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A 20th Century Val St Lambert cased crystal vase of waisted sleeve form, cased in ruby over clear crystal and flash cut with vertical mitre cut panels below a strawberry diamond border, unmarked, height 20cm, together with three Faberge style clear crystal drinking glasses with a satin moulded stem in the form of an angel. (4)
A 19th Century Wrockwardine type dish of triform decorated with white splatter over the deep blue ground, width 14cm, together with and early 19th Century blue oil lamp base, two smaller pedestal bowls and a 19th Century Continental blue glass vase with gilded decoration, converted to a table lamp. (5)
A large Royal Worcester Prismatic Enamels shape 1482 vase, decorated by Edward Raby with a gilt and enamel peacock perched on a blossom branch, all to a pale pink ground, the handles and neck with moulded garlands and foliate motif, monogramed ER, green printed mark with date code for 1896, lacks lid, height 32cm.
Three pieces of late 19th Century Royal Worcester blush ivory comprising a shape 1399 twin handled vase with gilt blossom decoration and moulded handles, height 27cm, lacks cover, and two plates decorated with flowers, together with a Grainger and Co bud vase decorated with a bird in flight amidst flowers, height 12.5cm, all with printed marks. (4)
A small late 19th Century Grainger & Co reticulated vase of waisted form decorated with a wide pierced band heightened with gilding, impressed mark, height 11.5cm, S/D, together with a Royal Worcester shape 1215 blush ivory solifleur vase and a Royal Worcester twin handled vase, both with printed marks. (3)
A later 20th Century Burslem Pottery Trial vase of globe and shaft form decorated with poppies in the foreground and buildings in the distance, impressed mark alongside painted Trial and initialled STS and TAB (for Tracey Bentley), height 24cm, together with a squat Cobridge vase decorated with pink lilies, height 8.5cm. (2)
Three pieces of later 20th Century Burslem Pottery comprising a limited edition water or flower jug decorated with a working shire horse and a canal boat entering a bridge, numbered 1 of 50, height 17.5cm, a vase of swollen form decorated with gentlemen in flat caps stood beside a gypsy caravan, height 22.5cm, and a trial vase of elephant's foot form decorated with gentlemen fishing, height 16.5cm, all initialled STS and TAB (for Tracey Bentley) and with impressed and painted marks. (3)
An early 20th Century continental brass Secessionist desk/mantle clock mounted with a Prussian eagle, thirty hour movement on bracket base, height 24cm and a World War One brass trench art vase made from a 15 pounder shell, mounted with a flower and engraved ‘Souvenir from Ypres 1914-15', height 35cm (2)
Standing at an impressive 22cm in height and inspired by the Cornish coast, this striking fold design fused glass vase is provided by courtesy of handmade glass designer Jo Downs. Working from her Cornish design studio and showrooms Jo's work draws on the rugged Cornish coastal landscape for inspiration, whilst advanced fusion production techniques allow creation of complex and abstract designs, each piece individual from another. With a BA Hons in glass and ceramics design and subsequent placements with established artists in the field such as Mike Davies, Galia Amsel and Rebecca Newnham, 1996 saw the opening of Jo Downs glass workshop in Muswell Hill. Introducing a popular range of handmade giftware and commissions, the range quickly expanded to wall panels and frames, joined a little later by large architectural and interiors projects, including cruise liners, churches, hotels including Forte and Hilton, as well as corporate buildings and projects including windows and mirrors for private homes commissions. Further techiques were developed whilst guest artist at Stuttgart Art Academy working alongside Professor Hewel. Further commissions for Edinburgh and Munich Hilton joined others prior to relocation to premises in Launceston in Cornwall. Jo Downs work can be acquired at The Royal Botanical Gardens at Kew, Hills House and British Maritime Museum, as well as National Trust, John Lewis and a variety of other galleries and retailers, including Jo Downs own locations in Launceston, Padstow, St Ives, Fowey and Tintagel in Cornwall, as well as Sunningdale in The Royal Borough of Windsor and Maidenhead in Berkshire.
Glazed and enameled earthenwareOf tripod form, with ram's heads. Illustrated in the 1878 "Catalogue of Ornamental Shapes", pl. 6, as "Rams Head Vase."Impressed "WEDGWOOD" and "NQZ" (date code for 1871).(H: 9, Dia: 8 1/4 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinLiteratureReilly, Robin, Wedgwood II, Stockton Press, New York, 1989, p. 427Examined under UV light. Professional restoration to lid finial (reset) and a few areas of lid rim. Professional restoration where legs meet at center with visible cracks to two legs near this area.
Enameled and glazed earthenware, stoneware.Blue and green Jasper plaques set into Queensware frames on obverse and reverse.Signed "E. Lessore", Impressed "WEDGWOOD N" and "WUP" (date code for 1861), inscribed 80, labeled "A" and "B" (indicating obverse and reverse sides of vase).(H: 9 7/8, W: 5 3/4, D: 4 1/2 in.)Qty: (1)ProvenanceEarl BuckmanCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinLiteratureButen, David and Patricia Pelehach, Emile Lessore 1805-1876: His Life and Work, Buten Museum of Wedgwood, Merion, 1979, p. 26 (for the same vase shape with a much simpler decoration by Lessore)Examined under UV light. Handles restored. One or two fleabites to raised medallion borders.
Glazed and enameled earthenware.In the form of two handled urns on a plinth, enamel-decorated with pastoral scenes.Impressed "WEDGWOOD", signed "E Lessore".(H: 8 3/4, W: 6 1/2, D: 4 1/8 in.)Qty: (1)ProvenanceSkinner, European Furniture and Decorative Arts, Boston, July 12, 2013, Lot 922Collection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light. Both finials restored. One vase top section with fleabites to upper rim of banded decoration at mid-section of vase, small glaze chip to rim, restored handle, and small restoration to chip at lower edge of banded decoration at mid-section. A couple fleabites to raised decoration at platform. Three corners of base with small chips and losses. A few small glaze chips to back long edge of platform corner.
Gilt and enameled glazed bone china.Shape 2410.Printed Wedgwood Portland Vase mark.(H: 9 5/8, Dia: 6 1/4 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light with no evidence of restoration. No condition issues noted. Minor light rubbing to gilding of lid rim.
Glazed and gilt bone china.Printed Wedgwood Portland Vase mark.(H: 10 3/4, Dia: 5 1/2 in.)Qty: (2)ProvenanceCollection of Dr. Ellis F. Rubin & Suzanne Borow RubinExamined under UV light. One with 2" darkened hairline visible to interior of vase well. A little adhesive fluorescing between vase and socle on both. No further condition issues noted.
Glazed and gilded bone chinaShape 6355 with "Polar Bear on Ice Flow" decoration designed by James Hodgkiss.Printed Wedgwood Portland Vase mark.(Dia: 13, D: 2 1/2 in.)Qty: (1)ProvenanceEarl BuckmanCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light with no evidence of repair or restoration.
Glazed earthenware.Both impressed "WEDGWOOD".(H: 9 5/8, W: 4 3/4, D: 4 3/8 in.)Qty: (2)ProvenanceSkinner, European Furniture and Decorative Arts, Boston, July 9, 2011, Lot 245Collection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light. Both with older adhesive residue fluorescing at attachment points between vase, socle and plinth elements. One socle cracked and restored. One lid with chip to interior flange.
Glazed bone china.Decorated in cream and gold.Red printed Wedgwood Portland Vase mark.(H: 9 5/8, W: 5 3/4, D: 4 1/2 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light. Restoration and gilt touch-up to handles. Gilt touch-up to rim and rim chip. Gilt touch up to banded ball decoration at collar.
Glazed Earthenware.Printed Wedgwood Portland Vase mark.(H: 10 1/2, Dia: 5 1/4 in.)Qty: (2)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow Rubin Examined under UV light. One finial to lid reset. That lid also with small touched-up rim chip to "star" point. The other vase lid with full-length reglued crack with associated losses along crack line. Some gilt loss to bodies. No damage or repairs noted to vase bodies.
EarthenwareOf double gourd form, Rockingham glaze with white slip underglaze decoration. Impressed "WEDGWOOD" and "ENGLAND"(H: 18 3/8, Dia: 10 1/2 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinLiteratureBatkin, Maureen, Wedgwood Ceramics 1846-1959, Richard Dennis, London, 1982, p. 67 (for a reprodiction of the pattern book page illustrating this vase in this decoration)Reilly, Robin, Wedgwood: A New Illustrated Dictionary, Antique Collectors’ Club, Woodbridge, 1995, p. 268 (for other examples of this uncommon ware)NoteMagnolia Ware was an extremely short-lived artware line, produced while Thomas Allen was Artistic Director of the pottery. Examined under UV light with no evidence of restoration. Some scattered short scratches to body.
Glazed and gilded bone china.Shape 2045, "Celestial Dragon" decoration designed Daisy Makeig-Jones (1881-1945).Printed Wedgwood Portland Vase mark, inscribed "NO4".(H: 7 5/8, Dia: 3 7/8 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinLiteratureDes Fontaines, Una, Wedgwood Fairyland Lustre, Born-Hawes, New York, 1975, p. 84Examined under UV light.
Glazed and gilded bone china.K'ang Hsi shape, number 2439. Decoration designed by Daisy Makeig-Jones (1881-1945).Printed Wedgwood Portland Vase mark, inscribed "Z4920".(H: 3 1/8, Dia: 7 1/4 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinLiteratureDes Fontaines, Una, Wedgwood Fairyland Lustre, Born-Hawes, New York, 1975, p. 79Examined under UV light with no evidence of restoration. No condition issues noted.
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653685 item(s)/page