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* A Davenport stoneware fruit stand, late 19th c., with wavy edges highlighted in green, decorated with transfer-print sprays of flowers on a lilac ground, 9ins (23cm) high, together with a late Victorian pottery cheese dish and cover by P.B. & S., a Losol Ware Armado baluster vase, c. 1912-36, 7.5ins (19cm) high, and other decorative items (13)
* A Dennis Chinaworks cockerel vase, by Sally Tuffin, 2003, flamboyant incised cockerel design in bold colours, 14.5ins (37cm) tall. This vase (numbered 18) is still in production, 26 made to date. Sally Tuffin, a ceramics and fashion designer famed for being half of the 1960s clothes partnership Foale & Tuffin, takes inspiration from nature, abstract art and the Arts & Crafts movement. She and her husband, Richard Dennis, started the Dennis Chinaworks in the converted stables of a Victorian Gothic rectory in Shepton Beauchamp, Somerset in 1985. Production was postponed between 1986 and 1993 while Sally returned to the Moorcroft Pottery as Art Director, managing to bring about a massive revival in the fortunes of this firm when it looked set to close in the mid 1980s. (1)
* A Japanese Satsuma bowl, early 20th c., decorated in gold and colours with figures in a landscape, 15cm diam., together with two smaller bowls (both sl. damaged) and a modern Satsuma baluster shape vase decorated in colourful raised enamels, 12.5ins (32cm) high (4)
* A Walter Moorcroft bowl, c. 1970s, decorated with anenome pattern on a dark blue ground, signed, (15.5 diam.), together with five other pieces of anenome pattern Moorcroft pottery comprising two small bowls, a pair of small vases and a smaller squat-shaped vase, all items having orig. manufacturer’s printed label to the base. Provenance: From the Hans Seelig collection. (6)
A George III Mahogany Striking Table Clock, signed Timothy Richardson, Darlington, circa 1790, the case with inverted bell top and single gilded carrying handle, oval shaped side viewing windows, backdoor glass missing, 8-inch arched brass dial with silvered Roman and Arabic chapter ring, dial centre signed, strike/not strike lever above 12, the arch with date dial, twin fusee movement with anchor escapement and striking on a bell, engraved movement backplate with a vase with floral decoration and engraved around the borders, 52cm high see illustration
Skoal": A Maw and Co Pottery Twin-Handled Lustre Vase, designed by Walter Crane, of compressed ovoid form with everted neck and applied with two handles, painted in ruby lustre with Nordic warriors, inscribed Skoal, painted Walter Crane monogram and 9420 E, 23cm (chip to rim) See illustration Walter Crane designed six vases for Maw and Co in 1890. These included The Six Swans, Mermaid and Skoal.
David Lloyd Jones (British 1928-94): A Stoneware Vase, with flaring rim, covered in a speckled oakmeal glaze, impressed LJ seal mark, 28cm; and Two Porcelain Bowls, both with white glaze and painted iron decoration, both with impressed LJ seal mark, 13cm and 19cm diameter (3)
A Wedgwood Fairyland Lustre "Torches" 3177 Cylindrical Vase, circa 1920s, pattern number Z5360, designed by Daisy Makeig-Jones, on a flame ground, gilt Portland Vase mark, painted Z5360 and B, incised shape number 3177, 28cm (11") See illustration See de Fountains (Una), Wedgwood Fairyland Lustre, New York, 1975, p.107, plate 18a for a very similar vase
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653833 item(s)/page