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A Loetz cased orange vase of campana form, Ausfuuhrung 166, 1918, designer unknown, possibly Michael Powolny, the flared neck with blue threading, the bulbous base with three blue cabochons, 10cm high; and a French faux cameo glass ovoid vase, acid etched with fruiting vines and butterflies in shades of maroon over an opaque white ground, signed. 'La larte?', 13cm high
A Galle cameo glass small vase, early 20th century, the bulbous base with a flared neck, the green ground overlaid in red with flowers and leaves, cameo mark 'Galle', 14cm high; and a Galle cameo glass boat-shaped vase, early 20th century, the opaque ground with yellow to base overlaid in purple, decorated with flower and bud sprays, cameo mark 'Galle', 27cm wide (the latter with a polished chip to each end and a further rim chip) (2)
Three Galle cameo glass small vases, all early 20th century, comprising: one with a shaded pink ground with purple to the base overlaid in lilac and green with flowering plants, 14.5cm; another solifleur with red overlay of budding plants on a pink ground, 13cm high; and a squat ovoid vase, the light greeny amber ground overlaid in purple and decorated with leaves, 5.5cm high, each with a cameo mark 'Galle' (faults)
Three French glass vases, all early 20th century, comprising a Heckert cameo vase, the quatrelobed bulbous base with a narrow neck, the light blue ground overlaid with amber and decorated with gooseberries, signed, 15cm high; a Daum solifleur, clear and painted in streaked yellow to a purple splashed base, signed 'DAUM NANCY' with the cross of Lorraine, 18.5cm high; and a Nancea ovoid faux cameo vase, decorated with purple fish amidst weed on an acid etched ground with blue to the base, signed, 13cm high
Three pieces of cameo glass, early 20th century, comprising: a Vessiere oblong bowl with turn-in rim, the shaded pink to opaque white ground with pink and purple dog rose sprays, signed 'CVessiere NANCY', 20.5cm long; an Argental small bowl, decorated with Venice from the lagoon in red on an amber ground, signed, 6cm high; and an Arsale ovoid vase, the pink ground overlaid in purple and decorated with leaves and a flowerhead, signed, 15cm high
An Andre Delatte faux cameo glass vase, circa 1925, of ovoid form with twin pointed lip, acid etched in shades of maroon with sycamore boughs over a white body with light green and amethyst mottling at the base, signed 'ADELATTE NANCY', 21.5cm high; and another Delatte vase, decorated with black flowers on a green ground, signed 'ADELATTE NANCY', 15.5cm high
A Daum enamelled glass vase, circa 1910, of flattened ovoid pedestal form, the clear glass orange and yellow mottled, etched and enamelled in white and grey with a winter wooded landscape, etched mark 'Daum Nancy' with the cross of Lorraine under, 25cm high
A Richard overlaid glass slender baluster vase, in amethyst over salmon pink etched with slipper orchids, signed 'Richard', 30cm high. Richard was a retail outlet in Paris owned by Edmond Etling (see 'Le Genie Verrier De L'Europe' by Cappa, p. 368). From 1926 to 1929 Loetz was commissioned to produce a number of overlaid vases with etched decors which would bear different signatures at the customer's request
Max Verboeket for Kristalunie Maastricht, a colour encased clear glass vase and bowl, from the Kristaluniek range, each in blue and green with thick pulled walls, engraved 'Maastricht Max Verboeket', the waisted vase 59.5cm high, the triform bowl 41.5cm wide
A Martin Brothers stoneware vase, with a squat ovoid body, a long tapering partly turned neck and a flared folded rim, on a circular foot, overall streak brown glazed, impressed marks 'R.W. MARTIN, SOUTHALL' incised '8.80' and attached circular paper label '15', circa 1880, 22.5cm high
Four Doulton stoneware small items: a Lambeth small vase, commemorating Disraeli, 1881, 10cm high; a Nelson centenary small mug, 9.5cm high; a twin handled trophy for 'Bradford Open Show Best of all Breeds, 1938', 13.5cm high; and an inscribed christening mug, 1938, 10.5cm high
A pair of Royal Doulton stoneware baluster vases, painted with purple foliage, light blue stems and sepia heart-shaped fruit, on a shaded white ground, impressed marks, 20.5cm high. See Catalogue of an Exhibition of Doulton Stoneware and Terracotta 1870-1925, Part 1. London: Richard Dennis 1971, no. 541 for a vase in this shape and pattern. There noted as after a design by Mark V. Marshall and dating to circa 1922
'Tennis', a Clarice Cliff Fantasque meiping vase, a variant of the pattern, impressed '12in', black printed Wilkinson mark, 30cm high. With the yellow rim clouds seen on large pieces in this pattern, lacking the 'tennis net' but with a stylised 'P' in blue and red
A scarce Roycroft hammered copper cylindrical vase, with a tooled Glasgow rose design shoulder band, orb and cross mark, 15cm high. This is a scarce and early design of circa 1915 and very few have been sold at the major auction houses over the past twenty or so years
A Roycroft hammered copper bowl, of compressed circular form, orb and cross mark, 15.5cm diameter; and a Clewell copper-clad ovoid pottery vase, streaked verdigris finish, incised mark, no. 317-6, 19cm high; and another copper finished metal bowl, with moulded zig-zag band, indistinct script mark, 17.5cm diameter
Three Arts and Crafts copper items: a John Pearson rectangular twin handled tray, with a punch beaded border, stamped 'J.P. in an oval twice, 55cm long; a Newlyn oblong tray, with a line-outlined cartouche and a waved border, stamped mark, 56cm long; and a hammered cylindrical vase, attributed to Newlyn, embossed with fish amidst weed, unmarked, 22.5cm high
An Arts and Crafts silver vase on three supports by Liberty & Co., Birmingham 1901, lightly hammered with an embossed panel border, the twist angular handles forming the three slender tapering supports with pad feet, 11cm (4.25in) high, 184g (5.75 oz)
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653685 item(s)/page