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An Edwardian silver sauce boat, Henry Williamson Ltd, Birmingham 1904, of typical form with half reeded body and angular handle, 9cm high, with a Victorian silver shell-shaped butter dish, Haye Brothers, Birmingham 1887, 12.5cm x 10cm, and a George V weighted silver posy vase, A & J Zimmerman Ltd, Birmingham 1914, 18cm high, gross weight (excluding posy vase) 6.6ozt (3)
Margaret Charman (South African/British, b. 1941), a studio pottery "Beast" vase, of squat gourd form, extensively illustrated with beasts from the artist’s imagination in Indian ink on biscuit fired base with waxed finish, incised signature to base, 19cm high BIOGRAPHICAL NOTE: Margaret Charman was born and grew up in South Africa, where she received her initial Art and Design education, and worked as a lecturer and freelance designer. She came to Britain in 1965, and has lived and worked here ever since. She studied at St Martin's and The Courtauld Institute, and from 1971 she lectured in Art and History of Art at Havering College, becoming Head of Art and Craft from 1974 to 1980. Moving to the North West, she became Head of Art and Design at Wirral College of Art and Design from 1980 to 1982, and then Head of the Cheshire School of Art and Design from 1982 to 1992. She took early retirement in 1992 to concentrate on her work. She has exhibited widely in South Africa, America, Europe, London, and the rest of the UK, and her work is held in private collections around the world. CONDITION REPORT:The piece shows minor surface wear and surface marking commensurate with age, but no obvious chips, cracks, repairs or restoration.
A selection of silver coloured items, to include a vase of baluster form with fluted rim and upon circular foot, 15.4cm high, with a Sancta Maria silver and gilt coloured pendant of rectangular form with embossed depiction 48mm x 33mm, a marrow scoop, 26.3cm long, a cream jug with ebonised loop handle, 8.5cm high, a cigarette case, 8cm wide and a single handled cup, 6.5cm high (at fault) (6)
A quantity of Spode Italian wares, comprising: four boxed dinner plates, a boxed five piece bowl set, four boxed side plates, four boxed desert bowls, an unboxed cake stand, and an unboxed hexagonal vase, together with a quantity of Spode Blue Italian wares, comprising: four boxed mugs, a boxed Liverpool jug, six boxed pastry forks, six boxed tea spoons, an unboxed coffee pot and cover, and an unboxed biscuit barrel and cover (Qty)
A Royal Worcester blush ivory twin handled vase, shape number 2192, puce maker's mark for 1904, 26cm high, with a Royal Worcester pot pourri, shape number 291, green mark for 1912, 11cm high (lacking cover), a large Royal Worcester blush ivory flat back ewer, shape number 1094, late 19th century, puce maker's mark, 18cm high (at fault), a smaller version of the same shape, puce maker's mark for 1913, a Doulton Burslem blush ivory ewer, 27.5cm high, and a Royal Crown Derby blush ivory ovoid stem vase, 15.5cm high (6)
A Thomas Turner of Staffordshire silver plate mounted feldspathic stoneware jug, early 19th century, of ovoid form with raised ribbed neck, the body relief moulded with putti dragging a goat below fruiting vines, impressed mark to base, 22cm high, with a further silver plate mounted example depicting classical maidens below fruiting vines, impressed mark, 20cm high, another depicting a hunting scene, 21cm high, four further jugs, a copper lustre goblet, a Royal Lancastrian dish, a Royal Lancastrain posy vase, and a cylinder vase (11) (at fault)
A Japanese Kutani ware vase, Meiji Period (1868 - 1912), of baluster form with zoomorphic mask drop ring handles, typically decorated with chrysanthemums to each side, on carved wooden stand, later converted to a table lamp, 44.5cm high (55.5cm high to top of fitting), with a similar smaller example, 38.5cm (47cm high to top of fitting) (2) Condition report; Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items. Smaller lamp base - Stained rim descending hairline crack. Evidence of glue residue indicating possible repairs around the rim however this cannot be determined as the mounted fitting have not been removed. Extensive crazing to the body indicative of the firing process. Smaller firing cracks can be seen around moulded areas. Hardwood base with losses. Larger example - Extensively crazed throughout. General surface scratches and wear can be seen commensurate with age and use. Mounted fittings have not been removed so we cannot guarantee that these items are free from damage apart from what has already been stated.
A Japanese Kutani ware lamp base, Meiji Period (1868-1912), the baluster shaped vase with two lugs flanking the cylindrical neck, decorated with an eagle perched on a rocky outcrop amidst an abundance of foliage, later converted with brass fittings, 43cm high overall (at fault) Condition report; Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items. Neck appears to have been reduced and later fitted with metal mounts and the void being filled with a composite material. The underside appears to have five repaired cracks. Signs of restoration can be seen to the underside. Finely crazed throughout. Decoration appears good and palette bright and vivid.
A John Ditchfield for Glasform studio glass vase of waisted form, the iridescent green glass punctuated by brightly coloured stylised flowers, signed and numbered "7404" to base, 24.5cm high Condition report: Blowing faults seen to the shoulder and body of the vase - see images.Light scratch near shoulder of vase, only visible if light hits the scratch.
A selection of Chinese cloisonné, comprising; a pair of cylindrical lobed vases, 19th century, 15.5cm high, a pair of black ground circular boxes and covers, 7.5cm diameter, a blue ground cylindrical box and cover, 9.5cm high, a pair of saucer dishes, 9.5cm diameter, with a singular example, and a pair of carved soapstone bookends, 13cm high (10) (at fault)Condition report; One vase with small dent to the side of the body. Saucer dishes all with losses to the underside. Losses to the soapstone bookend visible. Commensurate wear throughout.
A Victorian mahogany Scottish chest of drawers, the cushion frieze drawer above four short and three long graduated drawers applied with hardwood drawer pulls, over a further plinth drawer, all enclosed by ring turned tapering pilasters, upon vase shaped feet, 143cm H x 134cm W x 61cm DCondition reportGeneral marks, scratches and stains to the top and sides, very small veneer chips to the LH plinth.Both pilasters have chips to the bottom collars, small split to the front RH foot.General scratches, rubbing and marks to the drawers, very minor chips to the escutcheons on the two small drawers, general wear commensurate with age and use
A Mason's Patent Ironstone large octagonal mug, early 19th century, decorated in the Chinoiserie style with applied lamprey handle, black printed mark, 12cm high, with a Royal Worcester porcelain elephant handled tureen, cover and stand, circa 1885, printed in brown in the Aesthetic manner, the stand 37cm wide, a smaller sauce tureen, 23cm wide, a Copeland wash jug, 32cm high, and matching large vase, 35cm high, each decorated in a rich claret ground with exotic birds (6) (at fault)
A Moorcroft vase in the Pomegranate pattern, early 20th century, of compressed ovoid form, William Moorcroft signature and impressed maker's marks to base, 13.5cm high, with a Moorcroft small baluster vase in the Pomegranate pattern, mid 20th century, Walter Moorcroft monogram and impressed maker's marks to base, 12.5cm high (2) (restored)
A Coalport porcelain pot pourri and cover, pattern number V5327, S/S 163, enamelled with a lake view to each side, within cobalt and ivory borders and gilt rims, 16.5cm high, with a Spode Copelands China vase and cover, of classical form and florally decorated, 19cm high, a Coalport florally encrusted bedside timepiece with Smith's movement, 17.5cm high, and a Royal Crown Derby white glazed leaf shaped dish, 16.5cm wide (4) (at fault) CONDITION REPORT:The pot pourri and cover shows minor surface wear, minor rubbing to the gilt highlights, and small nibbles to the cover rim, but no obvious chips, cracks, repairs or restoration.
A pair of Bohemian cased ruby and white overlay glass vases, circa 1880, each decorated with floral bands and gilt highlighted, 28cm high, (at fault), with Czech or Italian ruby glass baluster goblet, the bell shaped bowl florally decorated above a reeded knop, 21cm high, and two gilt overlaid glass cabinet cups and saucers (7) CONDITION REPORT:One vase shows extensive repairs to the neck and rim and rubbing to the gilt highlights. The other shows rubbing to the gilt highlights throughout. The goblet shows small blowing faults and surface wear. The cabinet cups and saucers show extensive rubbing to the gilt of the handles.
A pair of Chinese porcelain celadon lamp bases, each of baluster form and with incised floral decoration, gilt metal mounted, with shades, 61cm high overall (2) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items. Condition report; X1 vase - Large spreading star crack to the side of the body. X1 vase- Large spreading star crack to the rim and neck.
A pair of Vienna porcelain urn vases and a cover, early 20th century, each ovoid vase finely enamelled with a continuous band of dancing muses against a gilt ground between cobalt borders, each raised upon three hoof feet, beehive mark, gilt flower and titled "Grazien" and "Rinaldo" respectively to bases, 22.5cm high including cover (at fault) (2)
A French Art Deco "Prism" vase by Andre Hunebelle, early 20th century, of faceted globe form with etched opaque interior, moulded maker's mark, 20.5cm high CONDITION REPORT:The piece shows minor surface wear throughout (including wear to the etched interior), the odd moulding fault, the odd moulding bubble, and some ingrained dirt in the crevices, but no obvious chips, cracks, repairs or restoration.
A Victorian silver posy vase, Josiah Williams and Co, London possibly 1896, of typical form with repousse decoration and two vacant cartouches, upon circular foot, 13cm high, 2.67ozt (weighted), together with a pair of silver plated posy vases, with engraved floral decoration, upon shaped leaf feet (weighted) 14cm high (3) (at fault)
A pair of Chinese carved hard wood marble inset vase stands, each of square section inset with rouge marble panels, upon legs of rounded square section, united by shaped peripheral cross stretchers, 14cm H x 12cm Sq (2)Condition report; Each marble inset top slight loose but remain in situ. One stretcher is split but appears to be an easy repair. General surface wear and some staining. Both fit for purpose.
Enrico Cammozzo, Vase(Murano 1965)Murano, 2017. Farbloses Glas mit zersprengten Metallfolienein- und Aufschmelzungen. Umsponnen mit Glasfäden in Rot, Gelb und Blau. Im Stand signiert "Cammozzo E., Murano 2017" (graviert). H 41 cm.- Leichte Alters- und Gebrauchsspuren. Kleine Bestossungen.
Hereke-SeideN-Türkei, um 1960. Flormaterial reine Seide. Oben rechts signiert mit "Hereke". Auf weissem Grund figuriert im Gebetsfeld eine grosszügig angelegte, blumengefüllte Vase mit kunstvoll gezeichneten Blüten und Blattranken in verschiedensten Farbtönen, flankiert von Zypressen, blühenden Bäumen und einem dekorativen Blüten- und Blattranken-Dekor. Interessante orange-rote, mit Blütenpalmetten und Blattranken stilvoll belegte Hauptbordüre, umgeben von 2 zartgrünen floralen Nebenbordüren. Sehr gute Erhaltung. 118x194 cm (ft. 3.9x6.4).
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653685 item(s)/page