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A Royal Bonn Secessionist two handled vase, the cerise pink ground enamelled with long stems of stylized foliage in pale pink and black to the cylindrical neck rising from heart shaped motifs to the bulbous body, flanked by loop handles, brown printed, black painted and impressed factory marks to base, height approx 23cm.
A Royal Worcester bone china violet vase, circa 1908, painted with flowers on a blush ground, puce printed factory mark and shape number `991` to base, together with a Royal Worcester white glazed coral handled jug, a Royal Worcester diminutive mug, a Locke & Co. Worcester vase, a Royal Crown Derby Imari pattern cup and saucer and a Belleek heart shaped bowl, third black mark to base.
An Orient & Flume iridescent glass vase, dated 1985, the bulbous blue ground body decorated with pink and white flowers on trailing stems, engraved marks to base, height approx 10cm, together with two Carlson iridescent glass vases, a `The Glass Eye` pink iridescent glass vase and another piece of iridescent glass.
A Staffordshire pottery pastille burner in the form of a tall two storey house, late 19th Century, the pale blue glazed building with shredded roof detail, height approx 28cm (minor faults), together with a green glass scent bottle and stopper, a Zsolnay vase and two cherub figures (faults).
A Bernard Moore flambé glazed ginger jar and cover, early 20th Century, decorated to the shoulders with wisteria and processions of flying insects, the shoulder additionally enamelled in turquoise and green with branches of wisteria, the cover enamelled with stylized petals, black printed factory marks to base of vase and underside of cover, height approx 12.5cm.
A Minton majolica Christmas jug, circa 1872, the cobalt blue glazed body relief decorated with holly, the gently flared neck with mistletoe and mask moulded spout, impressed factory marks to base with shape No. `580` (neck broken and glued), together with a Sowerby purple malachite pressed glass vase relief moulded with Gathering Apples, after Walter Crane (repaired), and a pressed glass obelisk (minor chips).
An Alan Caiger-Smith Aldermaston Pottery lustre vase, circa 1974, the gently ribbed body of swollen ovoid shape painted in ruby lustre and yellow highlights with two parrots and an owl amidst flowers and foliage, black painted and printed factory marks to base, height approx 28.5cm.
A two handled art pottery vase, circa 1900, possibly De Morgan or Burmantofts, the tapered ovoid body painted with fish against a ground of spiralling waves, flanked by high loop handles with black spiral and wavy line detail, the bulbous neck painted to each side with a crab, unmarked, height approx 36cm (faults).
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653833 item(s)/page