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An extremely rare novelty Franz Bergman cold painted frog bottle top, Austrian, late 19th century, very unusual, the frog is climbing a rope and it's head is breaking out through the bottle top, it's designed to stand on top of a clear bottle, which displays the frogs top half, but also the legs climbing the rope, the underside of lid shows the makers mark "B" within a double handled vase/urn, comes with custom made clear glass tube on wooden stand for display, 2 3/8in. (6cm.), without display. *Condition: in excellent condition, with most of it's paint.
A Chinese blue and white porcelain baluster vase and cover from the Vung Tau cargo, the base painted with an artemesia leaf, the lappet reserves painted with peony jardinieres, divided by floral borders, above a petalled foot and ruyi collar to the shoulder, the upstanding neck with trefoil pendant decoration, the domed cover with lappet and dot decoration, Christies lot label affixed to base, 7½in. (19cm.) high, repair to rim.* Provenance: Christies Amsterdam, April 1992, Lot 296.** Condition: Piece off from rim and with glued repair - tiny chip to top of repair. Tiny chip to edge of foot. Some shipwreck encrustation to inside of neck and body. Residue of encrustation to unglazed areas of base and cover underside. Glaze has some light scratching and matting to surface, probably due to post-salvage cleaning.
A set of four George IV silver candlesticks, S.C. Younge & Co., Sheffield 1822, each with chased scrolling foliate drip-pan and vase shaped nozzle, the waisted channelled knopped stem with similar decoration, on elaborately chased shaped circular base with shells and scrolling foliage, bases loaded, 11¼in. (28.5cm.) high. (4) **Condition: All pieces in very good condition, some marks very slightly rubbed.
A pair of large Mason's patent Ironstone china platters, printed factory marks to base, stamped marks under rim, of oval form with scalloped edge, decorated in an Oriental style with a rainbow of colours, depicting a pink flower in a vase, bamboo, bird and fruit, the edge with floral and foliate decoration interspersed with diaper work and scrolls, one having a humped ridged bowl, 20 7/8in. (53cm.) long. (2)
A pair of Chinese famille rose porcelain vase lamps, late 20th century, with twin stag's head handles and blue and white dragon keywork borders around the painted reserves with children and scholars in garden settings, on carved hardwood bases, 14¼in. (36.25cm.) high. (2)
A 20th century Studio Art Glass vase, the unmarked purple iridescent vase of large proportions, having rectangular form with pinched edges, standing on square foot with rounded corners, decorated with horizontal wavy bands in pinks, purples and blues, 16¼in. (41.4cm.) wide, standing 10¾in. (27.4cm.) high. * Possibly a candle holder, placing candle in void and the reflection imitates the Northern Lights?
A Chinese porcelain powder blue and gilt vase, Kangxi style, probably 19th century, ovoid form, painted in gilt with peonies, other flowers and bats amidst vinework, within lappet and toothed borders and ruyi pendant collar, blue double concentric circles to base, 10in. (25.5cm.) high.* Condition: Some gilt wear throughout. Two blister flaws in glaze to centre of body - possibly flaws in the making which were retouched in gilt. No other faults.
A late Victorian carved rosewood two seater salon settee, the low scroll back, arms and stuff over seat in burnt orange upholstery, the arms with pierced and foliate carved vase splats, raised on ring turned front legs with brass and china castors, 55in. (139.75cm.) long; together with a matching tub back armchair; and a similar open armchair. (3)
A Chinese style patinated bronze vase lamp, by Marbro Lamp Co., Los Angeles, 1950s-60s, ovoid form with a waisted neck and bas relief decoration of Oriental pheasants amidst flowers and foliage, red brown patination, on a pierced brown patinated bronze base, 19¼in. (49cm.) high plus fittings.
A Chinese blue and white porcelain brushpot, with four character Kangxi mark (1662-1722) and probably of the period, sleeve form with short, undercut foot, painted with warriors in a mountainous landscape, within Greek key and floral borders, 10in. (25.5cm.) high, damaged and repaired.* Condition: Top third of vase has been broken into several pieces and glue repaired to a good standard. The rim has a large glaze chip and there are several burst glaze bubbles around the lower edge of the body.
A large silk South East Persian Zili Sultan rug, second half 20th century, the all over vase and paired bird design on a yellow ground, worked in turquoise, pale pink, red, black, ivory and pale green, within a conforming border and floral guards, 107 x 72in. (277.5 x 183cm.).* Condition: Good condition overall. No damage. Pile good, Would benefit from professional cleaning.
A collection of Whitefriars glass vases, to include a cinnamon coffin vase by Geoffrey Baxter, 5¼in (13.4cm.) high; ruby red Knobbly vase by William Wilson and Harry Dyer, 9½in. (24.2cm.) high; ruby red tumbler vase with wave ribbed pattern by Marriot Powel, 10in. (25.4cm.) high; amber ribbed vase, together with two other vases of varying designs. (6)
A Chinese bronze garlic head bottle vase, probably Han Dynasty (206BC-220AD), the compressed globular body below a waisted neck with swollen garlic head rim, raised on a slightly flared foot, the base with loop to centre, the exterior with mineral encrustation in various colours, some traces of gilding, 14½in. (37cm.) high.* Provenance: Michael Goedhuis, gallery label to underside, stock no. Y 4057.** Condition: Three shallow dents to widest part of body. Above one is a very old split to bronze, which has been well repaired, with a small filled hole to the lower section of split (filler is visible under UV). Small dent with deep scratch to centre to centre of neck. Wear to mineralised encrustation to one side of mouth.
An early Royal Worcester ornithological parian 'ivory porcelain' vase dated 1868, with upper squat lobed bowl with a circular pierced upper border and delicately painted with three British wild birds on flowering branches, supported by three shell-form smaller pocket vases set on a trefoil base, impressed factory mark and Victorian registration diamond, 22cm high
A Royal Crown Derby twin-handled vase and cover late 19th/early 20th century, painted with roses in the manner of within a heart-shaped panel in the manner of Désiré Leroy the opposing side with further smaller circular cartouche of flowers against an overall pale yellow and pale green ground, printed factory mark, 20cm high
A Royal Worcester twin-handled vase and cover mid-20th century, painted with still life of apples, grapes, berries and peaches against a mossy background by M. Morris, the shoulders in relief with acanthus scroll border, angular handles, domed pierced cover with a lofty bud finial, artist signed, printed factory mark and painted shape number H/314, 28cm high
A Mintons Art Pottery Studio Kensington Gore vase circa 1871-75, painted with flowering branches terminating in dark green and pale brown leaves against a pale brown ground, printed factory marks, painted '*60' and '303' in black, shape number 7386, 26cm high (extending firing crack)Built on the Gore estate in 1871, the Studio lay in close proximity to institutions which would help instruct, educate, and inspire its artists – the South Kensington Museum, the School of Art, the Horticultural Gardens, and the Royal Albert Hall. Sadly the Studio's history is a relatively rocky one, eventually ended with it's destruction by a fire in 1875. Nevertheless, the short-lived Studio had a significant impact on the company and its future by paving the way for the many talented artists who supplied designs or worked there - such as the likes of Dr. Christopher Dresser, John Moyr Smith and W.S.Coleman who would continue to work for the company and produce some of their most exceptional designs.
A Grainger & Co Worcester pate-sur-pate amphora vase and cover late 19th century, the blue ground decorated white with flowers, leaves, dragonflies and other winged insects, printed factory mark to the underside of the cover, 12cm high together with a Victorian porcelain amphora vase, painted with flying robins holding branches in their beaks on an integral turquoise stand, unmarked, 14cm high (2)
Four items of Danish porcelain, to include a Copenhagen small pin tray, decorated with a mallard in flight, a Copenhagen blue pheasant pattern dish, a Copenhagen type vase, decorated with snow drops, and a Jus holder modelled in the form of a lady in Danish costume, 15cm H.
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653685 item(s)/page