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Lot 269

A 20th Century Finnish art glass vase by Studio Lasi Oy, the yellow bell form body with applied blue rim, raised to a clear crystal stem and circular spread blue foot, engraved signature, height 23cm, together with a small Laugharne Studio glass vase and a Paul Ysart paperweight. (3)

Lot 270

A late 19th Century Art Nouveau Cristallerie de Baccarat 'Double Carp' vase circa 1880, in clear crystal glass, moulded as two conjoined fish, unsigned, height 30cm.

Lot 271

A large late 19th Century Thomas Webb & Sons Rainbow Filomentosa vase of footed swollen sleeve form with everted rim, internally decorated with pulled loops in blue, green, yellow and red, unmarked, height 38cm.

Lot 274

A 20th Century Val St Lambert cased crystal vase of waisted sleeve form, cased in ruby over clear crystal and flash cut with vertical mitre cut panels below a strawberry diamond border, unmarked, height 20cm, together with three Faberge style clear crystal drinking glasses with a satin moulded stem in the form of an angel. (4)

Lot 275

A 19th Century Richardsons vase of footed baluster form to a roll over rim with a vitrified enamelled scene of a Greek figures between gilded borders and an anthemion motif to the reverse, all to the opal ground, vitrified marked, height 24.5cm.

Lot 278

A small late 19th Century Thomas Webb & Sons Queens Burmese posy vase of rounded globe form, decorated with enamelled clematis over the graduated pink to pale yellow satin ground, height 6cm.

Lot 279

A Mdina glass vase of swollen skittle form rising to a flared rim,  with internal tonal blue and green swirls, height 23cm.

Lot 280

A 1950s Whitefriars glass vase designed by Geoffrey Baxter, pattern number 9495 in evening sky, cut and polished with stylised fish swimming amongst reeds, height 20cm.

Lot 281

A large later 20th Century art glass vase of swollen sleeve form, cased in clear crystal over white ground with pulled black spots, unmarked, height 35cm, together with an earlier smoke grey glass vase of compressed ovoid form with hand cut cross hatch line decoration. (2)

Lot 287

A 19th Century Wrockwardine type dish of triform decorated with white splatter over the deep blue ground, width 14cm, together with and early 19th Century blue oil lamp base, two smaller pedestal bowls and a 19th Century Continental blue glass vase with gilded decoration, converted to a table lamp. (5)

Lot 3

A large Royal Worcester shape 1410 pedestal vase decorated with enamel flowers and garlands with slip trail detailing, the mask handles heightened in turquoise and gold with moulded detailing to the neck, green printed mark with date code for 1900, height 38cm.

Lot 304

A 20th Century Tudor Crystal clear glass vase of footed swollen sleeve form cut, polished and engraved by Jack Lloyd with floral garlands over oval cartouche panels, engraved signature to the body and acid signature to the base, height 23cm.

Lot 314

A 19th Century continental glass vase of ovoid form with everted rim, hand gilded with stylised scrolls over the deep blue ground, height 19cm, together with a small 19th Century scent bottle of compressed heart form in deep blue with enamel detail and a silver hallmarked screw cap. (2)

Lot 317

A Stuart and Sons glass vase of ovoid form with collar neck and up turned cup rim, decorated with applied green trails raised to scalloped foot, together with a similar example of wrythen form with applied green trailing and another wavy vase in deep green, tallest height 20cm. (3)

Lot 322

A large 20th Century glass vase of ovoid form, decorated with cut and etched alternating panels with spiral motif, raised to a solid base, unmarked, height 29cm.

Lot 324

A 20th Century Sommerso glass vase, possibly Italian, the compressed tear form with wrythen twist, cased in clear crystal over green and ruby, unmarked, height 27cm.

Lot 328

A contemporary Art Glass vase, of compressed ovoid form internally decorated with smoky blue to black and cased in clear crystal, unmarked, height 18cm.

Lot 332

A small Kosta Boda vase of shouldered flask form by Bertil Vallien, with a moulded head to the front, the whole in a pale pink with blue speckling to the shoulder, engraved mark, height 12.5cm.

Lot 37

An early 20th Century Shelley vase decorated in the Art Nouveau style with purple flowers against a black ground with a stencilled garland, printed mark, height 18cm, S/D.

Lot 380

A large 19th Century silver plated centrepiece, the revolving glass ribbed dish over three crossed legged putti each playing a musical instrument, on beaded edge tricorn base below a spill holder and later trumpet glass vase, height 52cm.

Lot 4

A large Royal Worcester Prismatic Enamels shape 1482 vase, decorated by Edward Raby with a gilt and enamel peacock perched on a blossom branch, all to a pale pink ground, the handles and neck with moulded garlands and foliate motif, monogramed ER, green printed mark with date code for 1896, lacks lid, height 32cm.

Lot 422

A parcel lot of assorted continental, Indian and South East Asian white metal items to include enamel decorated items, buckles, small bowls, beads, a pair of wooden and metal shoes, a large vase and a three piece tea set etc, S/D.

Lot 5

A large Royal Worcester blush ivory shape 2048 vase and spire cover decorated with sprays of flowers with gilt detailing, puce mark with date code for 1909, retains inner cover, height 34cm.

Lot 54

Three pieces of late 19th Century Royal Worcester blush ivory comprising a shape 1399 twin handled vase with gilt blossom decoration and moulded handles, height 27cm, lacks cover, and two plates decorated with flowers, together with a Grainger and Co bud vase decorated with a bird in flight amidst flowers, height 12.5cm, all with printed marks. (4)

Lot 55

A small late 19th Century Grainger & Co reticulated vase of waisted form decorated with a wide pierced band heightened with gilding, impressed mark, height 11.5cm, S/D, together with a Royal Worcester shape 1215 blush ivory solifleur vase and a Royal Worcester twin handled vase, both with printed marks. (3)

Lot 6

A Royal Worcester shape 1732 pedestal vase decorated with thistles and flowers against a blush ground, the handles and neck with moulded detailing heightened in green and gold, green mark with date code for circa 1899, height 26.5cm.

Lot 66

A Royal Worcester shape 1911 twin handled blush ivory vase decorated with sprays of flowers, green mark with date code for 1902, height 27cm, together with an early 20th Century Coalport vase with cartouche panels of flowers against a green ground, printed mark, height 22cm, both S/D. (2)

Lot 68

A large late 19th Century Royal Worcester Aesthetic twin handled bottle vase decorated with gilt and red flowers against an ivory ground with a band of moulded prunus blossom to the foot and stylised dragon handles, puce mark with date code for 1884, height 41cm, restored.

Lot 69

A late 19th Century Grainger & Co twin handled vase decorated with a scene of Edinburgh Castle in gilt and enamels against a pale yellow ground, the handles and foot with puce borders, printed mark, height 35.5cm, S/D.

Lot 7

A Royal Worcester shape 1639 pedestal vase, the egg shaped body with a pierced rim edge decorated with thistles and flowers against a blush ground, raised to three dolphin feet on a pedestal raised to three paw feet, puce mark with date code for 1899, height 22cm.

Lot 70

Three Royal Crown Derby paperweights modelled as birds, each with a gold stopper, together with a small Royal Crown Derby vase decorated in the Imari 1128 pattern, height 10cm. (4)

Lot 74

A Royal Worcester Fallen Fruits shape G923 vase panel decorated with hand painted peaches and blackberries, unsigned, puce mark with date code for 1937, height 19cm.

Lot 88

A later 20th Century Burslem Pottery Trial vase of globe and shaft form decorated with poppies in the foreground and buildings in the distance, impressed mark alongside painted Trial and initialled STS and TAB (for Tracey Bentley), height 24cm, together with a squat Cobridge vase decorated with pink lilies, height 8.5cm. (2)

Lot 9

A Royal Worcester shape 1942 pedestal vase, the twin handled vase decorated with thistles and flowers raised to a square pedestal with pierced panels, partial green printed mark, height 17cm.

Lot 90

Three pieces of later 20th Century Burslem Pottery comprising a limited edition water or flower jug decorated with a working shire horse and a canal boat entering a bridge, numbered 1 of 50, height 17.5cm, a vase of swollen form decorated with gentlemen in flat caps stood beside a gypsy caravan, height 22.5cm, and a trial vase of elephant's foot form decorated with gentlemen fishing, height 16.5cm, all initialled STS and TAB (for Tracey Bentley) and with impressed and painted marks. (3)

Lot 94

Three pieces of 1930s Art Deco Charlotte Rhead for Bursley Ware comprising a barrel vase decorated with a blue tubelined dragon amidst clouds, height 17cm, a small vase in the TL76 pattern, height 8cm, and a leaf shaped dish decorated in the TL 40 pattern, all with printed marks. (3)

Lot 95

A 1930s Charlotte Rhead for Crown Ducal water jug decorated in the Byzantine pattern with tubelined flowers and foliage against a mottled orange ground, printed mark, signed CRhead, height 19.5cm, together with a matching small bulbous vase, height 11cm. (2)

Lot 969

An early 20th Century continental brass Secessionist desk/mantle clock mounted with a Prussian eagle, thirty hour movement on bracket base, height 24cm and a World War One brass trench art vase made from a 15 pounder shell, mounted with a flower and engraved ‘Souvenir from Ypres 1914-15', height 35cm (2)

Lot 4

Standing at an impressive 22cm in height and inspired by the Cornish coast, this striking fold design fused glass vase is provided by courtesy of handmade glass designer Jo Downs. Working from her Cornish design studio and showrooms Jo's work draws on the rugged Cornish coastal landscape for inspiration, whilst advanced fusion production techniques allow creation of complex and abstract designs, each piece individual from another. With a BA Hons in glass and ceramics design and subsequent placements with established artists in the field such as Mike Davies, Galia Amsel and Rebecca Newnham, 1996 saw the opening of Jo Downs glass workshop in Muswell Hill. Introducing a popular range of handmade giftware and commissions, the range quickly expanded to wall panels and frames, joined a little later by large architectural and interiors projects, including cruise liners, churches, hotels including Forte and Hilton, as well as corporate buildings and projects including windows and mirrors for private homes commissions. Further techiques were developed whilst guest artist at Stuttgart Art Academy working alongside Professor Hewel. Further commissions for Edinburgh and Munich Hilton joined others prior to relocation to premises in Launceston in Cornwall. Jo Downs work can be acquired at The Royal Botanical Gardens at Kew, Hills House and British Maritime Museum, as well as National Trust, John Lewis and a variety of other galleries and retailers, including Jo Downs own locations in Launceston, Padstow, St Ives, Fowey and Tintagel in Cornwall, as well as Sunningdale in The Royal Borough of Windsor and Maidenhead in Berkshire.

Lot 140

A large Chinese early 20th century crackle glaze vase of bulbous form decorated with a figural design, incised seal mark to base. H.61 Dia.35cm.

Lot 226

Three pieces of hand cut 19th century and 18th century cut glass, including a ridged form Murano glass vase on four gilded scroll feet, a cut glass ice cream glass and a salt. H.23 W.15cm (largest)

Lot 311

James Skerrett hand painted bone china plaque of goats, signed lower right along with a gilt framed oil on porcelain panel of a vase of flowers, signed W.Smith. H.39 W.32cm

Lot 337

A Whitefriars style relief flower design clear glass vase. H.16 W.6.5 D.6cm

Lot 355

A large clear and green art glass onion form vase, signed to base. H.25 Dia.9cm. (largest)

Lot 88

A relief clay tablet depicting Indian deities along with a ceramic vase with incised geometric design. H.23 Dia.24cm. (largest)

Lot 830

A small jug and basin set and a vase.

Lot 118

Glazed and enameled earthenwareOf tripod form, with ram's heads. Illustrated in the 1878 "Catalogue of Ornamental Shapes", pl. 6, as "Rams Head Vase."Impressed "WEDGWOOD" and "NQZ" (date code for 1871).(H: 9, Dia: 8 1/4 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinLiteratureReilly, Robin, Wedgwood II, Stockton Press, New York, 1989, p. 427Examined under UV light. Professional restoration to lid finial (reset) and a few areas of lid rim. Professional restoration where legs meet at center with visible cracks to two legs near this area.

Lot 119

Enameled and glazed earthenware, stoneware.Blue and green Jasper plaques set into Queensware frames on obverse and reverse.Signed "E. Lessore", Impressed "WEDGWOOD N" and "WUP" (date code for 1861), inscribed 80, labeled "A" and "B" (indicating obverse and reverse sides of vase).(H: 9 7/8, W: 5 3/4, D: 4 1/2 in.)Qty: (1)ProvenanceEarl BuckmanCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinLiteratureButen, David and Patricia Pelehach, Emile Lessore 1805-1876: His Life and Work, Buten Museum of Wedgwood, Merion, 1979, p. 26 (for the same vase shape with a much simpler decoration by Lessore)Examined under UV light. Handles restored. One or two fleabites to raised medallion borders.

Lot 120

Glazed and enameled earthenware.In the form of two handled urns on a plinth, enamel-decorated with pastoral scenes.Impressed "WEDGWOOD", signed "E Lessore".(H: 8 3/4, W: 6 1/2, D: 4 1/8 in.)Qty: (1)ProvenanceSkinner, European Furniture and Decorative Arts, Boston, July 12, 2013, Lot 922Collection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light. Both finials restored. One vase top section with fleabites to upper rim of banded decoration at mid-section of vase, small glaze chip to rim, restored handle, and small restoration to chip at lower edge of banded decoration at mid-section. A couple fleabites to raised decoration at platform. Three corners of base with small chips and losses. A few small glaze chips to back long edge of platform corner.

Lot 131

Gilt and enameled glazed bone china.Shape 2410.Printed Wedgwood Portland Vase mark.(H: 9 5/8, Dia: 6 1/4 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light with no evidence of restoration. No condition issues noted. Minor light rubbing to gilding of lid rim.

Lot 133

Glazed and gilt bone china.Printed Wedgwood Portland Vase mark.(H: 10 3/4, Dia: 5 1/2 in.)Qty: (2)ProvenanceCollection of Dr. Ellis F. Rubin & Suzanne Borow RubinExamined under UV light. One with 2" darkened hairline visible to interior of vase well. A little adhesive fluorescing between vase and socle on both. No further condition issues noted.

Lot 134

Glazed and gilded bone chinaShape 6355 with "Polar Bear on Ice Flow" decoration designed by James Hodgkiss.Printed Wedgwood Portland Vase mark.(Dia: 13, D: 2 1/2 in.)Qty: (1)ProvenanceEarl BuckmanCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light with no evidence of repair or restoration.

Lot 136

Glazed earthenware.Both impressed "WEDGWOOD".(H: 9 5/8, W: 4 3/4, D: 4 3/8 in.)Qty: (2)ProvenanceSkinner, European Furniture and Decorative Arts, Boston, July 9, 2011, Lot 245Collection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light. Both with older adhesive residue fluorescing at attachment points between vase, socle and plinth elements. One socle cracked and restored. One lid with chip to interior flange.

Lot 139

Glazed bone china.Decorated in cream, blue and gold.Printed Wedgwood Portland Vase mark.(H: 9 1/2, W: 5 1/2, D: 4 3/4 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light. Handles restored. Light gilt rubbing to rim.

Lot 140

Glazed bone china.Decorated in cream and gold.Red printed Wedgwood Portland Vase mark.(H: 9 5/8, W: 5 3/4, D: 4 1/2 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light. Restoration and gilt touch-up to handles. Gilt touch-up to rim and rim chip. Gilt touch up to banded ball decoration at collar.

Lot 146

Glazed Earthenware.Printed Wedgwood Portland Vase mark.(H: 10 1/2, Dia: 5 1/4 in.)Qty: (2)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow Rubin Examined under UV light. One finial to lid reset. That lid also with small touched-up rim chip to "star" point. The other vase lid with full-length reglued crack with associated losses along crack line. Some gilt loss to bodies. No damage or repairs noted to vase bodies.

Lot 147

Glazed Earthenware.Printed Wedgwood Portland Vase mark.(H: 6 1/2, Dia: 5 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow Rubin Examined under UV light with no evidence of restoration. No condition issues noted.

Lot 163

EarthenwareOf double gourd form, Rockingham glaze with white slip underglaze decoration. Impressed "WEDGWOOD" and "ENGLAND"(H: 18 3/8, Dia: 10 1/2 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinLiteratureBatkin, Maureen, Wedgwood Ceramics 1846-1959, Richard Dennis, London, 1982, p. 67 (for a reprodiction of the pattern book page illustrating this vase in this decoration)Reilly, Robin, Wedgwood: A New Illustrated Dictionary, Antique Collectors’ Club, Woodbridge, 1995, p. 268 (for other examples of this uncommon ware)NoteMagnolia Ware was an extremely short-lived artware line, produced while Thomas Allen was Artistic Director of the pottery. Examined under UV light with no evidence of restoration. Some scattered short scratches to body.

Lot 167

Glazed and gilded bone china.Shape 2045, "Celestial Dragon" decoration designed Daisy Makeig-Jones (1881-1945).Printed Wedgwood Portland Vase mark, inscribed "NO4".(H: 7 5/8, Dia: 3 7/8 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinLiteratureDes Fontaines, Una, Wedgwood Fairyland Lustre, Born-Hawes, New York, 1975, p. 84Examined under UV light.

Lot 168

Glazed and gilded bone china.K'ang Hsi shape, number 2439. Decoration designed by Daisy Makeig-Jones (1881-1945).Printed Wedgwood Portland Vase mark, inscribed "Z4920".(H: 3 1/8, Dia: 7 1/4 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinLiteratureDes Fontaines, Una, Wedgwood Fairyland Lustre, Born-Hawes, New York, 1975, p. 79Examined under UV light with no evidence of restoration. No condition issues noted.

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