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Click here to subscribeMont Joye cameo glass scenic vase, Legras glassworks, executed in multiple techniques, of elongated ovoid form depicting a gilt dragonfly above polychrome cut and enameled lavender and pink irises with gilt leaves, the decoration executed in the round on a mottled etched ground, 12""h x 4.25""dia
Chinese large enameled and molded porcelain vase, molded with seven magpies soaring and some perched on a flowering plum tree along with a willow, the dished rim accented with key-fret band and the cylindrical neck flanked by shaped handles, raised on a short foot, 24""h
Pair of Chinese cloisonne enameled vases with ruyi scepters, each with a taiji emblem in a lotus flower and tendrils on a turquoise ground, the top issuing a pair of ruyi scepters suspending bats, raised on a gilt saddle (possibly to be mounted on an elephant), vase: 7.5""h, overall: 15.5""h. Provenance: From the estate of Edward Gerber
Chinese tea dust glazed porcelain vase, of melon form section flanked by a pair of zoomorph handles suspending mock loose rings, raised on a short splayed base, with wood stand (chiped, repaired to rim and foot), 11.75""h. Provenance: Property from the Lyman Museum, Hawai`i, Sold to Benefit Future Acquisitions and Collections, originally from Herbert C. Shipman (1892-1976)
Chinese enameled porcelain vase, Republic period, with a tapering square sectioned body of a gilt flecked ground, flanked by gilt lion handles with mock loose rings, above shaped reserves painted with various landscapes, the base with apocryphal red Qianlong mark, 6.5""h
(lot of 2) Iridescent art glass vase group, consisting of an example attributed to Loetz executed in emerald glass having a flared ruffled rim above a tear drop body with a pinched waist and resting on a circular foot, and accented with applied aubergine stringing, 6.5""h; together with a Blue Aurene vase attributed to Steuben, having a slightly flared rim above the spherical body, the whole rising on a circular foot, 7""h, both unsigned
Rookwood carved wax matte vase, executed in 1917 by Charles S. Todd, the tapered form having a stylized floral carved frieze executed in multiple colors, on a butterfat ground continuing from moss green to indigo, impressed mark on base , date marked XVII, 913 C, and incised C.S.T, 9.5""h
(lot of 3) Lundberg Studios art glass vase group, each having a shouldered form, one in gold aurene, having a pulled feather design; another in an iridescent sky blue decorated with lilies in a pond; the last in iridescent sky blue decorated with flowers and stars in the night sky, each signed ""Lundberg Studios, 1976"", largest: 6.5""h
Large Continental majolica urn form vase, 19th century, executed in cerulean, having reeded accents in maize yellow, above the bulbous body, having stylized handles in olive, flanking a central angelic bust, and rising on a graduated base terminating on a square plinth, 25""h
Simon Pietersz Verelst (Dutch, 1644-1721), ``Roses, tulips, carnations, a butterfly and other flowers in a vase on a table,"" oil on canvas, unsigned, canvas: 27``h x 22``w. overall (with frame): 35.5""h x 30.75""w. Provenance: Christie`s London (December 13, 2002 - Lot 124)
Mont Joye cameo glass scenic vase, Legras glassworks, executed in multiple techniques, of elongated ovoid form depicting a gilt dragonfly above polychrome cut and enameled lavender and pink irises with gilt leaves, the decoration executed in the round on a mottled etched ground, 12""h x 4.25""dia
Chinese large enameled and molded porcelain vase, molded with seven magpies soaring and some perched on a flowering plum tree along with a willow, the dished rim accented with key-fret band and the cylindrical neck flanked by shaped handles, raised on a short foot, 24""h
Pair of Chinese cloisonne enameled vases with ruyi scepters, each with a taiji emblem in a lotus flower and tendrils on a turquoise ground, the top issuing a pair of ruyi scepters suspending bats, raised on a gilt saddle (possibly to be mounted on an elephant), vase: 7.5""h, overall: 15.5""h. Provenance: From the estate of Edward Gerber
Chinese tea dust glazed porcelain vase, of melon form section flanked by a pair of zoomorph handles suspending mock loose rings, raised on a short splayed base, with wood stand (chiped, repaired to rim and foot), 11.75""h. Provenance: Property from the Lyman Museum, Hawai`i, Sold to Benefit Future Acquisitions and Collections, originally from Herbert C. Shipman (1892-1976)
Chinese enameled porcelain vase, Republic period, with a tapering square sectioned body of a gilt flecked ground, flanked by gilt lion handles with mock loose rings, above shaped reserves painted with various landscapes, the base with apocryphal red Qianlong mark, 6.5""h
Rookwood carved wax matte vase, executed in 1917 by Charles S. Todd, the tapered form having a stylized floral carved frieze executed in multiple colors, on a butterfat ground continuing from moss green to indigo, impressed mark on base , date marked XVII, 913 C, and incised C.S.T, 9.5""h
(lot of 3) Lundberg Studios art glass vase group, each having a shouldered form, one in gold aurene, having a pulled feather design; another in an iridescent sky blue decorated with lilies in a pond; the last in iridescent sky blue decorated with flowers and stars in the night sky, each signed ""Lundberg Studios, 1976"", largest: 6.5""h
Large Continental majolica urn form vase, 19th century, executed in cerulean, having reeded accents in maize yellow, above the bulbous body, having stylized handles in olive, flanking a central angelic bust, and rising on a graduated base terminating on a square plinth, 25""h
Simon Pietersz Verelst (Dutch, 1644-1721), ``Roses, tulips, carnations, a butterfly and other flowers in a vase on a table,"" oil on canvas, unsigned, canvas: 27``h x 22``w. overall (with frame): 35.5""h x 30.75""w. Provenance: Christie`s London (December 13, 2002 - Lot 124)
Mont Joye cameo glass scenic vase, Legras glassworks, executed in multiple techniques, of elongated ovoid form depicting a gilt dragonfly above polychrome cut and enameled lavender and pink irises with gilt leaves, the decoration executed in the round on a mottled etched ground, 12""h x 4.25""dia
Chinese large enameled and molded porcelain vase, molded with seven magpies soaring and some perched on a flowering plum tree along with a willow, the dished rim accented with key-fret band and the cylindrical neck flanked by shaped handles, raised on a short foot, 24""h
Pair of Chinese cloisonne enameled vases with ruyi scepters, each with a taiji emblem in a lotus flower and tendrils on a turquoise ground, the top issuing a pair of ruyi scepters suspending bats, raised on a gilt saddle (possibly to be mounted on an elephant), vase: 7.5""h, overall: 15.5""h. Provenance: From the estate of Edward Gerber
Chinese tea dust glazed porcelain vase, of melon form section flanked by a pair of zoomorph handles suspending mock loose rings, raised on a short splayed base, with wood stand (chiped, repaired to rim and foot), 11.75""h. Provenance: Property from the Lyman Museum, Hawai`i, Sold to Benefit Future Acquisitions and Collections, originally from Herbert C. Shipman (1892-1976)
Chinese enameled porcelain vase, Republic period, with a tapering square sectioned body of a gilt flecked ground, flanked by gilt lion handles with mock loose rings, above shaped reserves painted with various landscapes, the base with apocryphal red Qianlong mark, 6.5""h
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