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Sevres 'Chateau de Fontainbleau' cabinet plate, painted to the centre with a peasant family in an interior and painted to the sides with reserves of rural buildings by lakesides, within gilded borders upon a blue celeste ground, 9.75" diameter; also a Continental cylindrical vase painted with a reserve of ladies gathering crops in a field, upon a cobalt blue gilded ground, 5.5" high (2)
Small Royal Worcester plate painted by and signed James Stinton, 1923, 6.25" diameter; also a small Royal Worcester baluster vase painted with sheep by and signed E. Barker, stamped no. 2491, 4.5" high and another Worcester Locke & Co vase painted with a pheasant by and signed W. Stinton, no. 469, 4" high (3)
Mary Fedden OBE, RA, RWA, (1915-2012) - Still life of flowers in a striped white vase, signed Fedden and dated 1986, gouache, 7.25" x 5.25" - **The artist was born in Bristol where she attended Badminton School, she later studied at The Slade School of Fine Arts, London from 1932-1936, she was a pupil of theatre designed Vladimir Polunin. She created stage designs for The Sadler's Wells Theatre and also pained portraits later returning to Bristol where she taught until World War II broke out. Her influences were the artist Matisse and Braque. In 1995 she acknowledged in a interview with The artist Magazine she admired the work of Ben Nicholson and Winifred Nicholson as well as the Scottish artist Anne Redpath and a French painter Henri Hayden. She executed her work in bold expressive style with vivid contrasting colours and widely exhibited in the UK at The Redfern Gallery,The New Grafton Gallery, The Hamet Gallery as well as the Arnolfini Gallery Bristol, The Bohun Gallery at Henley on Thames, she also exhibited at Beaux Art Gallery London and Bath and was a regular exhibitor at The Royal West of England Academy Bristol.
A 19th Century Chinese Feather Fan, the feathers dyed an unusual shade of powder blue, and painted in silver and pastel colours. Centrally, a domestic scene with two people in detailed robes next to a table decorated with a fine blue vase filled with exotic flowers. To the reserves, bright splashes of deep blue for large blooms, complementing other flowers in pink and yellow. The verso repeats the floral theme with painting to each feather. Unusually for this style of fan, the monture is lacquered in black, and gilded, the guards with meandering flowers, the gorge with a delicate pattern resembling feathers. Guard length 9.5 inches or 24cm with the feather tips adding another 1.5 inches or 3.5cm. the monture is sound. The feathers are a little tatty, nibbled, mainly to the outer edges.
MOORCROFT; a miniature 'Anemone' pattern tubeline decorated baluster vase on green ground, marked to base, height 6cm, a Fenton 'Ming Period' Famille Noir style bottle vase, height 9.5cm and a mottled glazed vase, impressed R to base (possibly Pilkington) (3).Additional InformationMoorcroft vase with some surface wear such as scratches, dirt to rim of the base, areas of crazing to the glaze, the Fenton vase with glaxing/firing imperfections to the neck, a few stained hairline cracks to the rim with two losses to the outside, one spreading towards to the main body, minor restoration to the outside of the flared rim, surface wear such as scratches, also with further firing imperfections, some areas of flaking to the the rim of the base, the mottled glazed vase with crazing to the glaze throughout and some surface dirt including rim of the base.
MOORCROFT; a 'Pomegranate' pattern tubeline decorated bottle vase with flared rim, impressed marks and William Moorcroft signature to base, height 23.5cm (restored).Additional InformationRestored as stated, glazing imperfection to one of the berries on the rim interior, crazed throughout, some surface scratches marks and dirt, other usual manufacturing imperfections.
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