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Lot 51

'Druide' no.937 a Lalique opalescent glass vase designed by Rene Lalique, with green staining, moulded R Lalique, 18cm. high This vase was introduced in 1924.

Lot 277

A Poole Pottery Atlantis vase by Guy Sydenham, tapering cylindrical form, incised with vertical geometric columns, glazed white, turquoise and sand, another taller and another Atlantis vase with arched groove decoration, impressed and incised marks, 21cm. high (tallest), (3)

Lot 563

A set of four Thomas Goodfellow Aesthetic Movement silver napkin rings, in original presentation case, each chased with flying and resting cranes, a parasol and sailing junk flanking central vase of flowers stamped marks, TG London 1894 4.5cm. wide

Lot 120

A Hancock & Son Morrisware vase designed by George Cartlidge, pattern no. C9-7, cylindrical with swollen neck, tubeline decorated with thistle stems, in purple and blue-green on a mottled green ground, and a Morrisware vase similar pattern C9-9, printed factory mark, painted facsimile signature, 16cm. high (2) Literature Tony Johnson The Morris Ware, Tiles and Art of George Cartlidge, page 92 catalogue number 253. Provenance The Collection of Tony Johnson This lot is sold with a copy of The Morris Ware, Tiles & Art of George Cartlidge, by Tony Johnson.

Lot 213

'Green Erin' a Clarice Cliff Bizarre 358 vase, painted in colours between green bands, printed factory marks, 20.5cm. high

Lot 343

An unusual Arabia pottery wall plate by Toini Muona, dated 1932, painted possibly with a self-portrait at the wheel, working on a low vase on the wheel, with two tall vases drying on a shelf behind and four low bowls glazed turquoise in the foreground, another female potter watching on, painted in colours painted Arabia and TM monogram, 25.5cm. diam.

Lot 217

'House and Bridge' a Clarice Cliff Fantasque Bizarre 365 vase, painted in colours between yellow, orange, red and black printed factory mark, 20cm. high

Lot 87

The Apothecary a Royal Doulton limited edition twin-handled vase designed by Charles Noke, modelled in low relief, painted in colours printed and painted marks, impressed Noke signature to side, 15.5cm. high

Lot 334

A Boch Freres La Louviere Keramis vase designed by Charles Catteau, waisted, pear shaped form, painted with fruit, in colours on a cracked white ground, a continental pottery vase modelled a woman on a painter's palette and a Bingit Zinn Secessionist pewter decanter, shot glasses and tray printed factory marks, 19cm. high (BF vase), (10)

Lot 152

A Susie Cooper Carved Ware vase, swollen cylindrical form, incised with squirrels eating nuts amongst tree boughs, glazed mint green, and another glazed sand yellow incised Susie Cooper England to base 30cm. high (2) Literature Andrew Casey & Ann Eatwell Susie Cooper A Pioneer of Modern Design, Antique Collector's Club, page 46 figure 1 for a comparable vase.

Lot 39

An Austrian iridescent glass vase probably Loetz, ovoid, stepped shoulder with cylindrical neck and everted rim, covered in a crackled blue-green lustre surface finish, a pair of iridescent glass vases with applied tears, another taller and an iridescent glass box and cover, unsigned, 12.5cm. high, (6)

Lot 105

A Moorcroft Pottery Flamminian Ware vase designed by William Moorcroft, shouldered, flaring cylindrical form, modelled and tubeline decorated with a foliate roundel, glazed blue on a red ground, impressed mark, minor professional restoration rim, 22.5cm. high

Lot 158

A Susie Cooper Carved Ware vase, dated 1932, shouldered cylindrical form incised with flowers and foliage in vivid orange glaze, another similar glazed celadon green and four other Susie Cooper Carved Ware vases incised marks, 17.5cm. high (6)

Lot 331

An Arts and Crafts Van Briggle pottery vase, low compressed form, cast to the shoulder with stylised leaves, covered in a graduated turquoise green to blue vellum glaze, incised marks to base, 25cm. wide.

Lot 110

A Hancock & Sons Morrisware vase designed by George Cartlidge, model no. C50-5, cylindrical form with everted rim, painted with flowers stems in pink, green and blue on a mottled green ground, and another Morrisware vase on a blue ground, printed factory mark, painted facsimile signature to one, stress crack to base of green vase, blue vase restored, 17cm. high, (2) Literature Tony Johnson The Morris Ware, Tiles and Art of George Cartlidge, page 106 catalogue number 282 for a comparable vase. Provenance The Collection of Tony Johnson This lot is sold with a copy of The Morris Ware, Tiles & Art of George Cartlidge, by Tony Johnson.

Lot 537

An Art Deco Limoges enamelled vase by Camille Faure, ovoid coper body enamelled in colours with stylised flowers and foliage gilt painted signature, 11cm. high

Lot 393

A pottery beaker vase by Grace Barnsley, flaring cylindrical form, painted with cornflower stems in purple and green on a pink ground, painted monogram, 17cm. high Provenance Sidney Barnsley, Edward Barnsley to Nic Antonini (Edward Barnsley's grandson).

Lot 121

A Hancock & Son Morrisware vase designed by George Cartlidge, pattern no. C10-5, compressed form with tapering neck, painted with flower stems in purple and green on a black ground, printed factory mark, painted facsimile signature, 22.5cm. high. Literature Tony Johnson The Morris Ware, Tiles and Art of George Cartlidge, page 93 catalogue number 254. Provenance The Collection of Tony Johnson This lot is sold with a copy of The Morris Ware, Tiles & Art of George Cartlidge, by Tony Johnson.

Lot 14

An unusual Whitefriars Glass architectural slab panel designed by Geoffrey Baxter, model no.1, rectangular, cast in low relief with a face, a Whitefriars glass Meadow Green vase of tapering textured form, a Whitefriars glass Toby, and a collection of glass including eight Iittala clear glass candlesticks, unsigned, 17cm long, (a lot) Literature This design illustrated in the original Whitefriars catalogue, page 34.

Lot 40

A Loetz Creta Rusticana pewter mounted glass vase, iridescent green glass, swollen form with everted and pulled rim in pewter twin-handled mount stamped 2576 to pewter, 21cm. wide

Lot 268

A Poole Pottery Contemporary vase designed by Alfred Read and Guy Sydenham, shape no. 715, waisted cylindrical form, covered in a Lime Yellow glaze, two Freeform vases with a similar glaze, a Contemporary Carafe vase shape no 937 covered in a Sky Blue glaze and two other vases, printed factory marks, 19.5cm. high (6)

Lot 133

A Hancock & Son Morrisware vase designed by George Cartlidge, pattern no. C11-1, tapering, shouldered form, tubeline decorated with clover flowers in purple and blue on a streaked green-blue ground, and another Morrisware vase similar pattern C11-7, printed factory mark, painted facsimile signature, 27cm. high, (2) Literature Tony Johnson The Morris Ware, Tiles and Art of George Cartlidge, page 93 catalogue number 255 these vases illustrated. Provenance The Collection of Tony Johnson This lot is sold with a copy of The Morris Ware, Tiles & Art of George Cartlidge, by Tony Johnson.

Lot 64

A Leerdam Unica glass vase, low, elliptical form, green and orange stripes cased in clear, and another taller vase with green and blue stripes, etched marks to base under paper retail label on main vase, 14.5cm. wide, (2)

Lot 113

A Hancock & Sons Morrisware vase designed by George Cartlidge, model no. C8-4, tubeline decorated with peony flowers in purple, yellow and green-blue on a mottled green ground, printed factory mark, painted facsimile signature, professional restoration to top rim, 16.5cm. high Literature Tony Johnson The Morris Ware, Tiles and Art of George Cartlidge, page 92 catalogue number 252 this vase illustrated . Provenance The Collection of Tony Johnson This lot is sold with a copy of The Morris Ware, Tiles & Art of George Cartlidge, by Tony Johnson.

Lot 306

Mike Dodd (born 1943) a tall stoneware vase with knopped neck, covered in a thick ash glaze with incised decoration, impressed seal to base, 43cm. high

Lot 118

A Hancock & Son Morrisware vase designed by George Cartlidge, pattern no.C27-5, tapering cylindrical form with everted rim, tubeline decorated with Rhododendron flowers in purple and green on a mottled blue ground, printed facsimile mark, painted facsimile signature, 32cm. high Literature Tony Johnson The Morris Ware, Tiles and Art of George Cartlidge, page 100 catalogue number 268 for comparable vases illustrated. Provenance The Collection of Tony Johnson This lot is sold with a copy of The Morris Ware, Tiles & Art of George Cartlidge, by Tony Johnson.

Lot 103

A Moorcroft Pottery Studio vase designed by William Moorcroft, shouldered form with waisted cylindrical neck, decorated with a carved band to the shoulder, glazed green-blue graduating to white neck, a Moorcroft Pottery vase glazed yellow impressed and painted marks, 35cm. high (2)

Lot 214

'Alton' a Clarice Cliff Fantasque Bizarre Isis vase, painted in colours between black, red and green bands, printed factory mark, professional restoration to top rim, 24.5cm. high

Lot 77

An Iittala glass Varsanjalka vase designed by Tapio Wirkala, slender, swollen form with pulled rim, incised with vertical veins, etched signature, marks and indistinct date, 17cm. high Literature Iittala 125 Years of Finnish Glass Arnoldsche, page 243 for two comparable Varsanjalka (foal's foot) vases illustrated,

Lot 48A

'Rampillon' no.991 a Lalique opalescent glass vase designed by Rene Lalique, wheel cut R Lalique France, 13 cm. high This vase was introduced in 1927.

Lot 119

A Hancock & Son Morrisware vase designed by George Cartlidge, pattern no.C27-4, tapering cylindrical form with everted rim, tubeline decorated with rhododendron flowers in purple and blue on a mottled green ground, printed factory mark, painted facsimile signature, 31.5cm. high Literature Tony Johnson The Morris Ware, Tiles and Art of George Cartlidge, page 100 catalogue number 268 vase illustrated. Provenance The Collection of Tony Johnson This lot is sold with a copy of The Morris Ware, Tiles & Art of George Cartlidge, by Tony Johnson.

Lot 37

A Moser Karlsbad amber glass vase made for the Wiener Werkstatte, flaring faceted form on foot acid etched WW Moser mark, 10.5cm. high

Lot 79

A Doulton Lambeth Faience Aesthetic Movement vase, dated 1873, slender baluster form, painted with stylised sunflowers in yellow, ochre and green, impressed factory mark and painted artist GM cypher, professionally restored rim, 42cm. high

Lot 271

A Poole Pottery Contemporary vase designed by Alfred Read and Guy Sydenham, shape 722 pattern FST, painted with Ice green stylised butterflies on a matt white ground, a vase 342/PX and two Contemporary jardinieres printed and painted marks, 24cm. high (4)

Lot 27

‡ Elizabeth Swinburne Sunshine Was I Dreaming or Did the Sun Go Out a glass vase, flaring form streaked golden brown cased in clear, inscribed in the glass, etched signature to base rim, 16cm. high

Lot 18

A Whitefriars Tangerine glass reversed Drunken Bricklayer vase designed by Geoffrey Baxter, block form, unsigned, 21.5cm. high Provenance Given to the vendor as a present in the early 1970s.

Lot 157

A Susie Cooper Studio Ware vase, dated 1933, pattern E/548, shouldered, twin-handled form, painted with stylised foliage in shades of black, brown, orange and red, highlighted in silver on a cream ground, another painted with columns of stylised foliage in mint green and mushroom, and two other Susie Cooper vases, painted marks, 20cm. high (4) Literature Andrew Casey and Ann Eatwell Susie Cooper, A Pioneer of Modern Design, ACC, page 94 figure 8 for comparable vases.

Lot 100

A Minton's Pottery vase, model no.3708, shouldered form, printed with a peacock standing on an Ionic pillar, in colours with slip applied work, impressed marks, 29.5cm. high

Lot 83

An Art Nouveau Doulton Lambeth stoneware vase, flaring cylindrical form with three applied loop handles, cast in low relief with stylised foliate stems, glazed green and blue on a mottled olive-green and brown ground, a Doulton stoneware vase painted with purple lustre flowers, a Natural Foliage Ware vase and eight other Doulton items, impressed marks, 18cm. high (11)

Lot 232

'Sliced Fruit' a Clarice Cliff Bizarre vase, painted in colours between orange and black bands, printed factory mark, 15cm. high

Lot 259

A Poole Pottery vase designed by Truda Carter, pattern KJ, cylindrical form painted with a stylised eyelid design in shades of mushroom and black on a white ground, another cylindrical vase, an Apple Green glaze part tea set for two, two vases and four other items impressed and painted marks, 13cm. high (13)

Lot 184

'Inspiration Caprice' a tall Clarice Cliff Bizarre Mei Ping vase, painted in shades of blue, pink, purple and ochre on a turquoise Inspiration glaze, painted factory mark, chips to rims, 37cm. high Literature Peter Wentworth-Sheilds and Kay Johnson Clarice Cliff, L'Odeon London, 1976 page 49 plate 13 this vase illustrated. Provenance Peter Wentworth-Sheilds and Kay Johnson Collection.

Lot 29

‡ Norman Stuart-Clarke (born 1944) a studio glass vase, dated 1988, shouldered form opaque glass cased in clear, surface decorated with streaked red, blue and white abstract design, another vase decorated with a petrol iridescence, and a clear glass model of a naked woman, and two other studio glass pieces, etched signature and 88 date, 23cm. high (5)

Lot 249

A Carter Stabler & Adams Poole Pottery Chinese Blue vase designed by John Adams, shouldered form with collar rim, covered in a speckled blue glaze, a floating bowl and three other vases impressed and painted marks, damages, 25cm. high, (5) Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis, page 53 for comparable examples illustrated.

Lot 182

'Latona Tree' a tall Clarice Cliff Bizarre Mei Ping vase, painted in colours on a Latona ground, printed and painted marks, 30.5cm. high Literature Peter Wentworth-Sheilds and Kay Johnson Clarice Cliff, L'Odeon London, 1976 page 50 plate 14 this vase illustrated. Provenance Peter Wentworth-Sheilds and Kay Johnson Collection.

Lot 264

A Carter Stabler & Adams Poole Pottery twin-handled vase by Anne Hatchard, pattern BR designed by Truda Carter, ovoid with twin-loop handles, painted in shades of mint-green, rust, grey and black on a white ground, and another cylindrical vase in the same pattern, impressed and painted marks, 24.5 and 30.5cm. high, (2) Provenance Private collection.

Lot 26

‡ Peter Layton (born 1937) a glass vase, dated 1985, surface decorated with iridescent finish, etched signature and date, 22cm. high

Lot 327

A Sevres pottery vase designed by Paul Milet, slender, shouldered form glazed blue with turquoise and green streaks, stamped Sevres MP mark, glaze nick to base rim, 30cm. high

Lot 150

A Susie Cooper Studio Ware vase, pattern M.77, shouldered form with everted top rim and three applied scroll handles, painted with foliage in shades of mint green, mushroom and yellow on a cream ground, another painted with scroll design and two other Susie Cooper vases, painted marks, 15cm. high (4)

Lot 226A

'Blue Chintz' a Clarice Cliff Fantasque Bizarre Mei Ping vase, painted in colours, a Clarice Cliff 'Oranges' Grapefruit bowl and a saucer, printed factory marks, small chips to rims of vase, 16cm. high, (3)

Lot 15

A Whitefriars Pewter glass vase designed by Geoffrey Baxter, moulded triangular form, two Whitefriars square section vases with Greek Key motif, an Aubergine glass Bark vase and two smaller and a green vase, unsigned 18cm. high (7)

Lot 31

‡ Jon S Clarkson a shouldered glass vase, dated 1970, clear glass internally decorated with green and yellow striations, etched Jon S Clarkson London 1970, 20cm. high

Lot 159

'Forest Glen' a Clarice Cliff cruet set, painted in colours, comprising, salt and pepper pots, mustard pot and cover and a Bon Jour preserve pot and cover, a Daffodil pot and a spill vase painted with the same pattern printed factory marks, repair to finial of preserve pot, 7.5cm. high (salt), (8) Literature Peter Wentworth-Sheilds and Kay Johnson Clarice Cliff, L'Odeon London, 1976 page 37 plate 1 this spill vase illustrated. Provenance Peter Wentworth-Sheilds and Kay Johnson Collection.

Lot 174

'Rhodanthe' a pair of Clarice Cliff Bizarre Biarritz plates, painted in colours, two other Biarritz 'plates and a modern vase painted with a variation of Orange Trees and House, printed factory marks, hairlines to two plates, 26.5cm. wide. (5) Provenance Peter Wentworth-Sheilds and Kay Johnson Collection.

Lot 32

‡ Wayne D Filan a pear shaped glass vase, dated 1970, opaque glass with pale blue swirl and air bubble inclusions, cased in clear, etched to side of base Wayne D Filan, 1970 London 27cm. high

Lot 221

'Orange Roof Cottage' a Clarice Cliff Fantasque Bizarre 365 vase, painted in colours between orange, yellow and black bands, printed factory marks, minor professional restoration to base, 21cm. high

Lot 300

‡ William 'Bill' Marshall (1923-2007) a St Ives pottery stoneware vase, ovoid with collar rim, covered with a textured oatmeal glaze and splashed glaze to shoulder, impressed seal marks, 24cm. high

Lot 135A

An Art Deco Myott & Sons vase, model no.8940, flaring stepped, form painted in shades of pink, pale blue and green, a Clarice Cliff vase moulded with blossom, an Art Deco Burleigh ware Leaping Gazelles jug and two other vases printed marks, 21.5cm. high (5) Literature Andrew Casey Art Deco Ceramics in Britain, Antique Collector's Club, page 213 plate 25.2 for a similar Myott vase. Page 111 plate 13.9 for a Leaping Gazelle jug similar.

Lot 177

'Alton' a Clarice Cliff Bizarre 635 vase, painted in colours printed factory marks, 17cm. high Provenance Peter Wentworth-Sheilds and Kay Johnson Collection.

Lot 125

A Hancock & Son Morrisware vase designed by George Cartlidge, pattern no. C7-11, tapering cylindrical form with everted rim, tubeline decorated with tulip flowers, in purple and green on a blue ground, printed factory mark, painted facsimile signature, 20cm. high Literature Tony Johnson The Morris Ware, Tiles and Art of George Cartlidge, page 91 catalogue number 251 for comparable vases illustrated. Provenance The Collection of Tony Johnson This lot is sold with a copy of The Morris Ware, Tiles & Art of George Cartlidge, by Tony Johnson.

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