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Click here to subscribeThree boxes of various chinaware, alabaster Chinese soapstone vase/brush pot, Chinese vase table lamp, various china posies by Royal Doulton, Royal Albert, etc, blue and white meat plates, Dame Laura Knight George VI Coronation mug, other ornamental wares, together with 3 mirrors and 3 pictures etc.
A collection of various pottery and porcelain to include Delft vase with floral decoration, signed to base "CP Kam", a slipware dish monogrammed "MP", a creamware glazed fireside ornament as a recumbent lion, a Chinese glazed porcelain model of a finger citron and a squash, prunus blossom decorated lamp, two tea bowls, various saucers, two Chelsea style squat candlesticks, cream jug and an ironstone serving dish CONDITION REPORTS The Delft vase has several large chips to the top and base as well as chipping to the glaze in various places to the body. Slipware dish has crazing to the glaze as well as surface scratching. The fireside ornament or lion has been broken in half and re-glued, chips all over to the glaze. Prunus lamp - the ginger jar has been drilled through the bottom and top. The tea bowls and saucers all have some roughness or minor nibbles/chips to the edges apart from the pink hued saucer which is broken in half. Chelsea candlesticks have been badly broken and repaired, re-painted , have hairline cracks, loss to the gilding, enamel, paintwork etc. Cream jug has crazing to the glaze, discolouration and staining all over both inside and out and ironstone serving dish has losses to the gilding and enamel and has an adhesive sticker stuck to the back. All items have general wear and tear to include losses to the paintwork, some minor chips etc, surface scratches, in need of a clean - see images for more details
An 18th Century Chelsea or Derby frill vase and cover with floral encrusted and pierced decoration, the baluster-shaped body decorated with exotic birds amongst foliage CONDITION REPORTS The finial on the lid has been off and re-glued and there seems to have been some work to the underside. There are losses to the flowers etc throughout and various chips to the ribbon work. The main vase is in a similar condition and there is an area of ribbon work completely missing to one side at the top and to the same section to the right hand side. Crazing all over, discolouration, various firing faults throughout especially noticeable to the base. Measures approximately 30 cm total height. General wear and tear conducive with age and use to include surface scratches, wear to the enamel and gilding. In need of a good clean etc. See images for further details
An early 20th Century mahogany salon suite in the Georgian taste to include carved chair, three single chairs and two seat settee with vase-shaped back splats, raised on cabriole front legs to stretchered bases, together with a mid 20th Century oak extending dining table on turned supports
An oak and silver plated mounted tantalus with three decanters and stoppers, a brass and walnut writing slope, a brown Westhead & Moore jessamine pattern meat platter, two Baxter prints "Verona" and "Circassian Lady", a Wade Harvest Ware vase and a floral encrusted two handled vase, together with a firescreen
A small Derby twin handled vase, standing on pink, white and gilt rimmed square base, decorated with sepia ladies heads and pink oval medallions, entwined with green and sepia swags Circa 1770 gold anchor mark and patch marks Size 18.5 cm high approx Condition - old restoration to top rim and one handle and through pink soccle
A Royal Worcester matte glazed pedestal vase, 1898, twin handled ovoid form with clematis decoration on a pale blue ground, highlighted in gilt, with acanthus moulded handles, the stepped and leaf lappet moulded base in fading green and pink bands, burnished gilt and beige neck, puce marks, 1969, 38.5cm high
A George V silver half pint cylindrical tankard, plain on reeded foot, A & J Zimmerman, Birmingham, 1913 together with an Elizabeth II posy vase, plain tapering form with gadrooned collar on circular beaded foot, Barker Ellis silver company, Birmingham, 1964 (2)225.3 grams
Arthur Lewis for Royal Worcester, a twin handled pedestal vase, 1909, painted in the round with storks in a misty riverside and woodland landscape, between acanthus and scroll moulded borders, the handles modelled as heads below garland wreaths, the neck with Renaissance panels below swags, signed, puce marks, 1410, 28cm highCondition: no damage or restoration
A Chinese blue and white floral bottle vase, Qianlong mark and of the period, ovoid form with elongated flared neck, the body decorated in the Ming style with lotus flowers within a foliate scroll ground, above a band of geometric lappets and foliate scrolls to the foot, the shoulder with lotus flowers and pendent ruyi heads below a Greek key and stiff leaf neck, the rim with a band of breaking waves above ruyi heads, six character seal mark to the base, 37cm highNote: similar examples in the same design are housed in the Palace Museum, Beijing, Shanghai Museum and the Topkapi Saray Museum. See: The Official Kiln Porcelain of the Chinese Qing Dynasty, Shanghai, 2003, p. 233; Zhongguo taoci quanji, vol. 15, Shanghai, 2000, pl. 2; Regina Krahl 1986. Chinese Ceramics in the Topkapi Saray Museum, vol. III, London, pl. 2564Several examples have sold at auction including Sothebys the Toguri collection, sold, 9th June 2004, lot 5, and 10th November 2010, lot 102A.
George Owen for Royal Worcester, a reticulated twin handled vase, 1910, Perisan bottle form with pierced and moulded handles, the body with honeycomb piercing, decorated with raised gilt jewels and milled scroll banding, moulded leaf and applied balls, incised signature, gilt marks and number 305, 16cm highCondition: no damage or restoration
Christopher Dresser (attributed) for Royal Worcester, an Aesthetic Movement spill vase, 1875, in the Oriental style, painted with a stork within grass and prunus, between key banding and egg and dart borders, on a reticulated and integrated Chinese hardwood simulated stand, puce mark, 27cm highcondition: restoration to the rim and body
Daisy Makeig-Jones for Wedgwood, a Daventry lustre vase, inverse baluster form with panels of Chinese landscapes, purple ground with orange and green borders, z5413, 26cm highcondition: cracks and repairs throughoutPedigree - the property of Ann Makeig-Jones. Direct descendant of Josiah Wedgwood I, and niece of Daisy Makeig-Jones
George Owen for Royal Worcester, a reticulated ewer vase, 1919, ovoid, footed form with acanthus moulded and pierced handle, three bands of honeycomb and Persian foliate piercing, on a domed foot with raided ball decoration, raised gilt dots throughout, signed and gilt mark, 1581, 16cm highCondition: no damage or restoration
Daisy Makeig-Jones for Wedgwood, a Daventry lustre vase, ovoid form, red ground with Oriental panelled design, 20cm highcondition: no apparent damage or restorationPedigree - the property of Ann Makeig-Jones. Direct descendant of Josiah Wedgwood I, and niece of Daisy Makeig-Jones
Albion Birks for Minton, a pate sur pate vase, Neoclassical pedestal form with moulded wreath handles, teal green ground decorated with an image of a woman playing a tambourine, the reverse with putti frolicking in a tree house, signed, gilt mark and incised 2449, 31cm high
George Owen for Royal Worcester, a reticulated vase and cover, 1912, pierced and moulded foliate arcading above a honeycomb band and raised milled gilt foliate border, decorated throughout with gilt jewelling, incised signature and gilt marks, 169, 16.5cm highCondition: No damage or restoration
Daisy Makeig-Jones for Wedgwood, a Flame Daventry lustre vase, circa 1926, shouldered form, decorated with panels of Chinese landscapes and figures, z5413, gilt marks, 20cm highNote: see Fontaines, U. 1975. Wedgwood Fairyland Lustre, p.253 pl.66 for a similar exampleCondition Report: No apparent damage or restorationPedigree - the property of Ann Makeig-Jones. Direct descendant of Josiah Wedgwood I, and niece of Daisy Makeig-Jones
FRENCH GILT METAL AND GREEN ONYX ART NOUVEAU DESIGN FIGURAL CLOCK GARNITURE comprising two train clock with French brass drum movement, striking on one bell, surmounted by two emblematic figures, entitled: 'Retour de Chasse', together with two vase shaped, gilt metal supporters on green onyx bases, all standing on scrolled, foliate feet. The clock 74cm high approx., the supporters 50cm approx. (includes pendulum and key) (3) (B.P. 24% incl. VAT) CONDITION REPORT: Overall appears to be in good condition, the metal mounts appear to have been over sprayed, a number of evident cracks in places to the green onyx although no obvious total losses, possible replacement sections noted. Repairs/cracks noted to fingers, close and detailed further inspection on request.
Three English Vases, including a Royal Doulton Bottleneck vase, approx 38 cms, with turquoise and white gilt band, incised factory marks to base, a 20th century Moorcroft Lustre Ware Vase, approx 33 cms together with a 19th Century Foley Brain & Co Ironstone Pillar Vase, with oriental decoration, approx 35 cms. (3)
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