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A Whitefriars sea green glass lobed vase, designed by William Wilson, circa 1950, of tapering form with bubble inclusions, height approx 18.5cm, a Scottish art glass vase, probably Monart, of tapering cylindrical form with shaded green to amber coloured decoration, height approx 18cm, a small group of other similar glass and a pair of clear glass storm lantern shades.
Two pieces of Royal Crown Derby miniature bone china, each decorated in the Imari palette with flowers, comprising a heart shaped box and cover, circa 1910, and a vase, circa 1929, together with a group of other similar bone china, including a Mintons posy vase, decorated with scattered flowers, a Crown Staffordshire tyg, decorated with pink roses beneath a blue and gilt scale border, and a Wedgwood mug.
A Coalport porcelain cabinet cup, late 19th/early 20th Century, with gilt scroll handle and interior, the blue ground exterior ornamented in gilt with bellflower and palmette decoration, height approx 11cm, a Coalport porcelain vase, painted with an oval reserve panel of an exotic bird in a landscape against a green and gilt ground, raised on scroll feet, height approx 11cm, a Mintons gilt decorated cabinet cup and saucer and a Mintons two handled cup of ovoid form, decorated with birds and flowers, raised on a tapering stem and circular foot.
A Moorcroft pottery Anemone design vase of squat baluster form, decorated with a band of anemones against a dark blue ground, impressed factory mark to base, height approx 11cm, together with a Moorcroft pottery Sally Tuffin design circular dish, decorated with Lemon pattern, and a Moorcroft pottery heart shaped box and cover, decorated with Hibiscus pattern against a cream ground.
A Sitzendorf porcelain figural table centre piece, late 19th Century, the oval two handled flower encrusted basket with pierced rim above a naturalistic column, painted with panels of flowers flanked by a young lady and gentleman, on scroll feet, height approx 47cm, and a Vienna style porcelain vase of urn form, decorated with a scene of classical figures, on a similarly decorated rectangular base, height approx 39cm.
A Doulton Lambeth stoneware vase by Edith D. Lupton, of gourd form, incised with brown leaves and berries against a buff concentric circles ground, impressed factory mark and incised artist's monogram to base, height approx 21cm, together with a Royal Doulton stoneware jardinière, tubelined with a continuous stem of fruiting vines between blue borders, height approx 18cm.
A Royal Crown Derby bone china posy vase, circa 1897, the blue and gilt flared neck above a tapering shouldered body, decorated in the Imari palette with stems of flowers, printed factory mark and painted '876' to base, height approx 10cm, together with a group of other Royal Crown Derby, including two vases, three teacups and saucers and a coffee can and saucer.
A pair of Royal Doulton stoneware ewers, each green glazed flared neck and handle above tubelined blue flowers, impressed factory marks to bases, together with a collection of other Doulton stoneware vases and condiments and a Gouda pottery small posy vase, retailed by Liberty & Co, decorated with stylized motifs against a blue ground, painted factory marks to base, height approx 7cm.
A group of five pieces of Poole Pottery, comprising a vase decorated with cockerels amongst flowers, two plates, a dish and posy vase, all decorated with flower sprays, a Grays Pottery vase with grey, green and brown banded decoration (chip to rim), a Samuel Alcock & Co, Cobridge water jug and bowl and a Yardley English Lavender ceramic display stand, modelled as three girls and a dog.
A Royal Doulton stoneware Lord Nelson commemorative milk jug and matching sugar bowl, early 20th Century, each decorated on one side with a portrait of Lord Nelson and with a warship on the other, the neck inscribed 'England expects every man will do his duty', heights approx 8cm and 7cm, together with a collection of other Doulton stoneware, including two pairs of miniature vases, two condiments and another vase.
CAROLYN SERGEANT (b. 1937)A Still Life of mixed Flowers in a vasesigned with initials and date 81oil on canvas20 x 17 1/2 in; together with a selection of other still lifes by the same artist; and a folio containing a selection of unframed botanical and still life subjects (qty)Carolyn Cann married John Sergeant in 1962. She studied at the Royal Academy Schools from 1959-1962 where she was a silver medallist.
A fine Japanese inlaid bronze VaseBy Koichi for the Koroda workshop, Meiji Periodof ovoid form, decorated in silver, shibuichi, shakudo and gilt takazogan with goose in flight beneath a full moon, signed to the reverse Koichi, the base signed Kyoto Kuroda Zo, 4 1/2in highFOOTNOTE: Koichi was part of a group of talented artisans working for the Kuroda workshop, which was regarded as one of the best in Kyoto. Kuroda metalwares were awarded numerous prizes at international exhibitions.
A rare Japanese Moriage enamel and white metal mounted Vase, “by Kumeno Teitaro of Nagoya (1865-1939)” Meiji PeriodDecorated in opaque enamels with flowering prunus branches, base stamped with cherry flower mark and retailer GT Marsh & Co (San Francisco), 5in high AMENDMENT: “by Kumeno Teitaro of Nagoya (1865-1939)”
JOHN WARD CBE RA (1917-2007)Study of a Handsigned and dated 'John Ward 1998' (centre right)watercolour13 x 9 1/2 in (33.1 x 24.2cm)Provenance: with Hazlitt, Gooden & Fox, London, 4th May-1 June 2000, 'John Ward in Venice' cat no.30 Sold with two watercolour portrait sketches of children; a watercolour depicting a still life with flowers in a Vase (1970); and a pen and ink drawing titled 'Tail Piece from 1963 Show Music Programme', all by the same artist; and an oil painting by K.W. Back depicting a View from Dover Cliffs (1963); six (6)
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653833 item(s)/page