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Lot 91

An early 20th Century Samson tulip vase, the pedestal body decorated with an armorial crest and enamel flowers with gilt detailing, the affixed domed cover with separate holes for single flowers, bears faux Chinese marks, height 30cm

Lot 92

A large Chinese Canton Famille Rose baluster vase decorated with enamel and gilt scenes of women in conversation and children playing in gardens framed against a patterned ground, unmarked, height 45cm, restored

Lot 94

A Moorcroft Hibiscus pattern vase decorated with a band of flowers and foliage against a yellow to green ground, impressed mark, initialled in green, height 22cm

Lot 98

A Moorcroft Hibiscus pattern bottle vase decorated with a band of flowers against a blue wash ground, impressed mark and initialled in blue, height 22cm

Lot 99

A Moorcroft Anemone pattern bottle vase decorated with a band of flowers against a blue wash ground, impressed mark and initialled in blue, height 22cm

Lot 11

Five pieces of assorted studio pottery comprising a black and cream bowl by Louise Darby, an abstracted vase by Huw Powell, a beaker vase monogrammed MT, a faceted vase incised Audrey 1992 and a mottled blue footed bowl by Gilles le Corre. (5)

Lot 110

A Moorcroft Pottery baluster vase decorated in the Finches (on ochre) pattern, designed by Sally Tuffin, impressed and painted marks, height 19cm

Lot 111

Five pieces of assorted Moorcroft comprising a spade shaped dish in the Hibiscus pattern, a club shaped dish in the Arum Lily pattern, an orange lustre pepper pot and preserve pot and a small Clematis pattern vase (5)

Lot 132

Four pieces of 19th Century Staffordshire Prattware comprising a loving cup, a twin handled pedestal vase, a water jug and a jug with pewter cover, each decorated with a transfer applied scene against a red ground (4)

Lot 138

A later 20th Century Chinese baluster vase decorated with an elder and a young boy amidst peach trees and to the reverse with a lady sat on a deer amidst similar trees, the handles formed as a deer heads, unmarked, height 28cm

Lot 152

A Moorcroft Pottery baluster vase decorated in the Pure Gold pattern designed by Kerry Goodwin, painted and impressed marks, numbered 44 and signed K Goodwin, height 14cm

Lot 154

A small Moorcroft Pottery vase decorated in the Leicester pattern designed by Rachel Bishop, printed and painted mark, height 9cm

Lot 159

An early 20th Century vase of footed bulbous form decorated with relief moulded horse chestnut leaves in pale green against a matt gold patterned ground, unmarked, possibly Amphora, height 22cm

Lot 160

An early 20th Century Noritake twin handled vase and cover decorated with hand painted garlands of roses with gilt and green ribbons against a white ground, the foot rim and neck with a green and gold pattern edge, printed mark, height 32cm

Lot 168

Four later 20th Century Chinese Celadon glaze wares comprising a high sided bowl, a footed bowl, a vase and a koro with moulded dog of foe, all unmarked (4)

Lot 178

A contemporary Nason Italian Murano glass vase of drawn ovoid form cased in clear crystal over dark blue, height 37cm, together with another example of flared form cased in clear over deep blue over opal over a pale blue interior, acid marks and original boxes, height 19.5cm. (2)

Lot 179

A contemporary Nason Italian Murano glass vase of sleeve form below a flared neck cased in clear crystal over opal to a pale green interior, height 40cm, together with another example of tapering form decorated with alternate white and black bands above a larger ruby band all to the clear crystal ground, acid marks and original boxes, height 31cm. (2)

Lot 180

A contemporary Nason Italian Murano glass vase of swollen form with a flared neck cased in clear crystal over deep blue over opal over the pale blue interior, height 24cm, together with another example of compressed globe and shaft form decorated with black whiplash lines within the clear crystal ground, acid marks and original boxes, height 40cm. (2)

Lot 181

A large contemporary Nason Italian Murano glass vase of shouldered form below a flared neck cased in clear crystal over pale blue and an opal interior, height 50cm.

Lot 196

A 1930s John Walsh Walsh glass vase of footed flared form with wrythen moulded decoration all to the amethyst ground, unmarked, height 30.5cm.

Lot 203

A post war Orrefors clear crystal glass Wish To The Moon vase designed by Edvin Ohrstrom of compressed form engraved with a girl and a crescent moon and stars opposing, engraved signature, width 16.5cm, together with a bud vase designed by Sven Palmqvist of faceted tapering form engraved with an exotic bird, engraved signatures, height 15cm. (2)

Lot 204

A post war Harrach Glassworks vase designed by Milan Metelak, of ovoid form in emerald green cased in clear crystal, unmarked, height 21cm.

Lot 205

A 1930s Stevens & Williams Optic glass vase of flared form with horizontal moulded corrugations with a graduated amethyst core all cased in clear crystal, unmarked, height 20cm.

Lot 209

A large contemporary studio glass Distortion vase by Phill Attril, of ovoid form with abstract form rim, decorated with random fine threading within the opal ground, height 28cm.

Lot 211

A later 20th Century glass vase of ovoid form, possibly Italian, the internal opal chore with a Ghiaccio crackled finish cased heavily in clear crystal, unmarked, height 24cm.

Lot 216

A post war Whitefriars Textured range Drunken Bricklayer glass vase designed by Geoffrey Baxter in Tangerine, pattern 9673, height 21.5cm.

Lot 217

A post war Whitefriars Textured range glass Pyramid vase designed by Geoffrey Baxter in Tangerine, pattern 9674, height 17.5cm.

Lot 219

A group of late 19th Century purple malachite pressed glass comprising Sowerby and Davidson examples, to include a celery vase, a pair of table vestas, a cornucopia form salt and other similar examples. (9)

Lot 222

A group of late 19th Century pressed glass comprising Davidson, Sowerby and Burtles, Tate & Co to include two glass tankards commemorating the High Level Bridge Newcastle, two posy baskets, a twin handled vase and other similar examples. (11)

Lot 225

A group of assorted late 19th Century pressed glass comprising Sowerby and Davidson examples, to include two posy troughs, a posy vase, a cream jug and other similar examples. (9)

Lot 226

A group of assorted late 19th Century pressed glass comprising Henry Greener and Davidson examples, to include a jar and cover formed as a drum, a twin handled sugar bowl, an oval serving plate, a spill vase and five paperweights formed as recumbent lions on plinth bases. (9)

Lot 228

A group of assorted late 19th Century black pressed glass comprising Burtles, Tate & Co and Sowerby, to include a strawberry set with chain link decoration, a pair of scuttle form salts, a posy vase formed as a boot and five other similar posy vases. (10)

Lot 232

A group of assorted late 19th century Blanc de Lait pressed glass comprising Henry Greener and Davidson, to include a strawberry set with relief moulded diamond decoration, another set with rose and thistle decoration, a fleur de lis spill vase and other similar examples. (10)

Lot 233

A group of assorted late 19th Century Blanc de Lait pressed glass comprising Davidson and Sowerby examples, to include a squat lidded bowl and cover with a finial formed as a cat, a spill vase with swag decoration, a slender water jug and other similar examples. (8)

Lot 235

A group of assorted 19th century flint pressed glass comprising Sowerby, Webb Hammond and John Derbyshire, to include a posy vase in the form of a swan, a posy trough in the form of a boat atop a stand, a piano foot formed as a lion's paw and other examples. (9)

Lot 236

A group of assorted late 19th Century pressed glass comprising Percival Vickers, Edward Moore, Thomas Kidd and Davidson examples, to include three piano feet, a pair of paperweights formed as dogs, a celery vase in jade green and four varying posy baskets. (10)

Lot 238

A post war Skrdlovice glass vase designed by Maria Stahlikova and Milena Veliskova, the central deep green green column of slender form beside an amber compressed edge and pulled rim, height 22.5cm.

Lot 239

A post war Skrdlovice glass Olympia vase designed by Vladimir Jelinek, Circa 1965, of tapered form in deep amber with a heavy foot with internally decorated with a green spot surrounded by large air bubbles, height 21.5cm.

Lot 242

A post war Caithness glass vase designed by Domhnall O'Broin, of sleeve form with three applied Peat rings to the pale blue body all cased in clear crystal, unmarked, height 26cm.

Lot 245

A 20th Century Kosta footed glass vase designed by Goran Warff with a flared fluted upper with internal yellow and blue streaks, together with a clear crystal vase of rectangular sleeve form with opposing bands of flat cut decoration, engraved signatures, tallest 17.5cm. (2)

Lot 247

A post war Thomas Web & Sons glass Flair vase designed by David Hammond and Stan Eveson of waisted sleeve form with a pulled rim in clear crystal with graduated blue highlights and controlled air bubble decoration to the base, height 29cm, together with another smaller example, acid marked, height 18cm. (2)

Lot 249

A large post war Gullasrkuf glass vase designed by Arthur Percy of globular form with a tall slender neck in deep blue, height 33cm, together with another smaller example in red, height 25cm. (2)

Lot 25

A large Royal Worcester blush ivory shape 1452 vase of fluted wrythen form, the body decorated with spring flowers and foliage, the neck and rim with moulded decoration, puce mark with date code for 1898, height 28cm

Lot 262

An early 20th Century Baccarat crystal glass vase of square sleeve form raised on four swept feet cut and gilt with ferns and flowers below a gilt edge rim, unmarked, height 29cm.

Lot 268

A post war Whitefriars Textured range glass Hoop vase designed by Geoffrey Baxter in Indigo, pattern 9680, height 29.5cm.

Lot 279

A group of late 19th to early 20th Century French opaline glass comprising a footed flared vase, a footed baluster vase, an ice plate and a globe and shaft form vase with an applied annular knop to the neck, tallest 23cm. (4)

Lot 282

An early 20th Century WMF Myra Crystal glass vase of footed conical form decorated in a deep petrol iridescence, height 9.5cm.

Lot 284

A group of late 19th Century satin quilted air trap glass comprising a footed sleeve form vase with a flared neck, a fluted globe and shaft example and the varying globe and shaft form vases, all with diamond air trap decoration in graduated magenta over opal interiors, tallest 18.5cm, S/D (5)

Lot 285

A group of late 19th Century satin quilted air trap glass comprising two paperweights, a footed rose bowl, a flared basket lacking handle, a dimpled sleeve vase and a large globe and shaft vase with wave edge rim, all with air trap decoration and graduated magenta grounds and opal interiors, also another example in citron over opal, tallest, 20cm. (7)

Lot 287

A late 19th Century Stevens & Williams Mat Su No Ke glass bowl, the cranberry bowl with applied crystal feet and flowering blossom boughs, length 23cm, together with another example in the form of an ovoid footed vase, height 19cm, A/F, and a similar style cranberry glass footed bowl of ovoid form with applied clear crystal swags and raspberry prunts, height 15.5cm. (3)

Lot 288

A late 19th Century Stevens & Williams Mat Su No Ke glass vase, the cranberry sleeve form body below a folded petal rim with applied clear crystal feet in the form of flowering blossom boughs and engraved with a title reading Corbett Hospital First Prize 1896 and Mrs L Baker opposing, height 26cm.N.B. This was formerly part of the Cyril Manley collection.

Lot 290

A group of late 19th to early 20th Century cranberry glass comprising a pair of facet stem wine glasses, two pedestal bowls, a footed chalice vase with a wrythen moulded stem and a similar example with hobnail cutting to the bowl, tallest 23cm. (6)

Lot 3

A post war Rosenthal ovoid vase designed by Fritz von Stockmayer decorated with hand painted blue flowers and grasses over a pale grey craquelure ground, printed and painted marks, height 19cm

Lot 313

A 20h Century St Louis glass paperweight vase, the base with green, white, blue and red radial millefiori cane work below a below a bell form bowl with internal lattachino decoration and a colour twist rim, dated 1973, original label and signature cane, boxed, height 13cm.

Lot 33

Seven pieces of 1930s Clarice Cliff comprising a salad bowl and servers, four serving dishes, a salad drainer and a vase, all in the Celtic Harvest design (7)

Lot 39

A boxed Moorcroft Pottery ovoid vase decorated in the Finches pattern designed by Sally Tuffin, printed and painted marks, height 17cm

Lot 412

A hallmarked silver Keswick silver beaker of plain tapering form with wave border decoration to the base and fluted collet foot, presentation engraving 'Wembley Rotary Club Martin Vase, HE Dyson 1938', height 9cm, weight 3oz, Chester 1934, Keswick School of Industrial Art, S/D

Lot 42

A later 20th Century pedestal vase and cover decorated by former Royal Worcester artist G. Delaney in the Fallen Fruits style with apples and blackberries, signed, printed Hand-painted by G. Delaney mark, height 17cm

Lot 46

A Royal Worcester Fallen Fruits pedestal vase and cover decorated in the round by Leaman with hand painted pears and blackberries to one side and apples and white grapes to the other, signed, black printed mark, height 25cm

Lot 49

A Pilkingtons Royal Lancastrian shape 202 vase of ovoid form decorated with a streaked orange glaze with green spotting, impressed and incised, marks, height 17cm, together with a Lancastrian Pottery vase of elephants foot form glazed in a mottled blue, height 20.5cm (2)

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