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A Chinese wucai wall vase, Kangxi period, painted with a lady and fence between red and gilt diaper borders, 16cm h For an identical wall vase at Wallington, Northumberland, see National Trust collection online (Ref 581782) Small areas of green enamel missing where blistered when too thickly applied during manufacture, not cracked or chipped save for internal firing cracks glazed over during manufacture, no restoration
A Chinese blue and white vase, Kangxi period, painted with fruiting or flowering plants growing from a rock in narrow panels with fluted divisions, later silver mount and stopper, 21cm h, artemisia leaf in underglaze blue But for the addition of the silver mount, undamaged, no restoration
A Chinese blue and white vase, 19th c or later, painted in the manner of 'heaping and piling' with five-clawed dragons, 23.5cm h, Qianlong mark in underglaze blue When viewed from the inside a firing crack around the foot not visible from the exterior, pin head sized surface chip on rim, no restoration
A Satsuma ware vase, Meiji period, of square section, painted with alternate scenes of bijin and landscapes reserved on a dark blue ground of raised gilt prunus blossom, 30.5cm h, signed Tozan sei Localised wear to gilding, mainly on neck, not cracked or chipped, no restoration
Two Chinese famille rose dishes, c1780, enamelled with a flower filled vase or birds and flowers, the border with fan shaped or other floral panels, 21.5 and 25cm diam Large dish - piece of the rim broken out and neatly re-stuck; localised flaking of the white enamel, foot rim drilled for suspension. Small dish - light wear, short hairline crack in border, no restoration
A Chinese famille rose vase, c1770, enamelled and with 'mandarin' scenes in gilt bamboo frames reserved on a diaper ground, with subsidiary polychrome and iron red reserves, birds in branches and landscapes, the ring handles issuing from monkey masks, 28cm h Localised flaking and wear
A Seto blue and white vase, Seto ware, Aichi Pefecture, Taisho period, of baluster form, painted with prunus on a cracked ice ground, 31cm h, signed "Dai Nihon Seto, Kato Yoshiku sei" {Made by Kato Yoshiku, Seto, Great Japan] For a similar vase at Plas Rhiw, Gwynedd, Wales, see National Trust Collections online, No NT647445.1 Undamaged, no restoration
A pair of Chinese famille verte triple gourd vases, 20th c, painted with dogs of Fo or birds on blossom on a ground of densely packed tendrils, the flared neck with stiff leaves and pendant jewels, 22cm h, artemisia leaf within concentric circles in black and green enamel or underglaze blue respectively Mouth of one vase broken and re-stuck, the other undamaged
A Chinese blue and white vase, 19th c, the ovoid body tapered towards the foot, painted to imitate 'heaping and piling' with plantain leaves, 28cm h, Qianlong mark in underglaze blue Provenance: A local private family collection for over 50 years until sold in these 'rooms, June 2012, to the present vendor Undamaged, no restoration
A Japanese cloisonne enamel vase, Meiji period, of square section, enamelled in silver cloisonne with a crane amidst flowers, including peonies and a blossoming prunus on a midnight blue ground Provenance: Cotterill Collection, sold in these 'rooms, October 2015, lot 727, to the present vendor Undamaged
A Chinese flambé-glazed archaistic rectangular-section pear-shaped vase, fanghuQing dynasty, Qianlong seal mark and periodThe sturdily potted vessel flanked with a pair of square tubular handles at the slender neck, covered overall in a rich red glazed striating to purple and blue at the edges, the base covered in a café-au-lait glaze above an incised six-character seal mark, 30.4cm high.清乾隆 窯變釉方壺,暗刻篆書「大慶乾隆年製」款Condition Report: Extensive overpainting to interior, particularly around the neck, up to the edge of the rim, and to the interior of the handles - extent of damage unclear, but it includes at least an infilled rim chip, and a possible rim hairline. There is also a reattached shallow glaze chip to the exterior edge of the rim, approx. 15mm wide. Please refer to the department for additional images.
A pair of Japanese pottery baluster vasesMeiji periodPainted in enamels with birds above a lotus pond, Dai Nihon Sei Taizan marks to base, 31.5cm high (2).Condition Report: A chip to the foot of one vase of approx. 1.5 x 1cm. General wear to glaze and nibbling to foot rim commensurate with age. Firing imperfection including crazing, pitting and iron spots.
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653685 item(s)/page