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A group of 19th and 20th century English and Continental ceramics comprising a hexagonal pottery jug printed with a chinoiserie scene, 18.5cm; two graduated transfer printed jugs; a sweetmeat dish modelled as a shell supported by three maidens; a figural vase modelled as a girl by a well; a three handled vase painted with flowers and a French Faience candlestick
A Sitzendorf porcelain figure candlestick of mother and child; a Coalport pot pourri, the base encrusted with flowers; a blue and white Continental pottery jug; a porcelain flower ornament; a pot and cover; two pieces of Wedgwood and a glass mounted vase with prism drops
A Royal Worcester vase painted by John Stinton, date code for 1903, of two handled oviform, painted with Highland cattle watering in a mountainous landscape within a fish scale moulded and gilded ground (lacking cover), puce printed mark and shape number 2330, 31.5cm high
A pair of Royal Doulton vases, circa 1935, each baluster vase applied with a continuous frieze of masks and garlands to the shoulder, the base with applied stylised acanthus decoration, all against a mottled green ground, impressed mark and '8476 UBW' artist's monogram 'EB' and 'nd', 33cm high (2)
A Clarice Cliff My Garden pattern vase, shape number 664, of flared cylindrical form picked out in tones of yellow, orange and black, black printed marks, 27cm high, along with a Charlotte Rhead for Crown Ducal vase, decorated with a central band of stylised flowers and foliage against a mottled green ground, signed and black printed mark, 26.5cm high (2)
A late 19th Century Grainger's Worcester pierced vase, the ovoid body with scrolling foliage around mask medallions beneath bands of turquoise 'jewels' and gilding, the scroll feet with fish terminals above a trefoil shaped base, brown printed mark to base and script pattern No. 1/894.
A Wedgwood lustre Marston bowl, designed by Daisy Makeig-Jones, of circular shape with skirted foot, the exterior gilt with Oriental motifs against a mottled orange ground, the base interior gilt with a bird against a mottled blue ground, gilt printed Portland vase mark to base, pattern No. Z4825, diameter approx 9.8cm, together with a Wedgwood lustre York cup, designed by Daisy Makeig-Jones, of circular shape with everted rim, the exterior gilt with small animals and Oriental symbols against a mottled orange ground, the base interior with a colourful butterfly against a mother-of-pearl lustre ground beneath a band of gilt stiff leaves, gilt printed Portland vase mark to base, pattern No. Z4830 diameter approx 10cm.
A Wedgwood lustre Marston bowl, designed by Daisy Makeig-Jones, the exterior gilt with butterflies and a dragonfly against a ruby lustre ground, the mother-of-pearl interior gilt with Oriental symbols around a colourful butterfly, gilt Portland vase mark to base, pattern No. Z4827, diameter approx 10cm.
An Italian maiolica bottle vase, probably 18th Century Sicilian, painted with a male portrait beneath the inscription 'AQ VIOLACI', to the reverse a face in turquoise and black against a ground of overlapping geometric shapes, the neck with a leaf design, height approx 25cm (neck restored).
A 19th Century Mason's ironstone china part dinner service decorated in the Imari palette with a flower charged vase within a brocade border, comprising two graduated meat plates, seven dinner plates, two dessert plates, eight soup plates, two smaller plates, sauce tureen, cover and stand and two side plates (faults).
A late 19th Century Meissen porcelain figural comport, modelled as three putti supporting a floral wreath encrusted flared shaped vase with gilt enriched decoration, raised on a scroll moulded base, crossed swords in underglaze blue and impressed '52' with incised shape no. 'B.21' to base, height approx 20cm (restored).
A Paris porcelain two handled vase, mid 19th Century, the ovoid body painted to each side with a floral bouquet within a circular gilt frame against a magenta panel painted with flower filled cornucopias above a laurel wreath, the pink lustre ground body gilt with floral medallions and applied with gilt leaf moulded lion head terminal handles, the neck, circular foot and square base gilt, unmarked, height approx 26.2cm (minor wear).
A late 19th Century Copenhagen porcelain vase and cover, the ovoid body with gilt inscriptions to each side beneath floral encrusted wreaths flanked by painted rose bouquets, the circular foot moulded with a band of laurel, the handle terminals applied with acorns and leaves, underglaze blue wave mark to base (faults).
A Winchcombe pottery green and brown glazed single handled pot and cover, the green cover with wavy brown decoration, impressed 'WP' seal mark and 'S.T' to base, together with a Yorkshire pottery studio bowl and another mottled green glazed two handled bulbous shaped studio pottery vase, indistinct seal mark to side.
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653833 item(s)/page