We found 653833 price guide item(s) matching your search
There are 653833 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
653833 item(s)/page
Oskar Koller 1925 Erlangen - 2004 Fürth Blumen in Marokkanischer Vase. Rittersporn. Antibes. 1981-1994 Vier Blätter. Alle mit Bleistift signiert und datiert, drei betitelt und ein Blatt mit Widmung. Drei Aquarelle auf Aquarellbütten und eine aquarellierte Farblithografie auf Papier. 28 x 38 (3x) cm und 26 x 33 cm. Alle gerahmt (nicht ausgerahmt). Provenienz: Geschenk des Künstlers an den Eigentümer. Seither Privatsammlung Süddeutschland Oskar Koller 1925 Erlangen - 2004 Fürth Flowers in Moroccan vase. Delphinium. Antibes. 1981-1994 All four sheets signed and dated in pencil, three titled and one sheet with dedication. Three watercolours on handmade watercolour paper and one coloured lithograph painted with watercolours on paper. 28 x 38 (3x) cm and 26 x 33 cm. All framed (the items were not deframed for the description). Provenance: gift from the artist to the owner. Has been in a private collection in South Germany since
A small Meissen Augustus Rex vase, circa 1730Of flared beaker form, painted in the manner of J.E. Stadler with a vignette depicting chinoiserie figures holding parasols and a fan flanked by fences and flowers, a bird in flight overhead an a spray of indianische Blumen on the reverse, gilt-edged rim, 13.2cm high, AR monogram in underglaze-blue, incised Z (two restored flat chips to footrim)For further information on this lot please visit Bonhams.com
A pair of Doccia miniature vases on pedestals and a small Doccia figure of a girl, circa 1790-1800Each vase modelled with two applied masks below the terminals of the handles, decorated with sprays of flowers and placed on square rococo bases, the girl holding a lyre ornamented with a female mask, dressed in a yellow bodice and flowered skirt, the vases: 11.5cm high, the figure:10cm high, (handle of one vase restored) (3)Footnotes:Provenance:The Property of a Gentleman, sold Sotheby & Co., London, 9 October 1973, lot 179 (the vases);Private collection, ItalyFor further information on this lot please visit Bonhams.com
A Vienna gold-ground two-handled vase and cover, circa 1799Urn-shaped on a circular foot and square plinth, reserved with a canted rectangular panel with a scene depicting an allegorical figure of Justice with a child holding scales on her lap and a swords at her feet, a waterfall in the background, within a tooled border of palmettes, the burnished ground reserved with foliate swags, the shoulder with tooled formal borders on a green ground, the neck reserved with a border of colourful flowers, the base and foot reserved with grey foliate borders, the cover with similar borders and a gilt pinecone finial, 32.2cm high, shield mark in underglaze-blue, impressed 99 (2)Footnotes:Three similarly decorated vases lacking their covers and painted with scenes after Angelika Kauffmann are in the Museum für angewandte Kunst, Vienna (published in Verrückt nach Angelika Porzellan und anderes Kunsthandwerk nach Angelika Kauffmann, exhibition catalogue (1998), nos. 12-14).For further information on this lot please visit Bonhams.com
A pair of documentary Höchst faience vases and covers, circa 1750-53Of baluster form with flared foot and domed cover, painted in polychrome enamels by Adam Ludwig and Philipp Zisler with butterflies and birds amidst flowering branches issuing from a terrace with pendant leaves and flowers, the reverse with scattered leaves and flowers, all below a border of trellis panels with a flowerhead and enclosed by foliage alternating with lappet-shaped panels enclosing a shell motif, flowers and foliage, the domed covers similarly decorated with a finial embellished with a black floral motif, 29.5cm high, ':P.Z:' and ':A.L:' flanking a wheel mark in black (some restoration to covers, chip to each footrim and one with small haircrack) (4)Footnotes:Part of a garniture of which the central vase is in the Metropolitan Museum of Art, New York (inv. no. 50.211.196) and one of the beaker vases is in the Museum für Kunst und Gewerbe, Hamburg (inv. no. 1956.127), all of which are signed by both Adam Ludwig and Philipp Zisler.See G-D. Helke, Fayencen (2006), p. 89, for the beaker vase in Hamburg; both the beaker vase and the central vase in the Metropolitan Museum are published by H. Reber, Die Kurmainzische Porzellanmanufaktur Höchst, II: Fayencen (1986), ills. 164 and 170, respectively.For further information on this lot please visit Bonhams.com
A Du Paquier armorial vase, circa 1730-35Painted with the marriage arms of the von Er and von Tzöchaw families and finely-painted European flowers above a moulded foliate border above the footrim embellished in gilding, green, puce and blue, the knopped neck moulded with a band of foliate motifs edged in gilding and purple above a painted band of alternating trellis and seeded scrollwork panels, painted with similar European flowers below a band of gilt-edged, moulded scrollwork motifs below the gilt-edged rim, the top edge and inside of the rim painted with a green, blue and puce floral and geometric border, 29cm high, red-painted MAK inventory number Ke 7524.28976 (scattered spots of flaking to green enamel)Footnotes:Provenance:Heinrich Rothberger Collection, Vienna (by 1904);Confiscated by the Vienna municipal authorities in November 1938;Acquired by the Staatliches Kunstgewerbemuseum (later Museum für Angewandte Kunst), Vienna, in May 1939 (inv. no. Ke7524);Restituted to Heinrich Rothberger's niece, Mrs Bertha Gutmann, in 2003;Thence by descentLiterature:W. Mrazek, Wiener Porzellan aus der Manufaktur Du Paquiers (1952), pp. 9, 16, pl. 19;H. Kräftner (ed.), Baroque Luxury Porcelain (2005), no. 68;M. Chilton/C. Lehner-Jobst (eds.), Fired by Passion (2009), cat. no. 437bExhibited:Vienna, K.K. Oe. Museum für Kunst und Industrie, Alt-Wiener Porzellan, March-May 1904, no. 158;Vienna, Liechtenstein Museum, Barocker Luxus Porzellan. Die Manufakturen Du Paquier in Wien und Carlo Ginori in Florenz, 10 November 2005-29 January 2006Part of a five-vase garniture, each with the arms of the Thuringian family, von Er, and the von Tzöchaw family of Meissen: the central vase is in the Art Institute of Chicago, another flanking vase of the same form as the present lot is in a German private collection, and the two, smaller outside vases are in the Museo Civico in Turin (a reconstruction of the garniture is published by G. Zelleke, Gifts, Diplomacy and Foreign Trade, in Chilton/Lehner-Jobst, ill. 11:47. A two-handled tray with the same arms has also survived (Chilton/Lehner-Jobst, cat. no. 434).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
λ Three 18th century Chinoiserie fans, Qing Dynasty, the montures of ivory, the first with slender monture, carved and pierced in European style, has classical piercing to the gorge, featuring a central cartouche with entwined initials, the double leaf is painted to the recto with three main scenes and four small vignettes, the latter showing flowers, a sailing boat on the sea, a butterfly, and a duck swimming amongst reeds, the central painting depicts three oriental figures in a garden, a lady to the left feeding a fawn, the middle figure holding a stick from which dangles a circular game, perhaps, and the third person is holding an open fan, to the right, a couple in the garden with a colourful parrot on a perch, the lady holding a fixed fan possibly formed from peacock feathers, the gentleman in very stylised attire with hat, long drooping moustache, and yellow and blue robe, the last painting features a large painted vase filled with colourful flowers, the reserves, painted in dark brown, are decorated with grey and gold foliage and delicate swags, the verso is painted with a simple spray of pink and blue flowers, 25.5cm long; the second fan, mid-18th century, the ivory monture carved and pierced, the upper guards with a robed oriental man , the lower section and gorge sticks shaped at the shoulder and in three further bands, two of pierced ovals containing either a bloom or a geometric motif, the lower band slightly deeper but again quite geometric, double paper leaf is designed with three large shaped sections and one smaller, all showing oriental figures engaged in different outdoor activities, these sections are all bordered in gold, this also highlighting other designs of flowers and berries painted to the reserves, verso is well painted in very subtle shades with various floral species, 28.5cm long; and a very subtle example of an ivory fan, the slender guards lacquered in taupe with delicate stems and flowers, the gorge sticks are shaped to the lower section, above this, a simple Chinoiserie scene, painted in apricot, showing a couple in the outdoors with stylised trees and rocks, the pale double paper leaf depicts three household objects, incense burners, a side table supporting a vase, and a larger table with similar, verso painted with a delicate spray of orange berries, 28cm long (3)
Wolfgang von Wersin for Tiroler Glaschutte, a Secessionist glass vase, circa 1924, amethyst, flared trumpet form with applied pulled prunts or knops and tooled rigaree foot, in the historicist manner, 18cm high Note: Czech born German architect and designer Wolfgang von Wersin (1882-1976) worked with a number of Austrian and German factories to design domestic and decorative objects in silver, glass and ceramics, including the Nymphenburg Porcelain factory and the Tyrolean glass factory in Kufstein, Kramsach, now part of the Riedel factory. His wares were distributed for sale by DeWe AG. See: Ziffer, A. 1991, Wolfgang von Wersin, Munich, p.213, plate 177 for an illustrated example of this design in a different colour
John Walsh Walsh, a Luxor cut glass vase, circa 1923, waisted form, decorated with two bands of multiple zig-zag mitre cuts, acid mark, 14cm high Note: created in response to the interest around the discovery of Tutankhamun's tomb in 1922, Walsh marketed this design as 'glassware in Egyptian design'.
-
653833 item(s)/page