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Vase, Meissen, um 1900Porzellan, Trichterform, bunte Blumenmalerei "Neue Sorte", zwei Buketts, Fuß vergoldet, Goldrand. Vergoldung leicht berieben. Schwertermarke. H. 16,5 cm Porcelain vase, polychrom flower paint, gold rim. Gilding worn in places. Sword mark. Meissen, ca. 1900. H. 16,5 cm
Duftvase, "Ianthe" (Ian Heath Ltd), Birmingham, Mitte 20. Jh.Versilbert. Gebauchtes Gefäß mit konisch auslaufendem Standfuß, umlaufend ornamental-florales Muster am Standring und Gitterdeckel, grüne Samtbasis, Gitterdeckel zum Einstecken von Blumen. "Gemarkt: Silver plated Ianthe of England". H. 13,5 cm, D. 14 cm Scented vase, "Ianthe" (Ian Heath Ltd), Birmingham, mid-20th century. Silver plated. A bulbous vessel with a conical foot, ornamental-floral design on the ring and the lattice lid, green velvet base, Grid cover for inserting flowers. Marked: Silver plated Ianthe of England.
Figurenvase/ Zündholzbehälter, Oeslau, W. GoebelZwei Kinder an der Wasserpumpe ("Der zerbrochene Wasserkrug"), Frittenporzellan, weiß. Klebestellen. Bodenmarke. H. 13,5 cm Porcelain vase, unglazed, two children near a water pump, glued/ repaired. H. 13,5 cm
Vase, Meissen, 2. H. 20. Jh.Modell Ludwig Zepner. Porzellan, weiß. Keulenform mit kristallinem Relief im zylindrischen Wandungsteil. Schwertermarke, 2 Schleifstriche. H. 24 cm Vase, porcelain, white. Meissen. Model by Ludwig Zepner. Sword mark, 2 scratches. H. 24 cm
Vase, Böhmen, wohl Pallme-König & Habel, Kosten / Teplitz, um 1900Jugendstil. Farbloses Glas mit Silbergelb-Aufschmelzungen und aufgeschmolzenen violetten Glasfäden netzartig umsponnen. Abriss halbkugelig ausgeschliffen. Keulenform. H. 20 cm Art nouveau glass vase, maybe Pallme-König & Habel, Bohemia, ca. 1900. H. 20 cm
Zimmermann, ErnstBlumenstillleben. Öl auf Leinwand, 1925. Links unten signiert, datiert und gewidmet "Seinem kl. Ali 1925". Einige Schwundstellen in den Randbereichen. Gerahmt, 41,5 x 39,5 cm, 50,5 x 47,5 cm (Ra) Glasvase mit sehr üppigem Rosenstrauß in weiß und rosa. Zimmermann, Ernst Flower still life. Oil on canvas, 1925. Signed, dated and dedicated in the lower right. Some areas with chipping. Framed. Glass vase with a lot of roses in white and pink.
William Tillyer (British, born 1938)Vase III, IV, VI Three screenprints in colours, 1975, on wove, each signed, titled, dated, and inscribed 'P/P' in pencil, printer's proofs aside from the numbered edition of 75, the full sheets, each 1219 x 915mm (48 x 36in)(unframed)(3)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Graeme James (b.1942)Vase with flared rimtextured light and dark glazeimpressed potter's seal15cm high, 22.7cm diameter. Provenance:The collection of Ron and Lorna Wheeler.Two tiny glaze imperfections to the rim. Minor marks to the black glaze. Appears in good condition with no signs of damage or restoration.
Ray Finch (1914-2012) at Winchcombe PotteryA pot and cover, dish and cover, vinegar jar, and a beaker vaseeach with an impressed potter's sealthe vinegar jar 15cm high; a small Winchcombe pottery vase; and a Winchcombe pot and cover (6). Provenance:The collection of Ron and Lorna Wheeler.
Michael Cardew (1901-1983)Small potwith a rare white and blue glazeimpressed potter's seal6cm high; and a small Seth Cardew at Wenford Bridge vase, 7cm high; and an Abuja pottery vinegar bottle by Hassan Lapai (3). Provenance:The collection of Ron and Lorna Wheeler.white beaker - one chip to the rim and smaller areas of glaze loss. some firing imperfections. otherwise good.brown vase - hairline crack to rim.ewer - Appears in good condition with no signs of damage or restoration.
Michael Cardew (1901-1983) at Winchcombe PotteryTwo vaseshoney and green glazes with incised patternsone with impressed potter's seal, both with impressed pottery seal10cm high (2).green glaze vase - minor glaze loss near the base. A rough area to the body of the vase.yellow vase - two areas of loss to the body. one other small knock to the surface glaze. both overall OK with no major problems
Mary Rogers (b.1929)Vesselcarved leaf decoration and white glazeincised initials15.5cm high.One tiny circle of loss to the surface of the vase, near the rim. around 0.3cm. Otherwise appears good with no obvious signs of damage or restoration. The inside of the vase has some marks and stains from use.
ENAMEL AND DIAMOND BROOCH, EARLY 20TH CENTURYThe plaque with applied floral vase, set with rose-cut diamonds, on a blue guilloché enamel ground, within an old brilliant-cut diamond frame, diamonds approx. 3.30cts total, length 2.9cm, with fitted caseFor further information on this lot please visit Bonhams.com
Thelma Marcuson (1919-2009), Studio Pottery ovoid-form vase with fine manganese rim, circa 1980, Porcelain, Painted 'TM' to underside, 15cm high.Footnote:Inspired by the work of Lucie Rie, Marcuson met Rie and Hans Coper on her overseas trips and collected their work. She was also inspired by Ruth Duckworth, Bernard Leach and Mary Rogers. Marcuson started working in porcelain with the help of Tim Morris in 1975. Later in life, Marcuson settled in London and exhibited in both Johannesburg and London.Please refer to department for condition report
Thelma Marcuson (1919-2009), Studio Pottery yellow crackle glaze bottle vase, mid 1980s, Porcelain, Painted 'TM' to underside, 37cm high.Footnote:Inspired by the work of Lucie Rie, Marcuson met Rie and Hans Coper on her overseas trips and collected their work. She was also inspired by Ruth Duckworth, Bernard Leach and Mary Rogers. Marcuson started working in porcelain with the help of Tim Morris in 1975. Later in life, Marcuson settled in London and exhibited in both Johannesburg and London.Please refer to department for condition report
Tim Morris (1941-1990), Large Studio Pottery vase with abstract Japanese blossom motifs, circa 1970s, Glazed stoneware, Inscribed signature to underside, 31cm high.Footnote:Born in Windsor, England, studied at Lancing College, then at Brighton Art School and The St. Martin’s School of Art, London with fellow students David Hockney and Elizabeth Fritsch. Later Bill Newland suggested he study ceramics, which he did at Central School of Art under Ruth Duckworth, Kenneth Clark, Gordon Baldwin others. Morris was very strongly influenced by Dan Arbied, Hans Coper, Lucie Rie, John Colbeck and Ruth Duckworth. He eventually settled in South Africa and became a founder member of the Association of Potters of Southern Africa (APSA), now known as Ceramics Southern Africa.Please refer to department for condition report
Ben Arnup (b.1954), Disc form ‘trompe l’oeil’ optical vase, circa 1980s/90s, Stoneware, Underside signed 'BEN ARNUP' and numbered to the base 'A99', H25.5 x W54 x D7 cm, (ARR).Provenance:Grant Fine Art, Newcastle, Northern IrelandPlease refer to department for condition report
Bay Keramik, Set of three West German vessels, circa 1960, Glazed and unglazed ceramic, Handled vase bearing manufacturer's paper label, all vases marked 'West Germany' to underside together with model numbers, Handled vase : 20.5cm ; Vase: 14.5cm high ; Bowl : 11cm highPlease refer to department for condition report
KPM, Vase floor lamp, circa 1960, Ceramic, brass, electrical fittings, Brass plate to underside stamped with manufacturer's mark and no's '141' & '69', Vase : 45cm high ; Total height : 119cm high It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Please refer to department for condition report
Per Lutken (1916-1998) for Holmegaard, Three 'Rondo' vases, circa 1960, Blown glass, Larger vase inscribed to base '1824', two smaller vases each inscribed 'Holmegaard 15729', Larger Vase: 11cm high ; Pair of smaller vases : each 6cm highLarger Vase : light general surface wear, some small scratches, dust build up to interior would benefit from cleaning.Pair of smaller vases : light general surface wear, dust build up to interiors, would benefit from cleaning, one with very minor flea bit nibble to base
Otto Brauer (1911-1984) for Holmegaard, 'Gulvvase' bottle vase in red, together with a Per-Olof Strom for Alsterfors vase, each circa 1960s, Coloured glass, Holmegaard vase with applied manufacturer's label, Alsterfors vase unmarked, Holmegaard vase : 37cm high ; Alsterfors vase : 24.5cm highPlease refer to department for condition report
Egermann, Sommerso glass vase together with three further Sommerso glass vases, circa 1970, Faceted cased glass, Smaller vase bearing 'Egermann' label, Egermann vase : 15cm high ; Square tapered red vase : 24.3cm high ; Tapered blue/amber vase : 22.5cm high ; Tapered green/pink vase : 21.8cm highEgermann vase : Only very light surface wear in generally good clean overall conditionSquare tapered red vase : Only very light surface wear some minor surface scratches, some some build up to interior, otherwise in generally good clean overall conditionTapered blue/amber vase : some very light surface wear, internal chip to one cornerTapered green/pink vase : Only very light surface wear some minor surface scratches, some some build up to interior, otherwise in generally good clean overall condition
Lido, Sommerso glass vase, together with three further Sommerso glass vases, circa 1960/70, Cased glass, Lido vase bearing paper label, Lido vase : 18.5cm high ; Waisted pink and clear glass vase : 15cm high ; Square tapered blue and pink glass vase : 25cm high, Blue vase: 19.5cm high Lido vase : overall general minor surface wear, some minor dust build up to interior, small flea bite chip to top of rimWaisted pink and clear glass vase : overall general minor surface wear, some minor dust build up to interiorSquare tapered blue and pink glass vase : overall general minor surface wear to include some very minor/faint scratches, some minor dust build up to interior, some miniscule fleabite nibbles to some edgesBlue vase: : overall general minor surface wear to include some very minor/faint scratches, some minor dust build up to interior, minor fleabite nibble to base, open air bubble to one side from manufacturing process.
Harri Koskinen (b.1970) for Venini, ‘Cosmos’ vase, 2011, Red and smokey glass, Manufactured by Venini, Italy, Applied manufacturer’s label and incised marks to base ‘Venini 2011/5 Harri Koskinen’, 22cm high, 26.5cm diameterMinor general surface wear throughout, the underside of base with small scuffs and scratches, otherwise in generally good overall condition
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653833 item(s)/page