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Lot 201

A pate sur pate decorated vase, shouldered, rectangular form with cast grotesque handles, decorated with a young girl holding a cat on pink ground with gilt highlights unsigned 17cm. high

Lot 215

An Aesthetic Movement basket, rectangular bamboo structure, printed in colours with flower sprays, a Royal Doulton vase and four other items various marks 19cm. wide

Lot 224

A Mintons Secessionist vase, designed by Leon Solon and John Wadsworth, waisted cylindrical form, printed and painted with stylised honesty stems on a blue ground, and a Mintons fern pot printed factory marks, hairline to top rims, 25cm. high

Lot 226

A Persian pottery vase, designed by John Mifflin, shouldered form printed and painted with panels of iris and carnation flowers in blue and green on a white ground printed marks to base, dated 1913, glaze loss 32cm. high

Lot 227

A Mintons Secessionist vase, designed by John Wadsworth and Leon Solon, modelled in low relief with blue flowerhead design on a green ground, and a small Mintons Secessionist vase wit four looped handles impressed and printed marks smaller vase restored, 30cm. high

Lot 251

A Marle Sherwin & Cotton vase, ovoid with four lug handles, a vase possibly by Linthorpe with semi-abstract face decoration to the neck glazed blue and a collection of various pots various impressed marks 12cm. high

Lot 252

A Sunflower Pottery vase by Sir Edmund Elton, shouldered form with everted rim, glazed crackled gold, and three other Elton Sunflower Pottery vases painted Elton mark, minor glaze frits, 11cm. high

Lot 254

A Bernard Moore Pottery vase, ovoid with cylindrical neck, glazed mottled blue and sand over flambe impressed and printed marks 15.5cm. high

Lot 258

A large Carter, Stabler & Adams, Poole Pottery vase, by Marian Heath, pattern ME, shouldered form, painted with geometric bands, and a bluebird pattern jug impressed and painted marks, hairline to vase, jug restored handle 38cm. high

Lot 263

A Ruskin Pottery stoneware vase, cylindrical form, with three handles, modelled in low relief with Tudor rose motif, glazed matt blue with yellow to shoulder impressed marks 25cm. high

Lot 264

A Ruskin Pottery high-fired stoneware vase ovoid with long cylindrical neck and everted rim, covered in a sang de boeuf and lavender glaze with mint speckles impressed marks, dated 1909 23.5cm. high

Lot 266

A Ruskin Pottery high-fired stoneware vase, dated 1933, single handled form, covered in a sang de boeuf running glaze with mint and turquoise speckles impressed marks, 21.5cm. high

Lot 267

A Ruskin Pottery high-fired vase, cylindrical form with everted rim, incised foliate decoration, covered in a speckled green and sang de boeuf glaze impressed marks, date 1905, firing crack and hairline to top rim 29cm. high

Lot 269

A Carlo Manzoni pottery vase, dated 1897, mallet shape with flaring cylindrical neck, incised and painted with a frieze of peacock feather and foliage borders, in shades of blue, yellow and green on terracotta incised CM monogram 24cm. high

Lot 270

A Carlo Manzoni terracotta vase, carafe form with knopped neck, incised with peacock feather eyes, in shades of blue, ochre and green incised marks to base 22cm. high

Lot 272

A Carlo Manzoni vase, dated 1895, waisted form incised with geometric panel design incised date and CM monogram, professionally restored base rim 26cm. high

Lot 274

A Farnham Pottery Black Heath terracotta vase, resist decorated with pan figures between intertwining foliage columns an owl perched at the summit, squirrels foraging to the base, glazed green incised Black Heath 38cm. high

Lot 276

A Soon Pottery vase, by Reginald Wells, ovoid with everted rim, covered in a streaked blue glaze, and a Burmantoft`s Faience vase incised Soon, chips 23cm,. high

Lot 280A

A Della Robbia pottery twin-handled vase, by EMW, incised and painted with geometric designs in yellow, green and blue on a turquoise ground incised marks, and monogram, minor glaze loss 26cm. high

Lot 285

A miniature twin-handled vase probably Pilkington`s Lancastrian, covered in a lustre glaze over streaked green and yellow ground indistinct marks to base 8.5cm. high

Lot 287

An ovoid lustre vase, probably Pilkington`s Lancastrian, painted with an exotic bird amongst foliage in shades of blue and green, and a Pilkington`s Royal Lancastrian vase glazed orange unmarked 9.5cm. high

Lot 288

A Pilkington`s Royal Lancastrian vase, by Gladys Rogers and E T Radford, shouldered from, painted in shades of turquoise over silver, and a Pilkington`s Royal Lancastrian bowl by Richard Joyce impressed and painted marks 17cm. high

Lot 289

A Pilkington`s Lancastrian vase, by Charles Cundall, dated 1911, painted with Art Nouveau flower stems in shades of ruby, blue and gold impressed marks, painted date cypher and artists monogram 14cm. high

Lot 295

`Pole to Pole (Arctic foxes)` a modern Moorcroft Pottery vase, painted in colours, in original box impressed and painted marks, dated 2007 14cm. high

Lot 296

`Pole to Pole (rabbits)` a modern Moorcroft Pottery vase painted in colours, in original box impressed marks, dated 2007 10.5cm. high

Lot 301

`Moonlit Blue` a Moorcroft Pottery vase with Liberty Tudric Pewter foot, designed by William Moorcroft, shape 01310, painted in shades of blue and green on a blue ground stamped marks 23cm. high

Lot 308

A Hancock and Sons Morrisware vase, designed by George Cartlidge, model no.C63.6, shouldered mallet form, painted with carnation flowers in shades of purple and green on a blue ground printed factory marks, painted facsimile signature, professionally restored neck 15cm. high

Lot 312

A Hancock and Sons Morrisware vase, designed by George Cartlidge, painted with flower stems in shades of pink, blue and green on a mottled green ground, converted to a lamp with brass mount, 34cm. high

Lot 317

A Thomas Forester & Sons Art Nouveau solifleur vase by A. Dean, painted with a frieze of scaly fish, in shades of green, yellow, blue and pink printed factory mark, painted facsimile signature 20cm. high

Lot 327

A Vallauris mosaic vase, by Jean Gerbino, shouldered form with collar neck, with bands of marquetry clay decoration impressed Gerbino Vallauris 21cm. high

Lot 335

An Aesthetic Movement gilt metal mounted vase, probably by Theodore Deck, decorated with oriental lion dogs before flaming pearls, glazed turquoise unmarked, hairline to body 31cm. high

Lot 336

A Theodore Deck solifleur vase, painted with a blue tit perched on prunus bough, in colours on a turquoise ground printed mark, restored neck 32cm. high

Lot 338

A Clement Massier Golfe Juan pottery vase, shouldered form with hexagonal neck, painted with flowerheads in golden and red lustre glazes impressed marks, AM, professional restoration and small chip to top rim 17cm. high

Lot 340

A Fulper Pottery vase, cylindrical form, modelled in low relief with mushroom, glazed flambe and ochre lustre printed Fulper, hairline 24cm. high

Lot 345

A Cantagalli twin-handled vase, painted with stylised berried foliage repeat in shades of yellow and blue, painted marks, glaze chips 19cm. high

Lot 363

A pen and white wash design for a silver presentation vase and cover, framed impressed mark ESK to the paper for South Kensington museum 49 c 25cm.

Lot 394

An Ault Pottery vase designed by Dr Christopher Dresser, model no.248, shouldered form with cylindrical neck and everted rim, the shoulder modelled in relief with four masks each with protruding elongated tongues, glazed running blue and aubergine impressed number, 32cm. high Literature Michael Whiteway Christopher Dresser A Design Revolution, V&A, page 213 this model illustrated in a yellow glaze

Lot 399

A Linthorpe Pottery vase designed by Dr Christopher Dresser, model no.106, ovoid with cylindrical, knopped neck and everted rim, glazed streaked green and ochre impressed marks, facsimile signature, repaired neck, 32cm. high

Lot 405

A tall and impressive James Couper & Sons Clutha green glass solifleur vase, designed by Dr Christopher Dresser, compressed body with tall, twisted cylindrical neck and everted, flat disk rim acid etched Clutha Christopher Dresser mark to base 48.5cm. high Literature Widar Halen Christopher Dresser A Pioneer of Modern Design Phaidon, page 194 plate 227 for a Clutha vase similar, but smaller, with a similar twisted decoration.

Lot 586

A Newlyn copper twin-handled vase, tapering cylindrical form, with applied strap handles, repousse hammered with a shark amongst seaweed to either side, with rivet decorative borders stamped Newlyn to base 24cm. high

Lot 588

A Newlyn copper spill vase, cylindrical form repousse hammered with two fish between scalloped borders, with rivet seam, stamped Newlyn to side 14.5cm. high

Lot 597

A Continental copper twin-handled vase, baluster form, stamped in relief with panels of flowers and foliage, and another single-handled copper vase decorated with Art Nouveau repeat stamped mark and inscription to neck of main 27cm. high

Lot 620

A Camile Faure, Limoges enamelled metal flower vase, slender baluster form enamelled with mistletoe sprays and spiders web, painted C Faure, Limoges 18.5cm. high

Lot 628

A Thune, silver and enamel vase, hammered finish, cast in low relief and enamelled in shades of red, green and yellow with Secessionist geometric panels, inscribed stamped Thune 830 S 14cm. high

Lot 632

A Kayserzinn pewter vase, tapering form with everted rim, cast in low relief with Art Nouveau Iris flowers impressed mark 30.5cm. high

Lot 636

An Art Nouveau pewter vase probably W.M.F twisted triangular section, cast in relief with a maiden picking an apple from a tree apparently unsigned 24.5cm. high

Lot 19

Maria Harrison (19th century). The Wedgwood vase, Watercolour, Unframed, 37 x 27.5cm (14 1/2 x 10 3/4in)

Lot 160

Winifred Humphrey (20th century). Still life of geraniums and vase, Oil on canvas, Signed lower left, 50 x 60cm (19 3/4 x 24 1/2in)

Lot 164

Charles A. Buchel (1872-1950). Still life of flowers in a vase, Oil on board, Signed and dated 1944 lower right, 90 x 70cm (35 1/2 x 27 1/2in)

Lot 269

Manner of Gasparo Lopez, Still life of flowers in a vase, Oil on canvas laid on board, 38 x 23cm (15 x 9in). Together with a further floral still life (2)

Lot 6

A ROYAL WORCESTER IVORY PORCELAIN POT POURRI VASE, c.1880, shape No.1326, with gilded bamboo leaf handles, painted and gilded with flowers, 5" wide, together with a similar small jug and a spiral fluted vase (3)

Lot 33

A CHINESE PORCELAIN VASE, Kang Xi period, of baluster form painted in polychrome enamels with two panels enclosing a female figure standing beside a vase of flowers and two panels enclosing precious objects within flower filled honeycomb borders, 11" high, converted to an electric lamp base

Lot 43

A COLLECTION OF FIFTEEN NANKING CARGO PORCELAIN DISHES of lozenge form, painted in underglaze blue with stylised flowers on a scroll ground, variously marked, 2 1/4" x 2 3/4" approximate sizes, together with a miniature Chinese porcelain baluster vase, 3/4" high (16)

Lot 53

A BOW PORCELAIN FRILL VASE AND COVER of lobed inverted baluster form with two female mask handles, diaper pierced shoulders and cover, all over encrusted with polychrome enamelled flowers and painted with butterflies, 10 1/2" high

Lot 55

A ROYAL WORCESTER PORCELAIN POT POURRI VASE AND COVER, dated 1912, of lobed ovoid form, painted by A Watkins with full blown pink and crimson roses below a gilt highlighted strapwork moulded border, signed, mark in green, 7 3/4" high (Illustrated)

Lot 61

A STRAUS & SONS RUDOLSTADT PORCELAIN VASE, early 20th century, with flared rim, ovoid body with two angular handles draped with swags, on a pedestal with square base and bracket feet, with Empire style gilding on a cobalt blue shading to pale blue ground, mark in green, 12" high

Lot 63

A ROYAL WORCESTER PORCELAIN BLUSH IVORY POT POURRI VASE, COVER AND LINER, dated 1899, of lobed ovoid form painted in colours with loose bouquets of summer flowers within gilt line borders, marked in puce, shape 1314, 5 1/4" high

Lot 66

A ROYAL WORCESTER PORCELAIN VASE, dated 1916, of waisted cylindrical form, painted by Harry Stinton with two highland cattle grazing in a mist shrouded mountainous landscape, signed, mark in green, shape G/923, 7 1/2" high (Illustrated)

Lot 67

A ROYAL WORCESTER PORCELAIN VASE, dated 1912, of baluster form with tall everted neck, painted by Harry Davis with two sheep grazing amidst a heather clad mountainous landscape, with stiff leaf moulded and gilt highlighted blush ivory neck and foot, signed, mark in puce, shape 1661, 9 1/4" high (Illustrated)

Lot 77

THREE VARIOUS PEARLWARE FIGURES, early 19th century, comprising a matched pair of the Cobbler and his wife (different bases), 7" and 6 1/2" high, and a large figure of a girl seated beside a tree stump spill vase and reading a book, 7 1/2" high

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