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Lot 1041

Losol Blue & Green Lustre Two Handled Vase, with exotic bird and foliate decoration, 28.5cn high.

Lot 1053

Ruskin Vase, Crescent teapot, Wedgwood trio, Japan figurine.

Lot 1066

A Moorcroft Pottery Vase, of ovoid form with tapered neck, painted in the coral Hibiscus pattern against a green ground, impressed marks, 13.5cm high; Another, 9.5cm high, both boxed. (2)

Lot 1082

A Minton Art Nouveau Porcelain Vase and Cover, circa 1900, with central pate-sur-pate panel depicting a classical figure and putti, the oval bowl decorated with gilt leaf scrolls and garlands on a cream ground and raised on an oval stem on stepped rectangular base, the (damaged) cover with gilt finial, possibly by Alboine Birks, 17cm high.

Lot 1084

Royal Crown Derby 'Olde Avesbury' Octagonal Bowl, 20.5cm wide and oval dish, plus early ovoid vase (cracked).

Lot 1085

A Late XIX Century Vienna Style Porcelain Vase, of flattened two handled pear shaped form, the central panel painted by Wagner, signed, with a head and shoulders portrait of a lady with long flowing hair, against a dark blue and elaborate gilt ground, Beehive and star marks, inscribed Erblut Deposé 4043H, 13cm high; A Similar Globular Vase, with shaped tapered neck, central portrait against turquoise beadwork gilt and cream ground, 10.5cm high. (2)

Lot 1092

A Royal Crown Derby Imari 2451 Pattern Twin Handled Vase, with presentation inscription to base, 22cm high; A Royal Crown Derby Imari Plate. (2)

Lot 1093

A Moorcroft Pottery Vase, of ovoid form, painted in the coral Hibiscus pattern against a green ground, impressed and printed marks, 19.5cm high; Another, 8cm high, boxed. (2)

Lot 1095

Clews Chameleon Ware Vase, Parakeet vases, Minton & Doulton boxed dishes, Mason's etc:- One Tray.

Lot 1107

A Moorcroft Pottery Vase, painted in the 'Bramble Revisited' design by Alicia Amison, shape 370/6, impressed and painted marks, 17.5cm high.

Lot 1109

A Moorcroft Pottery Vase, painted in the 'Kennet' design by Kerry Goodwin, shape 265/7, limited edition No. 10/25, signed, impressed and painted marks, 17.5cm high.

Lot 1115

A Moorcroft Pottery Vase, of globular form with short flared neck, painted in the 'Anemone' pattern with pink and purple flowers against a shaded green/dark blue ground, impressed marks, signed in green, 24.5cm high.

Lot 1119

A Moorcroft Pottery Vase, painted in the 'Bluebell Harmony' design by Kerry Goodwin, shape 08/6, impressed and painted marks, 15cm high.

Lot 1121

A Moorcroft Pottery Vase, of ovoid form, painted in the Bella Houston pattern by Emma Bossons, impressed and painted marks, 14cm high.

Lot 1122

A Pair of Late XIX Century Hexagonal Shaped Vases, with a blue ground decorated with fruit and floral decoration, together with a cut glass ruby vase.

Lot 1179A

Oriental: Carved Hardwood Seated Sage, another in soft metal, pottery and terracotta figures, cloisonné vase, two stand, one tray.

Lot 1180

A Chinese Republic Famille Rose Porcelain Vase, decorated with Immortals and children in landscapes amongst stylised clouds, the border with lappets and flora, character mark to base, 40cm high.

Lot 1182

 A Late XIX Century Japanese Pottery Vase, of extended ovoid form with frilled neck, painted in panels with figures in gardens and exotic birds ad flowers, 77cm high (A/f).

Lot 1190

Oriental - A XIX Century Imari Platter, (restored), later lidded jar (damaged), plate, condiments, Satsuma vase on black ground, enamelled salts, etc.

Lot 1285

A Chinese Archaic Style Bronze Two Handled Vase, decorated with birds and beasts, 26.5cm high; A Chinese Tibeta Bronze Relief Teapot and Cover, 29cm high. (2)

Lot 1537

A Set of Eight George III Style Mahogany Dining Chairs (Two Carver + Six Single), with a vase shaped pierced splat, drop-in seats, on chamfered supports united by stretchers.

Lot 50

Antique silver flower vase measures approx 16.5cm tall weight 76g filled base

Lot 99

Armand Aubert, Nantes, an early 20th century French gilt metal and white marble mantle clock, the 3" white enamel dial with Arabic numerals, the F. Marti, Paris Medaille D'Or movement striking on a bell, the case raised on four columns with a rectangular base, vase finial, lacking pendulum, key. 38cm.

Lot 133

A large collection of Poole pottery to include - 1930s floral pattern small jugs, lidded preserve pots, a floral vase, a mid 20th century Poole pottery vase, floral design Le Pattern, 15cm tall, together with two 1930s Poole pottery biscuit barrels, a Poole pottery Carter Stabler Adams floral mug, two Poole pottery vases, together with a collection of eleven mid 20th Century hand painted pottery pieces to include, jugs, vases, fruit bowl and sweet dish, together with a selection of ceramic & pottery pieces to include - Brixham & Swanage vases, Torquay ware creamer, Cornish ware pots, plates and other wares.

Lot 134

A collection of Mason's ironstone ceramics, to include a calliope Ltd edition vase, two pairs of Mandalay vases, teapot and other examples.

Lot 157

A mid 20th Century cut glass dressing table set, together with a Dresden vase, jewellery box and 1950s child's push along toys.

Lot 162

A collection of ceramic figurines & animal models, to include a Beswick cat with mouse, a Poole dolphin, a Border Fine Arts cat on a pole 'Pole Cat', Hummel figures, a Beswick leaf dish, a Wadeheath vase and other ceramics. (3)

Lot 11

20TH CENTURY CHINESE CLOISONNE VASE,decorated with floral designs on a yellow ground, 32cm high, along with a floral decorated vase, 8.5cm high (2)

Lot 114

CZECHOSLOVAKIAN POTTERY JUG,of twin handled form, 36cm high, along with a lustre candlestick and an Art Deco style sugar and cream, also including a Czechoslavakian cranberry glass decanter, spill vase and scent bottle (7)

Lot 165A

SHELLEY VASE,along with a Royal Worcester figure and a wall pocket (3)

Lot 17

WEST GERMAN POTTERY VASE,41cm high, along with another pottery vase (2).

Lot 290A

POOLE POTTERY VASE,23cm high, along with a pair of white metal peacock menu holders (3)Condition report: The condition of the vase is good to fair, slight fading on the rim and crazing to the outer design , appears to be a small chip on the middle of the vase that has been glazed over.

Lot 291

CONTEMPORARY CERAMIC VASE, along with five other vases and an oversized wine glass (7)

Lot 37

RETRO FOLDING BED TRAY,61cm wide, along with a mid century West German vase, 38cm high (2)

Lot 370

CHINESE CLOISONNE VASE,along with a bronzed metal vase (2)

Lot 396

CHINESE CLOISONNE VASE,along with a Chinese vase, Limoge pill boxes and other objects

Lot 397

BRONZE TABLE BELL, along with a bronze figure of a farmer, a composite figure of a bird and other items including a vase

Lot 440

MAMLUK REVIVAL CAIRO WARE VASE,25cm high, along with a pair of Victorian brass candlesticks and fireside companions

Lot 515

VICTORIAN ETCHED GLASS WINE JUG,along with other glass and crystal ware including an Edinburgh crystal vase, a Caithness vase, a claret jug with plated collar, also including a silver plated salver and two others

Lot 520

MALING VASE LAMP,along with a Nao figure of a girl, an Italian plaster group, four pieces of Il Verrochio ceramics and eight ruby glass drinking glasses

Lot 531

PAIR OF 19TH CENTURY BOHEMIAN GREEN GLASS GOURD SHAPED PERFUME BOTTLES AND STOPPERS,decorated with gilt painted borders, 16cm high, along with a pair of ruby glass vases and a ruby glass baluster vase (5)

Lot 569

FIVE LLADRO FIGURES,tallest measuring 27cm, along with a Nao figure and another figure, also including a Rosenthal ceramic vase (8)

Lot 68

CARLTON WARE CIRCULAR BOWL,along with a Carlton ware dish, Poole bowl, a Noritake dish, another and a vase (6)

Lot 8

MID 20TH CENTURY ART POTTERY VASE,probably Italian, with linear and geometric decoration, 25cm high, along with a lemonade set in the manner of Keith Murray, an Indonesian pottery vase and a flambe sleeve vase (8)

Lot 82

19TH CENTURY BLUE AND WHITE VASE,of campana form, along with a Doulton wash basin (2)

Lot 1765

Museeale Kachel Siebenbürgen, Keisd 18. Jhd. Auf dunkelblauem Fond weiße, passige Vase mit Tulpenstrauß und Blattzweigen in Relief. Sprünge. Beschädigt. 21 x 21 cm. In Keisd wurden hauptsächlich Krüge und Teller ins sgraffito Technik gefertigt. Die Reliefkachel mit dem tüpischen Blau sind als sehr selten zu erachten. Vgl. Horst Klusch, Siebenbürgische Töpferkunst Nr. 236 und 237.

Lot 1970

Famille-verte-Vase China, Qing Dynastie, 1862 - 74 Birnenförmiger Korpus. Umlaufend polychrome Darstellung einer mythologischen Szene auf dem Meer. Unterseitig rote Tongzi-Stempelmarke in Zhuanshu Schrift. H. 31,5 cm.

Lot 1489

Art Déco - Vase Paul Jean Millet, Sèvres, 20er Jahre Fayence, grün und schwarz glasiert. Unterglasurschwarzer Manufakturstempel. H. 30 cm

Lot 1979

Konvolut: Eine Vase und eine Schale China, 20. Jahrhundert Mit Imari-Dekor in Kobaltblau, Rostrot und Gold. H. 27,5 und 9,5 cm.

Lot 442

Vase Geislingen, WMF, um 1930 Messing, patiniert. Die bauchige Wandung umlaufenden Dekor: Drachen in stilisierter Landschaft. H. 31 cm

Lot 1477

Kleine Vase mit Ameisen Lucien Lévy-Dhurmer (Entwurf), Clément Massier, Golfe-Juan, 1887-1995 Weißer Scherben, matt grün glasiert. Umlaufender Dekor in Reliefgold: sieben Ameisen. Mündung min. best.. Unterseite bez.: L. LEVY, CLÉMENT MASSIER GOLFE JUAN (A.M.) (eingestempelt). H. 9,5 cm Von 1887-1995 war L. Lévy-Dhurmer künstlerischer Leiter der Manufaktur Clément Massier.

Lot 1996

Vase Blanc de chine China, Qing-Dynastie, 19. Jahrhundert Balusterförmige Vase mit Drachendekor. Glasiertes Porzellan. H. 23 cm.

Lot 1803

Trude Schullerus 1889 Agnetheln - 1981 Hermannstadt Blumenstrauß in Vase. Öl auf Hartfaserplatte. Signiert rechts unten. 49,5 x 41 cm. Gerahmt.

Lot 1677

Seltene Prunkschatulle Émile-Auguste Reiber (Entwurf), Christofle, Paris, um 1880 Quaderförmiger Korpus auf vier Füßchen. Rotbraun patinierter Fond mit vegetabil-floralen Auflagen, teils vergoldet und versilbert: Rollwerk, Maiglöckchenzweige, Rosenblüten, Fächerkartuschen und Blattwerk. Unterseite mit Wurmliniendekor. Schlüsselende in Form eines Rosenblütenkranzes. 9,3 x 18 x 10,5 cm Emile Reiber (1826 - 1893) stellte eine in der Machart vergleichbare Jardinière zusammen mit zwei Kandelabern auf der Weltausstellung 1878 in Paris aus. Die Orfèvrerie Christofle selbst ist ein französischer Hersteller von vornehmlich feinem Silberbesteck, aber auch von silbernen Bilderrahmen, Kristallvasen, Glaswaren, Porzellangeschirr und Silberschmuck. Das Unternehmen wurde 1830 gegründet. Christofle wurde wenige Jahre später Hoflieferant von Kaiser Napoleon III. Auf den Weltausstellungen in Paris 1867 und Wien 1873 stellte Christofle japanisch-inspirierte Silberwaren vor. 1883 stattete die Firma den Orient-Express mit Tafelsilber aus. Christofle is a French manufacturer of fine silver flatware and home accessories. They are renowned for their sterling, silverplate and stainless flatware. The origins of Christofle date to 1830. This overall design is reminiscent of 18th century Chinese table screens. It illustrates the significant Far Eastern influence on European decorative arts following the reopening of Japan to the West in 1854, and the restoration of Emperor Meiji in 1868. Subsequently, widespread interest in all things Asian was stimulated by Japanese displays at the International Exhibitions in London, 1862, in Paris, 1867, and in Philadelphia, 1876. In 1869, an Exhibition was held by the Union des Arts Décoratifs in Paris, where an entire museum of Oriental art was displayed. The Western hunger for this new taste is evident in a range of products, such as this lot, where romantic motifs and naturalism were combined with a mélange of styles to create an atmosphere, instead of simply attempting to produce accurate reproductions of Oriental articles. Designers and makers responded to the challenge of these new influences by studying forms and techniques of Asian decoration, and produced cloisonné enamel, marquetry of shell and ivory, patinated bronzes, and carved woods, all using the stylised vocabulary of the Far East. Makers such a Viardot, Lièvre, Giroux, L'Escalier de Cristal, Duvinage and Christofle, all conjured up images of the Orient in pieces of the utmost refinement and quality. Photographs of Christofle's stands at the 1878 and 1889 Paris exhibitions include items enamelled in the Japanese taste, a testament to the enduring market for Asian-inspired objects throughout the century (see H. Bouilhet, Christofle, Silversmith since 1830, Paris, 1981). Emile-Auguste Reiber imitated Japanese production techniques to satisfy the vogue for exotic styles. His much lauded designs were used by many of the leading artisans of the time, including Theodore Deck, and the ébéniste Jean-Michel Grohé who created two cabinets for La Païva. Interestingly, the bronzes and enamels for these cabinets were executed by Christofle, where Reiber was employed as chief designer. At the 1873 exhibition in Vienna, which was billed as a ''meeting of East and West'', Christofle exhibited a Chinese style enamelled vase designed by Reiber that received high accolades. In 1877 in Paris, he published Le premier volume des Albums-Reiber, a volume of 40 design prints concentrating on Japanese objects by Cernuschi, Bing, and Maron in Yokohama. Vgl.: M. Bascou; M.-M. Massé; P. Thiébaut (Hrsg.): Musée d'Orsay. Catalogue sommaire illustré des arts décoratifs, 1988, OAO 1017. Vgl.: E. Bergerat: Les Chefs-d'oeuvre d'Art à l'Exposition universelle 1878, 1878, S. 35. Emile Reiber (1826 - 1893) stellte eine in der Machart vergleichbare Jardinière zusammen mit zwei Kandelabern auf der Weltausstellung 1878 in Paris aus. Die Orfèvrerie Christofle selbst ist ein französischer Hersteller von vornehmlich feinem Silberbesteck, aber auch von silbernen Bilderrahmen, Kristallvasen, Glaswaren, Porzellangeschirr und Silberschmuck. Das Unternehmen wurde 1830 gegründet. Christofle wurde wenige Jahre später Hoflieferant von Kaiser Napoleon III. Auf den Weltausstellungen in Paris 1867 und Wien 1873 stellte Christofle japanisch-inspirierte Silberwaren vor. 1883 stattete die Firma den Orient-Express mit Tafelsilber aus. Lit.: E. Bergerat, LesChefs-d'oeuvre d'Art à l'Exposition universelle 1878, S. 35 Lit.: Catalogue sommaire illustré des arts décoratifs, Museè d'Orsay, 1988, OAO 1017.

Lot 1471

Krug und Vase Gebr. Heubach & KPM Berlin, um 1900 Porzellan. Der birnförmige Krug umlaufend dekoriert mit Binsengewächs in farbiger Aufglasurmalerei. Langhalsvase mit farbig glasiertem Reliefdekor: Blüten, Knospen und Blattwerk. Vase mit Haarriß. Manufakturmarken. H. 25 bzw. 24 cm

Lot 133

Vase ''Bukett'' Sowjetunion, Kislowodsk Porzellanmanufaktur, 1980-1989 Porzellan, polychrom bemalt. Vorderseite mit applizierten Blüten verziert. Unterseite mit roter Manufakturstempel, ''MADE IN UDSSR'' und kyrillischer Bezeichnung ''Vase Buket''. Blüten teils bestoßen. H. 26 cm -Aus der Ausstellung ''Porzellan aus der UDSSR'' von 1989 anlässlich des Besuches von Michail Gorbatschow zum Gespräch mit Helmut Kohl zur Wiedervereinigung in Bonn.

Lot 1888

Bodenvase China, wohl 18./19. Jahrhundert Balusterförmige Vase mit zwei plastischen Drachenhandhaben. Umlaufender figürlicher Dekor in polychromem, offenem Cloisonné-Email. Unterseitig gemarkt. H. 61 cm. Alters- und Gebrauchsspuren, partiell rest.

Lot 1455

Vase mit Wildem Wein Vilmòs Zsolnay, Pécs, nach 1925 Porzellanfayence. Kräftig irisierte, geätzte Eosinglasur. Umlaufend polychromer, flach reliefierter Malereidekor: Früchte und Blattwerk des Wilden Wein. Unterseite bez.: Stempelmarke mit dem Zusatz MADE IN HUNGARY, 6371 KM. H. 26 cm

Lot 1769

Museeale Kachel Siebenbürgen, Keisd 18. Jhd. Auf dunkelblauem Fond weiße, passige Vase mit Tulpenstrauß und Blattzweigen in Relief. 21 x 21 cm. In Keisd wurden hauptsächlich Krüge und Teller ins sgraffito Technik gefertigt. Die Reliefkachel mit dem tüpischen Blau sind als sehr selten zu erachten. Vgl. Horst Klusch, Siebenbürgische Töpferkunst Nr. 236 und 237.

Lot 2118

Stilllebenmaler Deutsch, 20. Jahrhundert Feldblumenstrauß in Vase vor sommerlicher Hügellandschaft. Öl auf Karton. Unten links unleserlich signiert und datiert ''1948''. 60 x 60 cm. Gerahmt.

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