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A rare Royal Worcester ovoid reticulated porcelain vase and cover by George Owen, c.1914, the body and cover ornately pierced and highlighted in gilt, printed factory mark and shape number '2423' to base (finial to cover broken), 12cm high Footnote: cover possibly associated
A Wedgwood Fairyland Lustre chalice bowl, c.1924, shape number 3385, designed by Daisy Makeig-Jones, the interior a variation of the 'Fairy Gondola' pattern, depicting a blue river with various figures, the riverbank with rising minarets, temples, follies, beswagged and garlanded pillars, the exterior, in the 'Twyford Garlands' above a 'Flaming Wheel' foot, Portland Vase Wedgwood mark and letter 'i' to base, 27.5cm diameter (restored)
A matched pair of Wedgwood Fairyland Lustre baluster vases, size number '2046', one with cover, in the 'Rainbow, Z4968' pattern, Portland vase mark and shape number to both bases, pattern number to one (2) Note: In Scandavian mythology the Rainbow Bridge was the only means of communication between Asgard, the chief city of the Gods, and the rest of the world.
A Ruskin pottery high-fired vase of compressed ovoid form with a flared neck, c.1920, decorated in a sang-de-boeuf mottled glaze with traces of lilac, impressed 'Ruskin, England' to base, 16cm high Footnote: This vase belonged to the great aunt of the vendor who was a friend of Edward and William Taylor. They were advised by the designers to invest in the pottery as the secret of the glaze would be taken with them on their death.
William Howson Taylor for Ruskin, c.1920, a high-fired sang-de-boeuf bottle vase, exhibiting tones of purple, green and beige, impressed 'Ruskin England' to base, 17cm high Footnote: This vase belonged to the great aunt of the vendor who was a friend of Edward and William Taylor.
A William Moorcroft Macintyre 'Green and Gold' pattern Florian ware vase, c.1903, the blue and green glazed ground decorated with raised floral decoration and gilt details, Macintyre Burslem England stamp, painted signature and number 'M2048' to base, 26cm diameter
A Chinese blue and white porcelain baluster vase and cover associated rosewood cover, Qing dynasty, 19th century, in Kangxi style, decorated with prunus blossom, against a washed blue ground, and below a ruyi head border, underglaze blue concentric circles, 34cm high and complimentary hardwood stand
A Chinese famille rose porcelain baluster vase, Qing dynasty, circa 1900, decorated with a scene from an episode of the Buddhist Enlightenment, where Prince Sidharta's empty saddled horse and parasol is accompanied by attendants and musicians below a clouded sky of goddesses, overglaze red enamel apocryphal Qianlong mark, 59cm high (rim chips)
A Chinese Fahua style sancai glazed baluster vase, Qing dynasty, 19th century, detailed with a panoramic of immortals with their attributes, below a plantain leaf and ruyi head border, the flared base with zig-zag border in green, yellow and brown glazes, apocryphal incised six character Kangxi mark, 29.5cm high and a Chinese turquoise ground relief moulded squat bottle vase, moulded in relief with the three friends of winter; pine, plum blossom and bamboo, in brown, green and yellow running glazes, partly glazed base, 36cm high (2)
A large Chinese famille verte porcelain vase and cover, circa 1900, decorated with panels of peony and prunus blossom and aquatic plants, within ruyi head and diaper borders, interspersed by Buddhist symbols and swastika emblems of good fortune, overall height including cover 40cm
A Chinese famille rose porcelain square section bottle vase, first half 20th century, each side decorated with musicians and figures in a banquet setting and a dancer before a dignitary with attendants, within lemon yellow ground borders showing scaly dragons and flowers, iron red elephant head handles, apocryphal underglaze blue Qianlong six character reign mark, 34cm
A cloisonné and bronze vase, late 19th/early 20th century, in Ming style, with a cloisonné band of stylised birds to the shoulder, and three butterfly and ring handles, and six cloisonné stiff leaf panels against a patinated brown ground, and flaring base with square seal mark, drilled for electricity, 30cm high
Oswald Lippert for Fachschule für Glasindustrie, Stenschönau, engraved by Emil Kromer, an Art Deco Bohemian glass vase decorated with naturalistic birds and foliage, of ogee shape, signed 'FG', 12.5cm high Note: see Fiell, C. 'Decorative Art 30s 40s' p. 488 plate 2 for a similar example originally from the 1940 Studio Yearbook
A quantity of military collectables to include a Queen Mary Christmas tin to `A Hodges`, Devonshire Regiment items: - a Devonshire Regiment shooting medal, a silver `Drummer Vickery L H 4th Devons` medal, a shellcase trench art vase, a Devonshire regiment hockey medal 1924 - 25, etc.
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650806 item(s)/page