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Click here to subscribeA variety of decorative glassware to include a Caithness vase on squat foot in amethyst tinted glass with etched songbird and garland decoration, a large Dartington glass bowl with wrythen moulded finish, a selection of paperweights to include two cobalt blue examples, an Edinburgh Crystal paperweight, various others, drinking glasses, Art Glass basket shaped dish, etc
An Edward VII Neo-Classical design pot pourri vase and cover, Birmingham 1911 by George Nathan and Ridley Hayes, the gilded bowl with cast rim raised on three supports with rams mask terminals joined by a girdle, on hoof feet united by stretchers, the pierced cover with foliate cast knop, marked London 1985, 15cm h, approx 158g.
Four silver mustard pots, one late Victorian, of cylindrical form with domed cover and blue glass liner, London 1895 makers mark GMJ, another of vase form with hinged trumpet cover on square base, marks rubbed, lacking liner, a flower shaped example with liner and another marked for Chester 1903 by Nathan and Hayes, with liner, approx 332g (4).
A Victorian silver sugar vase and cover, London 1861 by Joseph Angell, of spherical twin handled form, the bowl and cover pierced with graduated rows of shells and scrollwork, the cover with flower knop handle, on trumpet shaped base cast with foliate design, with later silver liner with gilt bowl, London 1869 by John Hunt & Robert Roskell, 23cm h, approx 740g.
A pair of late 19th Century Chinese crackle glazed baluster vases and covers, each painted in underglaze blue with scrolling dragons chasing the flaming pearl, bats and clouds, with iron oxide borders, one cover associated together with another crackle vase painted with a pavillion and figures on a bridge (restored cover), the largest 23cm h.
An extensive suite of Stuart crystal glassware comprising six champagne, eleven water, ten red wine, eleven white wine, nine tumblers, ten small tumblers, eleven tall flutes, ten cocktail , thirteen sherry , six liqueur , a water jug, a pair of pickle jars and covers, a pair of vases and a bucket vase, each piece diamond cut (103 pieces).
William de Morgan (1839-1917). A large faience baluster vase, painted by Fred Passenger, blue ground painted with a frieze of running stags against a design of berried leaves, the shoulders and neck decorated with Persian geometric designs, the foot painted with meadow flowers, painted marks W. de Morgan Fulham, initialled F. P, 39cm h. Provenence: private collection and thence by descent.
William de Morgan (1839-1917). A rare and large faience baluster vase, painted by Fred Passenger, the body painted with partially intertwined great crested newts, the foot painted with primroses, the inside of the neck painted blue, painted marks W. de Morgan Fulham, with painted initials F.P, 39cm h, old damages and repair to foot. Provenence: private collection and thence by descent.
William de Morgan (1839-1917). A large and rare twin handled vase, the body painted both sides with the tree of wisdom entwined with the serpents, interspersed with cornflowers, one side with butterfly, the blue handles painted with scrolling decoration, painted marks W. de. M Fulham 2176 F. P 50, 52cm h (damage and repair to flared rim and losses to glaze, mainly to the lower part of the body, one handle repaired, the other off but present together with associated contemporary oriental style carved ebonised circular exhibition stand. Provenence: private collection and thence by descent.
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