TeheranZ-Persien, um 1910. Sehr ausgefallene Musterung. Filigrane Blütenketten belegen den weinroten Giebel, unter dem im nachtblauen Feld eine kunstvolle, ebenfalls mit Blütenketten geschmückte Vase thront, flankiert von 2 farbenfrohen, blumengefüllten Vasen und vielfältigen Blütenzweigen in sanften Farbtönen. 2 rote Rosetten-Nebenbordüren umranden die breite nachtblaue, mit gereihten Vasen und einzelnen Blütenmotiven geschmackvoll belegte Hauptbordüre. Natürlicher Abrash. Alte reparierte Stelle im unteren Teil des Feldes bei der kleinen rechten Blumenvase. Sehr gute Erhaltung. 210x300 cm (ft. 6.9x9.9).
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DeckelvaseChina, 19.Jh. Porzellan. Sechszeichen Kangxi-Marke in Doppelkreis. Fabeltiere wie Qilin und Wachlöwen auf Klippen stehend, umgeben von schäumender Meeresgischt. Deckel mit zwiebelförmigem Knauf. H 43 cm. Beigegeben: Diese Vase war ursprünglich Teil eines Vasenpaars. Zweite Vase aber stark repariert, deshalb beigegeben.
Verreries Schneider, Vase "Cerises"Epinay-sur-Seine, um 1920. Am Stand aufgeschmolzene Berlingot-Signatur (Le Verre Français). Farbloses Glas mit violetten Pulvereinschmelzungen und Pulveraufschmelzungen in verschiedenen Brauntönen. Auf eisglasartig geätztem Grund hochgeätzer stilisierter Dekor mit Kirschen und Blättern. H 44 cm.- Alters- und Gebrauchsspuren.
Kashan-SeideZ-Persien, um 1900. Flormaterial reine Seide. Auf beigem Grund säumen zwei filigrane Säulen das Gebetsfeld, in dem eine kunstvoll gezeichnete, blumengefüllte Vase figuriert, seitlich flankiert von fein gearbeiteten Bäumen und einem dicht platzierten floralen Dekor mit Blütenmotiven in verschiedenen Variationen und stilvollen Blattranken. Die leuchtend rote Hauptbordüre ist mit reziproken Blüten und Wellenranken stimmig besetzt. Gute Erhaltung. 134x207 cm (ft. 4.4x6.8).
Hereke-SeideN-Türkei, um 1970. Oben in der Mitte signiert mit "Hereke". Flormaterial reine Seide. Extrafeine Knüpfung. Der türkisgrüne Giebel ist mit kunstvoll gezeichneten Blattranken sowie auf beiden Seiten mit dem Osmanischen Wappen verziert und grenzt an das dunkelrote Feld, das mit einer wirkungsvollen Ampel und einer blumengefüllten Vase geschmückt ist, flankiert von vielfältigen Blüten und Blattranken in harmonischen Farbtönen. 2 Nebenbordüren umgeben die elegante nachtblaue Hauptbordüre, die mit alternierenden Blättern und Ranken stilvoll belegt ist. Auf beiden Seiten sind die Fransen erneuert worden. Fleckig, minimale abgelaufene Stellen, ansonsten gute Erhaltung. 98x114 cm (ft. 3.2x3.8).
IsfahanZ-Persien, um 1960. Pastellfarbener Teppich. Flormaterial Korkwolle, Kette aus Seide. Im beigen Feld erwächst aus einer eindrucksvollen Vase ein weisses florales, mit Paradiesvögeln und Tieren gefülltes Medaillon, flankiert von verschiedensten Vögeln, Schwänen, Blütenranken und seitlich 2 blühenden Bäumen, die sich über das gesamte Feld erstrecken. Die hellbraune Bordüre ist mit Blätterkränzen, Ranken und Tieren in unendlichem Rapport auf dekorative Weise verziert und wird von 4 Borten schmückend gesäumt. Natürlicher Abrash in der Bordüre. Sehr gute Erhaltung. 150x226 cm (ft. 5x7.5).
Anna Silver (American, 20th/21st c). Large whiteware ceramic vessel titled "Fish Vessel," decorated along either side with figurative fish, 1985.Provenance: Distinguished Corporate Collection, Minnesota.Height: 20 in x width: 19 in x depth: 19 in.Condition: The item is in generally good condition with no major cracks, dents, or losses that affect the overall appearance. When inspected under UV light, there is no visible sign of restoration. The color is bold and bright. Light wear throughout. Throughout the item, there are several scattered areas with minute glaze losses, most noticeably to the footrim. Along the area where the handles meet the vase, there are several light cracks to the glaze. Wear to the underside, consistent with age and use.
Warren MacKenzie (American, 1924-2018). Studio pottery ceramic vase. Stoneware with tri-color glaze and a narrow neck. Unmarked.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 10 in x diameter: 6 in.Condition: The item is in great condition with no visible chips, cracks, or losses. Original firing and glazing flaws visible in the lot listing. When inspected under UV light, there is no visible sign of restoration. There is an adhesive residue near the neck. Wear to the underside, consistent with age and use.
Susanne G. Stephenson (American, b. 1935). Ceramic, terra cotta, and clay slip vase titled "Cut Edge Vase." Inscribed in pencil along the underside "V-29."Provenance: Distinguished Corporate Collection, Minnesota.Height: 18 in x width: 10 in x depth: 10 in.Condition: The item is in good condition with no visible chips, cracks, or losses. Original glazing and firing flaws. No visible sign of restoration under UV light. Under UV light, there is a sticker mark visible to the interior of the top. Wear to the underside, consistent with age and use.
Tom Philabaum (American, b. 1947). Reptilian blown glass vase in pink and black, 1983. Signed and dated along the underside.Provenance: Distinguished Corporate Collection, Minnesota.Height: 14 in x width: 10 3/4 in x depth: 6 in.Condition: The item is in good condition in general with no major cracks or chips. When inspected under UV light, there is no visible sign of restoration. To the interior, there is a circular glaze loss, diameter approx. 1/4 inch, No visible chips along the rim. Residue, possibly sticker, to the interior of the bottom. Uneven surface along the underside, as shown in the listing image. Light wear to the underside, consistent with age and use. Wear to the pontil mark.
Currier and Ives, United States. Group of two still lives depicting ornate vases overflowing with blooming flowers including:"The Flower Vase," 1848.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 2236, page 226."Queen of the Garden," 1873.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 2: O-Z (Gale Research Company: Detroit, 1984). Number 5435, page 555.Provenance: Distinguished Corporate Collection, Ohio.Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907.(Each) Sight; height: 13 1/2 in x width: 9 1/2 in. Framed; height: 20 1/2 in x width: 16 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
18th c. Chinese blue and white porcelain mallet vase, decorated with interior vignettes interspersed with auspicious Buddhist symbols. Marked along the underside in underglaze blue with the double ring mark typical of the Kangxi period.Height: 7 3/4 in x diameter: 4 in.Condition: There is a hairline crack along the side of the body running through the decoration that is slightly stained. There is a crack along the bottom that is stained; visible in the lot listing. The top rim of the vase shows signs of abrasion and possible reduction.
Group of three Chinese porcelain vessels including one bowl, one tray, and one vase. The vase with a Qianlong mark along the underside. The bowl with a Qing Jiaqing mark along the underside. The tray with a Qing Tongzhi mark along the underside.Height ranges from 2 in to 5 in; diameter ranges from 2 1/4 in to 10 3/4 in.Condition: The items are in fair condition. Wear throughout; original firing and glazing flaws as shown in the listing image. As expected, there is fading to the glaze throughout. To the plate, capture lower center in the listing image, there are three minute chips to the rim; to the lower center, there is light brown staining as shown in the listing image; to the underside, there is adhesive residue. To the vase, upper left, no visible chips to the rim and the footrim; wear to the wooden base. The bowl, upper right, no visible chips along the rim; glaze loss throughout, most noticeably along the interior of the rim; there is an adhesive residue to the interior. All items do not show a sign of restoration under UV light; wear along the underside, is consistent with age and use.
Rudolf Stoitzner (Austrian, 1873-1933). Oil on canvas painting depicting a still life with flowers and fruits on a table. The flowers on the right beautifully bloom in the vase and the plates on the left are full of ripe fruits. Signed "R. Stoitzner" along the lower left.Sight; height: 23 in x width: 31 in. Framed; height: 28 1/2 in x width: 36 in.Condition: The painting is in good condition in general with no visible losses, tears, or creases. When inspected under UV light, there is no visible sign of restoration. To the upper left quadrant, there is a scratch measuring approximately 1 3/4 in. From the verso, the canvas is toned. Wear to the frame.
Chinese porcelain double gourd vase, decorated with a design of bats and shou symbols in famille rose enamels. Marked along the underside with a six character Yongzheng mark in underglaze blue.Height: 12 1/2 in x diameter: 8 in.Condition: The item is in good condition with no visible cracks, chips or restoration under UV light. No visible chips to the rim; there are losses to the gilt along the rim. Throughout the exterior, there are minute losses to the painted decoration as expected from age and use. Wear to the underside, consistent with age and use. There are four small felt tabs affixed along the underside.
Ernst Czernotzky (Austrian, 1869-1939). Oil on panel still life painting depicting Japanese objects such as an embroidered phoenix textile, a vase, and a porcelain dog. Signed along the upper left. With a label from the C.G. Rein Galleries in Minneapolis, Minnesota affixed to the verso.Sight; height: 10 1/2 in x width: 8 in. Framed; height: 19 1/4 in x width: 16 3/4 in.Condition: The painting is in good condition with no visible creases, tears, or major losses. The surface is stable, and the color is bold and bright. To the upper right margin, there is a minute paint loss. There are vertical marks visible from the panel. No visible sign of restoration. Wear to the frame.
Group of three Asian objects including: one Japanese cloisonne vase, decorated with a sparkling red ground and flowers; one cloisonne animal, possibly a rhino or boar; one small tree decorated profusely with hardstone leaves and with a hardstone base.Rhino; height: 7 3/4 in x width: 11 1/4 in x depth: 5 in. Vase; height: 12 in x width: 5 1/2 in. Tree; height: 8 in x width: 9 in x depth: 5 1/2 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Warren MacKenzie (American, 1924-2018). Studio pottery ceramic lobed vase with a lid. Glazed stoneware. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height (including lid): 11 3/4 in x diameter: 9 3/4 in.Condition: The item is in great condition with no visible chips, cracks, or losses. Light crazing started to form. Original firing and glazing flaws visible. There is an accretion near the rim, which is only visible under UV light and can be cleaned easily. When inspected under UV light, there is no visible sign of restoration. Light wear to the underside.
Chinese flambe glazed porcelain vase. Two applied lug handles with rings. The vase has been drilled.Height: 17 in x diameter: 7 1/4 in.Condition: The vase is in fair condition with no major dents or losses. Crazing and wear throughout, as expected from age and use. Along the exterior and interior, original glazing flaws. Along the interior, there is a residue compiled towards the foot. No visible chips along the rim. Along one of the handles, there is a restoration along the area where the handle and the vase body meet; along that handle, there are several cracks. To the underside of the footrim, there is a 1/4 inch long chip. Wear to the underside, consistent with age and use. The vase has been drilled and there is a hole along the base.
Japanese mixed metal vase depicting a flower. Marked along the underside, possibly from the city of Kofu, Japan.Height: 9 3/4 in x diameter: 3 1/4 in.Condition: The item is in good condition with no visible dents, cracks, or losses. Light wear throughout. No visible dents to the rim and footrim. Light metal erosion throughout, as expected. Wear to the underside, consistent with age and use. No visible sign of restoration when inspected under UV light.
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653685 item(s)/page