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PAIR OF ART NOUVEAU STYLE SCONCES,with a hammered copper finger bowl, enamel dish, Monart style vase and a French glass perfume atomiserCondition report: Sconces in overall decent condition some stains and scratches present. Perfume bottle also in good condition with no signs of major damage, vase also in good condition. The hammered bowl has some stains and oxidation present. The enamel dish has some small chips around the rim.
COLLECTION OF SCOTTISH POTTERY VASES,along with a Titian Ware bowlCondition report: The Withernsea Eastgate pot has a large chip to the rim at the top, the yellow vase also has some small chips around the rim to the top. Rest of the lot appears to be in relatively good condition with no signs of damage or repair present.
George Leslie Hunter (British, 1877-1931)Still Life with a Chinese Vase and White Roses signed 'Hunter' (upper right)oil on panel56 x 48 cm. (22 x 19 in.)Painted circa 1916-18Footnotes:ProvenanceWith The Fine Art Society, London, July 1960Collection of Mr Harold McGregor, Adelaide, Australia, thence by descentPrivate Collection, AustraliaSale; Christie's, London, 13 December 2016, Lot 76Private Collection, UKPainted circa 1916-18. This vase was a favourite motif for Hunter when he started specialising in still life themes, inspired by the Dutch masters in Kelvingrove Art Gallery in Glasgow.For further information on this lot please visit Bonhams.com
A Japanese bronze and inlaid large Ikebana vaseMeijiEngraved, inlaid and relief decoration, the urn shaped vase with landscape panels and all of sectional form with some losses, on an ornately carved hardwood stand64cm high, 26cm wideFor further information on this lot please visit Bonhams.com
James Fullarton (British, born 1946)White Vase signed 'Fullarton' (lower left)oil on board30.5 x 40.6 cm. (12 x 16 in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
A Royal Worcester BowlPainted with roses on a blush ivory ground and signed F J Bray, with date code for 1913, 26.5cm diameter, and a Royal Worcester sleeve vase, painted with pheasants, by James Stinton, with gilt gadrooned foot, the mark with date code for 1917, 25cm high. (2)For further information on this lot please visit Bonhams.com
George Leslie Hunter (British, 1877-1931)Still life with Chinese vase, fruit and silver salver signed 'Leslie Hunter' (upper left)oil on board61.5 x 50.8 cm. (24 3/16 x 20 in.)Footnotes:ProvenanceEx collection of J Gibson JarvieSale; Christie's, Glasgow, 8 December 1988, Lot 308'It is this unerring sense of colour that made Hunter the artist he became... never a jarring pattern is found, or an inharmonious tone in his colour schemes - rich and glowing as they are without a hint of garishness.' (T. J. Honeyman, Introducing Leslie Hunter, 1937, p. 211) Hunter usually composed his still lifes around a central motif of fruit, flowers, and ceramics. He would return to his Glasgow studio with ripe fruit or a selection of blooms and used interestingly shaped ceramics to contain them and construct a pleasing and sophisticated still life from which to work. For the present picture he chose a Chinese jar to draw the eye into the composition, and a pink rose delicately lying to the side. The silver tray and melon suggest an influence from seventeenth century Dutch still life painting, which Hunter is known to have admired and been influenced by at an earlier period in his career.The sale of this picture to Hunter's cousin, the wealthy banker and barrister John Gibson-Jarvie (1883-1964), would have brought Hunter much needed money at a time when his finances were particularly stretched and he was making concerted efforts to paint impressive pictures for sale. The impetus of the later 1920s gave his pictures a dramatic energy and confidence which he had never reached in his work before.For further information on this lot please visit Bonhams.com
THREE GOLD WATCH CHAINS, 19TH CENTURY1st: The double rope-twist chain issuing from stylised vases, terminating in a fourth vase with pendent clasp and tassel, 2nd: The box chain with hour-glass shaped slide enamelled with blue forget-me-nots and black foliage, the watch key with foliate scroll handle, enamelled in white and blue, 3rd: The longchain of interlocking beads engraved with crosses, the turquoise and gem-set slide in the form of a ribbon-tied flower, lengths: 1st 33.0cm, 2nd 70.0cm, 3rd 76.0cm (3)For further information on this lot please visit Bonhams.com
A Chinese blue and white 'nine' dragon bottle vase, Jiaqing mark and period (1796-11820), the rounded sides rising from a short straight foot, to a tapering cylindrical neck, painted with six dragons chasing a flaming pearl amongst trailing clouds and flame scrolls, with three dragons emerging from swirling waves, with a thin band of ruyi below the rim and a thin band of key-fret at the foot, the six character seal mark in underglaze-blue 30.5cm high.Provenance: English private collection since the 1880s. Condition Report: There is a 5cm by 8cm semi-circular section of the rim that has been broken and re-glued. There is also a long arcing crack running from near to the foot across the body, approx 27cmFootnote:The design of nine dragons painted amongst trailing clouds, flame scrolls and swirling waves derives from imperial designs of the earlier Qianlong period (1736-1795). Please see a large baluster vase in the Palace Museum, which is included in The Complete Collection of Treasures in the Palace Museum, Blue and White Porcelain with Underglaze Red (III), no 36, Hong Kong, 1985, p. 132, pl. 118; and an underglaze-blue and iron-red piping vase in the Palace Museum, included in Kangxi, Yongzheng, Qianlong, Qing Porcelain from the Palace Museum Collection, Hong Kong, 1989, p.327, p. 8. For a similar vase (restored), sold at auction, please see Bonhams London, 16 May, 2013, lot 97 and for a double gourd example in a very similar design, please see Sotheby’s Hong Kong, 10 April 2008, Splendours of the Qing Court, lot 2831. A Jiaqing vase of globular form with a similar design is in the National Palace Museum Taipei, included in the Illustrated Catalogue of Ch’ing Dynasty Porcelain in the National Palace Museum, vol. 2, Tokyo, 1981, pl 93; and one sold at Sotheby’s Hong Kong 02 May1995, lot 86.A BLUE AND WHITE ’NINE DRAGON’ BOTTLE VASE, JIAQING MARK AND PERIOD (1796-11820)the rounded sides rising from a short straight foot, to a tapering cylindrical neck, painted with six dragons chasing a flaming pearl amongst trailing clouds and flame scrolls, with three dragons emerging from swirling waves, with a thin band of ruyi below the rim and a thin band of key-fret at the foot, the six character seal mark in underglaze-blue30.5cm high£10,000-15,000Provenance: English private collection since the 1880s. Condition Report: There is a 5cm by 8cm semi-circular section of the rim that has been broken and re-glued. There is also a long arcing crack running from near to the foot across the body (please add in cm the length of this crack)FootnoteThe design of nine dragons painted amongst trailing clouds, flame scrolls and swirling waves derives from imperial designs of the earlier Qianlong period (1736-1795). Please see a large baluster vase in the Palace Museum, which is included in The Complete Collection of Treasures in the Palace Museum, Blue and White Porcelain with Underglaze Red (III), no 36, Hong Kong, 1985, p. 132, pl. 118; and an underglaze-blue and iron-red piping vase in the Palace Museum, included in Kangxi, Yongzheng, Qianlong, Qing Porcelain from the Palace Museum Collection, Hong Kong, 1989, p.327, p. 8. For a similar vase (restored), sold at auction, please see Bonhams London, 16 May, 2013, lot 97 and for a double gourd example in a very similar design, please see Sotheby’s Hong Kong, 10 April 2008, Splendours of the Qing Court, lot 2831. A Jiaqing vase of globular form with a similar design is in the National Palace Museum Taipei, included in the Illustrated Catalogue of Ch’ing Dynasty Porcelain in the National Palace Museum, vol. 2, Tokyo, 1981, pl 93; and one sold at Sotheby’s Hong Kong 02 May1995, lot 86.https://www.bonhams.com/auctions/20579/lot/97/ https://www.sothebys.com/en/auctions/ecatalogue/2008/splendours-of-the-qing-court-hk0285/lot.2831.html
A Royal Worcester blush ivory pot pourri and cover, the body painted with roses, gilt heightened, shape no: 183, pattern no: H1054, green factory stamp (CR: old repair to finial of cover, glue evident on inside) together with a Royal Worcester wyvern vase, shape no: G161, blush ivory decorated with a Blue Tit, gilt heightened, date code for 1926, green factory mark (2)
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653685 item(s)/page