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Click here to subscribeA Chinese blanc de Chine gu vase,mid-Qing dynasty, of slender elongated form, rising from an everted foot to a slightly bulbous middle section and a tall trumpet neck, decorated with taotie masks between lappet leaves,37cm high清中期 德化白釉饕餮纹花觚Condition ReportChipped above foot. Surface scratches.
A pair of Chinese famille verte vases,Kangxi (1662-1722), each of tapering form rising to a rounded shoulder, painted with dragons among ruyi-shaped clouds, fitted with a French ormolu stand and cover,24.5cm overall (4)Provenance: The Collection of Arthur G Tite Esq. (1904-1984), late of 48 Westbourne Terrace, Hyde Park, W2, connoisseur, gentleman collector and agent to Victor Rothschild, 3rd Baron (1910-1990) and thence by descent.清康熙 五彩云龙图瓶 一对 Condition ReportBoth mouths ground and both with surface scratches.One vase with a chip to the mouth extending 15cm cracks across body with restoration.The other vase with a small hairline crack below shoulder. Brasswork with dents, unable to check condition underneath.
A set of three Chinese famille rose vases and covers,Yongzheng (1723-1735), each vase of baluster form, painted with birds perched on rocks amongst blossoming peony and other flowers, the domed covers similarly decorated and with a spear knop, 29cm high (6)Provenance: From the 6th Earl Howe, of Gopsall Park and Penn House, and thence by descent to a lady of title.清雍正 粉彩花鸟图连盖瓶 一组三件Condition ReportAll covers with damage, chipped or restored. One vases with hairline cracks to rim and small chips to foot rim. One vase with hairline cracks and chips to rim.One vase with no obvious faults.
A pair of Chinese Canton enamelled cups,18th century, each of tapering shaped square form, decorated with figures in a garden, 5cm long, anda famille verte vase,20th century, of baluster form, painted with a pheasant standing on a rock by peony, 25cm high (3)Condition ReportCups - Both with surface scratches and hairline cracks to enamel. One badly damaged with chips and losses. The other one with chips and losses to enamel.Vase - Chips and cracks to rim and mouth+, chips to foot rim. Mouth restored.
A Chinese Ding ware vase,Liao dynasty (907-1125), the lobed compressed globular body rising from a tapering foot to an everted rim, covered with a lustrous cream-white glaze,12.4cm diameterProvenance: From the collection of Dr Jonathan Broido.Dr Jonathan Broido (1941-2008) was a professor of mathematics and philosophy. He received his PhD from the University of Pittsburgh and lectured in the US, Israel and the UK, in philosophy, mathematics, AI and interdisciplinarity. He was also an avid collector and lecturer on antiques and rugs - known in particular for his expertise and love of Asian ceramics and rare and archaic Turkoman weavings. He travelled throughout Asia acquiring pieces, as well as making finds in London's antique markets and the US.辽 定窑白釉花口瓶Condition ReportA small chip to rim.Rim cracked and restored. A firing crack to base.
A pair of Chinese famille rose vases and covers,Republic period (1912-1949), each of baluster form, painted with a pheasant on a blossoming magnolia tree in a shaped panel, the reverse with peony and prunus, surrounded by scrolling flowers against a ruby ground, the domed cover with a ball knop and similarly decorated,44cm high (4)民国 粉彩开光锦鸡花卉纹将军盖罐 一对Condition ReportBoth with enamel losses in various locations.One vase chipped, cracked and restored to rim.Both covers chipped to rim.
A Chinese blue and white vase,c.1900, of elongated ovoid form, rising from a circular foot to an inverted rim, flanked by mask and ring handles to the neck, painted with Buddhist lions playing with pups, all against a crackled ground between iron-oxide bands,61cm high清约1900年 青花太狮少狮图瓶Condition ReportSurface scratches.
A pair of Chinese cloisonné elephants,19th century, each standing carrying a vase on its back, the saddlecloth decorated with scrolling flowers, 9.5cm high, together with two cloisonné stands,each in the shape of a rectangular plinth covered with a diapered cloth, decorated with scrolling lotus, 9cm long (4)Condition ReportAll with surface scratches and dents. Both stands with splits to base. Both elephants with dents and losses to enamel, vases loose with splits to metalwork.
A Chinese blue and white vase, Qing dynasty (1644-1911), of tapering form, painted with ladies practising various leisure pursuits in a garden, 39cm high清 青花仕女图瓶Condition ReportMouth damaged with chips and cracks, the top section missing.Surface scratches.A small chip to foot rim.Originally fitted as a lamp.
A Chinese agate vase and cover,early 20th century, pierced and carved with encircling leaves and stems, the cover similarly decorated,14.5cm high, wood stand, andanother,the rounded sides rising from three 'S' shaped legs, flanked by mask and ring handles, the domed cover similarly decorated,16.5cm high (5)二十世纪初 玛瑙雕盖瓶 一组两件Condition ReportVase with leaves: small chips to edges.Vase with handles: One leg with cracks and chips, both handles with cracks, rings missing from both handles and knop, cover chipped to rim.
A Chinese famille rose vase,19th-20th century, of tapering form with an everted rim, painted with peacocks and peony in shaped panels, surrounded by scrolling lotus against a pink ground,44cm high, andanother,painted with a hunting scene,43cm high (2)Condition ReportPink vase: enamel losses, small chips to foot rim, surface scratches.Hunting vase: surface scratches. Rim chipped, cracked and restored. Star crack to base.
A Chinese flambé-glazed meiping vase,Qing dynasty (1644-1911), the tapering body sweeping up to a broad rounded shoulder, surmounted by a short, waisted neck and lipped rim, covered with a lustrous glaze of purplish-red streaked with olive tone,18cm high, wood stand (2)清 窑变釉梅瓶 连木底座Condition ReportChips to glaze of foot rim. Wood stand with surface scratches and losses.
A Chinese powder-blue-glazed saucer,Kangxi (1662-1722), the rounded sides rising from a tapering circular foot, painted in gilt with cockerels next to a table with flowers emerging from a vase, all against a powder-blue ground, with a 'Catherine Hunt Oriental Antiques 5592' label,13.3cm diameter清康熙 洒蓝地描金博古图碟Condition ReportGilt losses. Small chips to rim.
A collection of Chinese export wares, comprising:a clobbered dish, Kangxi (1662-1722), of circular form, painted with blossoming prunus against a crackled ground, a six-character Xuande mark to base,16.2cm diameter,an Imari-style cup, Kangxi, the bell-shaped body painted with florets, 7.8cm high, a famille rose vase, Qianlong (1736-1795), the pear-shaped body painted with figures in a sitting room,23cm high, and a pair of saucers, Qing dynasty (1644-1911), painted with ladies and a boy in a garden,13.6cm diameter (5)Condition ReportClobbered saucer - chipped and cracked in various locations. Restored.Cup - chipped to rim and foot rim.Vase - rim chipped and cracked, restored.Pair saucers - one chipped to rim and foot rim. The other chipped and cracked to rim.
A Chinese qingbai-glazed vase,Northern Song (960-1279), the pear-shaped body of lobed hexagonal form, rising from an everted foot to a flared rim, covered with a crackled opaque glaze,18cm highProvenance: From the collection of Dr Jonathan Broido.Dr Jonathan Broido (1941-2008) was a professor of mathematics and philosophy. He received his PhD from the University of Pittsburgh and lectured in the US, Israel and the UK, in philosophy, mathematics, AI and interdisciplinarity. He was also an avid collector and lecturer on antiques and rugs - known in particular for his expertise and love of Asian ceramics and rare and archaic Turkoman weavings. He travelled throughout Asia acquiring pieces, as well as making finds in London's antique markets and the US.北宋 青白釉六方花口瓶Condition ReportSmall chips to rim and foot rim. A firing crack to foot rim. Some glaze losses in various locations.
A Japanese Kutani ware vase,20th century, of ovoid form, flanked by two handles, painted with butterflies amongst scrolls in red and gilt, a two-character Kutani mark to base,17.5cm high, andanother,painted with scrolling peony, Kutani sei mark to base,22.5cm high (2)Condition ReportBoth with minor gilt and enamel losses. The larger one with hairline cracks to the rim.The butterfly vase with a chip to foot rim.
A Chinese hardwood vase stand,late Qing dynasty, the circular top supported by five square legs with scroll feet, joined by a circular tier, the apron carved with scrolls,33cm diameter87.5cm high清晚期 如意纹花几Condition ReportSigns of water stains, repaint and glue in various locations.Top wood panel stretched, joints unstable, wobbly.Surface scratches, cracks, splits, knocks and chips in various locations.
A Chinese Canton famille rose vase,19th century, the globular body rising from a circular foot to a straight neck, painted with figures in a garden or birds and flowers, in shaped panels, surrounded by butterflies and scrolling peony,51cm high, the domed cover with a spear knop and similarly decorated (2)清十九世纪 广东粉彩开光人物花鸟图连盖瓶Condition ReportSome enamel losses, cover and foot rim chipped, the vase chipped and cracked to rim.
A Chinese famille noire vase and cover,early 20th century, of baluster form, painted with pheasants standing on a rock amongst peony and other flowers, in shaped panels, all against a black ground, the domed cover similarly decorated, now fitted as a lamp,overall 70.5cm highCondition ReportDrilled to cover and base, cover glued to vase, fitted as a lamp.Rim cracked and extending to body, restored to rim, unable to check further condition of cover and rim.
A Chinese gouache painting,20th century, in the style of Qi Baishi (1864-1957), painted with a cicada next to a vase with orchid, inscribed with the signature and an artist's seal of Qi Baishi, ink on paper,26.5 x 23.5cm, framed and glazedCondition ReportOverall 38.5 x 39cm.Wood frame with knocks, chips and surface scratches. Acrylic glaze chipped and cracked. Mounting board with a hole.Painting glued to a board, creasing and small tears to corners. Foxing, staining and dirt marks in various locations.
A large Chinese Canton famille rose vase,19th century, of tapering form, the rounded sides rising from a circular foot to a flared lobed rim, applied with Buddhist lion handles to the neck and chilong to the shoulder, painted with a battle scene by a river in a mountainous landscape,92cm high清十九世纪 广东粉彩人物故事图大瓶Condition ReportOne handle chipped. Both handles and all four chilong restored. Some enamel losses.
A large Chinese wucai vase,Guangxu (1875-1908), of baluster form, rising from a circular foot to an everted rim, painted with warriors or Daoist Immortals in shaped panels, surrounded by scrolling flowers in iron red, 60cm highProvenance: From an estate in the south of England, the collection brought back to the country prior to 1920 by repute.清光绪 五彩人物故事图瓶Condition ReportCracked to rim with small chips and extending to neck. A small chip above foot.
A Chinese famille rose vase,19th century, of octagonal form, painted in the wushuangpu style with renowned historical figures and inscriptions of their stories alongside, 39.5cm high, wood stand (2)For a similar lot, see Bonhams, Edinburgh, 24 November 2011, lot 432.清十九世纪 粉彩无双谱图八方瓶 连木底座Condition ReportA small chip to rim.
A pair of Chinese famille rose vases and covers,18th century, of baluster form, painted with pheasants perched on rocks, amongst bamboo and peony, in a fenced garden,40cm high (4)Condition ReportBoth vases fully restored.One vase with small chips to foot rim.Both covers chipped. One finial restored.
A Chinese powder-blue-glazed vase,Qing dynasty (1644-1911), the ovoid body rising from an everted circular foot to a flared rim, 11.5cm high, and a blue-glazed bowl,the rounded sides rising from a circular foot to a slightly flared rim,9.4cm diameter (2)清 蓝釉小瓶 及 蓝釉小碗 一组两件Condition ReportVase - Surface scratches, rim with a small chip and a hairline crack with signs of restoration.Bowl - Surface scratches, small chips to rim and foot rim.
A Chinese famille rose beaker vase, Yongzheng (1723-1735), the cylindrical body rising from a flared base to a trumpet mouth, painted with birds perched on a rock amongst blossoming peony,24cm highProvenance: From the 6th Earl Howe, of Gopsall Park and Penn House, and by descent to a lady of title.清雍正 粉彩花鸟图瓶Condition ReportChips to rim.
A Chinese Canton famille rose vase,19th century, of baluster form applied with Buddhist lion handles and chilong to the shoulder, painted with figures in shaped panels surrounded by precious objects, butterflies and flowers, 45.5cm highCondition ReportChipped and cracked in various locations. A hole to the body.Gilt and enamel losses.A bit wabbly.
A Chinese famille rose box, Republic period (1912-1949), of circular form, painted with a dragon in iron-red against a millefleurs ground, a six-character Qianlong mark to base,7.9cm diameter, and a famille rose vase,of baluster form, painted with Zhong Kui with two bats above him, a four-character Qianlong mark to base,13cm high (3)民国 粉彩龙穿花卉纹盖盒 《大清乾隆年制》矾红篆书款 及 粉彩钟馗纹瓶 《乾隆年制》矾红楷书款 一组两件Condition ReportBox - chipped to rim of box and rim of cover. Vase - chipped to rim.
A Japanese cloisonné vase,Meiji period (1868-1912), the tapering body rising from an everted circular foot to a flared rim, enamelled with butterflies and chrysanthemum against a blue ground, 33.5cm highProvenance: From the collection of Dr Thomas Tidswell (1906-1984), acquired between the 1940s and 1960s, and thence by descent.Condition ReportSurface scratches. Base a bit wobbly.
A large Chinese Canton famille rose vase,19th century, of hexagonal form applied with Buddhist lion handles to the neck and chilong to the shoulder, painted with figures in a court room in shaped panels, surrounded by birds and flowers,89cm high清十九世纪 广东粉彩开光人物故事图八方瓶Condition ReportSmall chips to edges, some enamel and gild losses. Small firing cracks in various locations.
A Chinese blue and white gu vase,Kangxi (1662-1722), of slender elongated form, rising from an everted foot to a slightly bulbous middle section and a tall trumpet neck, painted with literati seated in a mountainous landscape, above a ge-type and a celadon band,20cm high清康熙 豆青地哥釉青花山水图花觚Condition ReportSurface scratches. Firing cracks and small chips to foot rim. Rim grounded.
A Chinese blue and white vase,Daoguang (1821-1850), the globular body rising from a short spreading foot to a tall waisted neck and a flared rim, painted with scrolling peony above an upright petal lappet band in a style to simulate the 'heaping and piling' effect, the shoulder similarly decorated with a band of ruyi-head pendants, all below a band of spuming waves with a ruyi-head border to the rim and upright plantain leaves and a key fret band to the neck, a six-character Daoguang seal mark to base,37.5cm high, associated wood stand (2)Provenance: From the collection of Dr Thomas Tidswell (1906-1984), acquired between the 1940s and 1960s, and thence by descent;Sotheby's, London, 5 November 1985, lot 58.清道光 青花如意缠枝花卉纹赏瓶 《大清道光年制》青花篆书款Condition ReportMouth restored.
A Chinese copper-red and blue miniature vase,Daoguang (1821-1850), of tapering form with a cylindrical neck, painted with Hehe Erxian, the base painted with a magpie, 6.4cm highProvenance: From the collection of Dr Jonathan Broido.Dr Jonathan Broido (1941-2008) was a professor of mathematics and philosophy. He received his PhD from the University of Pittsburgh and lectured in the US, Israel and the UK, in philosophy, mathematics, AI and interdisciplinarity. He was also an avid collector and lecturer on antiques and rugs - known in particular for his expertise and love of Asian ceramics and rare and archaic Turkoman weavings. He travelled throughout Asia acquiring pieces, as well as making finds in London's antique markets and the US.清道光 青花釉里红和合二仙图小瓶Condition ReportSurface scratches. A small chip and hairline cracks to foot rim.
A Chinese blue and white gu vase,Kangxi (1662-1722), of cylindrical form rising from an everted foot to a slightly bulbous middle section and a flared mouth, painted with taotie masks between petal lappets, 24cm high 清康熙 青花饕餮纹花觚Condition ReportRim chipped and restored. Minute chips to foot rim.
A Chinese fahua-glazed meiping,Ming dynasty (1368-1644), 16th century, the baluster body with wide rounded shoulders and a short neck, boldly decorated with a lotus pond with waves, the shoulder decorated with alternating conch shells and ruyi-shaped clouds, with suspended tassels and lozenge or round tops joined by beaded garlands, all in a palette of yellow and turquoise reserved on a lustrous dark-blue ground,29.5cm highProvenance: From the collection of Dr Jonathan Broido.Dr Jonathan Broido (1941-2008) was a professor of mathematics and philosophy. He received his PhD from the University of Pittsburgh and lectured in the US, Israel and the UK, in philosophy, mathematics, AI and interdisciplinarity. He was also an avid collector and lecturer on antiques and rugs - known in particular for his expertise and love of Asian ceramics and rare and archaic Turkoman weavings. He travelled throughout Asia acquiring pieces, as well as making finds in London's antique markets and the US.For a similar vase, see British Museum, museum number Franks.67.明十六世纪 珐华釉荷塘图梅瓶Condition ReportChips to rim and base. Base possibly reattached.
A Chinese sang-de-boeuf vase,18th-19th century, the compressed globular body rising from a circular foot to a cylindrical neck, applied with a glaze of rich oxblood-red colour, thinning to white with purple-streaked lavender blue at the rim,32.5cm high, associated hardwood stand (2)清十八至十九世纪 祭红釉直径瓶Condition ReportVase with surface scratches, chips to base. Wood stand with stains, cracks, chips and losses, signs of restoration with glue.
A Chinese famille rose vase,Guangxu (1875-1908), of baluster form, painted with scrolling flowers suspending a tasselled musical chime in shaped panels, 35cm high, wood cover and stand (3)清光绪 粉彩花卉纹将军罐Condition ReportVase with star cracks to base, cracks and small chips to foot rim, small chips to rim, surface scratches.Wood cover and stand with signs of glue. Wood stand with splits, cracks, chips and losses. Rim of stand stretched.
A pair of Chinese famille rose vases,each of square form, the sides painted with geese, egrets, chrysanthemum or prunus, a four-character Shende Tang zhi (Made for the Hall of Prudent Virtue) in iron red to base,21.5cm high (2)Condition ReportOne vase with frits to rim.The other vase with minute chips to foot rim.
A Chinese celadon cong vase,Republic period (1912-1949), of square form with a circular mouth and foot, after an archaic jade form, each side moulded with eight raised bagua bands, a six-character Yongzheng mark to base,30cm high民国 青釉琮式瓶 《大清雍正年制》青花楷书款Condition ReportDrilled to base. Surface scratches.
A Chinese jade wall vase,18th century, in the shape of a compressed double gourd with a flat back, carved with a twin fish amongst lingzhi, a ribbon tied to the middle suspending a pendant and a bat, the back carved with another bat amidst waves, pierced for suspension,26cm long, associated wood stand (2)清十八世纪 玉雕双鱼纹葫芦式壁瓶Condition ReportJade with chips, cracks and surface scratches in various locations.Wood stand with one foot restored, chipped.
A Japanese bronze vase,early 20th century, of olive form on a circular base with a flared rim, decorated in relief with an eagle hovering above a blossoming prunus tree, signed Haruyuki to base,46cm highCondition ReportSurface scratches and dents.Right wing loose, fixed with a pin. Two prunus petals missing.9.2kg.
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