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Fieldings Auctioneers
Lot 1026

A 20th Century Wedgwood Brutus glass vase designed by Frank Thrower, of hexagonal form in a smoke grey tint, height 26cm.

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Fieldings Auctioneers
Lot 910

A Bohemian Art Deco glass vase by Karel Palda, circa 1920, of footed flared form with faceted panels cut with floral sprays between panels with enamelled geometric decoration in black and ruby, height 11cm.

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Fieldings Auctioneers
Lot 822

A Moorcroft Pottery vase in the Carousel Jasmine pattern designed by Rachel Bishop, of footed ovoid form with tall tapering neck, impressed and painted marks, height 24cm.

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Fieldings Auctioneers
Lot 823

A Moorcroft Pottery vase, decorated in the Victoriana pattern, designed by Emma Bossons for the Moorcroft Collectors Club, decorated with a tubelined band of red and cream flower heads, numbered 67, signed to the base, height 21cm.

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Fieldings Auctioneers
Lot 1085

A collection of Mdina glass, comprising two paperweights formed as seahorses in blue, one raised to a blue base, the other blue with trailing, two other seahorses in clear, a paperweight formed as an apple and a vase of ovoid form with everted rim, height of tallest 16cm. (6)

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Fieldings Auctioneers
Lot 817

A Gustavsberg Verkstad KAPA series vase designed by Wilhelm Kage of compressed ovoid form with incised spiral lines with a deep tonal blue glaze, impressed marks, height 9cm, together with a matched rounded square section shallow bowl and a small squat cylinder vase. (3)

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Fieldings Auctioneers
Lot 737

A large Charlotte Rhead for Bursley Ware fruit bowl of high sided circular form, tube line decorated with stylised fruits and flowers all over a cream ground, printed mark, together with a Charlotte Rhead Jug decorated in the Tulip pattern, a 1930s Charlotte Rhead for Crown Ducal box commemorating the 1937 Coronation of Edward VIII, a Wadeheath Flaxman Ware ovoid vase with birds in flight over a floral landscape and an A. E. Grey and Co. lustre jug with a band of floral decoration in purple and red, all with printed marks, damage. (5)

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Fieldings Auctioneers
Lot 825

A Moorcroft Pottery vase of baluster form decorated in the Red Tulip pattern designed by Sally Tuffin, impressed and painted marks, height 10cm.

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Fieldings Auctioneers
Lot 920

A pair of 20th Century Dartington FT101 Bark vases, designed by Frank Thrower, of square section with flared neck, the body with textured relief moulded decoration, all in a clear ground, height 11cm, together with a clear crystal Sklo Union Candle wax vase, a Ravenhead Bark vase in clear crystal, a Wood Brothers Glass Cascade circular dish in blue and two other similar bark vases, tallest height 21cm. (7)

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Fieldings Auctioneers
Lot 1070

A large Rene Lalique vase in the Domremy pattern with relief moulded dandelions in a deep opalescent finish, model 979, designed circa 1926, relief moulded mark and engraved mark to the foot, height 21.5cm, damaged.

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Fieldings Auctioneers
Lot 978

A contemporary Waterford Crystal Marquis crystal glass vase, the ovoid body mitre cut with repeat lines and a band of frosted squares, faint acid mark to the base, height 17.5cm.

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Fieldings Auctioneers
Lot 717

A Linthorpe Pottery vase designed by Dr Christopher Dresser, of ovoid form with flared neck and twin handles, shape 337, decorated with moulded fan motifs in a central circular panel to both sides, all in a streaky brown, green and blue glaze, inscribed Dresser signature, height 20cm.

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Fieldings Auctioneers
Lot 1093

A collection of Mdina glass to include a vase with wave rim, a leaf form dish with pulled up rim, a jug, two paperweights of seahorse form and another of domed form, all with ochre trails over the blue ground, some signed, height of tallest 16cm. (6)

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Fieldings Auctioneers
Lot 930

A 19th Century WH B & J Richardsons opaline glass vase of baluster form, with vitrified enamel decoration of shells and coral, with gilt decoration of a shell and foliate scrolls verso, marked to base, height 37cm.

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Fieldings Auctioneers
Lot 908

A Phoenix Glass Company vase of flared form in mottled blue with applied yellow rim and foot decorated with silver leaf, engraved signature, height 27cm.

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Lot 714

A Linthorpe Pottery vase designed by Dr Christopher Dresser, model no.140, of double gourd form, decorated in a streaked green and brown glaze, impressed marks, facsimile signature, height 16cm.

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Fieldings Auctioneers
Lot 1023

A late 20th Century Okra glass vase, of footed shouldered ovoid form with wavy rim, decorated with multiple small white stylised flower heads over a mottled petrol iridescent ground with trails, signed and dated 1991 to the base, height 27.5cm.

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Fieldings Auctioneers
Lot 696

A studio pottery stoneware vase, possibly by Peter Lane, of shouldered ovoid form with flared rim, decorated with mottled trails in green, grey and brown, incised initials, together with a similar Studio Pottery vase with spiral decoration and a large Studio Pottery bowl with mottled brown glaze over a black ground, largest size 24cm. (3)

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Fieldings Auctioneers
Lot 976

A Kralik style glass vase, of ovoid form with Jack in the Pulpit rim, all in an iridescent green ground, height 15.5cm, together with three similar continental iridescent vases of various forms and designs, also a Stuart & Sons clear crystal vase with green peacock trails, a continental vase with green crown decoration and a peach satin glass vase, tallest height 18cm, damage. (7)

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Fieldings Auctioneers
Lot 1038

A 20th Century John Walsh Walsh Brocade glass vase, of flared form with moulded decoration in a frosted iridescent finish, width 23.5cm.

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Lot 718

A 20th Century Wortley Pottery Vase, Leeds Fireclay Company Burmantofts Association, of squat ovoid form with slender collar neck and frilled rim, shape 198, decorated in an amber to green and blue glaze ground, impressed mark, together with a small blue glazed ovoid vase with collar neck by the same hand and a small Bretby shouldered ovoid vase in a streaky amber and blue glaze ground, tallest height 12cm. (3)

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Fieldings Auctioneers
Lot 1030

A studio glass Jack in the Pulpit vase, decorated internally with iridescent amber and green trails over a deep blue ground and cased in clear, height 34.5cm.

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Lot 707

A studio pottery salt-glazed vase by Ruth King, of cylinder form, decorated with blue brushwork marks over a pale blue ground, RK incised mark, height 19cm.

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Lot 807

A Royal Doulton Lambeth stoneware flask vase designed by Leslie Harradine, of compressed shouldered form with waisted neck and applied loop handles, the body relief moulded with cartouche panels of cherubs holding strands of pearls, picked out in tonal blue and lilac glazes, impressed and incised marks, height  21.5cm.

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Lot 832

A mid 20th Century Soholm Northen Lights vase designed by Maria Phillippi, glazed in grey and brown, unmarked, retains partial foil label, height 20.5cm, together with a celadon crackle glazed vase and a Royal Copenhagen Studio candle stick affixed to a high sided bowl all glazed in celadon. (3)

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Fieldings Auctioneers
Lot 745

A studio pottery vase of ovoid form with flared neck and twin handles modelled as stylised bird heads, the body decorated with floral motifs in green, blue and yellow over a pale green ground, stamped marks to the body, together with a studio pottery pilgrim flask and jug both with incised decoration, all different hands, largest size 20cm, damaged. (3)

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Fieldings Auctioneers
Lot 713

A Ben Arnup stoneware trompe l'oeil sculpture, of ovoid form with a semi circular aperture, decorated in sections of blue and cream, painted marks, damaged, together with a group of studio pottery items, including a blue salt-glazed mug, conical form lustre glaze bowl and a small vase with banded grey decoration, largest size 34cm. (4)

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Lot 730

A 20th Century Gmunder Keramik vase, of footed conical form with cup rim, decorated in a mottled green glaze with two incised antelopes and cream bands, signed, together with a 1920s Reco Capey for Royal Doulton large hexagonal jug, with checkerboard design of alternating bird and scroll motifs in green, white and black, height 16cm, damage. (2)

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Fieldings Auctioneers
Lot 836

A mid century Roth Keramik Fat Lava vase, of squat ovoid form with tall cylinder neck and loop handle, decorated with a textured mottled ochre glazed to the rim over a deep green glaze ground, impressed 112/27, height 27.5cm, together with a similar smaller Fat Lava vase with a textured zig zag pattern and a matt orange example with textured decoration to the neck. (3)

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Fieldings Auctioneers
Lot 906

An early 20th Century Bohemian cameo glass vase attributed to Kralik, of cylinder form, cased in blue over clear and cut with a landscape, height 20.5cm.

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Fieldings Auctioneers
Lot 897

A post war Czech glass vase in the 19th Century Bohemian taste, the pedestal body with flared rim, cased in opal over ruby and flash cut with printie panels with hand enamelled flowers and gilded highlights, height 22cm, together with a matched pedestal bowl, width 20cm. (2)

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Fieldings Auctioneers
Lot 1040

A Victorian glass vase attributed to Burtles Tate & Co., of conical form with frilled rim decorated internally with graduated ruby and cased in opal with a band of applied rigger work, all raised to a frilled foot, height 25cm.

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Fieldings Auctioneers
Lot 693

A studio pottery stoneware vase by Rodney Lawrence, of shouldered cylinder form with collar neck, sgraffito decorated with figures in a terrace, stamped initials and flower mark, together with a similar Rodney Lawrence vase sgraffito decorated with standing figures and inscription 'The Fountain of Youth and Knights Rewarded for Their Valour', tallest height 22cm. (2)

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Fieldings Auctioneers
Lot 880

A collection of assorted later 20th Century Aynsley Orchard Gold, to include two Millennium Thistle Vases with a certificate of authenticity, a Millennium Daffodil vase, vases of varying forms, lidded jars and two jugs, all with printed marks, tallest 25.5cm. (9)

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Fieldings Auctioneers
Lot 901

A large Dartington vase designed by Frank Thrower, of square section with a relief moulded Greek Key design all below a flared neck in an iridescent pale grey tint, height 24cm, together with three other Dartington clear crystal glass vases of varying designs and a small Strathearn vase, circa 1970, decorated with a graduated mottled brown to citron ground. (5)

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Fieldings Auctioneers
Lot 989

A 1970s VEB Harzkristall mold blown modernist glass vase designed by Marita Voigt inspired by the TV Tower at the Alexanderplatz in Berlin, decorated with a stipple engraved amoeba design, height 22cm.

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Fieldings Auctioneers
Lot 1073

A 1930s Art Deco pressed glass vase by Jobling, of shouldered cylindrical form, relief moulded with stylised carp amongst zig zag lines in a deep golden amber finish, unmarked, height 28cm, together with a further Jobling glass vase of shouldered ovoid form, relief moulded with stylised Art Deco flowers over chevron bands to the deep electric blue ground, unmarked, height 30cm, both damaged.

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Fieldings Auctioneers
Lot 879

A collection of assorted later 20th Century Aynsley Orchard Gold to include vases of varying form including two Limited Edition Crown Vase 1998, footed dish, lidded jar and a twin handled lidded jar, all with printed marks, tallest 26cm. (6)

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Fieldings Auctioneers
Lot 982

An early 20th Century Thomas Webb & Sons clear crystal glass vase of footed shouldered ovoid form with collar neck, intaglio cut with a stork to a pond setting with bulrushes, flowers and foliage, acid mark, together with a 1930s Thomas Webb & Sons crystal cameo glass bowl, hand cut with stylised flowers and foliage over a planished ground, acid mark to the base, tallest height 24cm. (2)

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Fieldings Auctioneers
Lot 1029

An early 20th Century Stuart & Sons clear crystal glass vase circa 1930s, of flared footed form, decorated with a band of stylised leaf cuts to the rim above facet panel cuts all raised to a heavy circular spread foot with a star cut base, height 27cm.

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Fieldings Auctioneers
Lot 722

A 20th Century Cobridge stoneware vase, of shouldered form with tall collar neck and flared rim, decorated in a Sang de Boeuf style glaze, printed mark, height 16cm, together with a Dunmore Art pottery jug of squat ovoid form with twisted rope handle, all in a deep blue glaze, also a Bullers Pottery vase of ovoid form in pale blue ground, impressed marks to base, damage. (3)

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Fieldings Auctioneers
Lot 1022

A 20th Century continental glass vase, of flared footed form, cased in blue over clear and decorated with facet cut panels below a band of square cuts with printie cuts inside, height 27cm.

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Lot 1063

An early 20th Century Moser clear crystal glass Art Nouveau vase, circa 1900-1910, of square sleeve section with shaped petal edged upper rim, heavily cut and engraved to all sides with wild poppies and iris flowers and foliage to the clear ground, unmarked, engraved numerical codes to the base, height 15cm. NB - From the collection of Gary D Baldwin, illustrated on plate 132, page 126 of Moser Artistic Glass by Gary D Baldwin.

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Fieldings Auctioneers
Lot 734

A Candy Wescontree ware stoneware vase, of double gourd form decorated with mottled green streaky glaze over orange ground, mark to base, height 20cm, together with a large Clews Chameleon Ware high sided bowl in a mottled green ground, also a stoneware jug of ovoid form with tall collar neck, and an Ashtead Potters warming plate in an ochre glaze, damage. (4)

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Fieldings Auctioneers
Lot 995

A Bohemian glass vase, of footed compressed ovoid form with flared neck, cased in white over blue with hand painted enamel floral motifs and flash cut with bands of printie cuts, all above a domed foot in the matching pattern, height 20.5cm, together with a similar Bohemian footed dish, cased in white over green with enamel floral motifs and flash cute decoration, height 11.5cm. (2)

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Fieldings Auctioneers
Lot 697

A studio pottery stoneware vase, of ovoid form, decorated with incised wavy bands over a mottled brown, blue and grey ground, stamped R to the base, height 26cm, together with an ovoid Studio Pottery vase with mottled brown and grey glaze and a Studio Pottery jug of low shouldered form with a band of blue swirls over a mottled cream ground. (3)

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Fieldings Auctioneers
Lot 821

A collection of Lorna Bailey ceramics, comprising a vase in the Roman pattern, limited edition 153 of 200, height 19cm, a vase in the Mexicana pattern, limited edition 28 of 250, a jug in the Bridge and Stream pattern, and another in the Chetwind pattern, all signed. (4)

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Fieldings Auctioneers
Lot 986

A 1930s Graystan crystal glass vase by Elizabeth Graydon Stannus, of waisted sleeve form engraved with Pan playing pipes beneath trees over a graduated blue to clear crystal ground, engraved signature, height 25.5cm.

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Lot 884

A collection of 18th Century Chinese porcelain items, to include a blue and white baluster vase, a blue and white teapot, a Qianlong period teapot and an enamelled tankard, damages.

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Fieldings Auctioneers
Lot 878

A collection of assorted 20th Century ceramic items, to include Carlton Ware dishes, a Grays Pottery jug, a Burslem ware tall slender jug with floral decoration, a Poole Volcano vase, a commemorative jug for the coronation of King Edward VII by Laura Knight etc, tallest 23.5cm. (7)

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Lot 932

A late 19th Century Stevens and Williams Arabesque glass posy vase of globe form with everted rim, the ruby ground with an opal crackle overlay, height 6cm.

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Lot 626

An early 19th Century Thomas Fell & Co, St Peters Pottery of Newcastle Pearlware part tea service comprising teapot, covered sucrier, tea bowls, slop bowls and saucers, together with a small pedestal vase and a sauce boat, transfer printed with figural groups after Adam Buck with hand enamelled highlights and pink lustre boards, impressed marks, damages. (qty)

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Lot 688

A Zsolnay Pecs vase double gourd shaped vase of Islamic lustre design, with pierced roundels and three handles and spout, decorated with lustrous arabesque enamels, height 35cm, printed marks to base.

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Fieldings Auctioneers
Lot 706

A studio pottery large salt-glazed vase by Ruth King, of organic form and decorated with ribbed diagonal lines and border over a grey ground, impressed RK mark, height 27cm.

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Lot 739

A collection of assorted Clarice Cliff items, to include a Windbells dish, three conical shape coffee cans with green and pink banding before a blue ground, a shape 665 My Garden (Night) vase, a Blue Chintz pepper shaker, and a Honeydew Lynton dinner plate with stylised flower heads with green and brown banding, various marks, largest measurement 25cm, damage. (7)

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Lot 1081

A collection of Mdina glass comprising a vase of ovoid form with everted rim, two paperweights of seahorse form, a paperweight of dome form, a basket and a leaf form dish will pulled up rim, all decorated with trailing and spotting in yellow and ochre against the blue ground, some signed, height of tallest 14cm. (6)

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Lot 937

An early 20th Century glass vase by Haida, of footed ovoid form with flared rim, the deep amber body faceted and enamel and gilt decorated in the manner of J M Pohl with a heavily detailed scene of rural life, height 23cm.

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Lot 916

A mid 20th Century Holmegaard beak vase designed by Per Lutken, of ovoid form with pulled rim details, all in an ice blue ground, together with three other beak vases in graduating sizes by the same hand, signed, tallest size 26.5cm. (4)

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Lot 813

A contemporary Anita Harris ceramic Teardop vase of compressed form, decorated with tonal green swirled lines over a mottled yellow and orange ground, hand signed in gold by Anita Harris, height 23cm.

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Lot 948

A collection of 19th Century and later ruby glass to include a large frill rim vase, wrythen goblet, a Mary Gregory enamelled vase and assorted drinking glasses, tallest 21.5cm, slight damage. (8)

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