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Click here to subscribeColorless cut crystal glass vases with incised crosshatch and starburst patterns. Includes one bud vase by Waterford, one bud vase by Leonard Italian Crystal, and one unmarked bouquet vase. Waterford acid mark to base of smallest bud vase. Tallest vase measures 2.5"W x 8"H. Manufacturer: Waterford and Leonard Italian CrystalCondition: Age related wear.
The Kalo Shop, United States. Handwrought sterling silver trophy vase with a scalloped rim, ca. 1912-1916. Monogramed along the side and inscribed "Cottager's Cup Age-Class Tournament Won by Louis E. Asher." Stamped along the underside with maker's marks, 773A, G, and marked sterling. The Kalo Shops were founded in Chicago by six young women: Clara Pauline Barck Welles, Bertha Hall, Rose Dolese, Grace Gerow, Ruth Raymond, and Bessie McNeal.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.Height: 10 1/2 in x diameter: 6 in. Weight: 19.89 Troy oz.Condition: Light wear throughout. No visible dents to the rim. No visible cracks or losses. Along the interior, there is visible oxidation. Toward the underside, there is a 1-inch dent to the exterior. No visible signs of restoration under UV light. Light surface scratches along the underside, consistent with age and use.
Group of two ceramic glazed and painted pottery vases. One Eugene Roberts (American, 1876-1931) for Weller Pottery Co tall "Eocean" vase painted with thistles. Signed and impressed 21 4 along the underside. One Rookwood Pottery small vase with flowers, ca. 1904. Stamped with RP, date mark, 913F, and signed GP along the underside.Thistles; height: 12 in x diameter: 4 in. Lilies; height: 5 1/4 in x diameter: 3 in.Condition: No visible cracks, losses, or restoration under UV light. No major chips. Both items have crazing throughout. The smaller piece does not have any visible chips to the rim and footrim; along the underside, there is wear, consistent with age and use. The large vase has a minute glazing flaw along the upper rim, possibly original to production. Along the underside, there is light wear and a sticker adhered.
Kosta Boda, Sweden. Group of three art glass vessels, all signed and numbered along the underside. Two bowls by Goran Warff (Swedish, 1933-2022). Both in yellow and blue with uniform bubble inclusions throughout the bodies. The blue bowl numbered 59911; the yellow bowl numbered 2050203. One blue tall vase by Monica Backstrom (Swedish, 1939-2020). With a textured body fading to smooth glass along the top; numbered 40032.Height ranges from 4 1/2 in to 14 in; diameter ranges from 3 1/2 in to 9 3/4 in.Condition: No visible chips, cracks, or losses. No visible signs of restoration under UV light. Two circular bowls have protective felt pads adhered to the underside. No chips along the rim.
Barton S. Hays (American, 1826-1914). Two oil on board still life paintings. One depicting grapes, apples and plums on a table, and the other depicting a bouquet of red roses in a vase. The still life of flowers is initialed along the lower right.Although Hays initially gained popularity for his portraiture - such as his painting of then-governor of Indiana, William Henry Harrison - his focus shifted to still life paintings after his move to Minneapolis and it was these realistic paintings that were his most popular. He also created panorama paintings such as his painting depicting scenes from Harriet Beecher Stowe's iconic novel "Uncle Tom's Cabin."Fruits; height: 9 1/4 in x width:12 1/2 in.; Roses; height: 12 1/4 in x width: 18 1/4 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Amelia Browne Sprague (American, 1870-1951) for Rookwood Pottery, United States. Studio pottery vase decorated with flowers. Stamped along the bottom with a Rookwood Pottery "RP" mark, numbered "900C," and signed. Founded by Maria Longworth Storer Nichols in 1880, Rookwood was one of the first female-led pottery manufacturers.Height: 8 1/4 in x width: 4 1/2 in.Condition: No visible cracks or losses. No visible signs of restoration under UV light. No major chip; there is a minute chip to the underside. Crazing to the glaze throughout. Light wear throughout. Along the exterior, there is a minute white accretion that does not alter the overall appearance of the vase; please see the listing image. Along the interior, there is a light hairline crack, measuring approx 4 in, that is not visible from the exterior. Along the underside, there is wear and light grey discoloration as shown in the listing image.
Van Briggle Art Pottery, Colorado, USA. Studio pottery ceramic vase with a gray "oatmeal" glaze, 1905. Marked with the Van Briggle logo of two conjoined A's, "Van Briggle," dated, and further incised VX along the underside.Height: 6 1/4 in x diameter: 4 1/2 in.Condition: No visible cracks or signs of restoration under UV light. Light wear throughout. There is a minute chip to the footrim. No visible chip to the top rim. Original firing and glazing flaws. Along the exterior, there are a few water streaks. Wear along the underside, consistent with age and use.
John Gerletti (American, 20th/21st c). Handblown glass vase of undulating form in lavender fused with ochre, red, pink, white, and blue, 1983. Criss-crossed with dark lines throughout. Signed, dated, and incised "La Verne" along the underside.Height: 12 1/2 in x width: 9 1/2 in x depth: 8 1/2 in.Condition: No visible cracks, chips, losses, or restorations. Bubbles throughout original to the artistic process. Very light wear consistent with light use and age. Some light roughness to the pontil, likely original to the artistic process.
Oil on canvas painting depicting a still life with an Asian porcelain vase with white calla lilies and pink lilies. Inscribed along the verso "Wm Hubacek."Sight; height: 21 1/2 in x width: 13 1/4 in. Framed; height: 25 1/2 in x width: 17 1/2 in.Condition: The colors are bold and bright. The surface is stable. There are several areas of inpainting throughout the artwork, visible under UV light. Most notable in the following areas: both of the white calla lilies and the right margin. There are numerous other areas of inpainting throughout. There are stretcher bar marks throughout all four side. Along the verso, there are six noticeable patches corresponding to areas of inpainting on the recto. There is wear to the extreme edges of the canvas along the verso. All but one stretcher key is missing. Wear to the frame.
Rozenburg Plateelfabriek, The Netherlands. Glazed pottery vase with abstracted forms of orange, green, purple, and yellow, ca. 1893-1900. With numerous marks along the underside including "den Haag," an anchor, a stork, style number 269, and a square mark of approval.Height: 13 1/4 in x width: 5 1/4 in.Condition: Wear throughout. No major chips or losses. No visible cracks. Crazing to the glaze throughout the item. The color is bold and bright. Minute chips along the rim and footrim. Dust collected along the interior. Along the interior and exterior of the item, there are a few scattered areas with adhesive residue, which can be easily cleaned. Wear along the underside, consistent with age and use.
Otto Natzler (Austrian/American, 1908-2007) and Gertrud Natzler (Austrian/American, 1908-1971). Volcanic glazed yellow and black studio ceramic pottery vase or cup. Marked along the underside.Otto Natzler worked with his wife Gertrud in their Californian studio throughout the 20th century. From 1938 until Gertrud's death, the duo produced an increasingly notable body of work and elevated ceramics into fine art, with Gertrud as the potter using her refined wheel-thrown process for getting even eggshell-thin results and popularizing native California clay and Otto as the glazer going through experimental phases and thousands of colors. Gertrud's forms were reminiscent of the Vienna Secessionist movement, while Otto perfected over 2,000 colors and styles of glazes. In 1999, Modernism Magazine declared that the Natzler's work was "among the finest pottery of all time."Height: 5 1/2 in x diameter: 3 1/2 in.Condition: The vase is in good condition with no visible cracks or losses, or major chips. There is a minute chip to the rim. Along the underside, there are light marks from an adhesive sticker. Light wear to the underside. When inspected under UV light, there is no visible sign of restoration.
Van Briggle Art Pottery, Colorado, USA. Studio pottery ceramic vase decorated with three Native American heads below the top rim in Mountain Craig II glaze, ca. 1920. Marked with the Van Briggle logo of two conjoined A's, and "Van Briggle. Colo, Spgs." along the underside.Height: 11 1/4 in x diameter: 5 in.Condition: No signs of restoration under UV light. Along the underside, there is a chip, measuring 1 in; please see the listing image. Light wear throughout the item. Dust collected to the recessed areas. Light grey minute accretions, possibly paint, throughout the exterior as shown in the listing image. Wear along the underside, consistent with age and use.
Van Briggle Art Pottery, Colorado, USA. Studio pottery ceramic vase with a blue and green glaze and decorated with stylized arrows along the exterior, 1905. Marked with the Van Briggle logo of two conjoined A's, "Van Briggle," dated, impressed Roman numeral I, and further incised 5 in a circle along the underside.Height: 9 3/4 in x diameter: 4 1/2 in.Condition: No visible chips, losses, or signs of restoration under UV light. To the top rim, there is a very light crack, measuring 1/2 in, that does not affect the sturdiness of the item. Along the exterior, there are several minute scattered accretions; please see the listing image. Along the underside, there is wear, consistent with age and use.
Monica Backstrom (Swedish, 1939-2020) for Kosta Boda, Sweden. Glass vase with a textured surface and cutaways to reveal apple green and cobalt blue layers. Signed and numbered 40038 along the underside.Height: 8 in x width: 6 1/2 in x depth: 6 1/4 in.Condition: No visible chips, cracks, or losses. No visible sign of restoration under UV light. Dust collected along the interior, which can be easily cleaned. Light wear along the underside.
Laura E. Lindman (American, 1873-1967) for Rookwood Pottery, United States. Studio pottery vase decorated with autumn leaves, ca. 1905. Stamped along the bottom with a Rookwood Pottery "RP" mark, numbered "927F," and signed. Founded by Maria Longworth Storer Nichols in 1880, Rookwood was one of the first female-led pottery manufacturers.Height: 5 1/2 in x diameter: 4 in.Condition: No visible chips, cracks, or losses. No visible sign of restoration under UV light. There is crazing visible throughout the vase. No visible chips to the rim. Wear along the underside, consistent with age and use. A few minute scattered surface scratches. There is adhesive residue from the felt along the underside. There are three felt tabs affixed along the underside as well as a sticker.
Venini Murano mid-century modern "Monofiori Balloton" handblown glass vase in bright yellow with a blue rim. With a graduated diamond-pattern throughout narrowing to a slim neck that is fluted outwards.Height: 6 1/2 in x diameter: 5 1/4 in.Condition: No chips, cracks, or losses. One small bubble inclusion, original to the artistic process, along the lower edge. Extremely light wear throughout. Some very light roughness to the pontil, likely original.
Lonhuda Pottery Co., Steubenville, Ohio. Studio pottery vase decorated with flowers, possibly Forsythia. Impressed 4F in a shield, numbered 110, and marked Lonhuda along the underside.Height: 9 1/4 in x diameter: 5 1/2 in.Condition: No visible cracks or signs of restoration under UV light. No major chips or losses. There are three chips to the rim; please see the listing image. There is another chip along the underside, measuring 1/8 in. Along the largest plant the glaze is matte, likely a reaction during production, that fluoresces under UV light. Wear throughout the item. There is crazing throughout. Wear along the underside; there is a sticker adhered to the underside as well.
Rorstrand, Stockholm, Sweden. Group of three pieces of Swedish mid-century modern art pottery all designed by Carl Harry Stalhane (Swedish, 1920-1990) and marked with his initials and the Rorstrand company mark along the underside, including one small vase in dark blue glaze, marked "SAF" along the underside; one larger vase in hare's fur glaze, marked "CEB" along the underside, formerly part of the collection of Marion Nelson, an art professor at the University of Minnesota; and one bowl in a mottled dark blue-green matte glaze, marked "CER" along the underside.Dish; height: 1 1/2 in x diameter: 8 1/2 in. Small vase; height: 4 3/4 in x diameter: 3 1/2 in. Large vase; height: 6 1/2 in x diameter: 6 in.Condition: No visible cracks, chips, or losses. No visible signs of restoration under UV light. No visible chips to the rim or footrim. Very light wear throughout, consistent with age and use. Throughout all three items, there are a few minute scattered areas with adhesive residue that are fluorescent under UV light, which can be easily cleaned. Light wear along the underside, consistent with use and age. Along the upper-side of the plate, there are networks of surface bubbles; however, it appears to be an original glazing flaw. Along the rim of the plate, there is very light crazing, only visible under UV light.
Edith Noonan (American, 1881-1978) for Rookwood Pottery, United States. Studio pottery vase decorated with thistles or flowers, ca. 1904. Stamped along the bottom with a Rookwood Pottery "RP" mark, numbered "926D," and signed. Founded by Maria Longworth Storer Nichols in 1880, Rookwood was one of the first female-led pottery manufacturers.Height: 7 in x diameter: 3 1/2 in.Condition: No visible chips, cracks, or losses. No visible sign of restoration under UV light. Along the exterior, there is crazing to the glaze. Along the underside, there is very light wear. Dust collected along the interior.
Van Briggle Art Pottery, Colorado, USA. Studio pottery ceramic vase with a dusty blue-gray glaze and decorated with stylized Art Nouveau designs along the exterior, 1904. Marked with the Van Briggle logo of two conjoined A's, "Van Briggle," dated, impressed 296, and further incised VX along the underside.Height: 7 1/4 in x diameter: 4 in.Condition: No visible chips along the rim. No visible cracks or signs of restoration under UV light. Near the foot, there are two minute chips; please see the listing image. To the exterior near the rim, there is a minute chip. Along the interior, there are unidentified residue, likely from use. Light wear throughout. Wear along the underside, consistent with age and use.
Beatrice Wood "Beato" (American, 1893-1998). Rounded conical ceramic pottery vase. Luster glazed stoneware. Decorated with sigils along the interior and exterior. Signed along the underside.Beatrice Wood was heavily involved in the Avant Garde movement in the United States. She founded and edited The Blind Man and Rongwrong magazines in New York City with Marcel Duchamp and Henri-Pierre Roche in 1917. These magazines were originally created to defend Duchamp's famous submission of a urinal under the pseudonym of R. Mutt to the First Exhibition of the Society of Independent Artists in April of that same year. She was often characterized as the "Mama of Dada," as she was among the earliest pioneers of the Dada art movement in the U.S. Wood was also the inspiration for the fictional character Rose DeWitt Bukater in James Cameron's hit movie "Titanic" (1997).Height: 5 1/2 in x width: 10 3/4 in.Condition: No visible cracks, chips, or losses. No visible signs of restoration under UV light. Very light wear throughout, particularly along the underside. Throughout the item, there are areas of uneven coloration; however, they appear to be original to the design.
Victor Emanuel "Vicke" Lindstrand (Swedish, 1904-1983). Kosta glass vase depicting a figure skater with carefully incised lines swirling throughout representing her journey on the ice. Incised "Kosta LG 272" along the underside.HeightL 12 1/4 in x width: 5 1/4 in x depth: 3 in.Condition: no visible chips, cracks, losses, or restorations. Very light wear throughout consistent with minimal use. Some small scratches to the underside. There is a water mark along the bottom of the interior of the vase consistent with use.
Daniel Gaumer (American, 20th/21st c). Handblown glass vase of undulating form with swirling and mottled decoration in pink, blue, aqua, purple, and white, 1991. Etched signature and date along the lower edge.Height: 10 in x width: 13 1/2 in x depth: 9 1/2 in.Condition: No visible chips, cracks, losses, or restorations. Light wear throughout consistent with age and use. Some light roughness to the pontil, original to production. There are two felt tabs affixed along the underside. There are two spots were two more felt tabs were once affixed but are now missing.
Susanne G. Stephenson (American, b. 1935). Ceramic, terra cotta, and clay slip vase titled "Cut Edge Vase." Inscribed in pencil along the underside "V-29."Provenance: Distinguished Corporate Collection, Minnesota.Height: 18 in x width: 10 in x depth: 10 in.Condition: The item is in good condition with no visible chips, cracks, or losses. Original glazing and firing flaws. No visible sign of restoration under UV light. Under UV light, there is a sticker mark visible to the interior of the top. Wear to the underside, consistent with age and use.
A large vase, Silver 833/000, Profuse reliefs decoration of shells and volutes, Oporto hallmark (1938-1984) and goldsmith's mark Henrique Cândido da Cruz, Herdeiros (1958-1967), Original container and grid, (signs of wear), Literature:, VIDAL, Manuel Gonçalves; ALMEIDA, Fernando Moitinho de - "Marcas de Contrastes e Ourives Portugueses (1887 a 1993)", vol. II. Lisboa: IN-CM, nrs. 49 and 1905.Height: 43,5 cm, 3638 g,
A vase / lamp, Chinese porcelain, Polychrome "Famille Verte" enamelled decoration with four panels to body interspersing two landscapes with qilin and two with ducks, Long neck of floral decoration and two handles, Kangxi reign (1666-1722), Wired for electricity, (minor faults and restoration), Height: 22,5 cm (vase)
A vase, Silver 833/000, Roses reliefs frieze decoration, Oporto hallmark (1938-1984) and goldsmith's mark António Alves Pacheco (1932-1978), (signs of wear), Literature:, VIDAL, Manuel Gonçalves; ALMEIDA, Fernando Moitinho de - "Marcas de Contrastes e Ourives Portugueses (1887 a 1993)", vol. II. Lisboa: IN-CM, nr. 49 and 1262.Height: 21 cm, 550 g,
A vase, Ostrich egg structure, Base and rim of applied silver 925/000 elements, Lisbon hallmark (1985-2020) and goldsmith's mark António Amaral Pereira (1950) (Vidal - 45 and 363), Literature:, VIDAL, Manuel Gonçalves; ALMEIDA, Fernando Moitinho de - "Marcas de Contrastes e Ourives Portugueses (1887 a 1993)", vol. II. Lisboa: IN-CM, nr. 4106 and 363.Height: 24 cm
A small Royal Worcester fruit painted pot pourri vase and cover by William Roberts, decorated with peaches, grapes and cherries, black printed marks, H/279 and DH in black script, 12.5cms; and another similar decorated with apples and cherries, black printed marks, H/291A and DH in script, 130cms. (2)
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