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Click here to subscribeA Chinese famille verte enamelled biscuit porcelain vase, probably Kangxi period, the lobed body decorated with mythical figures opposing applied prunus, picked out in green, yellow and aubergine, beneath a pair of handles and garlic neck, height approx 19.5cm (one handle restored), together with a small group of Chinese blue and white export porcelain teaware (some faults).
A Chinese famille rose export porcelain vase, Qianlong period, the elongated ovoid body painted with opposing scenes depicting figures and dogs in an interior setting, reserved against a gilt speckled ground of relief moulded flowers, height approx 27.5cm (reduced neck and rim restoration).
A set of four Chinese famille rose export porcelain plates, Yongzheng/Qianlong period, each centre enamelled with a brown and gilt bird, a peony filled vase, further flowers and a fruit bowl, the rim with ruyi head flower trellis decoration, diameter approx 22.5cm (one with hairline crack and rim chips).
A pair of Japanese Fukagawa Koransha porcelain bottle vases, Meiji period, each ribbed cylindrical neck and bulbous body decorated in iron red with birds and flowers on a gilt ground, beneath a blue and turquoise key fret rim, underglaze blue orchid mark to bases, height approx 22cm, together with a Chinese blue and white beaker vase, late 19th Century, painted with prunus, pseudo six character mark of Kangxi to base (chips to rim).
A Chinese porcelain vase, Republic period, the ovoid body finely painted with a scene of a lady and gentleman making an offering to a man standing beside his horse, beside a pine tree and rocks, the reverse with lines of black text and a red seal, iron red seal mark to base, height approx 10cm.
A Troika pottery marmalade pot, circa 1964-1970, of cube form, each side decorated with a textured roundel against a brown ground, black painted factory mark and artist`s monogram to base, height approx 9cm, together with a Norwegian Porsgrund blue and white vase, green printed factory mark and blue printed `M2186` and `D78135` to base, height approx 12.5cm.
An Ernst Wahliss porcelain vase, early 20th Century, the elongated ovoid body painted with a maiden wearing a laurel leaf headdress and a yellow dress, holding an artist`s brush and palette, signed Stückler, against a green ground, flanked by a pair of scroll handles decorated with gilt scrolls, iron red printed factory mark and inscribed `182` to base, height approx 24cm (minor faults).
A Copeland `Spodes Italian` pattern blue and white biscuit barrel and cover, with wicker handle (faults), together with a collection of Spode `Italian` pattern blue and white table wares, including a jardinière, vase, butter dish and cover, plates, cups and saucers, and three other pieces of Spode blue and white, comprising a plate, jelly mould and jug.
A frosted and clear cut glass carafe, the ogee body decorated with scrolling stems of flowers, a clear cut glass ewer decanter and stopper decorated with leaf shaped panels, a blue flash overlay clear cut glass vase (chip to base), and a collection of other clear cut and blue flash overlay glassware.
A Bohemian cranberry flash overlay clear glass carafe and beaker, 20th Century, decorated with fan and hobnail cut panels, a Bohemian cranberry flash overlay clear cut glass vase, together with other cranberry and ruby flash overlay glassware, including a set of eight wine glasses.
A Bohemian white and blue flash overlay clear glass vase, late 19th Century, with shaped rim, the flared neck cut with shaped panels filled with gilt scrolls above a squat globular body cut with quatrefoils within lattice decoration heightened in gilt, on a circular foot, height approx 25cm.
A pair of Royal Doulton Slaters Patent vases, each ovoid body enamelled with blue and white flowers against a buff lace effect ground between blue and green glazed stiff leaf borders, impressed factory marks to bases, height approx 30cm, together with a similar jardinière and vase.
A Royal Doulton Lambeth stoneware ovoid vase, early 20th Century, by Ethel Beard, the tapering neck incised with scrolling stems of berries against a foliate textured mottled green ground, flanked by two similarly decorated handles, above vertical panels decorated in blue alternating with purple, impressed factory mark and incised artist`s monogram to base, height approx 26.5cm, together with a pair of similar vases of hexagonal baluster form, impressed factory marks to bases, height approx 29cm.
A Crown Derby porcelain turquoise glazed vase, circa 1878-1890, the tapering cylindrical neck painted with a foliate band picked out in white and gilt beads, above a tapering body, gilt and enamelled with a bird perched on a blossoming branch opposing dragonflies and a moth flying amongst a stem of heather, flanked by gilt lioness handles, printed factory mark to base, height approx 21.5cm.
A Poole white earthenware two handled vase, 1930s, painted with the Truda Carter pattern AP, the stout ovoid body painted by Rene Hayes with a band of polychrome flowers, impressed factory mark, incised shape number `401` and painted pattern and artist`s monogram to base, height approx 13cm.
A Bohemian cranberry and amber flash overlay clear glass goblet, late 19th Century, engraved with a stag in a woodland landscape flanked by floral panels, on a circular petal rim foot, height approx 12.5cm, a ruby flash overlay clear glass goblet, late 19th Century, engraved with three panels of stags and a hunting dog in woodland landscapes, on a circular petal rim foot, height approx 12.5cm (chip to rim), a ruby flash overlay clear glass vase cut with roundels and stars, and another ruby flash overlay goblet decorated in gilt with scrolls.
A Meissen porcelain love group, late 19th Century, modelled in the round with three pairs of lovers around a central tree, on a circular base, crossed swords in underglaze blue and incised `D93` to base, height approx 37cm (missing tree section replaced with a gilt metal trumpet vase and some other faults), together with a Meissen tree trunk section.
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