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A contemporary Anita Harris vase decorated with a giraffe against a red sky with a setting golden sun, printed mark and signed Anita Harris, height 18cm, together with an Anita Harris model of a cat and a vase of compressed sleeve form by Emma Jane Griffin decorated with a puffin in flight, monogrammed and dated 25.3.11, height 20cm. (3)
A 19th Century Davenport pedestal ewer decorated with encrusted flowers with a griffin handle, partical printed mark, height 22.5cm, A/F, together with a pair of early 20th Century continental twin handled vase and covers each decorated with encrusted flowers and foliage with gilt detailing, unmarked, height 28cm, both S/D, and a globular vase decorated with large encrusted flower heads against a blue patterned ground, unmarked, height 16cm, S/D. (4)
A 19th Century Japanese Satsuma hexagonal vase decorated with four interlocking cartouche panels, each decorated with robed figures in a garden setting set against a densely patterned ground with gilt detailing, painted character mark to the base, height 18cm, restored.
A Japanese 20th Century charger and vase, the circular charger with scalloped rim, painted with fan shaped panels in cobalt and iron red, diameter 44cm, together with an ovoid form vase, painted with alternating panels of formal gardens and jardinieres filled with flowers, height 23cm. (2)
A Chinese 19th Century Daoguang floor vase with Famile Rose Canton enamel decoration vase of ovoid form extending to an open dish mouth rim, the body painted with opposing panels depicting warriors on horseback, before floral ground, below a ruyi border, height 60cm, A/F.
A Chinese celadon Longquan style baluster vase, Qing Dynasty (1644-1912), raised from an unglazed footrim extending to an everted rim, the body incised with zoomorphic creatures below stiff lappet borders, the cast relief elephant handles flanking the neck, with all over greenish/grey ground, height 21cm. Provenance - Part of private London collection, accumulated over the last 50 years and thence by descent.
A contemporary Italian Murano glass vase by Nason, of slender form decorated with internal smoky grey cased in clear crystal, retains original label, height 30cm, together with a small Murano vase of spherical form with flared rim, internally decorated with bands of blue, black and amber trailing, height 10cm. (2)
A 20th Century Tudor Crystal glass vase of footed swollen form decorated in the Ribbon & Rose design by Jack Lloyd with cut, polished and engraved work, height 18cm, signed to the body and acid mark to the base, together with a similar flared vase and a footed bowl. (3)
A pair of Waterford Crystal toasting flutes, part of the Millennium Collection titled 'Love', the trumpet bowl decorated with repeated mitre cut and heart pattern, above a faceted stem, raised to a circular spread foot, acid marked, retains certificate, boxed, height 23.5cm, together with a Strathern engraved vase and a clear glass paperweight. (3)
A late 19th Century John Derbyshire pressed glass celery vase, with relief moulded floral swags in matte black, with another John Derbyshire vase moulded with fruit, swags and bows in deep amethyst, a Davidson celery vase relief moulded with foliate decoration raised on three lion form feet in black gloss, and a cauldron, cream jug and pedestal bowl. (6)
Four pieces of assorted Herend comprising two globular trinket boxes, both S/D, a pierced cylinder vase and a small handled pot and cover, all with floral decoration and all with blue printed marks, cylinder vase height 12cm, together with two Dresden reticulated trinkets. (6)
The Lord of the Rings - metal swan vase used as set dressing for Rivendell, the swan motif reappeared in much of the set decor for Rivendell, 6 1/2 inches high approximately.Provenance: The vendor owned an event planning company in the early 1990s until 2008. They organised the Lord of the Rings Cannes Press Festival in 2001. New Line chairman Bob Shaye and Dir. P. Jackson presented 25 minutes of footage from the film, which featured a montage introducing key characters, as well as a 14-minute excerpt of a chase sequence in the Mines of Moria and previews of the second and third installments of the trilogy, due in December 2002 and 2003, respectively.The event culminated in a party that was held at the Chateau de Castellaras near the town of Mougins, where they reconstructed a lot of the sets and displayed set dressings and props from the actual movies (flown in especially from New Zealand). After the event, everything was deconstructed and sent back to NZ but the vendors got the permission to keep these few items as a gift.
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653685 item(s)/page