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An assorted collection of Bristol Blue glass, 19th century and later, including a claret jug with stopper, heightened gilt and floral decoration 32cm high (some decoration worn), a vase and narrow necked vase with gilt, four paperweights with 'Bristol' etched to the underside, scratches and marks in places, some deeper dents, AF (11)
A pair of Victorian cast-iron garden urns, covers and stands together with a similar period cast-iron garden urn of the Borghese vasethe pair of urns with globular bodies with foliate twin handles on swept circular pedestals, the covers with high knopped finials, the stands of stepped tapering square section, the single urn cast after the antique, of twin handled form with figural decoration on circular pedestal socle base, the pair of urns and stands: 90cm high; the single urn: 46cm high. (3)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An impressive Victorian cast-iron pedestal garden urn in the form of the Warwick Vasethe body cast with Bacchanalian heads and twin reeded handles raised on a circular socle and shallow square plinth base, the square pedestal with laurel wreath decoration on foliate moulded foot, the vase: 57cm high, 78cm wide, 58cm deep; the pedestal: 71cm high, 47cm wide, 47cm deep (2)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A late 19th/early 20th century French gilt bronze eighteen-light chandelierin the Régence stylethe alternating upward and downward scrolling angular acanthus scrolling arms with fluted urn nozzles with scalloped drip pans and beaded foliate collars, issuing from an elaborate bulbous vase lower section with female mask head cast decoration, below a composite female mask-head scrolling urn and foliate composite baluster central support, with acanthus rose and fruiting knopped terminal, fitted for electricity, 90cm diameter, 95cm drop approximately.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A late 19th century French gilt bronze and white marble four glass clock together with a pair of similar period matched three-light garniture candelabraboth in the Louis XVI taste, the clock movement stamped for S. Martithe rectangular case surmounted by a low oval twin handled pedestal urn with floriate finial, the sides with applied elaborate ribbon-tied floral and fruiting festoons and floral vase and crossed thyrsus trophy mounts about a 4' floral enamel dial, on plinth base and toupie feet, the brass twin train movement with outside countwheel striking on a bell, with double maskhead pendulum, the garniture of urn form with naturalistic flowering branches on half fluted column and footed square bases, the clock, 41.5cm high, the garniture, 35.5cm high (3)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A French 19th century ebony, thuyawood and engraved ivory marquetry hauteur d'appui or pier cabinet1860-1880Inlaid with scrolled foliage, acanthus, griffin busts, ho ho birds, cartouches and rosettes, the cube parquetry inlaid top above a multiple panel moulded door with a central panel inlaid with an Arabesque of assorted scrolled foliage, flowers, a pair of exotic birds, a lambrequined and ribbon swagged classical urn surmounted by a harpie, below a vase of flowers, enclosing two adjustable shelves, flanked by ring turned fluted columns, 81cm wide x 46cm deep x 113.5cm high, (31 1/2in wide x 18in deep x 44 1/2in high)Footnotes:The item within this lot containing ivory has been registered in accordance with the Ivory Act (Section 10). Ref R2ZHW5ZGThis lot is subject to the following lot symbols: TP Y ФTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
An early Victorian walnut folio stand1840-1855With opposing hinged adjustable ratcheted slatted folio supports, on scrolled and foliate carved vase shaped ends, terminating in scrolled outswept legs and ceramic castors, with a lappet clasped ring turned baluster cross stretcher, 70cm wide x 73cm deep x 118cm high, (27 1/2in wide x 28 1/2in deep x 46in high)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A William IV mahogany folio standCirca 1835, with two opposing hinged adjustable ratcheted slatted folio supports, on pierced vase shaped ends, with outswept legs terminating in lobed feet and ceramic castors, with a ring turned baluster cross stretcher, 63cm wide x 62cm deep x 115cm high, (24 1/2in wide x 24in deep x 45in high)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An early 20th century gilt brass mounted oak table clockin the George III styleof arched rectangular form, the swept square top with floriate knopped final, the corners with similar finials, the sides with vase and scroll pierced frets, the canted corners to the front with floral pendent caryatid mounts, on bracket feet, the arched dial with applied floriate gilt brass mask, the 4.5' silvered Roman chapter ring with outer Arabic five minute track and matted gilt centre, the arch with silvered Slow/Fast subsidiary, the brass twin fusee movement with anchor escapement striking on bell with pendulum and two case keys, 35.5cm high For further information on this lot please visit Bonhams.com
A Kosta Boda limited edition glass vase by Gunnel Sahlin. Of tapering globular form with white and amethyst tints Etched number 7202008 Kosta Boda Lim Ed 100 Gunnel Sahlin, with certificate, 17cm high Condition Report: Overall in very good condition. No apparent cracks, chips or restoration. Some slight rubbing and wear to the base and light watermark on the interior suggesting it has been previously used.
Five assorted 19th century ceramic figurines and a pair of Copeland Spode's Italian candlesticks. Figurines including 'Shepherdess' and 'Shepherd playing flute', both with stamp 6088/8, together with a cherub vase (with repair), 'Lady with spinning wheel', blue crossed sword mark, and a seated young lady with blue crossed swords mark and a broken arm, on a gilt wood plinth. The candlesticks 21cm high, (AF)
After Bernard Leach (1887-1979)Lithographic print 'Black Jar' printed at the Curwen Studios 1974signed in pencil lower right, limited edition number 7 of 100, mounted but unframed 77.5 x 57cmThe Curwen Press was founded by the Reverend John Curwen (1816–1880) in Plaistow in east London in 1863 to print music. It was incorporated as J. Curwen & Sons in 1897. Harold Curwen (1885-1949) took over the business in 1914 and began to specialise in well-designed work. After 1920, Oliver Simon (1895-1956) extended Curwen's reputation for good typography and design to book-work. The Press employed many important artists and designers, including Edward Ardizzone RA, Barnett Freedman, Edward Bawden RA, Claud Lovat Fraser, Paul Nash RA, Eric Ravilious RA and Albert Rutherston.In 1933 the Curwen Press Ltd separated from J. Curwen & Sons (which continued as a music publisher until 1969). The original directors were Harold Curwen, and Oliver and his brother Herbert Simon (1898-1974). The business suffered extensive war damage. In 1964 it merged with M. R. Harley & Co. and in 1965 Basil Harley became managing director. Under him, Curwen developed its business in high-quality colour lithography, notably for natural-history illustration. Letterpress work gradually declined in importance. Curwen Prints Ltd, a workshop for the production of artists' prints, became a separate business in 1968. Curwen Press closed in 1984. The Curwen Studio survives as an independent studio. Condition ReportSome staining in places, browning to the edges. Stain above number and stain above vase. Pin holes to the corners. Possibly some fading/discolouration. Biro mark and tape to the back General wear and tear.
A Pugin style silver-gilt mounted cut glass vaseCharles Edwards, London 1889 Tapering cylindrical form, the upper rim silver-mounted, the body of possibly Webb cut-glass, fluted and engraved with flowers and foliage, the silver-gilt spreading base embossed with Gothic repeating motifs, height 12.5cm.For further information on this lot please visit Bonhams.com
A pair of 19th century Italian giltwood tole and beaded and moulded glass five-light pricket candelabrain the Neoclassical tastethe scrolling arms with turned pricket finials, interspersed by further decorative scrolling arms and surmounted by elongated central columnar supports with urn nozzles, fitted later cut-glass spires below graduated scrolling coronas, all hung and strung with pear shaped drops and faceted beaded garlands, the lobed pedestal vase supports with swept upper sections, on knopped lobed socle bases and canted shallow square plinths, 86cm high overall (2)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A late 19th/early 20th century patinated and gilt bronze and Sienna marble inset combined standard oil lamp/occasional tablein the Empire taste, the reservoir later fitted for electricity, the marble possibly of a later datethe squat vase oil reservoir with later inset lamp fitment raised on a Corinthian reeded column support, the central circular table top with anthemion cast border raised on tapering rams head tripartite supports and hoof feet, the column with foliate terminal, all united by twin anthemion motif stretchers, with later pink pleated fabric tapering shade, 164cm high overall including shade. (2)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
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653685 item(s)/page