved glass vase, decorated with a dancer amidst flowers, together with another Orrefors vase with facet cut decoration, a Kosta vase and two further Scandinavian glass pieces (5) 16cm (6in)

Lot 4

A collection of Wiener Werkstätte and other Austrian glass, comprising a glass ashtray by Koloman Moser, a pair of Moser green glass solifleur vases designed by Josef Hoffman, etched marks, a hanging light, a small glass bon bon dish with etched WW mark, six tot glasses, a bottle vase attributed to Koloman Moser for Loetz and a pink glass vase (13)

Lot 42

Clyne Farquharson for John Walsh Walsh, a cut glass vase, of tapering cylindrical form with deep cut decoration of stylised leaves, signed and dated (19)38 20cm (8in)

Lot 429

Lena Kurovska (Ukrainian, 20th Century) Still life of chrysanthemums in a white vase, with apples and peaches on a table signed lower right "Kurovska '88" oil on canvas 65 x 75cm (25 x 29in) Other Notes: Lena Kurovska was born in Kiev, Ukraine in 1969. She studied at the Kiev Academy of Art under the well-known Ukrainian artist A.Lopukhov and her work is still displayed at the Academy. Her work is also held in collections internationally. Condition appears fine.

Lot 44

A modern Lalique Fern pattern vase, the clear and frosted form with flared rim, etched marks 19cm (7in)

Lot 48

An early 20th century Fantechi (Societa Industriale per la Fabbricazione di Maioliche Mrtistiche) mailoica vase, painted with portrait roundel, lustre glazes and applied serpent handles, painted mark, together with two Villeroy & Boch chargers (3) 41½cm (16in)

Lot 49

A Porsgrund porcelain teapot, painted with a white rose, the handle with a bee, together with a similar twin handled vase and an ovoid form vase, printed marks (3) Other Notes: This collection of Danish and Norwegian Art Nouveau porcelain was formed by Millie Copeland, most probably received as royal gifts and from visits abroad. The fine quality of the porcelain, the art nouveau style and the factory back stamps all suggest the collection was formed in the period 1900 to 1920. Millie Copeland and her family served the Royal Household in a number of roles and lived on the Sandringham Estate. Millie was Dresser (and close friend) to Princess Victoria, the fourth child of King Edward VII and Queen Alexandra. Princess Victoria never married but remained a companion to her parents, especially her mother with whom she lived at Sandringham until the death of the Dowager Queen in 1925. In 1907 Queen Alexandra purchased, with her sister, the Dowager Empress of Russia, a villa Hvidore, north of Copenhagen, which they both used as a summer residence. The Royal Collection contains a photograph taken around 1908 of the Royal Household staff, including Millie, at Hvidore. It seems highly probable that this collection of porcelain was gifted to Millie by Princess Victoria and other members of the Royal Family, on visits to Hvidore or other special occasions. In addition, Princess Victoria was very close to her younger sister, Princess Maude who married King Haaken of Norway. This is the most likely explanation and connection to the inclusion of the Norwegian Porsgrund porcelain in the collection. The collection comes by descent to Millie's niece, Alfreda and is now offered for sale for the first time.

Lot 5

A continental Art Nouveau glass vase, the pink body with applied roundels and green ribbon trailing to neck 22cm (9in)

Lot 50

Harriet Bing for Bing & Grondahl, a cylindrical vase, moulded and painted with a single poppy, painted and printed marks 19½cm (7in)

Lot 51

Henry van de Velde, (Belgian 1863-1957), a rare miniature vase, circa 1900, the fine stoneware form with drip glaze, unmarked 10cm (4in)

Lot 52

A collection of Linthorpe Pottery, comprising a near pair of scalloped bowls designed by Dr Christopher Dresser, No. 874, facsimile signatures, a small baluster vase, also by Dresser, No. 811, a pair of bottle form vases, No. 848, possibly by Dresser, an inverted baluster form vase, No. 967, a basket, No. 1485 and another vase, No. 1446 (8)

Lot 54

A Doulton Lambeth stoneware vase by George Tinworth, decorated with oak leaves and scrolling foliate designs, impressed marks and dated 1879 38½cm (15in)

Lot 55

A large and impressive Doulton Lambeth stoneware vase by Hannah Barlow, incised with a continuous frieze of ponies between foliate bands, impressed marks and dated 1883 42½cm (16in)

Lot 58

A Martin Brothers stoneware vase, the tapering gourd form incised and painted with grotesque birds and insects, impressed marks to base and dated (19)37 26cm (10in) Other Notes: This vase was produced at the Southall works after Robert Martin's death in 1923 under the supervision of Clement Martin, Robert's son

Lot 7

Attributed to Fritz Hekert, an enamelled glass lemonade jug and three beakers, decorated with flowers in blues and whites, together with an enamelled glass vase, probably by Meyr's Neffe and a Wiener Werkstätte style decanter and stopper (6)

Lot 73

A Moorcroft Columbine pattern vase, the squat baluster form decorated to a pale green ground, painted and impressed marks 8½cm (3in)

Lot 75

A Moorcroft Late Florian pattern vase, decorated in pinks and greens, the interior all in pink, painted signature and dated 1913, together with a modern Moorcroft Hibiscus pattern ashtray (2) 15cm (6in)

Lot 8

Attributed to Michael Powolny for Loetz, a pale blue glass vase, enamelled with white floral sprigs, together with a Loetz orange glass jug, a Julius Mühlhaus enamelled glass vase, and six other glass pieces, mostly Austrian (9)

Lot 80

A Moorcroft Orchid pattern flambé vase, the baluster form decorated to a deep red ground, impressed marks 13½cm (5in)

Lot 83

Sally Tuffin for the Dennis China Works, three tube lined vases, comprising a Primrose pattern vase, number 8 of 200, a Pigeon pattern vase, numbered 14 from a limited edition and a Flower of Dreams pattern vase, numbered 56 from a limited edition, hand signed by Tuffin (3)

Lot 84

Three modern Moorcroft vases, comprising an Arum Lily pattern baluster vase, a Columbine pattern squat form vase and a Spring Flowers pattern ginger jar and cover, all decorated to a yellow ground, painted and impressed marks (3)

Lot 89

A mid 20th century Rubalo vase, the elongated bottle form with flared rim decorated with yellow flowers, painted marks and dated 1963 44½cm (17in)

Lot 9

A Daum etched lilac glass vase, of rectangular form with gilt border enclosing single poppy design, flanked by butterfly, etched mark to base 19cm (7in)

Lot 90

A Troika chimney vase by Avril Bennet, the white body with blue decorated side, painted marks 15cm (6in)

Lot 92

Nils Thorsson for Royal Copenhagen, a Diana series fish vase, decorated in shades of brown to a white ground, painted and printed marks, numbered 1064 of 5368 26cm (10in) In good condition.

Lot 96

§ William Bower Dalton, (1868-1965), a stoneware vase, of squat inverted baluster form covered in a sung-type glaze, impressed mark 11cm (4in)

Lot 101

A late 19th/early 20thC foliate scrolled, rosette and floral cast, patinated bronze candlestand, having an angled, in-line row of four vase shaped sockets, on a conforming short stem and a triform base 17''h CAB

Lot 120

A pair of early/mid 19thC brass ejector candlesticks of square outline, each having a vase shaped socket, over a tapered stem, on a stepped foot 10.25'' OS4

Lot 210

Two late 19thC Augustus Rex design porcelain figures, a man and woman in period costume, in a garden 9''h; and a late Continental example, a woman carrying a vase on her shoulders 10''h RSF

Lot 219

Decorative glassware: to include a lead crystal vase with slice-cut decoration 7''h RAB

Lot 29

A modern neo-classically inspired, turned white alabaster and gilded metal mounted, vase design table lamp with dolphin ornament 26''h; and a pair of contemporary D-shaped, mirror backed wall light shades with prism and bead pendants CA

Lot 307

Seven pieces of 20thC Art Glass: to include a vaseline and Cranberry coloured vase, having moulded ornament, on a petal design splayed foot 7''h OS4

Lot 342

A mixed lot comprising ceramics, glassware and wooden collectables: to include an Amphora china vase, decorated with flora 15''h OS7

Lot 344

A mid 20thC Chinese porcelain Temple vase, decorated in the Canton design with panels of figures in a landscape setting, on a carved fruitwood stand 47''h overall SR

Lot 360

20thC Art Glass, viz. a French white painted vase 13''h; a Kosta Boda pedestal goblet 11''h; and a German centrepiece 14''h LSM

Lot 371

Ceramics and metalware: to include a Shelley china vase, decorated with stalks, on a red ground 7''h OS5

Lot 381

20thC Art Glass: to include a petal design vase with a wavy lip 8''h LAF

Lot 7

A pair of modern loaded silver candlesticks, having vase shaped sockets, on tapered stems indistinct marks 5''h 11

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