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A large Herend porcelain urn shaped vase and cover, the body and pierced cover moulded in the Rococo style with scrolls and l

Thomas Watson

Lot 41

A large Herend porcelain urn shaped vase and cover, the body and pierced cover moulded in the Rococo style with scrolls and leaves, the body with griffin handles, painted with the "Queen Victoria" pattern and highlighted with gilding, pattern no. VBO, blue printed factory mark. 46cm

Live Auction

A Spode floral painted two handled vase, circa 1810-30, painted with pattern 1166, the bold effusion of flowers against a cob

Thomas Watson

Lot 45

A Spode floral painted two handled vase, circa 1810-30, painted with pattern 1166, the bold effusion of flowers against a cobalt ground with gilded scales, red painted SPODE/1166 to the base. 22cm

Live Auction

A Royal Worcester fruit painted porcelain vase and cover, signed Roberts, of pedestal form with twin handles, no. 2713/3, bla

Thomas Watson

Lot 51

A Royal Worcester fruit painted porcelain vase and cover, signed Roberts, of pedestal form with twin handles, no. 2713/3, black printed factory mark. 20cm

Live Auction

A group of Royal Crown Derby Imari wares, comprising three 9" dessert plates, bowl, small spill vase and duck form paperweigh

Thomas Watson

Lot 57

A group of Royal Crown Derby Imari wares, comprising three 9" dessert plates, bowl, small spill vase and duck form paperweight with gold stopper. (6)

Live Auction

A Torquay art pottery vase, circa 1880, of globe and shaft form, with streaky green glaze, impressed STAPLETON and with facto

Thomas Watson

Lot 75

A Torquay art pottery vase, circa 1880, of globe and shaft form, with streaky green glaze, impressed STAPLETON and with factory monogram. 23cm

Live Auction

A Crown Devon Fieldings pottery vase, circa 1930's, Art Deco inspired, the ribbed body painted to pattern no. M160 with a fai

Thomas Watson

Lot 79

A Crown Devon Fieldings pottery vase, circa 1930's, Art Deco inspired, the ribbed body painted to pattern no. M160 with a fairyland type design, gilt printed factory mark. 19.5cm

Live Auction

A Carlton Ware "Garden" pattern pottery vase, circa 1930's, decorated to pattern no. 3438, shape no. 326, black printed facto

Thomas Watson

Lot 80

A Carlton Ware "Garden" pattern pottery vase, circa 1930's, decorated to pattern no. 3438, shape no. 326, black printed factory mark. 20cm

Live Auction

Christopher Dresser for Linthorpe, an ovoid pottery vase, with a strong green and brown mottled glaze, facsimile signature an

Thomas Watson

Lot 82

Christopher Dresser for Linthorpe, an ovoid pottery vase, with a strong green and brown mottled glaze, facsimile signature and factory mark. 23cm

Live Auction

A large Chinese Famille Verte crackleware vase, of baluster form with flared rim, enamel painted in the whole with a battle s

Thomas Watson

Lot 84

A large Chinese Famille Verte crackleware vase, of baluster form with flared rim, enamel painted in the whole with a battle scene featuring mounted warriors, impressed and incised mark to base. 61cm

Live Auction

A Chinese double gourd vase, decorated with flaming pearls in the craquelure turquoise glaze, the slender neck applied with a

Thomas Watson

Lot 106

A Chinese double gourd vase, decorated with flaming pearls in the craquelure turquoise glaze, the slender neck applied with an entwined dragon, bears underglaze blue six character Hongzhi mark but later. 31.5cm

Live Auction

Style of the Scottish Colourists, Still life of flowers in a vase, signed lower left E.M. PATERSON, watercolour, framed. 38cm

Thomas Watson

Lot 516

Style of the Scottish Colourists, Still life of flowers in a vase, signed lower left E.M. PATERSON, watercolour, framed. 38cm by 27.5cm

Live Auction

Sir John Lavery RA RSA RHA (1856-1941) A LADY IN WHITE (A PORTRAIT OF LADY LYLE) oil on canvas signed and dated upper left

Whyte's

Lot 28

Sir John Lavery RA RSA RHA (1856-1941) A LADY IN WHITE (A PORTRAIT OF LADY LYLE) oil on canvas signed and dated upper left 50.5 by 40.5in., 126.25 by 101.25cm. P Sotheby`s New York, 22 February 1989, lot 452;with Kurt E. Schon, Ltd., New Orleans;Private collection Royal Academy, London, 1895, no. 88, as A Lady in White Anon., `The Royal Academy`, The Art Journal, 1895, p.179Anon., `The Royal Academy - Fourth Notice`, The Athenaeum, 22 June 1895, p.811;Royal Academy Pictures, 1895, p.140, illustrated.;Shaw Sparrow, Walter, John Lavery and his Work, Kegan Paul, Trubner Trench & Co., 1912, p.177; McConkey, Kenneth, John Lavery, A Painter and his World, Atelier Books, 2010, pp.68, 221 (note 97) By the 1890s, there was an element of risk involved in having one`s portrait painted. As Oscar Wilde infers in The Picture of Dorian Gray, (1890) a mystical exchange was believed to occur between the image and the living reality, and the painter`s role in this transfer was that of aesthetic alchemist. It was a common conceit that an international elite - a select band of portrait painters - brought life to their beautiful sitters and writers toyed amusingly with the idea that when the visitors were gone, the portraits in an exhibition actually stepped from their frames to say scandalous things about them. (1)So it was that in 1895 when he considered John Lavery`s portraits of A Lady in White, Mrs Park Lyle and A Lady in Black, (Miss Esther McLaren), the Pygmalion myth was not far from George Moore`s thoughts. He wanted nevertheless; to separate the artist`s pictures in that year`s Royal Academy from the ego-inflation that was such an obvious feature of John Singer Sargent`s and James Jebusa Shannon`s bloodless bravura. Their `white satin duchesses` were now being produced to order and he hoped, by contrast that the `fashionable lady` would be `induced to go to Mr Lavery`, that she would `refrain from advising him regarding the dress she should be painted in`, and recognise that with this artist, her opinion was of no consequence. (2) It was up to the painter to arrive at a `harmony` or `arrangement` that lifted mere face painting and flashy couture into the realm of art. James Stanley Little was quite explicit on this point, noting that Lavery had learned from Velázquez and Whistler the abstract elements that go to make a great portrait, (3) and recording the artist`s views on his craft, he noted that, He holds that the artist has license and prerogative to treat his sitter as he would treat a model, to this extent: he is entitled to seize upon and give prominence to those points which in form and colour suggest to him an attractive and interesting pictorial idea, and that, while the essential facts and characteristics which would enable a third person to recognise immediately the sitter in the picture must be preserved, the painter is entirely justified - further that no portrait can be a work of art otherwise - in treating his sitter subjectively, and infusing into his presentment his own artistic individuality. (4)It was this quest for an interesting `pictorial idea` that led to the refinement of Lavery`s portraits, and there is clear evidence of constant correction and adjustment of colour and tone in The Lady in White. If we study the sketch for instance, we can see that the artist had some difficulty in establishing the pose (fig 1, Sketch for `A Lady in White`, 1895, unlocated, formerly The Fine Art Society, London). If we look at the image used for reproduction in Royal Academy Pictures (fig 2, A Lady in White (Portrait of Lady Lyle), 1895, from Royal Academy Pictures, 1895, (Cassell and Co), p. 140) we see that a posy of flowers, harmonising with the delicate pinks and mauves of the background, has been substituted for a visually distracting black fan.(5) Lady Lyle`s aesthetic integrity was at first emphasised by a blue-and-white Nankin vase of flowers, placed on a side table, but this, as the picture developed, was lowered in tone.(6) The normally hostile critic of The Athenaeum approved these changes commenting that while he found the picture `stiff`, The Lady in White `possesses character` and it was `to be praised for its tones`.(7) Faint praise of this kind drove a later writer to affirm that Lavery was no flatterer, and he remarked that, ….we do not mean that his popularity has been achieved by compliments dexterously conveyed in paint. His success rests on more serious grounds … (8)By 1895 Lavery was the leading international representative of the Glasgow School. In that year his paintings were shown in Glasgow, Edinburgh, London and Paris, and with a touring exhibition of `Glasgow Boys` paintings in the United States. As a rising star he had secured a gold medal at the Paris Salon in 1888 - the first of his contemporaries, and it was claimed, the first `Scottish` artist to do so. (9) And when in that year he was commissioned paint the State Visit of Queen Victoria by Glasgow Corporation, his future was secured.

Live Auction

GILT-BRONZE MOUNTED CHINESE PORCELAIN POT-POURRI VASE AND COVERThe porcelain cover painted in colorful enamels with a gilt fi

A.B. Levy

Lot 35

GILT-BRONZE MOUNTED CHINESE PORCELAIN POT-POURRI VASE AND COVERThe porcelain cover painted in colorful enamels with a gilt finial above a pierced band cast with scrolls, the whole depicting interior scenes, flanked by cast mask handles on a scrolled and acanthus leaf cast base. Height 14, Width 15, Depth 11 1/2 inches.

Live Auction

TWO CONTINENTAL CLEAR CUT GLASS VASESCirca 1900. A Fine French Chinoiserie Intaglio Cut Colorless Large Glass Vase of taperin

A.B. Levy

Lot 71

TWO CONTINENTAL CLEAR CUT GLASS VASESCirca 1900. A Fine French Chinoiserie Intaglio Cut Colorless Large Glass Vase of tapering cylindrical form decorated with cranes beneath stylized cloud bands and a gnarled tree, signed La-Rosery, Bd.-Mod? Paris, and an Intaglio Cut Colorless Glass Vase, of tapering lobed body cut with a knurled leafy tree and crescent moon. Height 18 and 10 _, Diameter 6 _ inches.

Live Auction

FINE ENGLISH CHINOISIERE AND CUT GLASS VASECirca 1880. Signed JG Fereday. Of baluster form, with a scene of a Fisherman befor

A.B. Levy

Lot 72

FINE ENGLISH CHINOISIERE AND CUT GLASS VASECirca 1880. Signed JG Fereday. Of baluster form, with a scene of a Fisherman before a stream, with an upper band of cut diamonds, the circular foot cut with facets. Height 10, Diameter 6 inches.

Live Auction

FRENCH EMPIRE STYLE GILT-BRONZE FIVE-LIGHT CANDELABRA French, 19th Century. The foliate scroll arms above an urn-shaped vase

A.B. Levy

Lot 119

FRENCH EMPIRE STYLE GILT-BRONZE FIVE-LIGHT CANDELABRA French, 19th Century. The foliate scroll arms above an urn-shaped vase flanked by winged maidens, on a stepped round pedestal. Height 25 1/4 inches.

Live Auction

MONUMENTAL SEVRES (THIRD REPUBLIC) GREY-BLUE GROUND _LES CYGNES_ VASEGreen S (18)99 Lozenge Mark, incised C99 3 PN. Signed H(

A.B. Levy

Lot 150

MONUMENTAL SEVRES (THIRD REPUBLIC) GREY-BLUE GROUND _LES CYGNES_ VASEGreen S (18)99 Lozenge Mark, incised C99 3 PN. Signed H(Oracle) Bieuville 1899. Decorated with a continuous scene of stylized swans swimming among lotus blossoms on a pond before a wooded landscape. Height 45, Width 28 inches.

Live Auction

JEWELED SILVER-GILT MOUNTED JADE VASECirca 1900. Stamped 88, MN for Michael Evlampievitch Perchin 1860-1903, and AGEPXE with

A.B. Levy

Lot 166

JEWELED SILVER-GILT MOUNTED JADE VASECirca 1900. Stamped 88, MN for Michael Evlampievitch Perchin 1860-1903, and AGEPXE with Crest for Faberge. Of urn form, centered by diamond set wreath surmounted by a crown set with two cabochon rubies and diamonds, the stepped base surrounded by garlands set with six diamonds. Height 3 1/4 inches.

Live Auction

VERY FINE TIFFANY FAVRILE FLORIFORM VASECirca 1903. Inscribed L.C. T. and numbered T1227._Height 14 3/8 inches.

A.B. Levy

Lot 171

VERY FINE TIFFANY FAVRILE FLORIFORM VASECirca 1903. Inscribed L.C. T. and numbered T1227._Height 14 3/8 inches.

Live Auction

EXHIBITION THOMAS WEBB & SONS PINK, WHITE, AND BLUE CAMEO GLASS VASEStamped TIFFANY & CO., PARIS EXHIBITION, 1889, TH

A.B. Levy

Lot 172

EXHIBITION THOMAS WEBB & SONS PINK, WHITE, AND BLUE CAMEO GLASS VASEStamped TIFFANY & CO., PARIS EXHIBITION, 1889, THOMAS WEBB & SONS, GEM CAMEO, and inscribed G. Woodall.Of ovoid form, overlaid, etched and wheel-carved with continuous flowers. Height 10 _ inches.Literature: English Cameo Glass by Ray and Lee Grover, number C77, page 15, illustrated.

Live Auction

CHINESE CARVED WHITE JADE VASE AND COVEROf square form, with foliate decoration flanked by scroll handles, the conforming cov

A.B. Levy

Lot 248

CHINESE CARVED WHITE JADE VASE AND COVEROf square form, with foliate decoration flanked by scroll handles, the conforming cover with similar design surmounted by a square knob. Height 9 1/2 inches.

Live Auction

CHINESE BLUE GROUND AND WHITE OVERLAY PEKING GLASS VASE19th Century. Of baluster form, carved through the overlay in "ho

A.B. Levy

Lot 281

CHINESE BLUE GROUND AND WHITE OVERLAY PEKING GLASS VASE19th Century. Of baluster form, carved through the overlay in "honey-comb" style. Height 10 1/2 inches._

Live Auction

CHINESE BLUE AND WHITE PORCELAIN VASEOf baluster form, decorated with floral patterns, flanked by leaf formed handles. Height

A.B. Levy

Lot 295

CHINESE BLUE AND WHITE PORCELAIN VASEOf baluster form, decorated with floral patterns, flanked by leaf formed handles. Height 16 _ inches.

Live Auction

CHINESE CARVED IVORY VASE AND COVERCarved in the relief, the center with a continuous scene of warriors within fret pattern b

A.B. Levy

Lot 312

CHINESE CARVED IVORY VASE AND COVERCarved in the relief, the center with a continuous scene of warriors within fret pattern borders, below an interior scene, flanked by beast handles supporting loose rings. The cover, surmounted by a horse and warrior. Height 19 1/2 inches.

Live Auction

CHINESE CARVED JADE `HANGING` VASE AND COVEROf flattened ovoid form, flanked by bird handles supporting loose rings and an el

A.B. Levy

Lot 316

CHINESE CARVED JADE `HANGING` VASE AND COVEROf flattened ovoid form, flanked by bird handles supporting loose rings and an elaborate link chain, the cover surmounted by a phoenix bird finial supporting loose rings. Together with a carved woos presentation stand. Overall height 21 1/2 inches. _

Live Auction

MARTELE SILVER CHOCOLATE POTGorham Mfg. Co. (950 Fine) designed by Martele No. 9584 K.Q.J. Monogramed and dated 1901 on the u

A.B. Levy

Lot 332

MARTELE SILVER CHOCOLATE POTGorham Mfg. Co. (950 Fine) designed by Martele No. 9584 K.Q.J. Monogramed and dated 1901 on the underside. Of vase form, with hinged dome cover.Height 11 inches. Weighing approximately 23.6 oz.

Live Auction

RENE LALIQUE MOLDED OPALESCENT GLASS "SAINT-FRANCOIS" VASEModel introduced 1930. Signed R. LALIQUE FRANCE. Height 6

A.B. Levy

Lot 389

RENE LALIQUE MOLDED OPALESCENT GLASS "SAINT-FRANCOIS" VASEModel introduced 1930. Signed R. LALIQUE FRANCE. Height 6 7/8 inches. Literature: R. Lalique Catalogue Raisonne by Felix Marcilhac, number 1055, pag

Live Auction

RENE LALIQUE MOLDED OPALESCENT GLASS "RAMPILLON" VASEModel introduced 1927. Signed R. LALIQUE FRANCE, number 991.Li

A.B. Levy

Lot 390

RENE LALIQUE MOLDED OPALESCENT GLASS "RAMPILLON" VASEModel introduced 1927. Signed R. LALIQUE FRANCE, number 991.Literature: R. Lalique Catalogue Raisonne by Felix Marcilhac, number 991, page 437.

Live Auction

RENE LALIQUE DARK GREEN GLASS "ORNIS" VASEModel introduced 1926. Signed R. LALIQUE FRANCE. Height 7 1/2 inches.Lite

A.B. Levy

Lot 392

RENE LALIQUE DARK GREEN GLASS "ORNIS" VASEModel introduced 1926. Signed R. LALIQUE FRANCE. Height 7 1/2 inches.Literature: R. Lalique Catalogue Raisonne by Felix Marcilhac, number 976, page 434, illustrated.

Live Auction

RENE LALIQUE CLEAR AND FROSTED GLASS "ROYAT" VASEModel introduced 1936. Signed R. LALIQUE FRANCE. Height 6 1/8 inch

A.B. Levy

Lot 393

RENE LALIQUE CLEAR AND FROSTED GLASS "ROYAT" VASEModel introduced 1936. Signed R. LALIQUE FRANCE. Height 6 1/8 inches.Literature: R. Lalique Catalogue Raisonne by Felix Marcilhac, number 10-921, page 469, illustrated.

Live Auction

RENE LALIQUE CLEAR AND FROSTED WITH GREY PATINA GLASS "COQS ET PLUMES" VASEModel introduced 1928. Signed R. LALIQUE

A.B. Levy

Lot 399

RENE LALIQUE CLEAR AND FROSTED WITH GREY PATINA GLASS "COQS ET PLUMES" VASEModel introduced 1928. Signed R. LALIQUE FRANCE. Height 6 1/8 inches.Literature: R. Lalique Catalogue Raisonne by Felix Marcilhac, number 1033, page 445, illustrated.

Live Auction

LALIQUE CLEAR AND FROSTED CRYSTAL "CONCH SHELL" VASESigned Lalique France. Height 6 3/4 inches.

A.B. Levy

Lot 421

LALIQUE CLEAR AND FROSTED CRYSTAL "CONCH SHELL" VASESigned Lalique France. Height 6 3/4 inches.

Live Auction

CHINE Vase en cloisonné doré à deux anses en forme de chimères (percé et restauration à la panse) Fin XIXème siècle Haut : 3

Osenat

Lot 91

CHINE Vase en cloisonné doré à deux anses en forme de chimères (percé et restauration à la panse) Fin XIXème siècle Haut : 30 cm

Live Auction

CHINE Vase de forme balustre en porcelaine polychrome à décor de fleurs. Fin XIXème siècle Haut : 25 cm (monté en lampe)

Osenat

Lot 96

CHINE Vase de forme balustre en porcelaine polychrome à décor de fleurs. Fin XIXème siècle Haut : 25 cm (monté en lampe)

Live Auction

CHINE Vase balustre en porcelaine polychrome à décor de scènes traditionnelles en cartouches. XXème siècle Hauteur : 46 cm

Osenat

Lot 98

CHINE Vase balustre en porcelaine polychrome à décor de scènes traditionnelles en cartouches. XXème siècle Hauteur : 46 cm

Live Auction

CHINE Vase balustre porcelaine polychrome XVIIIème siècle Haut : 26 cm (socle bois)

Osenat

Lot 107

CHINE Vase balustre porcelaine polychrome XVIIIème siècle Haut : 26 cm (socle bois)

Live Auction

CHINE Sculpture vase en stéatite à décor fleuri XXème siècle Haut : 20 cm

Osenat

Lot 109

CHINE Sculpture vase en stéatite à décor fleuri XXème siècle Haut : 20 cm

Live Auction

CHINE Grand vase balustre à bord évasé en porcelaine décorée en émaux polychromes dans le style de la famille rose et or de

Osenat

Lot 111

CHINE Grand vase balustre à bord évasé en porcelaine décorée en émaux polychromes dans le style de la famille rose et or de médaillons de scènes de guerriers sur fond de fleurs. L`épaulement décoré en haut-relief de qilong les deux anses en forme de deux chimères s`affrontant Canton XIXème siècle Haut: 91 cm sans le socle (éclat au col)

Live Auction

MONTIGNY-BOUEE ET PETIT Vase balustre en faience émaillée décor de fleurs. Signature illisible. Haut : 26 cm (Restaurations)

Osenat

Lot 135

MONTIGNY-BOUEE ET PETIT Vase balustre en faience émaillée décor de fleurs. Signature illisible. Haut : 26 cm (Restaurations)

Live Auction

MONTIGNY VERS 1870 Vase balustre en faience émaillé décor de fleurs sur fond beige. Haut : 40 cm

Osenat

Lot 140

MONTIGNY VERS 1870 Vase balustre en faience émaillé décor de fleurs sur fond beige. Haut : 40 cm

Live Auction

MARLOTTE Vase en grès émaillé décor de branchages. Signé Bézard dans le décor. Haut : 35 cm

Osenat

Lot 141

MARLOTTE Vase en grès émaillé décor de branchages. Signé Bézard dans le décor. Haut : 35 cm

Live Auction

VASE de forme balustre (monté en lampe) en porcelaine émaillée et cloisonnée à décor de fleurs. Début XXème siècle Haut : 55

Osenat

Lot 156

VASE de forme balustre (monté en lampe) en porcelaine émaillée et cloisonnée à décor de fleurs. Début XXème siècle Haut : 55 cm (cheveux)

Live Auction

SAINT-LOUIS Vase en cristal taillé Signé sous la base Haut : 35 cm

Osenat

Lot 260

SAINT-LOUIS Vase en cristal taillé Signé sous la base Haut : 35 cm

Live Auction

BACCARAT Vase en cristal taillé en biseau Haut : 35 cm

Osenat

Lot 261

BACCARAT Vase en cristal taillé en biseau Haut : 35 cm

Live Auction

GLASS DECANTERS, five various, with six decanters labels, also a cut glass jug and a modern art glass owl vase. (13)

Lots Road Auctions

Lot 472

GLASS DECANTERS, five various, with six decanters labels, also a cut glass jug and a modern art glass owl vase. (13)

Live Auction

An early 20th century three piece James Dixon & Sons EPNS teaset, together with a silver waiter, a pair of pewter candlestick

Tunbridge Wells and Hastings

Lot 181

An early 20th century three piece James Dixon & Sons EPNS teaset, together with a silver waiter, a pair of pewter candlesticks and a blue glass vase.

Live Auction

A 19th century Japanese kutani porcelain bottle vase, and another similar, a/f.

Tunbridge Wells and Hastings

Lot 218

A 19th century Japanese kutani porcelain bottle vase, and another similar, a/f.

Live Auction

A Poole Delphis pattern spear dish, a Carltonware dish, a Doga Italian vase etc.

Tunbridge Wells and Hastings

Lot 251

A Poole Delphis pattern spear dish, a Carltonware dish, a Doga Italian vase etc.

Live Auction

A 1930s Clews & Co. Chameleon Ware vase, hand painted, together with a West Country slip glazed jug and cover and five Italia

Tunbridge Wells and Hastings

Lot 257

A 1930s Clews & Co. Chameleon Ware vase, hand painted, together with a West Country slip glazed jug and cover and five Italian faience plates. (7)

Live Auction

A French Claroug glazed pottery urn shaped jardiniere and a seagrass covered baluster vase a/f.

Tunbridge Wells and Hastings

Lot 264

A French Claroug glazed pottery urn shaped jardiniere and a seagrass covered baluster vase a/f.

Live Auction

A Galle Tip vase.

Tunbridge Wells and Hastings

Lot 271

A Galle Tip vase.

Live Auction

A Whitefriars blue bark effect vase, a Whitefriars ashtray and a uranium glass vase. (3)

Tunbridge Wells and Hastings

Lot 272

A Whitefriars blue bark effect vase, a Whitefriars ashtray and a uranium glass vase. (3)

Live Auction

A Mdina paperweight, a Murano dish and a Thorneycroft paperweight, with a glass vase etched with a hummingbird.

Tunbridge Wells and Hastings

Lot 273

A Mdina paperweight, a Murano dish and a Thorneycroft paperweight, with a glass vase etched with a hummingbird.

Live Auction

A Georgian style ale flute, a Dartington glass vase, and an Art Glass vase.

Tunbridge Wells and Hastings

Lot 278

A Georgian style ale flute, a Dartington glass vase, and an Art Glass vase.

Live Auction

A Bohemian blue overlay glass vase a/f., together with sundry glassware etc.

Tunbridge Wells and Hastings

Lot 279

A Bohemian blue overlay glass vase a/f., together with sundry glassware etc.

Live Auction

Tunbridge Wells and Hastings

Lot 284

A 1930s Whitefriars yellow ribbon pattern posy vase. Together with an Edward VIII Copeland coronation mug retailed by Thomas Goode & Son.

Live Auction

An African ivory vase carved as a crocodile.

Tunbridge Wells and Hastings

Lot 348

An African ivory vase carved as a crocodile.

Live Auction

Tunbridge Wells and Hastings

Lot 410

A pair of late Victorian pottery ewers, Doulton Lambeth saltglazed jugs, and a continental painted vase etc.

Live Auction

Chippendale Style Mahogany Wine Table, bird cage action, rotating top, supported on fluted & carved vase turned column,

Kent Auction Galleries Ltd.

Lot 48

Chippendale Style Mahogany Wine Table, bird cage action, rotating top, supported on fluted & carved vase turned column, on 3 ball & claw cabriole style supports with leaf carved knees, approx. 29 1/2"" W

Live Auction

Early C19th Oil on Canvas, still life flowers in decorative vase, signed Frederich Munster, 19 3/4` x 23 3/4`, gilt f

Kent Auction Galleries Ltd.

Lot 195

Early C19th Oil on Canvas, still life flowers in decorative vase, signed Frederich Munster, 19 3/4` x 23 3/4`, gilt framed, back of frame marked Dusseldorf 1939, marked in pencil Frederich Muster

Live Auction

650806 item(s)

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