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Royal Worcester trinket box and Locke vase including: Royal Worcester lidded miniature casket, marked to base, (diameter 3.5cm approx); and Locke, Worcester, hand painted posy vase, pheasant decorated, marked to base for Locke, Worcester, Shrub Hill Works, (height 9cm approx).
Hendrik Reekers (1815–1854) Dutch A plentiful still life with varied game and hunting accoutrements, flowers and fruit on a silver platter before a Classical urn and arranged on a stone ledge Signed, oil on panel, 92cm by 80cmProvenance: The Ledger Galleries Ltd, London, September 1963 Hendrik Reekers worked as an artist in nineteenth century Haarlem. He learned under two great painters, his own father Johannes Reekers the Elder (1790-1858) and Gregorius Jacobus Johannes van Os (1782-1861), a still life and landscape painter. Reekers followed in his teacher’s example, with his oeuvre consisting of still life oil paintings and studies on paper that closely emulate the highly detailed, luscious images created by van Os and the accurately represented fruit and comprehensive studies by Reekers the Elder. He also became a teacher himself in 1837 and went on to travel frequently to Paris and Brussels before he died at 38.The painting is a showcase of the artists’ technical ability and continues the Dutch tradition of still life painting. Reekers has accurately depicted poultry game typically hunted in the Autumn season, pigeon, partridge and pheasant. Along with the game is an artful arrangement of flowers in vase, including Auriculas, Rhododendrons, Carnations, Heather, and Roses. To add to the richness of the almost life size composition, Reekers included fruits not native to the Netherlands. These luxury fruits of pineapple, lemons, pomegranate, and peaches would have been imported or specially cultivated, alluding to the global trade the Netherlands participated and the wealth it produced for the participants.This painting, like many of Reekers’ artworks and the still life genre in general, strikes a tension between highly realistic representation and artificial composition. Though the game is traditionally of the Autumn season, most flowers have their season in spring to late summer. So, although the arrangement of items may seem careless and haphazard, it was meticulously planned out, perhaps using stock drawings of some of the items either not in season or difficult to obtain.
Cadinen - Kaiser Wilhelm II., 4 Teile eines Mokkaservice: Kännchen (Höhe 16cm, Henkel geklebt), Tasse, Milchkännchen und kleine Zuckerschale, jeweils seitlich Kaiserkrone und Monogramm "WH" für Wilhelm und Hermine. Dazu eine kleine Vase (12cm) und ein Gedeck mit Tasse, Untertasse und Teller (19cm). Braunes Steingut glasiert, Goldränder, alle unterseitig mit Prägestempel "CADINEN" und Kaiserkrone. - Zustand II
A Doulton Lambeth Carrara vase with floral design by Eliza Simmance, a Doulton Burslem blush style pedestal bowl and a Silicon ware jar (3), tallest 32cm tall. The vase and the bowl are in good condition, some surface wear, small base rim chip to Burslem piece, Silicon ware bowl af.
A 19th century Chinese blue and white porcelain vase, of bottle shape, painted with figures, four character mark to base, 27cm high, together with a collection of 19th century and later Chinese and Japanese porcelainBottle vase has some light overall wear and tiny chips around the lip and foot rim. Paint spots on the surface from decorating. No other visible damage or repairs. Firing crack around the inside of the foot rim. Dirty. Clearly signed to base. Collected from a local house clearance in Suffolk.
A CHINESE BLUE AND WHITE SLEEVE VASE, 17TH CENTURY painted with a man astride a turtle traversing a river with others in pursuit, the reverse with a rocky ravine, the waisted neck with a band of upright leaves, anua bands to the neck and base. 27.5cm highNo chips, cracks or restoration. In very good condition.
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