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Lot 277

A ROYAL CROWN DERBY VASE of campana shape on a pedestal foot, with twin leaf moulded scroll side handles and gadrooned spool neck, the blue ground with an apple green reserve painted with an exotic bird within a cartouche, highlighted with gilding, printed mark, 61/2"

Lot 316

AN 18TH CENTURY DUTCH DELFT BLUE AND WHITE VASE of spool shape, painted with a landscape on a pedestal foot, 5"

Lot 318

AN IMPORTANT MINTON GARNITURE in the Sevres style, the principal lidded vase of neo-classical form decorated in polychrome with panels after Francois Boucher on a bleu de roi ground overpainted in gilt with berried branches, ribbon-tied bands and circles formed from dots, the handles and body draped with berried husks, 201/4" high, the flanking, lidded vases with oval panels decorated in polychrome with musical trophies suspended from ribbon-tied bows and rural landscapes with figures in 18th century costume enclosed by "jewelled" and gilt borders on a bleu de roi ground enriched with gilt 151/2", the larger vase with a fleur de lis mark (3). The fleur de lis mark with dots is recorded by Godden as the Minton "ermine" mark of circa 1850, which was employed to indicate a soft glaze in imitation of Sevres. The mark was changed in 1860 (Goddens no. 2703). The central vase is based on a Sevres model "à de 1780", an example of which may be seen in the Walters Art Gallery, Baltimore, USA. The flanking vases are based on a Sevres model "De Côté de Paris", a pair of which may be seen at Waddesdon. It is recorded that Minton exhibited Sevres style vases of this type at the Great Exhibition staged at Crystal Palace in 1851, and it has been suggested that these vases may have formed part of that display.

Lot 364

FESTIVAL OF BRITAIN DESIGN of a vase presented to the "Borough and County of the Town of Poole by the makers of Poole Pottery in commemoration of the Festival of Britain 1951", painted in pale blues and yellows, on board, and a collection of Festival of Britain designs, on board, painted in colour. (a lot)

Lot 394

A COLLECTION OF CHINESE CERAMICS including export plates, a Ming style vase with an unglazed foot, a Chinese export bowl, the exterior covered in a lustrous brown glaze and other items (a collection)

Lot 395

A CHINESE GREEN CELADON VASE, the ovoid body with moulded foliate decoration, Ming, 9" high..

Lot 406

A CHINESE DOUBLE-GOURD VASE decorated in polychrome and gilt on a turquoise-ground with flowers and scrolls and tied around the middle with a pink sash, the base with a Qianlong seal mark incised and in gilt, 151/4" high.

Lot 412

A CHINESE EXPORT BALUSTER VASE decorated in green and black with prunus on a cracked ice ground within formalised borders, 18th century, 20" high.

Lot 420

A CHINESE BLUE AND WHITE BOTTLE VASE in the Ming style, the globular body painted to simulate "heaping and piling" with a principal band of lotus and leafy tendrils enclosed by formalised and panelled borders, the neck with upright plantation leaves rising from a key pattern band and the flared neck with wave scrolls, the base with a Qianlong seal mark and of the period, 143/4" high. (drilled). Provenance: Private Collection, West Dorset. According to the vendor this vase was probably acquired by her great-grandfather, whilst travelling in the Far East. The family moved from Scotland to west Hertfordshire during the first half of the 20th century and for the last 40 years it has been used as a table lamp in the south west London home of the vendor’s Great Aunt. The base of the vase bears an old paper label inscribed in pen "No. 7. Pair blue and white bottles, 14/dollars ... Chienlung 1736-1796".

Lot 454

A JAPANESE BRONZE VASE, the globular body with two cartouche-shaped landscape panels with inlaid decoration, the sides with key pattern handles, the integral stand with three scrolling feet issuing from masks, Meiji, 83/4" high.

Lot 403

A pair of porcelain lamps and a cherub vase

Lot 564

A large art pottery vase and another box of decorative plates (2)

Lot 4

A Royal Doulton stoneware ewer by Hannah Barlow, incised with a band of grazing and resting sheep, between incised and applied bands, in shades of blue, brown and green on a buff ground, another Doulton Lambeth ewer and a vase impressed and incised marks, vase smashed and repaired, ewer 32cm. high

Lot 17

A Sunflower Pottery vase by Sir Edmund Elton, modelled in low relief with fruiting bough, in brown and red on a marbled green glaze painted Elton 17cm. high

Lot 18

A Ruskin Pottery pot pourri vase covered in a mottled blue glaze, and a Ruskin ginger jar and cover covered in an orange lustre glaze impressed and printed marks, main lacking cover 8.5cm. high

Lot 28

“Claremont” a Moorcroft Pottery vase with pewter foot, designed by William Moorcroft for Liberty & Co, painted in colours impressed marks, painted green signature, chip to top rim, bent pewter foot 19cm. high

Lot 32

A Wedgwood earthenware Matt Green vase designed by Keith Murray, ovoid with incised groove decoration printed mark, facsimile signature 16cm. high

Lot 33

A Wedgwood Moonstone glaze earthenware vase designed by Keith Murray impressed and printed marks, KM monogram 30.5cm. high

Lot 35

“Sycamore Tree” a Wedgwood Fairyland Lustre vase and cover designed by Daisy Makeig-Jones, shape no.2410, printed and painted in colours and gilt, with Feng Hwang bird swooping down and “Ship and Tree” pattern panel, printed and painted marks, cover smashed and repaired 25cm. high Literature Una Des Fontaines Wedgwood Fairyland Lustre, Sotheby Parke Bernet page 135 for this design illustrated

Lot 36

A Stevens and Williams, Brierley Hill bottle green glass vase designed by Keith Murray, swollen cylindrical form with everted rim acid etched mark, facsimile signature 30cm. high

Lot 38

A Powell amethyst glass vase with applied scrolled handles, and a clear glass decanter and stopper, vase 20cm. high

Lot 46

“Geometrica” a Carlton Ware vase and cover printed and painted in colours and gilt , and another “Geometrica” pattern vase printed and painted factory marks, damages 18.5cm. high

Lot 47

“Geometrica” a Carlton Ware vase ovoid form, printed and painted in colours and gilt printed factory mark, 18cm. high

Lot 50

A Carter, Stabler & Adams, Poole Pottery cylindrical vase pattern HI, by Rene Hayes, painted with geometric design in colours on a silver white ground impressed and painted marks 22cm. high

Lot 53

A Poole Pottery twin-handled vase the design attributed to John Adams, shape no.659, the handles modelled as bunches of grapes, covered in a Shagreen spray glaze impressed and incised marks 28cm. high

Lot 58

“The Bush-Velt” a rare Carter, Stabler & Adams Poole Pottery vase designed by John Adams, pattern LZ and painted by Anne Hatchard, painted with a lion leaping to attack a gazelle, in shades of brown, green, red and yellow on a white ground impressed and painted marks, damages 38cm. high Literature Hayward & Atterbury Poole Pottery Richard Dennis Publications, page 55 for a comparable example.

Lot 66

“Leaf and Berry” a Moorcroft Pottery vase designed by Walter Moorcroft, painted in colours on a graduated green to blue ground painted blue signature 24cm. high

Lot 83

“Applique Windmill” a rare Clarice Cliff Bizarre vase designed by Clarice Cliff, probably a tradesman’s sample, painted in shades of blue, red, green, black and orange printed factory mark 6cm. high

Lot 84

“Delecia Salisbury” a rare Clarice Cliff Bizarre Meiping vase designed by Clarice Cliff, painted in colours printed factory marks, small chip to foot rim 23cm. high

Lot 107

A stoneware vase by Margi Hine glazed to the foot in celadon, painted design incised Margi Hine 21cm. high

Lot 110

A Katharine Pleydell-Bouverie stoneware vase fluted form covered to the foot with a wood ash glaze impressed seal mark, painted 118 8cm. high Provenance Studio Pottery, Christie’s South Kensington 2nd July 1997 lot 3

Lot 111

A Katharine Pleydell-Bouverie stoneware miniature vessel covered to the foot with an ash and Temmoku glaze, a copy of this vase by Killy Pottery, and a Katharine Pleydell-Bouverie glaze test bowl impressed, incised and painted marks 6.5cm. high

Lot 112

A Katharine Pleydell-Bouverie stoneware poppy head miniature vase covered to the foot with a pale ash glaze, another vase and a bowl impressed seal marks, painted marks 6cm. high

Lot 125

A Bullers porcelain vase by Agnete Hoy, cylindrical form with incised scroll design under pale lemon glaze, and another crackled glaze vase with painted star flower design impressed and incised marks 18cm. high

Lot 133

“Mosaic” a Midwinter Pottery vase designed by Jessie Tait, shape no.289, square section, modelled finished pained in colours printed factory mark 18cm. high

Lot 141

A Poole Pottery Contemporary vase pattern PST, painted with columns of foliage in colours printed and painted marks 20cm.high

Lot 142

A Poole Pottery Freeform vase pattern PT, painted with geometric butterfly printed and painted marks 36cm. high

Lot 150

A Poole Pottery Delphis vase by Carol Cutler, shape no.85, painted with a geometric design in colours printed and painted marks 40cm. high

Lot 156

A Poole Pottery Atlantis pebble vase by Susan Dipple, model A18, carved vertical columns, glazed blue/green impressed and incised marks 11cm. high

Lot 157

A Poole Studio pottery vase probably designed by Robert Jefferson, cylindrical form, modelled in low relief with geometric band, glazed in bronze and brown printed Poole Studio mark, impressed triangle mark 20cm. high

Lot 171

A tall Lucie Rie stoneware bottle vase tall cylindrical form with slender neck and everted top rim, the body with inlaid decoration in green and pale blue, the neck a pale mauve pitted glaze impressed seal mark 43.5cm. high

Lot 181

A Whitefriars Willow glass slab vase designed by Geoffrey Baxter, tapering rectangular form paper label to base 24.5cm. high

Lot 182

A Whitefriars Willow Hoop vase designed by Geoffrey Baxter unsigned 29cm. high

Lot 183

A Whitefriars lilac glass vase designed by Geoffrey Baxter, moulded in relief with concentric circles unsigned 27cm. high Literature Lesley Jackson Whitefriars Glass Richard Dennis Publications, page 141 plate 163 for comparable examples

Lot 184

A Whitefriars Tangerine Drunken Bricklayer vase designed by Geoffrey Baxter unsigned 21cm. high

Lot 186

A Whitefriars Tangerine glass Calculator vase and another Whitefriars vase, designed by Geoffrey Baxter unsigned 16.5cm. high

Lot 188

A small Sam Herman glass vase orange glass with bronze pulled design incised Samuel Herman 1975 16cm. wide

Lot 189

A monumental Val st Lambert glass vase by Sam Herman internally decorated and surface burnished acid etched mark, incised signature dated 1979 27cm. high

Lot 205

A stoneware vase by Takatori Hachizan and a collection of studio pottery including Peter Smith, Dorothy Kemp and Edgar Campden various seal marks

Lot 207

A Leach Pottery stoneware Unomi by Richard Jenkins covered to the foot with a salt glaze, and a Atsuya Hamada stoneware faceted vase impressed seal marks to Unomi 8cm diam. Provenance Richard Jenkins collection. The Hamada vase was thrown and decorated in 1958 on his visit to the Leach Pottery.

Lot 221

A Leach Pottery stoneware vase by Trevor Corser covered in a Dolomite glaze impressed seal marks 25cm. high

Lot 225

A Troika Pottery Double Base vase modelled in low relief and painted in shades of green and ochre on a buff ground painted marks 35cm. high

Lot 228

A Troika Pottery square dish covered in a bronze glaze, a white and bronze vase and two other Troika items painted marks dish 12cm square

Lot 239

“Blue Rhapsody” a Moorcroft Collector’s Club vase 2001, designed by Philip Gibson, painted in colours, in original box painted signature and marks, impressed mark 26cm. high

Lot 240

“Daffodil” a Moorcroft Trial vase designed by Rachel Bishop, painted by Wendy Mason, in colours painted and impressed marks 36.5cm. high

Lot 242

“Elephant” a Moorcroft Pottery limited edition twin-handled vase designed by Sally Tuffin, for Thomas Goode, painted in colours on a blue ground impressed marks, painted green WM mark 34cm. high

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