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A large C J Mason Ironstone vase and cover c.1830, the moulded form gilded with long-tailed pheasants amidst gilt and enamelled flowers and foliage, reserved on a mazarin blue ground, the handles formed as mythical beasts biting the rim, some good restoration to the rim, 48cm. (2) Provenance: the Doug Godden Collection.
A pair of Spode cream jugs c.1830, the octagonal forms painted in pattern 3420 with polychrome flowers and gilt leaf springs on a mazarin blue ground, and a Spode spill vase, painted with a continuous landscape in pattern 975, split by three satyr term columns, iron red pattern numbers, 12.2cm max. (3)
Nine items of Mason's Ironstone 19th century, all decorated in the Imari palette with flowers and the 'Basket Japan' pattern, including a miniature mug, a miniature beaker, an egg cup, a miniature basin, two oval basins or patty pans, a spill vase, a hexagonal pot, and a two-handled pot with blue scale decoration to the exterior, some faults, 16cm max. (9) Provenance: the Doug Godden Collection.
A collection of blue and white transferware 19th century, including pearlware and stone china, most Mason's Ironstone and variously decorated with blown roses, the Blank Bridge pattern, the Table and Vase pattern, the Opium Smoker, and the Blue Dragon. Comprising: a tureen, a milk jug, two tureen stands, a moulded dessert dish, a pickle dish, and twelve plates in various sizes. (18) Provenance: the Doug Godden Collection.
A large English porcelain vase early 19th century, probably Coalport, the decoration attributed to William Billingsley at Mansfield or Torksey, painted with a continuous landscape reserved on a rich yellow ground, a repair to the foot, 35cm. Cf. N D Gent, The Patterns and Shapes of the Pinxton China Factory, p.42, fig. 44 for a Pinxton vase and cover with very similar decoration by Billingsley.
An impressive Minton porcelain vase and cover c.1830, the urn shape richly applied with a variety of flowers, painted to one side with a panel of figures on a bridge before a castle nestled in a valley, the reverse with a finely painted floral panel, the reticulated cover surmounted with a putto finial, cracked, 44.5cm. (2) Provenance: from a private collection in London.
Two Royal Worcester vases and a bowl date codes for 1902, 1910 and 1938, one vase of Hadley Ware type with a tall narrow neck, the ovoid body painted with blackberry sprays, a small ovoid vase painted with roses, the bowl painted by Kitty Blake with sprays of fruiting blackberry to the inside and out, printed marks, 25.2cm max. (3)
A C J Mason Ironstone ewer c.1820, painted with a rare design of polychrome flowers on a gilt panel, reserved on a gilt scroll and mazarin blue ground, a cylindrical vase of canister shape with gilt bat handles, painted with panels of Oriental flowers, and a small vase of censer shape with similar decoration and gilt bat handles, impressed circular mark to one, 16cm max. (3) Provenance: the Doug Godden Collection.
A Continental porcelain pot pourri vase and cover 19th century, painted with a continuous scene of a stag hunt, with two figures on horseback holding falcons while dogs run on ahead, the shoulder and cover pierced with a flowerhead design picked out in pink, turquoise and gilt, raised on an ormolu tripod base, some restoration, 35.5cm. (2)
A Flight Barr and Barr vase c.1825-30, of drum shape, painted with a rustic lady in a rural landscape reserved on a gilt seaweed ground between two bands of white beading, raised on three gilt paw feet on a shaped base, impressed mark, a little good restoration to the foot, 9.2cm.
A mixed lot of ceramics most 19th century, including a Mason's stone china jug with floral decoration, a large stone china vase with printed blue panelled decoration, a Parian ware fluted socle, a Dutch-decorated creamware plate, a small Turner's stone china plate painted with a Chinese garden, a pearlware teabowl and saucer, a pearlware ointment pot, and a Continental souvenir tankard, some faults, 24cm max. (9) Provenance: the Doug Godden Collection.
A Derby teapot and cover c.1760, the body unusually fluted and painted in the Cotton Stem manner with polychrome flower sprays, and a Chelsea-Derby vase, painted with fancy birds in gilt panels reserved on a green ground, with rococo scroll handles, damages and replacements, 22cm max. (3)
A C J Mason Ironstone pot pourri vase and cover c.1825, finely painted with a goldfinch perched among flowers including tulip, rose, heartsease and poppy, the reverse with a similar panel of flowers, reserved on a blue ground with a gilt geometric design, the domed cover pierced with holes, some restoration, 30cm. (2) Provenance: the Doug Godden Collection.
A Derby three vase garniture c.1825, of shield shape with neoclassical scroll handles, each painted with a chamfered panel of fruit tumbling from a low basket on a marbled top, reserved on a blue ground with elaborate formal gilt scrolls, raised on square feet, red crowned crossed batons and D marks, some restoration, 29.5cm and 23cm. (3)
A creamware quintal flower vase c.1780, moulded with five apertures of overlapping leaves, painted to each side with flowers in purple monochrome, a cup and saucer painted with the monochrome portrait of a lady, and a Dutch-decorated creamware plate and saucer painted in polychrome enamels with Christ on the cross, some damages, 25.3cm max. (5)
A collection of Iden pottery, to include a globular vase with elongated neck, a female wall mask, three items of Wedgwood Jasperware, and a porcelain model of a clown, and a Lladro figure of a woman, with geese beside, two other similar and four pottery figures of women dressed in elaborate gowns
STILL LIFE, ARRANGEMENT OF ROSES IN A VASEoil on canvas, in gilt frame90 x 59cm and STILL LIFE, ARRANGEMENT OF FLOWERS IN A VASE,indistinctly signed l.r., oil on board, framed38 x 40cm and WINTER WOODED LANDSCAPE AT DUSKSigned by the artist in pencil under, colour print, framed and glazed
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653685 item(s)/page