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A collection of 19thC and later ceramics, to include a Royal Crown Derby plate, indistinctly painted with a rural landscape with cottages, a pair of Derby plates decorated in relief with birds and leaves, etc., a 19thC Staffordshire mug decorated with flowers, a Royal Doulton vase decorated with flowers on pink, Copeland jardiniere, etc. (largely AF)
Large group of 33 sterling silver objects from makers such as Reed & Barton, Alvin, Gorham, Newport, Black, Starr & Co., and more. Including one small sterling teapot with a plastic handle, one square glass pot with a sterling lid, four weighted sterling candlesticks, four weighted sterling salt and pepper shakers, two Mexican 900 silver lobed salt and pepper shakers, two non-sterling silver salt and pepper shakers, three sterling silver pierced bases (lacking the glass cup or vase inserts), and 16 miniature sterling silver salt and pepper shakers. All marked along the underside.Height ranges from 1 1/2 in to 9 3/4 in; width ranges from 1 in to 7 in; depth ranges from 1 in to 4 1/2 in. Gross weight (not including 14 non-sterling silver, weighted, or sterling objects with glass or other materials): 17.05 Troy oz.Condition: There are no major losses scratches or restorations. There is tarnishing and scratches throughout and wear as expected from age and use. There are minute dents along the salt and pepper shakers throughout.
Blue glazed ceramic Danish vase in the style of Herman Nils and Heiman Kahler. Bulbous form with a short, flared rim. Stamped "Danmark" along the underside. Drilled.Height: 11 in x diameter: 8 in.Condition: Crazing to the glaze throughout. The vase has been drilled and there is a hole along the underside. Losses around this hole. Light wear throughout. Some accretions throughout.
Le Pho (Vietnamese, 1907-2001). Oil on canvas painting titled "Fleurs" depicting a still life of a white vase overflowing with brightly blooming flowers. Signed along the lower right. With a label from Wally Findlay Galleries along the verso.Provenance: Wally Findlay Galleries, September 2, 1977; Private Minnesota Collection.Lot Essay:Le Pho was born in Vietnam in 1907. As a child, he was constantly finding opportunities to make art. As the son of the Viceroy of Tonkin, he had the opportunity to study art at the newly established Ecole des Beaux-Arts in Hanoi under Victor Tardieu (1870-1937), a well-respected French painter. In 1931, he traveled to France with Tardieu, where he studied at the Ecole des Beaux-Arts in Paris on a scholarship. He then traveled to Italy to do research, also visiting the Netherlands and Belgium in his tour of Europe.After returning to Vietnam, Le Pho became a professor at the Ecole des Beaux-Arts in Hanoi. During his professorship, he decided to continue his education by making trips to China to study and make art. While in China, he studied traditional Chinese sculpture, visited museums, and even had the opportunity to paint the Emperor and Empress.In 1937, he was sent to Paris to work on the Indochina Pavilion at the International Exposition of Art and Technology in Modern Life. He stayed in France after the Exposition, where he found great success as an artist. His first solo exhibition was in 1938, and soon after, his work began getting international exposure. His works were widely distributed, particularly in the United States because of an exclusive contract he signed in 1964 with Wally Findlay Galleries, an American company.Despite his expatriate status, Le Pho kept close ties to his homeland. He was active in the Vietnamese community in Paris, and worked with Vietnamese dignitaries and intellectuals to advocate for better treatment of the colonized Vietnamese people. His ties to his homeland are also evident in his subject matter. His paintings featured women and flowers, which he depicted in ways influenced by Vietnamese traditions and aesthetics.Sight; height: 19 in x width: 23 1/2 in. Framed; height: 28 in x width: 31 in.Condition: The colors are bold and bright. There are no creases, rips, or restorations. Along the darkest green areas of the bouquet there is craquelure and some cupping. There a few small losses to the paint layer, exposing the white canvas underneath. This is localized only to the darkest areas of green leaves. Some light wear along the extreme edges of the painting where the canvas and rabbet meet. Clean verso. Light wear to the frame with some small losses to the gilt plaster along the extreme edges; visible in the lot listing.
Itzchak Tarkay (Israeli, 1935-2012). Watercolor on paper painting depicting two women seated t a table with a vase of flowers. Signed along the lower right.Sight; height: 12 in x width: 9 in. Framed; height: 26 1/2 in x width: 24 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Ivon Hitchens (English, 1893-1979). Oil on canvas still life painting titled "Poppies on a White Ground" depicting flowers in a vase, 1973-75. Signed along the lower right. Painted in the artist's characteristic style with vibrant and bright colors. With a label from Waddington and Tooth Galleries along the verso. Included is an exhibition poster from the artist's Retrospective exhibition at the Royal Academy of Arts in London which ran from March 21 to April 25, 1979.Provenance: Roger Sherman, Esq.; Waddington and Tooth Galleries, Ltd., London; Private Minnesota Collection.Lot Essay:Ivon Hitchens was the son of landscape painter Alfred Hitchens. He studied at St. John's Wood School of Art and the Royal Academy in London during World War I. In 1922 he became the founding member of the Seven and Five Society and began exhibiting his work that same year. He subsequently became a part of the "London Group" in the 1930s. This group included Barbara Hepworth, Henry Moore, Naum Gabo, Paul Nash, Ben Nicholson, and Leon Kossoff. His work during this period was often painted with natural earth-tones such as muted greens and browns.In 1940 during World War II, his home and studio in Hampstead was destroyed during a bombing, forcing the artist to relocate. He and his wife Mollie settled in Sussex where they lived first out of a caravan which he then gradually supplemented with additional buildings. The six acres of woodland that they moved to became his home and muse for the next 40 years.The muted tones that characterize his early works were replaced with a brighter palette. Landscapes became his forte, utilizing abbreviated fields of color perceived from a landscape instead of exact renderings. His work changed little after his move to the countryside and he remained consistent in his style until his death in August of 1979. The present work is an excellent example of his countryside paintings. His palette includes energetic reds to represent the poppies, bright blue for their vessel, and vibrant yellow and green as the background. The white ground allows the colors to pop forward, engaging the viewer.His work was part of the 1956 Venice Biennale and his paintings are now in the collections of the Tate Gallery in London, the National Galleries of Scotland in Edinburgh, and the Courtauld Institute in London. His work has been exhibited through the United Kingdom through the years including a 1979 Retrospective exhibition at the Royal Academy of Arts to as recent as 2019.Unframed; height: 17 1/4 in x width: 41 3/4 in. Framed; height: 27 in x width: 51 1/4 in.Condition: The colors are bold and bright and the surface is stable. When inspected under UV light there does not appear to be any signs of restoration. Clean verso. Framed under a linen mat and glass; some light stains to the mat that does not appear to affect the artwork. Not inspected out of frame. Some wear to the frame.
Steven Lundberg (American, 1953-2008). Magnum size art glass vase decorated with yellow daffodils with green leaves, 1999. Signed, dated, inscribed "Lundberg Glass Art," and numbered 092802 along the base. With the original label affixed along the underside.Height: 9 in x diameter: 4 in.Condition: No visible chips, cracks, losses, or restorations. Light wear throughout. Four small, round, plastic feet affixed along the underside. Some light wear to the original label.
Bjorn Wiinblad (Danish, 1918-2006). Hand-painted pottery vessel or flower vase titled "Eva No.14" in the form of a female figure, 1969. Signed, dated, and inscribed "Danmark" and "V-14" along the interior of the underside vessel. In blue and white with a pink hue to the vessels adorning the head and upper rim.Height: 12 in x diameter: 13 1/2 in.Condition: No major losses, cracks, or restorations. There are four minute chips to the candleholders on the left side of the vase. Very light wear throughout. On the footrim there are four green felt tabs affixed to the vase. There are six spots of residual adhesive from previous tabs.
Roseville Pottery Company, United States. Early Velmoss cylindrical leaf vase, ca. 1916. Numbered along the underside "19k No 132-8."Height: 8 in x diameter: 2 1/2 in.Condition: No chips, cracks, losses ,or restorations. Light wear throughout consistent with age and use. Some light accretions throughout. Wear to the underside.
Josh Simpson (American, b. 1949). Large art glass vase in shades of blue. Signed along the underside. The undulating shades of blue mimic the waves of the ocean, giving movement and life to the vase.Height: 19 1/2 in x diameter: 15 in.Condition: There are no visible cracks, losses, or restorations. One minute firing flaw along the body of the work. Some very light wear along the underside.
Robert Eickholt (American, b. 1947). Art glass vase depicting reflective mirror-like swirls against a red background, 2005. Signed, dated, and inscribed "VCLEWTX" along the underside.Height: 8 in x diameter: 4 1/2 in.Condition: No chips, cracks, losses, or restorations. Very light wear throughout. There is a bubble/bump along the exterior; likely original to the artistic process.
Baccarat, France. Cut crystal glass epergne or fruit and flower vase. The glass with scalloped rims. With silver fittings. The stem of the vase is in the form of a cherub with outstretched arms holding aloft the bowl. On four low feet. Marked along the underside.Height: 12 1/2 in x width: 7 in.Condition: There are no major cracks, losses, or restorations. There are several fleabite chips throughout along the edges of the glass. There is one small chip along the glass along the base. Light wear to the silver throughout. Some evidence of silver polish residue in the recessed areas of the work. Some tarnish to the silver, mostly in the recessed areas. Light dust/dirt collected in the recessed areas of the work. Light wear throughout the glass. All pieces fit firmly together and the work is structurally stable.
Bruce Sillars (American, 20th/21st c.) for Orient and Flume, Chico, California. Blue glass vase decorated with white daisies. With the original sticker affixed along the underside. Signed along the underside with "Orient and Flume PO363K65176NGL 165/250 Sillars."Height: 9 1/2 in x diameter: 4 in.Condition: No visible cracks, losses, or restorations. Light wear to the underside. Wear and losses to the original sticker along the underside.
Wedgwood, England. Set of 79 serving ware. 77 pieces on the pattern "Gold Columbia" with a sage green border. The set includes eight demitasse cups with saucers, eight one-handled teacups with saucers, eight two-handled teacups with saucers, eight small plates, eight salad plates, eight dinner plates, one gravy boat with undertray, one serving dish or bowl, and two serving platters. Each marked along the underside. Also included are two Wedgwood Jasperware pieces including one vase and one candlestick.Height ranges from 7 in to 15 1/3 in; width ranges from 4 1/2 in to 11 1/2 in.Condition: Very light wear throughout. No chips, cracks, losses, or restorations.
Irina Zaytceba (Russian, b. 1957). Whimsical porcelain figural vase in bright colors with two sinuous handles in the form of arms.Height: 8 1/2 x diameter: 4 1/2 in.Condition: There are no major losses, chips, or restorations. Very light wear throughout, mostly along the underside. There are two pieces of tape affixed to the underside.
Richard "Dick" Huss (American, b. 1946). Glass bowl or vase with lovely swirling designs of red and yellow against a dark blue and green background. Signed and dated 1980 along the footrim.As one of the most accomplished glass artists hailing from St. Paul, Minnesota, his works can be found in collections worldwide including the Art Institute of Chicago and the Corning Museum of Glass in New York.Height: 6 x width: 9 1/2 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
A fine vase, silver in Louis XV style, mounted with 3 putto. Made by Ludwig Neresheimer & Co in Hanau, Germany. Imported by Berthold Muller from Hanau to Chester, UK, 1906. Total gross weight: 427g. Condition: - One of the chains in the hands of the putto is loose. - One of the chains is missing. Otherwise, in our opinion in excellent condition.
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653685 item(s)/page