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Click here to subscribeA set of six mahogany Chippendale revival dining chairs, including one carver, each with a C-scroll shaped top rail over a leaf moulded pierced vase shaped back splat, above a drop-on seat and gadrooned front seat rail, on leaf carved cabriole front legs terminating in a ball and claw foot (1+5)
A Thomas Webb & Sons miniature cameo glass vase or scent flask of globular form with raised neck, the turquoise and white cased body applied with pale lilac and white cut and etched with convolvulus, clematis and other blooms and foliage with a butterfly verso, 4 cm high, circa. 1890.
Two Bohemian green and white overlaid glass vases one of slender elongate form with knopped stem and petal shaped rim enamelled with a single oval panel of flowers reserved on a gilt scrolling ground, 31 cm high, together with a green and white vase of footed and inverted pear shaped form enamelled with three oval panels of garden flowers between bands of foliate designs reserved on a gilt scrolling ground, 25 cm high, both mid 19th century, some mild rubbing to gold.
A cranberry glass epergne with central trumpet shaped vase flanked by three ‘jack-in-the-pulpit’ shaped vases alternating with three clear glass scrolling branches each supporting a basket, the vases and baskets with tooled clear glass spirals set within a dish with wavy rim, 55 cm high.
A George Jones earthenware vase of finely potted flattened oviform with ring handles decorated front and verso with white pate sur pate ‘classical’ scenes of a pair of soldiers and a horse beneath a band of stiff leaves on a black ground and gilt rim, 10 cm high, impressed crescent mark and gilt pattern no. 5635, circa. 1875.
A Clarice Cliff ‘Bizarre’ pottery Isis vase enamelled with a broad band containing four panels of abstract leaf motifs in orange, blue, green, red and yellow between blue and green bands, 25 cm high, impressed ‘Isis’ with black Bizarre and Newport backstamp.
A Moorcroft pottery pin tray of circular form tube lined in the Orchid pattern in red, blue and yellow on a blue ground, paper warrant label to base, a rectangular box and cover tube lined in the Hibiscus pattern in red, blue and green on a blue ground, impressed Moorcroft, Made in England, with paper warrant label together with a globular vase tube lined in the Poppy pattern in purple, red and green on a blue ground, impressed Moorcroft, Made in England. (4)
A limited edition Moorcroft pottery baluster vase tube lined in the After the Storm pattern, 53 cm high, impressed Moorcroft, Made in England with centenary mark, signed by both Walter and John Moorcroft and dated 19.IX.97 and 15.10.97 respectively, numbered 34/200 together with certificate.
A Bernard Moore flambe pottery vase of squat shouldered form, the body decorated with prunus blooms, foliage and butterflies, the shoulders with peony, chrysanthemum and scrolls interspersed with roundels containing Chinese characters, 18 cm high, painted Bernard Moore and ‘A’, circa. 1910-1920.
A Royal Doulton stoneware vase of tapering form with mildly everted rim decorated front and verso in pate-sur-pate with three finches amongst grasses on a textured ground above a broad band of scrolls, 45 cm high, impressed factory and modeler’s marks with incised 288 with monogram for Florence Barlow assisted by Bessie Newbery, circa. 1902-1909.
A Doulton Lambeth stoneware vase of footed oviform with flaring neck decorated in pate-sur-pate with four geese in flight on a jewelled and incised scrolling foliate band on a textured ground between smaller bands of stiff leaves, 31 cm high, impressed rosette mark and incised 794 with monogram for Florence Barlow and assistants, circa. 1891
A Royal Worcester porcelain vase of globular form with raised knopped neck and strapwork decoration in gold, enamelled by Harry Stinton with a pair of Highland cattle within a rocky landscape, 13 cm high, puce backstamp, pattern no. F126/H, date code for 1917, good restoration to neck.
A Royal Worcester porcelain two handled vase of globular form with raised and florally pierced pan shaped rim enamelled with a broad landscape containing three Highland cattle watering in a misty upland and verso with a Highland lake by John Stinton, 24.5 cm high, puce backstamp and pattern no. 1089 with date code for 1906.
A Royal Worcester porcelain ‘Persian’ vase of squat square profile with long raised neck, the shoulders with four foliate pierced handles printed and enamelled with flowers on an ivory ground with raised gilded decoration, 31 cm high, puce backstamp, pattern no. 1193 and date code for 1887.
A Royal Worcester porcelain two handled vase of globular form with raised spirally moulded and foliate pierced neck and cover printed, gilted and enamelled with chrysanthemum blooms on an ivory ground, 39 cm high, puce backstamp, pattern no.1169 and date code for 1888.
A Royal Worcester porcelain ‘Persian’ vase of tear drop form with raised neck and funnel shaped rim with florally pierced handles printed, enamelled and decorated with raised gilding with a lyre bird amongst stylised blooms and foliage, 44 cm high, gold and puce backstamps, pattern no.1192 and date code for 1889.
A Royal Crown Derby two handled pedestal vase and domed cover the royal blue body with raised and tooled gilding, floral pendants, white and turquoise jewelling and verso with butterflies with a single panel and two subsidiary panels enamelled with roses and other blooms by Desiré Leroy, 14 cm high, painted pattern no. 445/1195, puce backstamp and date code for 1906, small loss to tip of one handle.
A Victorian silver plated epergne, the cut glass trumpet shaped flower vase supported on a tapered reeded and palmette column, the circular base embellished with three mythical winged beasts and foliate borders, registration marks to the base, overall height 58cm.
A late Regency mahogany rectangular occasional table, the snap top with rounded corners and an ebonised inlaid edge, on ring turned vase knopped column and reeded tripod inswept splayed legs, terminating in spade feet, the top 78cm (2ft 6 3/4in) x 56.5cm (1ft 0 1/4in).
A set of six early 19th Century Dutch walnut and floral marquetry dining chairs bordered with boxwood lines, the cartouche-shaped backs with solid vase splats, each decorated with a bird amidst floral foliate stems radiating from an urn, having upholstered concave fronted slip in seats on cabriole legs, terminating in claw and ball feet - including a pair of open armchairs (6).
A VERY RARE AND MONUMENTAL NEAR PAIR OF 19TH CENTURY COPELAND & GARRETT PARIANWARE VASES the top carved with acanthus and oval motifs, the bodies decorated all over in relief with classical scenes of ladies draped in robes, male figures in various pursuits, the base of naturalistic form carved with foliate decoration. Impressed Copeland to the base. Repaired, cracked and some restoration. Provenance: Exhibited May 1983 250th Anniversary of Josiah Spodes Birth, Sold with numerous letters from Spode & Copeland with information regarding the two vases. 25ins & 24ins high. Note: Geoffrey Goddens book of Victorian Porcelain devotes a chapter to Parian ware, page 165 illustrates a line drawing of this vase but with handles.
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