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A Royal Worcester spherical vase, decorated half round with fruit by D Bowkett, shape number G161, dated 1951, height 2.75ins, together with a small blush ivory pill box baseCondition Report: Vase in good condition, the patch box is missing its cover and has rubbing to gilding
A pair of tole peintre covered chestnut urnsWith acorn finials, gilt decoration and lion-mask ring handles, on spreading domed feet, 19cm wide, 11cm deep, 33cm high, together with a bronze model of the Warwick Vase, 21cm wide, and a tole peintre samovar with chinoiserie decoration, 25cm wide, 13.5cm deep, 33cm high (4)For further information on this lot please visit Bonhams.com
A Royal Worcester fruit painted vase and cover, by J. CookCirca 1960Of globular form, with twin handles, on a round socle foot and square plinth base, the domed cover with finial handle, 21cm high, black printed marks, shape 2363For further information on this lot please visit Bonhams.com
A Royal Worcester fruit painted vase and cover, painted by Harry AyrtonPost-warPainted to one side with apples and white grapes, and to the other side with peaches and black grapes, on a mossy ground, signed, 33cm high, printed black mark, shape no.1428 (2)For further information on this lot please visit Bonhams.comCondition:The inner lid is missing. The porcelain is in good condition with no cracks or crazing and very few signs of surface marks or wear. There is some darkening to the gilding, particularly in the neck area.
A Florian Ware Moorcroft twin handled Hazledene vaseCirca 1902Of slender tapering form, painted in shades of blue with branching trees in a rolling landscape,printed Florian Ware mark and green painted W.Moorcroft signature, 24.8cm highFor further information on this lot please visit Bonhams.com
A Meissen miniature vaseMid 18th CenturyShell-moulded with two dolphin handles, painted in Kakiemon style with a tiger curling around bamboo on one side and flowering prunus branches on the reverse, brown-edged rim, 10.2cm highFor further information on this lot please visit Bonhams.com
Ambrosius Bosschaert the Younger (Middelburg 1609-1645 Utrecht)Tulips, roses, lily of the valley and other flowers in a glass vase on a stone ledge oil on copper35.6 x 23.3cm (14 x 9 3/16in).Footnotes:ProvenanceWith Kunsthandel P. de Boer, Amsterdam, 1950 Dr. Fred Meijer discusses the present work in a report from 9 August 2019 in which he dates it to 1633 or 1634. In his 1960 book, The Bosschaert Dynasty Laurens Bol illustrated a somewhat similar composition dated 1632, formerly in The Hague Gemeentemuseum. Another example from 1632 also includes two bluebottles on the ledge, but both these arrangements are somewhat compact and sit tighter in the picture plane than the present composition. In the following year, 1633, Bosschaert seems to have allowed more space around his bouquets and made them less compact, as dated examples from that year indicate. An example dated 1635 is composed similarly and includes the same two flies on the table. The comparisons suggest that the present work was executed in 1633 or 1634. An undated still life of flowers and fruit, which will also have originated in or around 1633, judging from stylistic features, includes several flowers that are also included in the present bouquet. An interesting feature of all of these examples is the shadow of the vase, which has a focused spot of light in the centre.Laurens Bol remarked that Ambrosius Bosschaert the Younger might be nicknamed 'The Master of the Bluebottle', since the great majority of his still lifes show a bluebottle in a characteristic pose: tilted forward, licking the surface on which it sits, just like the one on the left on the ledge in the present painting. Still lifes of flowers in a glass vase on a ledge or table top made up Ambrosius Bosschaert the Younger's 'core business.' Their inspiration goes back to examples by his father and by Jan Brueghel the Younger in the first decade of the century. While the presence of the bluebottles may have had vanitas connotations (hinting at decay) and the caterpillar (which becomes a butterfly) may have evoked association with the Resurrection, it is probably inappropriate to read too much profound meaning into a bouquet such as this. Essentially such a work of art allowed the viewer to enjoy fresh flowers all year round, as a feast for the eyes.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Chinese ceramic pillow, decorated Dogs of Fo, 9" wide, a pair of Royal Crown Derby "Imari" pattern plates, a Royal Worcester jug, vases, jasperware and other itemsCondition: Jasperware pieces all have chips to the edges and rims.Small carlton ware vase has heavily chipped top rim.darker blue wedgwood vase has missing base (heavily chipped)Royal worcester jug has chips to rim and spout.Other pieces appear to be okay.
Danish Stoneware: a small suite of Holm Sorensen pottery including a boat shape rectangular bowl 41.5cm long, two matching tapering square section Vases, 27cm and 21.5cm high, a small Posy Vase, 16cm high and a beaker, all similarly decorated with stylised sunflowers in brown, black and turquoise, painted Soholm Danmark to underside (5)
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