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Click here to subscribeWilliam Moorcroft (1872-1945), a Peacock pattern twin-handled ceramic vase c.1900, signed in green W Moorcroft, printed Macintyre roundel Tube-lined with stylised feathers and leaves, coloured and glazed 15 cm highFiring blemish on the edge of the foot. Some old marks, light natural wear and some crazing to the glaze.
Dame Lucie Rie (1902-1995), an oviform porcelain vase c.1975, impressed seal to base A white glazed porcelain vase with spiralled decoration in muted greys and browns with subtle light blue edges to the spiralling 16cm high (restored) (ARR) Note: For a similar vase see Tony Birks 'Lucie Rie' Marston House 1999 p.166The vase has had some old restoration carried out to a large section of the rim mainly on one side. This has been well done but is visible otherwise it displays nicely and is a nice example
David Leach (1911-2005), a fine porcelain bottle vase c.1973, impressed seal and label to base A fine porcelain bottle vase of bulbous form with a narrow chimney neck glazed white with a very fine crackle coming through in the glaze 20cm high (ARR) Provenance: Bonhams Bath, Contemporary Ceramics, 24 October 2005, Lot 246, The Godden CollectionGood condition. The fine crackle glaze on the top of the rim has some very minor discolouration to it but there are no chips, cracks or restoration at all.
AMENDMENT: Please note that the condition report of this lot has changed. This vase has a 1cm chip (section present) off one of the winged sections.Mary Rogers (b.1929), a small seed pod c.1970, incised MER to base A tiny porcelain seed pod form of trilateral form with fine wings and pressed in dimpled sections in between, glazed in a mottled dark and light brown 6cm high (ARR)Good condition with no damage or restoration
Colin Pearson (1923-2007), a large winged vase c. 1990, applied seal to side of body A large and impressive stoneware vase with four applied wings to the sides, the main body having banded lines from construction and the wings with vertical linear decoration turning outwards at the top, the vase glazed in a mixture of subtle colours with pinks, blues and pale browns coming through 25cm high (restored) (ARR)Please refer to department for condition report
Mollie Winterburn (1920-1996), a large vase c.1955, incised mark to base An impressive triangular form stoneware vase with a conical neck, the main body glazed blue with white glazed panels of incised abstract decoration to each side 29cm high (ARR) Note: Mollie Winterburn was a British studio ceramicist and author of two books; Handbuilt Pottery (1967) and Techniques in Handbuilding (1969). Her work is represented in the ceramics collection at Aberystwyth and Warwick UniversityGood condition with no damage or restoration
David Roberts (b.1947), a large raku vase c.2005, impressed seal to foot edge A large and impressive raku fired vase, probably from his 'Giant Web' series, of globular form decorated all over with black and white lines, the white being resist decorated, in an abstract pattern 33cm high (ARR) Provenance: The Scottish Gallery, 10 January 2005Please refer to department for condition report
Simon Carroll (1964-2009), a large vase c.2000, unsigned apart from fingerprint to centre of base A large hand built and coiled pale earthenware vase of waisted form with trailed white slip to the interior and a central band of vertical white slip and horizontal red/brown slip on a glazed ground, the rest of the vase being unglazed 27.5cm high (ARR) Note: Simon Carroll was an unconventional and highly regarded ceramicist whose work is held in major public collections (notably the V&A and Aberystwyth Ceramics Collection) and also had a solo show at the Tate Gallery, St Ives in 2005/06 Provenance: Purchased by the previous owner from the potterPlease refer to department for condition report
Val Barry (1937-2018), a pair of vases c.1980, both signed to base A pair of narrow angular leaning vases with a black stoneware body covered by a pink and blue glaze to the opposing sides Tallest vase 23.5cm high, shorter vase 20cm high (ARR)Both vases in good condition with no damage or restoration
William Moorcroft (1872-1945), an Eighteenth Century pattern ceramic vase c.1908, signed in green W Moorcroft, printed Macintyre roundel Baluster shape, finely tube-lined with ribbons and swags of roses and forget-me-nots, glazed and with gilding at the neck and foot 17.5 cm highSome old marks, natural wear and some crazing to the glaze. A few abrasions to the gilt areas.
William Moorcroft (1872-1945), a Fern pattern ceramic oviform vase c.1930, signed blue 'WM' monogram, impressed Moorcroft Made in England Decorated with scrolling stylised plant forms and horizontal banding, tube-lined, coloured and glazed 18 cm high (restored)Restored on the neck and the foot rim. Some old marks, light natural wear and some crazing to the glaze.
Vittorio Zecchin (1878-1947), a twin handled vase c. 1950, acid etched three line mark to base A globular red glass vase with clear angular handles originally designed by Vittorio Zecchin for Venini in 1922, this example post-war 12cm high Note: for a 1922 version of this vase see Venini, Catalogo ragianato 1921-1986, Skira, 2000, page 192, plate 5Overall good condition. There a few minor scratches to the body and a tiny little imperfection which looks like a pin prick bruise. No chips, cracks or restoration
William Moorcroft (1872-1945), an Honesty pattern ceramic vase c.1930, signed blue 'WM' monogram, impressed Moorcroft Made in England Decorated with stylised honesty and horizontal banding, tube-lined, coloured and glazed 18 cm highThere are has been some grinding to the foot rim, possibly to remove some over running glaze. Some old marks, light natural wear and some crazing to the glaze.
William Moorcroft (1872-1945), a Purple Iris pattern ceramic vase with flared neck c.1916, signed in green W Moorcroft, impressed Moorcroft Burslem Tube-lined with stylised flowers, coloured and glazed 17.5 cm highInky background colour is a bit patchy in places. Some old marks, light natural wear and some crazing to the glaze.
William Moorcroft (1872-1945), a Hazeldene pattern ceramic vase retailed by Liberty & Co 1902-1913, signed in green W Moorcroft Des, printed Made for Liberty & Co, Rd. No. 397964 Shouldered and slightly waisted form, tube-lined with stylised trees, green, blue and yellow streaked colours, glazed 15.5 cm highGlaze has pooled a little in the indent of the foot. Some old marks, light natural wear and some crazing to the glaze.
William Moorcroft (1872-1945), a Forget-Me-Not pattern ceramic vase Dated 1941, signed in green W Moorcroft, paper label and impressed marks ‘Potter to HM the Queen’ Tube-lined with flowers in shaped white panels, reserved against a powder blue ground, glazed 22.7 cm highA few scratches and some tiny bubbles in the glaze. Some old marks, light natural wear and some crazing to the glaze.
William Moorcroft (1872-1945), a ceramic vase c.1930, incised W Moorcroft Tube-lined with two floral panels on a green ground, pale blue glaze, 23 cm high; together with an Aurelian Ware vase with transfer printed decoration, c.1897, printed Macintyre roundel, and a retail mark ‘Made for W. Waddington, Keighley’ 20.2 cm high (2)Some old marks, natural wear and some crazing to the glaze. Pale blue blaze has made the incised signature blue. Blue glaze has pooled at the bottom and there has been some grinding to the foot - where glaze has run. Rubbing and some losses on the edge of the gilt on the foot. Some old marks, light natural wear and some crazing to the glaze
William Moorcroft (1872-1945), a Pansy pattern vase 1911-1913, signed in green W Moorcroft, printed Macintyre roundel Tube-lined, coloured and glazed with pansy’s on a white ground 21.5 cm high (restored)Restoration to foot rim. A few scratches, some old marks, light natural wear and some crazing to the glaze.
William Moorcroft (1872-1945), an Hesperian Lilac pattern ceramic ewerc.1902, signed in green W Moorcroft Des, printed Macintyre Florian markFinely tube-lined with a central frieze of lilac blossom, with floral and leaf borders, coloured in shades of blue with hints of pink-mauve and green29 cm high (restored)Restoration to the handle and on the neck where the handle joins. Firing flaw on the stem of the vase. Pink-mauve and green rather spotted and random. The foot is uneven and the ewer wobbles. Some old marks, natural wear and crazing to the glaze.
William Moorcroft (1872-1945), a Chrysanthemum pattern twin handled ceramic vase c.1912, signed in green W Moorcroft, printed Macintyre roundel Waisted form, tube-lined with stylised flowers on a mottled green exterior ground, the interior on a off-white ground 20 cm high (restored)Restored on the neck rim - not very well. Some old marks, light natural wear and some crazing to the glaze.
Hans Christiansen (1866-1948), a Pair of Mettlach Art Nouveau stoneware vases, "Die Nacht" (The Night) and "Der Tag" (The Day) c.1898, Impressed Mettlach VB (Villeroy & Boch) numbered 2424 and 2425 respectivelyEach incised and coloured, one depicting an Art Nouveau maiden with dark brown hair and poppies and representing 'Night', the other a maiden with light brown hair and irises and representing 'Day', (small restoration to ‘Day’ vase) 25 cm high (2)Literature: Margret Zimmermann-Degen, Hans Christiansen, Ko?nigstein im Taunus : Langewiesche, 1985, p.198 (both referenced and with the date of 1898 and 2425 'Day' illustrated)Night: A few small marks and light natural wear in keeping with age.Day: Some small spots of restoration to vase on an iris near the rim above and to the left of her head, with a short hairline on the iris and a fine hairline that extends down to about level with top of her head, the later is very hard to see. A small spot of some form of restoration has been picked up by a UV light on the rim and there is shiny mark to the inside, perhaps some form of stabiliser/sealant that corresponds with the restoration on the Iris, this mark can be seen on the inside and looks like someone has left a small piece of Sellotape there. Two firing cracks to the sides and a tiny one on the base to the interior - but these are not damage as these occurred in the firing and are only visible on the inside. A few small marks and light natural wear to base. (Please ask department for photographs.)
William Moorcroft (1872-1945), a Moonlit Blue pattern ceramic vase c.1925, signed W Moorcroft, impressed Moorcroft Made in England With broad base and slender neck, tube-lined with stylised trees, coloured and glazed 20 cm highSome scratches on the side of the broad base and a few abrasions. Some old marks, light natural wear and some crazing to the glaze.
Carlton Ware, a 'Tutankhamen' ceramic vase c.1927, pattern 2708, printed Wiltshaw and Robinson mark Carlton Ware Made in England, and gilt printed 'hieroglyphic' mark Printed in gilt with Egyptian figures, symbols and motifs against a black mat ground15 cm highSome minor wear to the gilding and rubbing to the edge of the neck rim and a few scratches and abrasions to the black. Some old marks. Wear to base and interior.
Gerald de Witt, a Fulham Pottery vase c.1940, impressed marks to base An unusual white glazed Fulham Pottery twin handled vase of organic form with flared neck20cm high Note: The form of this vase is highly unusual for this kind of period of Fulham Pottery and this is possibly a prototype which never went into mainstream productionAll over crazing which has discolouration to it in areas. No chips or cracks. The interior is dirty with crazing and some old water staining. There are a few tiny burst glaze bubbles to sides and handles
Daum, an Art Deco twin-handled cased glass vase with gold foil inclusions c.1930, engraved Daum, Nancy France with Cross of Lorraine Internally streaked and with foil inclusions, circular spreading foot43.5 cm highLiterature: Clotilde Bacri, Daum, Masters of French Decorative Glass, Thames & Hudson, London, 1992, p. 180 & 181 (similar style vases in various colours illustrated)There are two inclusions in the glass, on the sides, from the making process. A few scratches here and there and light natural wear in keeping with age.
Gabriel Argy-Rousseau (1885-1953), a pate-de-verre glass vase c.1925, signed in the mould G. Argy-RousseauMoulded with a band of stylised flowers and overlapping angular leaves21.5 cm high (Cracked)Literature: Janine Bloch-Dermant, 'G. Argy-Rousseau Glassware artist', Thames & Hudson, Paris 1990, Catalogue Raisonné, p. 204, 1925, 25.03. similar model illustrated "Vase with modern foliage and flowers"The vase is CRACKED from the neck, across the shoulder, down towards the base and curving along the side of the vase. The inside is covered overall with a layer of white deposits (calcium? plaster?) from the neck down to the bottom. Inherent bubbles in the glass especially towards the bottom, some open on the base.
René Lalique (1860-1945), a clear and frosted Blue glass vase‘Gui’ No. 948, designed 1920 and not made after 1947, intaglio moulded R. LALIQUEMoulded with overlapping branches of mistletoe17 cm highSome scratches and abrasions to the top neck rim, with some minor polishing to the edge. Minor polishing to the edge of the foot rim with a minute nick on the edge and some addition abrasions. Some deposits on the inside bottom of vase. Light natural wear.
MOORCROFT CLOWNS COLLECTOR'S CLUB LIMITED EDITION VASE, 13.5cms H, designed by Paul Hilditch and numbered 6 of only 30 manufactured for the event, dated 2012 with impressed and painted factory marks to the base, original price label, box and outer sleeve, two small surface scratches otherwise good
MOORCROFT EMMA BOSSONS BOTTLE VASE Numbered Edition 25 with unidentified pattern depicting buildings with smoking chimneys, telephone and postal box, village stocks to the foreground, dated 2013 impressed and painted factory marks to the base, in original box with outer sleeve, 24cms H, slight crazing otherwise good
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