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Lot 142

A Minton's Aesthetic Movement vase, compressed form on four feet, printed in black with panels of ibex and foliage in black on a turquoise ground impressed marks, 15cm. high

Lot 130

A Bernard Moore Flambe vase, compressed form with cylindrical neck, painted with a frieze of prowling leopards, the neck with a tall band of stylised foliage in red flambe painted Bernard Moore mark and artist monogram, hairline to base, 27cm. high

Lot 111

A tall Doulton Lambeth stoneware vase by Hannah Barlow, shouldered form with waisted cylindrical neck, incised with a frieze of grazing and resting sheep by a riverside landscape, inside slip decorated panels of scrollwork, in brown and green, highlighted with white on a buff ground impressed marks, incised monogram, 43cm. high

Lot 121

A Royal Doulton Sung vase by Charles Noke, shouldered cylindrical form, flambe red graduating to blue, turquoise and purple with veins, printed factory mark, painted Sung and Noke signature, 27.5cm. high

Lot 5

A Richardson & Son enamelled glass bottle vase, pulled ovoid opaque glass body with waisted neck, painted with classical standing female figures, below a band of scrolling foliage in black, Richardson mark to base, 25cm. high

Lot 220

A large Clement Massier ovoid vase by M Alexandy, painted with rose flowers in yellow and pink, the neck with geometric frieze highlighted in gilt, impressed and painted marks to base, signed by the artist to the side 31.5cm. high

Lot 420

A Charles Edwards silver bud vase, footed, flaring cylindrical form with applied wirework handles, hammered finish, stamped marks, London 1903, 16cm. high, 128 grams

Lot 140

A Minton porcelain vase designed by Dr Christopher Dresser, twin-aperture form with over-slung handle, printed and painted with geometric flower and foliage in colours on an unusual platinum ground, highlighted in gilt, impressed number to base, 16cm. high

Lot 16

A Martin Brothers stoneware solifleur vase by Robert Wallace Martin, dated 1880, incised and impressed with simple flower head repeat, covered in a brown glaze incised marks, 16.5cm. high

Lot 123

A Royal Doulton Sung vase designed by Charles Noke, ovoid with flaring rim, decorated with a veined experimental glaze, in blue, turquoise, purple and red flambe printed factory mark, Sung and Noke signature to base, 16.5cm. high

Lot 171

A Burmantofts Faience Anglo-Persian vase by Leonard King, model no. DSG 117, tapering cylindrical form, painted with swimming scaly fish amongst waterweed, in shades of turquoise, blue, aubergine and green on a white ground, impressed and painted marks, chips, 24cm. high

Lot 14

A Daum enamelled glass vase, compressed square section, cameo decorated and enamelled with lily stems, in colours on a mottled orange ground, Cameo Daum France signature to side, 14cm. square

Lot 204

A Pilkington's Lancastrian vase by Richard Joyce, dated 1919, shape no.2445, shouldered form, painted with fish amongst waterweed in flambe red on a lime green ground, impressed marks, painted artist cipher and date code mark, 13cm. high

Lot 4

An English cameo glass vase possibly by Webb, clear glass cased in white and deep red, deeply cut and etched with fish swimming amidst waterweed, unsigned, 28cm. high Literature British Decorative Arts, Christie's King Street, 9th October 1992 page 64 lot 187 for a comparable vase illustrated.

Lot 47

A Martin Brothers stoneware gourd vase by Robert Wallace Martin, tapering square section with vertical ribs, glazed olive green and buff incised R W Martin Bros Southall, 23.5cm. high.

Lot 202

A Pilkington's Lancastrian vase by William S Mycock, dated 1912, compressed form with collar rim, painted with flowers and foliage in pink and red lustre impressed factory marks, painted artist cipher and date code, 13cm. high

Lot 196

A Pilkington's Lancastrian vase, dated 1909, shouldered urn form with two scroll handles, the body with vertical moulded columns, covered in a streaked turquoise glaze, another similar with a matt blue glaze, another Pilkington vase covered in a curdled blue glaze and eight other Pilkington's vases impressed mark, impressed IX date mark, 13cm. high (11)

Lot 323

A Keswick School of Industrial Arts hammered copper vase designed by Thomas Maryon, flaring cylindrical form, repousse hammered with a band of hearts and diamonds, stamped KSIA diamond, 19.5cm. high Literature Ian Bruce The Loving Eye and Skilful Hand, The Keswick School of Industrial Arts, page 57 plate 40 for an identical vase illustrated at the Home Arts and Industries Exhibition 1900.

Lot 184

'Pomegranate' a Moorcroft Pottery vase designed by William Moorcroft, painted in shades of pink, purple, ochre and green on a blue ground, two Moorcroft pin dishes, a cover and a Royal Stanley Pomegranate pattern vase, impressed marks, main vase missing cover, 11.5cm. high, (5)

Lot 180

'Pomegranate' a Moorcroft Pottery vase designed by William Moorcroft, shouldered form with collar rim, painted in shades of pink, purple and ochre on a blue ground, impressed marks, painted blue signature, 16.5cm. high.

Lot 216

A Zsolnay Pecs reticulated vase, shouldered form, cast with a cockerel and chickens before trees, eosin glazed in colours on a ruby red ground, and a Zsolnay Pecs eosin dish modelled as a vulture perched on a snake, covered in a lustrous glaze printed factory marks, 13cm. high (2)

Lot 52

A large William De Morgan vase, shouldered form with everted top rim, painted with palmette of leaves on scrolling foliate ground, the shoulder with classical dolphin frieze, in ruby, pink and golden lustre on a cream ground unmarked, painted fish roundel to base, neck off and re-stuck, 46cm. high

Lot 11

A Loetz iridescent glass vase, waisted, tapering cylindrical form with everted fluted rim, modelled with vertical ribs, green glass with iridescent surface unsigned, 16.5cm. high

Lot 9

A James Powell & Sons Whitefriars embedded gold goblet vase designed by Harry Powell, the double knop stem with aventurine inclusions, on flaring foot, unsigned, repaired stem, 19cm. high Literature Leslie Jackson Whitefriars Glass, The Art of James Powell & Sons, Richard Dennis Publications, page 113 plate 76 for an identical example. The John Scott Collection James Powell & Sons Whitefriars Glass 1860-1960 The Fine Art Society, 2014 catalogue number 60 for a comparable blue glass.

Lot 182

'Pomegranate' a Moorcroft Pottery vase designed by William Moorcroft, shouldered baluster form, painted in shades of pink, purple, ochre and green on a blue ground, and a Moorcroft Pottery 'Pomegranate' solifleur vase, impressed marks, 9cm. high (2)

Lot 126

A Bernard Moore Flambe solifleur vase, shouldered form, enamelled with a shoal of fish in turquoise, highlighted in gilt on a mottled bright red and orange ground, BM mark to base, 13cm. high Literature Aileen Dawson, Bernard Moore Master Potter 1850-1935, Richard Dennis Publications, page 60 figure 37 for a comparable design illustrated.

Lot 219

A large Cantagalli Pottery Iznik vase and cover, swollen body with applied lip handles, and domed cover, painted with flowers and foliage in turquoise, blue, aubergine and iron red on a white ground, painted cockerel mark, 46cm. high

Lot 118

A Royal Doulton porcelain vase by Arthur Eaton, shouldered, swollen cylindrical form, finely painted with a spider's web hanging from stylised honesty stems, in pale green on a white ground, the rim highlighted in gilt, printed factory mark, painted signature A Eaton to side of vase, 20cm. high

Lot 116

A Royal Doulton Flambe vase by Charles Noke, shouldered cylindrical form, painted with grape vine to the shoulder in blue, purple and lavender on a flambe red ground printed factory mark, painted Noke signature, 14cm. high

Lot 192

A Pilkington's Royal Lancastrian vase by William S Mycock, dated 1935, shape no.201, ovoid with collar rim, modelled and painted with Art Nouveau foliate stems in blue and turquoise on a matt silver-grey ground, another Pilkington's vase modelled in low relief with Galleons at sail, glazed grey and five other vases impressed and incised factory marks, 18cm. high, (7)

Lot 25

A Martin Brothers stoneware Aquatic vase by Edwin and Walter Martin, dated 1911, flask form with twin looped handles, with pushed out fish to either side, painted in green on a bright royal blue ground, incised 4 1911, Martin Bros London & Southall, 21.5cm. high Provenance Private collection.

Lot 49

A Martin Brothers stoneware vase, ovoid with waisted cylindrical neck glazed mottled aubergine on buff ground, and two other Martin Brothers stoneware vases, incised Martin Bros London, 15.5cm. high (3)

Lot 10

A James Powell & Sons Whitefriars sea green glass vase, swollen cylindrical form, with three applied trails and rigaree foot, 17.5cm. high

Lot 41

A Martin Brothers stoneware vase by Robert Wallace Martin, dated 1875, flaring form with inverted rim, modelled to the side with an owl mask, incised with a medieval fisherman, unhooking his catch, glazed in blue, green and brown on a buff ground, with incised plaque to the side 'Martin London', incised E32 RWMartin London 5-1875, professional restoration to top rim, 16cm high

Lot 203

A Pilkington's Lancastrian single-handled vase by Richard Joyce, dated 1914, ovoid with loop handle, painted with fish swimming amongst waterweed, in golden lustre on a deep blue/brown ground impressed marks, painted cipher and date mark, 20cm. high

Lot 114

A Royal Doulton Titanium Ware vase, shouldered, square section, covered in an experimental clouded pale celadon glaze, and a Royal Doulton Titanium vase glazed deep blue over flambe red printed factory marks, 15cm. high, (2)

Lot 185

'Spanish' a Moorcroft Pottery twin-handled vase designed by William Moorcroft, waisted cylindrical form, painted in shades of pink, purple, red and green on a mottled sand and green ground impressed Burslem mark and painted green signature, minor over-painting to base rim, 26.5cm. high

Lot 175

A rare Burmantofts Faience lustre vase by Leonard King, model no.157, shouldered form, painted with a frieze of large owls, spaced with scrolling foliage and smaller perched owls, light red on a cream ground, impressed marks, painted LK and LGB monograms, 37cm. high Catalogue notes The owl is one of the symbols on the Leeds city coat of arms and thus had a significant iconographical link to the Burmantofts company.

Lot 155

A Mintons Secessionist vase designed by Leon Solon and John Wadsworth, waisted, shouldered cylindrical form, slip decorated with Art Nouveau flowers in yellow, salmon pink, green and turquoise on a deep blue ground printed Minton's mark, 26cm. high

Lot 127

A Bernard Moore Flambe vase by Cicely Jackson, ovoid with narrow everted rim, painted with a shoal of scaly fish in ruby flambe on a tan ground, Bernard Moore mark, painted artist monogram, small chip to top rim, 10cm. high Literature Aileen Dawson Bernard Moore Master Potter 1850-1935, Richard Dennis Publications, page 60 figure 37 for a comparable vase illustrated.

Lot 73

A Martin Brothers stoneware six tile panel by Robert Wallace Martin, incised with classical figures and dolphin in scrolling foliage, glazed ochre and olive green, in later wooden frame incised R W Martin London & Southall, 10-1895 to vase, minor chips, 90 x 15.5cm. Provenance From the tile collection of Richard & Hilary Myers.

Lot 119

A Royal Doulton Sung vase by Charles Noke, shouldered, swollen form and everted rim, veined blue, purple and lavender on a flambe red ground printed factory mark, painted Sung and Noke signature, 26.5cm. high

Lot 128

A Bernard Moore Flambe vase, compressed ovoid form with flaring neck, painted with entwined flowers and scrolling foliage in ruby flambe on a mushroom ground painted Bernard Moore mark, professionally restored neck, 23cm. high.

Lot 194

A Pilkington's Lancastrian vase, dated 1910, shape no.2834, swollen, shouldered form with everted rim, modelled in low relief with foliate motif, glazed streaked sang de boeuf glaze, two slender Pilkington's Lancastrian vases covered in a streaked and curdled blue glaze and a collection of twenty-one other Pilkington's items impressed marks, 17cm. high (24)

Lot 63

A William De Morgan triple lustre vase, swollen form with flaring neck rim, painted with an exotic crane bird amidst scrolling foliage borders with mythical grotesque beasts, in blue, red and golden lustre on a white ground, unsigned, 30cm. high

Lot 172

A Burmantofts Faience Anglo-Persian vase by Leonard King, model no.D.139, slender, shouldered form painted with scaly fish amongst flowering waterweed and scrolling turbulent water in turquoise, blue, green, aubergine and yellow on a white ground, impressed marks, painted LK monogram, glaze loss and rim frits, 17.5cm. high

Lot 112

A Doulton Lambeth stoneware vase by Hannah Barlow, flaring, footed form with collar rim, incised with a frieze of donkeys and sheep resting and grazing in a field, between bands of incised stylised foliage, glazed brown, green and blue on a buff ground impressed and incised marks, incised monogram, 19.5cm. high

Lot 201

A Pilkington's Royal Lancastrian vase by Gladys Rogers, compressed ovoid form with everted rim, painted with berried foliage sprays in ruby and golden lustre impressed marks, painted artist cipher, 7.5cm. high

Lot 153

A Ruskin Pottery vase and cover designed by William Howson-Taylor, dated 1910, compressed, shouldered form, the cover with pointed finial, covered in a streaked blue glaze impressed marks, 16.5cm. high

Lot 218

A Luneville vase probably manufactured by Keller & Guerin, ovoid with silver mounts, the body glazed with moths flying in ruby and silver lustre, the silver mount to the neck cast with flowers and foliage, impressed Luneville mark to base, stamped mark to silver mount, 13.5cm. high

Lot 99

A Doulton Lambeth Aesthetic Movement stoneware vase by Florence Barlow, ovoid pate sur pate painted with panels of wild birds perched on a bough, with stylised flower and scrolling foliage slip decoration, in green and brown on a buff ground impressed marks, incised artist monogram, professional restoration to the foot rim, 24.5cm. high

Lot 217

A Haviland & Co Limoges barbotine stoneware three vase garniture, the pair of vases impasto decorated with parrots perched on a flowering bough, the central vase with three aperture, painted with a chicken and a duck feeding, impressed marks, painted monogram to foot of one vase, minor damages, 41.5cm. high, (3)

Lot 205

A Pilkington's Royal Lancastrian vase by William S Mycock, dated 1927, ovoid with collar rim, painted with palmette panels, in ruby, pink and blue, outlined in golden lustre, impressed marks, painted artist cipher and date 18cm. high

Lot 188

'Finches' a modern Moorcroft Pottery vase designed by Sally Tuffin, compressed form with cylindrical neck, painted in shades of pink, purple, green and yellow on a blue ground impressed marks, painted WM monogram and second mark, 20cm. high

Lot 12

An Art Nouveau Loetz glass vase with pewter mount by Van Houten, swollen and ribbed form the glass with a golden green iridescence, the twin-handled pewter mount with bud motif unmarked, 12.5cm. high, 18cm. wide.

Lot 177

A Burmantofts Faience Anglo-Persian vase by Leonard King, model no.7, painted with scaly fish panels between bands of stylised prunus flowers, in shades of turquoise, blue, green and aubergine on a white ground, highlighted with yellow, impressed marks, painted LK monogram and Dsg-131, 22cm. high

Lot 199

A Pilkington's Royal Lancastrian vase by Richard Joyce, shouldered form, painted with a trellis of stylised flower heads in ruby and golden lustre on a streaked ruby and golden lustre ground, impressed and painted marks concealed by paper retail and collection labels, 14.5cm. high

Lot 122

A Royal Doulton Sung vase by Charles Noke, shouldered cylindrical form with everted rim, flambe red graduating to blue, lavender and purple with streaks, printed factory mark, painted Sung mark, 27.5cm. high

Lot 193

A Pilkington's Lancastrian vase, dated 1911, footed, shouldered form cast fluted decoration, covered in a curdled blue glaze, another similar with a sky blue glaze and a collection of eleven other Pilkington's blue and turquoise pieces, impressed marks, 23.5cm. high, (13)

Lot 97

A rare Alfred G Hopkins Lambeth stoneware vase, dated 1928, modelled as a gourd, glazed in celadon and rust colours incised marks, 18cm. high

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