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Lot 81

THREE VINTAGE GOLD CHARMS / PENDANTS one designed as an ornate vase, no assay marks, 3.1cm, 5.9g, one in 9ct yellow gold, designed as a teapot, full British hallmarks for 9ct gold, 2.5cm, 1.9g and one designed as a man playing the bagpipes, no assay marks, 2.9cm, 4.6g.

Lot 229

ATTRACTIVE AND VARIED COLLECTION OF SHELLS,including a Giant Tun, Tonna galea, Caribbean, 20cm wide, Elephant's Snout, Voluta Aluica, Flinder's Vase, Gilded Cone, Vidua Cone, Imperial Volute, Geography Cone, and numerous further volutes, cones, and vases, the majority with collector's scientific labelsProvenance: the collection of Dr. J. Gordon Todd MBChB FRCA.

Lot 241

INTERESTING AND VARIED COLLECTION OF SHELLS,including a Thorny oyster, 13.5cm long, Pearl oyster, further Thorny-type oyster, Giant Pacific cockle, Shield Cup & Saucer, Elephant Tusk, Common Pacific vase, Commerical Trochus, Wedding Cake Venus, Grand Keyhole Limpit, and further smaller varied specimensProvenance: the collection of Dr. J. Gordon Todd MBChB FRCA.

Lot 253

INTERESTING AND VARIED COLLECTION OF SHELLS,including a Graceful Fig, Ficus Gracilis, South Japan, 11.5cm, Asian Flame volute, Bladder Moon, Abelone, Screw Turritella, Chocolate Flamed Venus, Ceramic Vase, Tuberculate Ormer, and Lightening Moon, all with collector's scientific labelsProvenance: the collection of Dr. J. Gordon Todd MBChB FRCA.

Lot 254

INTERESTING AND VARIED COLLECTION OF SHELLS,including a Banded Bonnet, Phalium bandatum bandatum, Northern Australia, 9.5cm long, Scorpio Conch, Helmet Vase, Pacific Star, Perry's Triton, General Cone, True Harp, the majority with collector's scientific labelsProvenance: the collection of Dr. J. Gordon Todd MBChB FRCA.

Lot 645

3 still life watercolours, all signed with monogram NC, 33cm x 24cm, framedImage with white flowers is in good original condition, taller vase has some foxing along the bottom edge, image with penknife has foxing over the surface of the table, no fading or paper damage, modern frames and mounts

Lot 125

A Crown Devon vase, fluted oval form on raised base with gilded decoration, mark to the base, 27.5cm (h)

Lot 126

Doulton Lambeth vase decorated with flowers and leaves, marks to the base, 20cm (h)

Lot 127

Doulton vase, pear shaped with applied flowers, pierced everted rim on circular base, marks to the base, 11cm (h)

Lot 128

Troika circular vase and a Troika dish, marks to the bases, vase 16cm (h)

Lot 129

Moorcroft vase decorated with flowers and leaves, signed to the base, 24cm (h)

Lot 130

A Moorcroft studioware pottery vase of baluster form, stamped and signed to the base, circa 1930, 17.5cm (h)

Lot 135

Herend vase and cover decorated with flowers and butterflies, the pull off cover with fish finial and a matching stem vase, 20cm and 13cm

Lot 144

Royal Crown Derby a mid 19th century ovoid vase, hand painted with floral border and geometric bands, 9cm (h)

Lot 145

A Viennese champlev‚ and porcelain vase decorated with children in a landscape, 14cm (h)

Lot 151

An early 20th century Cypriot ceramic vase, oval form with pierced sides on metal stand, 42cm (h)

Lot 152

A mid 19th century ceramic vase and cover with decoupage decoration, 42.5cm (h) A/F

Lot 184

Lalique vase of baluster form decorated with flowers and leaves (A/F small crack to base ) 28.5cm (h)

Lot 193

Whitefriars tangerine bark finish rectangular vase by Geoffrey Baxter, 17cm (h)

Lot 194

Whitefriars Kingfisher blue bark finish rectangular vase by Geoffrey Baxter, 17cm (h)

Lot 195

Whitefriars Kingfisher blue bark finish tapering cylindrical vase by Geoffrey Baxter, 16cm (h)

Lot 197

Bohemian etched red glass vase and cover (small chip to base), 27cm (h)

Lot 198

Michael Harris studio glass blue vase of tapering rectangular form and a circular bowl by the same Isle of Wight artist, signed to the bases, tallest 34.5cm (h)

Lot 199

A Victorian ruby glass vase of tulip form on knopped stem and raised circular base, 47.5 cm (h)

Lot 201

A Victorian clear glass lily vase of fluted twisted stem form, 68.5cm (h)

Lot 204

A quantity of coloured art glass to include bowls and a vase (9)

Lot 210

A Chinese copper red glazed baluster vase, 33cm (h)

Lot 211

A Chinese Yuhuchunpin blue and white pear shaped vase decorated with a dragon and scrolls, 28.5cm (h)

Lot 212

An early 20th century Cantonese style vase of cylindrical form the sides decorated with interior scenes, 64cm (h)

Lot 216

An oriental 19th century bronze and gilded baluster vase, decorated with birds, flowers and leaves in high relief, marks to the base, 19.5cm (h)

Lot 217

An oriental cloisonn‚ baluster form vase with side handles on raised circular base, 37cm (h)

Lot 382

A quantity of hallmarked silver jewellery and a hallmarked silver pierced vase

Lot 528

A hallmarked silver vase of tapering conical form with lion mask and ring side handles on raised circular base, Birmingham 1935, 15cm (h)

Lot 83

Nancy Kennedy framed oil on panel still life of flowers in a vase, signed bottom right, 47 x 67cm

Lot 181

An 18th century Paktong ‘Gu’ vase, circa 1740-70Of archaistic form, the bulb or bulbous body with a domed foot and pronounced flared rim, height 30cm, rim diameter 41.4cmLiterature: For a pair of vases of similar form, engraved with the arms of John Parker of Brawsholme, Member of Parliament for Clitheroe, Lancashire, see Keith Pinn, ‘Paktong: The Chinese Alloy in Europe 1680-1820’, p. 44, pl.5.

Lot 191

A late 17th century bronze-alloy dome-base socket candlestick, Spanish, circa 1690The cylindrical socket with small circular extraction hole, a knop and vase-shaped stem, screwed into a dome-base with short spreading footrim, height 23cm

Lot 253

A William & Mary oak side table, circa 1690Having a twin boarded top with ovolo-moulded edge, plain frieze drawer, on ornately baluster and vase-turned legs joined by plain stretchers, pear-shaped feet, height 74.5cm, width 81cm, depth 49.5cm

Lot 429

A George III fruitwood, walnut and oak high-back corner chair, with prominent ownership stamp, circa 1780 Having a three-part horse-shoe shaped arm rest, raised on turned supports and pierced vase-shaped splats, the superstructure with conforming splat, boarded seat, on square-section tapering legs, joined by plain stretchers all round, one arm rest stamped with the name 'E. EARNSHAW', 72cm wide, 69cm deep, 106cm high, seat height 42cm -- Jentel collected 2/2/23 --

Lot 66

A rare Elizabeth I large joined oak 'cricket-type' centre table, with drawer, circa 1580Having a circular boarded top, a single frieze drawer set within the lower edge moulded rail, and inset plain scroll-profiled spandrels, on three vase-baluster and ball-turned legs, joined by stretchers with lower moulded edge, 96cm diameter, 75cm highProvenance: Doughton Manor, Doughton, GloucestershireThe top is a very good replacement using old numbers, but possibly too many boards.very rare base.

Lot 81

A Charles I oak court cupboard, North Country, circa 1660.  Attributed to Durham, from the same workshop as the highly acclaimed ‘Durham’ chairs. See Lot 53 for a Durham chair from the same workshop.Having a fleur-de-lys lunette-carved frieze, raised on bold vase-turned end columns, enclosing a recessed cupboard of two panelled doors centred by two fixed panels, all panels carved with a central stylised leaf-filled lozenge, the lower-section with two large quadruple-panelled cupboard doors, panelled sides, 164cm wide, 163cm high, 57.5cm deepProvenance: Doughton Manor, Doughton, Gloucestershire

Lot 95

A Wemyss rose plate, three nursery ware cups, a Poole pottery bowl, a Tweedsmuir glass squat vase, a Waterford dish, Belleek cat with swan & other items

Lot 106

Three graduated Chinese crackle glaze vase, a brush stand twinned with other Oriental wares

Lot 26

A Macintyre Moorcroft Dura ware jug, pattern no. 356816, circa 1902, of 'Kimberly' shape, the body tube line decorated with a motif of stylised open and closed poppies amongst scrolling foliage, in shades of brown and green over a peach ground, printed marks to underside16cm high together with a Moorcroft Pansy pattern bottle vase, decorated over a sage green ground, impressed and painted marks to underside, original paper label 21cm highThe jug in good condition, noting some light crazing and a fwe scratches within the glaze, the vase also in good overall condition, but some blistering to the glaze at the rim and minor glaze chips, also to the rim.

Lot 29

A Moorcroft Pomegranate pattern twin-handled amphora vase, typically decorated with a band of stylised berries and pomegranates over a blue ground, stamped and painted marks to underside 21cm highIn good condition noting only minor crazing.

Lot 30

Two Moorcroft Spanish pattern vases, the first of compressed mallet form and decorated over a mottled green ground, impressed and painted marks to the underside 27cm highthe other a narrow stem vase, similarly decorated, painted marks to underside 20cm highThe larger vase in good overall condition, some all over crazing and a fine firing crack (underglaze) around the footrim - see last image.  The smaller vase broken and glued with a couple of small losses.

Lot 38

A small pottery baluster vase, signed by the cast of Chu Chin Chow, made during a performance by a Wedgwood potter and used as a prop18.5cm highStaging an enormous run of 2,238 performances at His Majesty’s Theatre in London between 1916 and 1921, Chu Chin Chow is widely acknowledged to be one of the West End’s most successful musical productions.Directed by Oscar Asche and with music by Frederic Norton, the operetta, based on the tale of Ali Baba and the Forty Thieves, was set in the Eastern Palace belonging to Kasim Baba as he prepares to host a banquet for the titular Chu Chin Chow, a wealthy Chinese merchant. However, when bandit, Abu Hasan, arrives in disguise, a dastardly and comedic plot unfolds.During every performance of Chu Chin Chow, a potter from Wedgwood was brought on stage to throw a pot in front of the audience. The present lot is one such example and has been signed by Asche, Norton and various other members of the cast, including Lily Brayton. A similar example can be seen at the Victoria & Albert Museum (accession number S.56-2003).A few imperfections within the potting, but free from damage or repair.

Lot 46

A large Studio Pottery vase, of bellied ovoid form, the incised stoneware body partially slip decorated in thick polychrome glaze64cm highIn good condition, free from damage or restoration.

Lot 5

Charles Schneider for Le Verre Francais, a large Décor Dahlias pattern vase, circa 1920, of trumpet form over a circular spreading foot, the mottled purple body overlaid and acid-etched with a flowering motif, acid etched marks to foot, paper label to underside50cm highSome scratching and scuffing to the base and the rim

Lot 6

Beliers, an R. Lalique opalescent glass vase, designed circa 1925, model 904, the handles modelled as rams, wheel etched marks to underside19cm highThere is a chip to the inside of the rim, surface wear and scratching all over.

Lot 97

Archibald Knox for Liberty & Co., a Tudric pewter and enamel vase, the shouldered cylindrical body cast in low relief and embellished with four enamelled cartouches of stylised leaf form, stamped '02510' to the underside 20cm high together with a Liberty & Co. Tudric vase attributed to Oliver Baker, the waisted cylindrical body with a planished finish and two wrythen handles, stamped 'MADE IN ENGLAND ''TUDRIC'' MADE BY LIBERTY & CO 030 SOLKETS' to the underside 18cm highThe Knox vase in good overall condition with no apparent damage to the enamelling, but a small scratch to the side of the pewter body.  THe other vase with a very slightly miss-shapen rim, otherwise in good condition.

Lot 13

Geoffrey Baxter for Whitefrairs, a swing out leg of mutton vase, pattern 9650, cased in clear glass over willow green, circa 196543cm highIn good overall condition, a minute imperfection/pin prick app. 6cm down from the rim.

Lot 14

Edvin Ohstrom for Orrefors, a 'Girl and Dove' Ariel glass vase, of tapering opal form in clear crystal and electric blue glass and internally decorated with a bird and female profile, the design heightened with amber staining, acid-etched marks to underside21cm highIn good condition, free from damage or repair, very light surface wear only.

Lot 238

4 x Wedgwood glass items inc owl, tadpole, green vase, blue candlestick (17cm) t/w Swedish pear ornament etc

Lot 256

Pair of Oriental design 2 handled Imari patterned vases (24cm high & 1 handle repaired) t/w associated tall baluster vase

Lot 28

Chinese canton vase converted for a lampbase - 26cm

Lot 29

Large scale antique Chinese cloisonne 2 handled floor standing vase - 75cm high & 32cm diameter ~ has some old damage to the enamel

Lot 31

Antique Chinese blue & white vase decorated with applied dragons and fo dogs & has 4 character Kangxi mark to base - 26cm high & 1 chip + nibbles to underside of rim otherwise in good used condition

Lot 33

Chinese Cantonese hand decorated cylindrical famille rose vase - 15cm high ~ has crack to body & small chip to footrim

Lot 346

Antique Royal Doulton vase #486Y by Marion Holbrook - 26cm high & no obvious damage

Lot 348

Impressive large Edinburgh crystal jug (35cm high with slight chip to top otherwise in good condition) T/W an antique crystal pedestal vase (has chips to top & base)

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