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A tall Doulton Lambeth stoneware vase by Hannah Barlow, shouldered form with waisted cylindrical neck, incised with a frieze of grazing and resting sheep by a riverside landscape, inside slip decorated panels of scrollwork, in brown and green, highlighted with white on a buff ground impressed marks, incised monogram, 43cm. high
An English cameo glass vase possibly by Webb, clear glass cased in white and deep red, deeply cut and etched with fish swimming amidst waterweed, unsigned, 28cm. high Literature British Decorative Arts, Christie's King Street, 9th October 1992 page 64 lot 187 for a comparable vase illustrated.
A Pilkington's Lancastrian vase, dated 1909, shouldered urn form with two scroll handles, the body with vertical moulded columns, covered in a streaked turquoise glaze, another similar with a matt blue glaze, another Pilkington vase covered in a curdled blue glaze and eight other Pilkington's vases impressed mark, impressed IX date mark, 13cm. high (11)
A Keswick School of Industrial Arts hammered copper vase designed by Thomas Maryon, flaring cylindrical form, repousse hammered with a band of hearts and diamonds, stamped KSIA diamond, 19.5cm. high Literature Ian Bruce The Loving Eye and Skilful Hand, The Keswick School of Industrial Arts, page 57 plate 40 for an identical vase illustrated at the Home Arts and Industries Exhibition 1900.
'Pomegranate' a Moorcroft Pottery vase designed by William Moorcroft, painted in shades of pink, purple, ochre and green on a blue ground, two Moorcroft pin dishes, a cover and a Royal Stanley Pomegranate pattern vase, impressed marks, main vase missing cover, 11.5cm. high, (5)
A Zsolnay Pecs reticulated vase, shouldered form, cast with a cockerel and chickens before trees, eosin glazed in colours on a ruby red ground, and a Zsolnay Pecs eosin dish modelled as a vulture perched on a snake, covered in a lustrous glaze printed factory marks, 13cm. high (2)
A large William De Morgan vase, shouldered form with everted top rim, painted with palmette of leaves on scrolling foliate ground, the shoulder with classical dolphin frieze, in ruby, pink and golden lustre on a cream ground unmarked, painted fish roundel to base, neck off and re-stuck, 46cm. high
A James Powell & Sons Whitefriars embedded gold goblet vase designed by Harry Powell, the double knop stem with aventurine inclusions, on flaring foot, unsigned, repaired stem, 19cm. high Literature Leslie Jackson Whitefriars Glass, The Art of James Powell & Sons, Richard Dennis Publications, page 113 plate 76 for an identical example. The John Scott Collection James Powell & Sons Whitefriars Glass 1860-1960 The Fine Art Society, 2014 catalogue number 60 for a comparable blue glass.
A Bernard Moore Flambe solifleur vase, shouldered form, enamelled with a shoal of fish in turquoise, highlighted in gilt on a mottled bright red and orange ground, BM mark to base, 13cm. high Literature Aileen Dawson, Bernard Moore Master Potter 1850-1935, Richard Dennis Publications, page 60 figure 37 for a comparable design illustrated.
A Royal Doulton porcelain vase by Arthur Eaton, shouldered, swollen cylindrical form, finely painted with a spider's web hanging from stylised honesty stems, in pale green on a white ground, the rim highlighted in gilt, printed factory mark, painted signature A Eaton to side of vase, 20cm. high
A Pilkington's Royal Lancastrian vase by William S Mycock, dated 1935, shape no.201, ovoid with collar rim, modelled and painted with Art Nouveau foliate stems in blue and turquoise on a matt silver-grey ground, another Pilkington's vase modelled in low relief with Galleons at sail, glazed grey and five other vases impressed and incised factory marks, 18cm. high, (7)
A Martin Brothers stoneware Aquatic vase by Edwin and Walter Martin, dated 1911, flask form with twin looped handles, with pushed out fish to either side, painted in green on a bright royal blue ground, incised 4 1911, Martin Bros London & Southall, 21.5cm. high Provenance Private collection.
A Martin Brothers stoneware vase by Robert Wallace Martin, dated 1875, flaring form with inverted rim, modelled to the side with an owl mask, incised with a medieval fisherman, unhooking his catch, glazed in blue, green and brown on a buff ground, with incised plaque to the side 'Martin London', incised E32 RWMartin London 5-1875, professional restoration to top rim, 16cm high
'Spanish' a Moorcroft Pottery twin-handled vase designed by William Moorcroft, waisted cylindrical form, painted in shades of pink, purple, red and green on a mottled sand and green ground impressed Burslem mark and painted green signature, minor over-painting to base rim, 26.5cm. high
A rare Burmantofts Faience lustre vase by Leonard King, model no.157, shouldered form, painted with a frieze of large owls, spaced with scrolling foliage and smaller perched owls, light red on a cream ground, impressed marks, painted LK and LGB monograms, 37cm. high Catalogue notes The owl is one of the symbols on the Leeds city coat of arms and thus had a significant iconographical link to the Burmantofts company.
A Bernard Moore Flambe vase by Cicely Jackson, ovoid with narrow everted rim, painted with a shoal of scaly fish in ruby flambe on a tan ground, Bernard Moore mark, painted artist monogram, small chip to top rim, 10cm. high Literature Aileen Dawson Bernard Moore Master Potter 1850-1935, Richard Dennis Publications, page 60 figure 37 for a comparable vase illustrated.
A Martin Brothers stoneware six tile panel by Robert Wallace Martin, incised with classical figures and dolphin in scrolling foliage, glazed ochre and olive green, in later wooden frame incised R W Martin London & Southall, 10-1895 to vase, minor chips, 90 x 15.5cm. Provenance From the tile collection of Richard & Hilary Myers.
A Pilkington's Lancastrian vase, dated 1910, shape no.2834, swollen, shouldered form with everted rim, modelled in low relief with foliate motif, glazed streaked sang de boeuf glaze, two slender Pilkington's Lancastrian vases covered in a streaked and curdled blue glaze and a collection of twenty-one other Pilkington's items impressed marks, 17cm. high (24)
A Burmantofts Faience Anglo-Persian vase by Leonard King, model no.D.139, slender, shouldered form painted with scaly fish amongst flowering waterweed and scrolling turbulent water in turquoise, blue, green, aubergine and yellow on a white ground, impressed marks, painted LK monogram, glaze loss and rim frits, 17.5cm. high
A Doulton Lambeth stoneware vase by Hannah Barlow, flaring, footed form with collar rim, incised with a frieze of donkeys and sheep resting and grazing in a field, between bands of incised stylised foliage, glazed brown, green and blue on a buff ground impressed and incised marks, incised monogram, 19.5cm. high
A Luneville vase probably manufactured by Keller & Guerin, ovoid with silver mounts, the body glazed with moths flying in ruby and silver lustre, the silver mount to the neck cast with flowers and foliage, impressed Luneville mark to base, stamped mark to silver mount, 13.5cm. high
A Doulton Lambeth Aesthetic Movement stoneware vase by Florence Barlow, ovoid pate sur pate painted with panels of wild birds perched on a bough, with stylised flower and scrolling foliage slip decoration, in green and brown on a buff ground impressed marks, incised artist monogram, professional restoration to the foot rim, 24.5cm. high
A Haviland & Co Limoges barbotine stoneware three vase garniture, the pair of vases impasto decorated with parrots perched on a flowering bough, the central vase with three aperture, painted with a chicken and a duck feeding, impressed marks, painted monogram to foot of one vase, minor damages, 41.5cm. high, (3)
A Burmantofts Faience Anglo-Persian vase by Leonard King, model no.7, painted with scaly fish panels between bands of stylised prunus flowers, in shades of turquoise, blue, green and aubergine on a white ground, highlighted with yellow, impressed marks, painted LK monogram and Dsg-131, 22cm. high
A Pilkington's Royal Lancastrian vase by Richard Joyce, shouldered form, painted with a trellis of stylised flower heads in ruby and golden lustre on a streaked ruby and golden lustre ground, impressed and painted marks concealed by paper retail and collection labels, 14.5cm. high
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653685 item(s)/page