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AN ENGLISH PORCELAIN NATURALISTIC CHAMBERSTICK, DECORATED IN APPLE GREEN AND GILT, 9CM H, PATTERN 2/5101 ? COALPORT, C1830, A PAIR OF GERMAN PORCELAIN TWIN PANNIER SALT CELLARS PAINTED WITH BIRDS, AN ENGLISH PORCELAIN APPLE GREEN GROUND SPILL VASE AND A LIMOGES RAISED GILT AND CLARET DECORATED EGG SHAPED BOX MARKED TIFFANY & CO
A DAVENPORT PLATE, PAINTED IN A WET PALETTE WITH SEVEN FLOWER SPRAYS AND GILT, 25.5CM DIAM, PUCE PRINTED MARK, C1830, A CROWN DERBY SHOULDERED OVIFORM VASE AND COVER WITH RAISED GILT DECORATION ON A DUCK EGG BLUE GROUND, C1885, A ROYAL WORCESTER PRIMROSE GROUND SHELL SHAPED PLATE WITH RAISED GILT DECORATION, ANOTHER DECORATED WITH A GAME BIRD AND A ROYAL CROWN DERBY POSIES PATTERN CREAM JUG
A COALPORT LIMITED EDITION SIR WINSTON CHURCHILL COMMEMORATIVE VASE, COMMISSIONED BY FRANCIS SINCLAIR, DONCASTER, NUMBERED 84 OF 200, A GRIMWADES 'OLD ENGLISH COACHING SCENES' JARDINIERE, FIVE PENDELFIN ORNAMENTS INCLUDING HOUSE AND CURIO SHOP, 28CM AND 30CM H, AND TWO ELIZABETHAN BONE CHINA PENDELFIN DESIGN PLATESETC
Two London delftware tiles, c.1720-30, painted in blue with red and green highlights, one with Ceres holding a cornucopia and a stem of flowers, the other with a vase of flowers, reserved in octagonal panels on a sponged blue ground, with floral corners, some glaze chipping, 13cm. (2)
A Delft three vase garniture, 18th century, comprising a baluster vase and two flared sleeve vases, painted in blue with two Chinese figures in a garden setting between large flower sprays, a stiff leaf border around the bases, the baluster vase lacking a cover, some damages, 26.8cm. (3)
Six Delft tiles, early 17th century, two painted with a vase of flowers with dark blue motifs to the corners, two with a single flowering plant with fleur de lys motifs, one with a stylized tulip and fleur de lys corners, the last with a lion in a canted square panel, some damages, 13cm. (6)
A Chelsea chinoiserie flower holder figure, c.1762, modelled as a Chinaman wearing Eastern dress and seated beside a large white vase, the top of which is pierced with an arrangement of holes, raised on a scrolling rococo base picked out in gilt, gold anchor mark to the reverse, some good restoration, 20cm. Cf. Frank Stoner, Chelsea, Bow and Derby Porcelain Figures, pl.33.
A large Meissen model of a parrot, 20th century, perched on a stump and eating a nut which it holds in its left foot, the stump applied with a snail, caterpillar and large beetle, blue crossed swords mark, and a Continental spill vase figure of a parrot, decorated with bright plumage, some damages, 29.5cm max. (2)
A Flight Barr and Barr Worcester vase, c.1825, of squat campana shape with large twisted twig handles, the body painted with a panel of roses and other flowers reserved on a blue ground with gilt foliate motifs, painted script mark, and an unusual English porcelain vase, probably Derby, finely decorated in tooled gilt with two lovers embracing, titled 'Susan's Interview with William', the reverse with a full length portrait of Susan, raised on a cylindrical stand above paw feet, 28cm max. (2)
A rare near pair of Wedgwood tricolour Jasperware ormolu-mounted Zodiac vases and covers, 2nd half 19th century, each vase applied to two sides with an oval plaque containing a Classical figure applied in white on a lilac ground, within floral swags and stiff leaves, the shoulders applied with the twelve signs of the zodiac, in white on a sage green ground, with ormolu mounts to the feet and rims, and with foliate scroll handles, the top covers lacking, 33cm. (4)
A Continental porcelain vase, 19th century, mounted as a lamp, painted in sepia monochrome on a black ground with doves in flight above Classical figures, with mythical masks amidst foliate scrolls, with ormolu mounts and raised on a square marble base, the sides drilled beneath the ormolu handles, 48cm overall.
A very rare Worcester three-handled vase, c.1775-78, printed in black with the Draw Well pattern, a figure hauling on a rope to draw a bucket up from a well, and two scenes of Classical ruins, amidst flower garlands and single sprays, the neck issuing three handles with applied flowers where they meet the shoulder, raised on a circular foot, a little restoration to the handles, 18.5cm. Provenance: Cyril Cook Collection. Sir William Mullens Collection, Sotheby's, 22nd February 1977, lot 141. Joseph Handley Collection, no. 5.4.
A large Dagoty and Honoré (Paris) porcelain vase, c.1816-20, the campana form painted in sepia monochrome with three figures seated at a low table, drinking and smoking within a gilt rectangular panel, the reverse with four putti, reserved on a blush ivory ground with formal gilt designs, above a key fret band and a border of stiff leaves, raised on a faux marble socle, red printed 'F L Dagoty, E Honoré a Paris' mark, some damages, 38cm. Dagoty and Edouard Honoré were in partnership for the four years between 1816 and 1820, before Honoré continued manufacturing alone.
A pair of Spode small vases, c.1810, decorated in pattern 1626 each with a finely painted panel of flowers within a border of pink roses on a black ground, with an edge of white beading to the necks and feet, painted pattern numbers, and a Derby campana vase, finely painted with garden flowers tumbling over a marble bench, reserved in a chamfered square panel on a deep blue ground, 20cm max. (3)
A pair of English porcelain ice pails with covers and liners, c.1820, probably Coalport, of Warwick vase shape, painted with small panels of flowers in the manner of Joseph Birbeck, reserved within gilt foliate cartouches on a lilac blue ground, the covers surmounted with pinecone finials, the shoulder applied with a fruiting grapevine border, together with a similarly decorated shaped dish, a little restoration, 36cm max. (7)
Two Delft vases, 18th century, one a small ovoid vase and cover painted in blue with an allover design of stylized flowers and leaves, marked for The Claw factory, the other fluted with tall knopped neck and flared rim, painted with panels of flowers, small damages, 30cm max. (3)
A pair of Dudson porcelain Fable spill vases, 19th century, depicting Aesop's Fable of the Fox and the Stork, one with the fox lapping from a bowl while the stork looks on hungrily, the second with the stork drinking from a tall vase and watched warily by the fox, both beneath hollow tree trunks and raised on rectangular scrolled bases, a small amount of good restoration, 17.5cm. (2)
An unusual Meissen square vase and cover, 19th century, in the manner of a Chinese censer, the square form moulded with fretwork and finely painted in the famille rose palette, the cover reticulated in the same design and surmounted with a lion dog finial with a brocade ball, blue crossed swords and star mark, impressed number, 23.2cm. (2)
An English porcelain rectangular plaque, 19th century, finely painted with a vase of flowers including nasturtium, chrysanthemum, hollyhock and passionflower, resting on a white stone ledge beside a large bunch of grapes and a pineapple, within a gilt wood and velvet frame, the plaque 26cm x 19cm.
A massive Royal Worcester figure of a Grecian water carrier, date code for 1880, modelled by James Hadley, a two-handled urn resting on the top of her head, a further slender vase in her right hand, dressed in a flowing turquoise robe and raised on a circular base, impressed factory mark and R date code, some restoration, 86.5cm.
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653833 item(s)/page