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Lot 69
Stunning art deco design of black dots on white wave over black vase. The elegance of this design has earned a permanent collection of the Brooklyn Museum. Sasaki mark. This item has its original box: 7.5"L x 7.5"W x 14"H. Artist: Ward BennettIssued: 21st centuryDimensions: 14"H x 7" dia.Manufacturer: Sasaki CrystalCountry of Origin: JapanCondition: Age related wear.
Lot 58
This stunning hand-blown tall tulip formed vase of cased steel blue with clear glass makes a dramatic but elegant statement. Signed by artist. Matthew Buechner etched and dated. Artist: Matthew BuechnerIssued: 1999Dimensions: 5.5"L x 3"W x 14"HManufacturer: Thames GlassCountry of Origin: United StatesCondition: Age related wear.
Lot 114
A SET OF FOUR OVOID GLAZED BUD VASES FRENCH, CIRCA 1900 the tallest 16cm high SALEROOM NOTICE: The top of the tallest blue vase has been damaged during the view Condition Report: SALEROOM NOTICE: The top of the tallest blue vase has been damaged during the view All with glaze loss to the feet, smallest yellow vase with loss to foot rim. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 89
A GEORGE III MAHOGANY BUREAU-CABINET ATTRIBUTED TO WRIGHT AND ELWICK, CIRCA 1770 The elaborate scrolled, beaded and foliate-carved pediment centred by a plinth and with foliate and pierced strapwork brackets above a concave cornice with foliage and pendant husks, the doors with reeded gothic arched and foliate astragal glazing and enclosing two shelves and three short drawers, above a stiff-leaf waist moulding, the cleated fall front with engraved brass shield-shaped escutcheon revealing a fitted interior with pigeon holes, drawers and concealed document drawers around a central sliding compartment with mirrored architectural interior, ebony and ivory parquetry floor with central boxwood stepped plinth and with further secret drawers behind, above two short and three long drawers with rope-twist cockbeading, on an associated foliate-carved plinth with ogee bracket feet, with a concealed, spring-loaded drawer to the right side waist moulding, restorations, perhaps with later embellishments 240cm high, 117cm wide, 64cm deep Provenance: H. Percy Dean, Esq. Acquired in 1909, 'A very fine Chippendale bureau bookcase with finely carved mouldings & pediment...,' Literature: P. MacQuoid, The Age of Mahogany, London, 1906, fig. 146The cabinet corresponds to designs published by Thomas Chippendale in the various editions of The Gentleman and Cabinet-Maker's Director. In particular the glazing pattern of gothic arches featured in a bookcase design of 1762, pl. CXVII, and was employed in the bookcase (probably one of four) supplied by around 1766 by Chippendale for Sir Rowland Winn's London house in St. James's Square (C. Gilbert, The Life and Work of Thomas Chippendale, London, 1978, vol. II, p.41, figs. 64 and 65), while the distinctive foot pattern corresponds closely to the design for a Desk & Bookcase (bureau-cabinet) that was first issued in the first edition of the Director, 1753, and again in the third edition, 1762, pl. CIX. The latter also featured a fret-carved panel between the upper doors and the flap which Chippendale noted `may be two drawers'; in the lot offered here a bank of conventional drawers are located behind the glazed doors, while a further shallow drawer is concealed behind the leaf mouldings on the right side. The swan-neck pediment with a central vase stand bears comparison with Chippendale's bookcase design also issued in the third edition of the Director as plate XCII. Chippendale's designs were celebrated and widely adopted by contemporaries and competitors. Among them were the Wakefield, Yorkshire, cabinet-makers and upholsterers Messrs Wright and Elwick, whose business was established in the 1750s and who became the pre-eminent furniture-makers in Yorkshire in the second half of the 18th century. Richard Wright was probably employed at, and may have directed the Soho tapestry manufactory in London before forming a partnership with Edward Elwick, furniture maker and designer, in Wakefield. Both were subscribers to the first edition of Thomas Chippendale's The Gentleman and Cabinet-Maker's Director, 1753, and they went on to supply an enormous number of houses in Yorkshire including Wentworth Woodhouse, Wentworth Castle, Temple Newsam House, Cusworth Hall, Cannons Hall and Burton Constable; they likely also worked at Nostell Priory since Chippendale referred in correspondence (in disparaging fashion) to `the Ingenious Mr. Elwick'. Their furniture often aligns closely with Chippendale's designs but with additional or more elaborate and idiosyncratic carving, as noted in Christie's catalogue for the sale of furniture from Wentworth Woodhouse, London, 8 July 1998, and elsewherePlease note, Dreweatts have applied for a de minimis exemption licence for the ivory in this lot (X4CGM12C) Condition Report: Overall in good condition, clean and structurally secure with dents marks and scratches and shrinkage cracks due to age and use. There are some minor old losses and repairs to the carving, for example to the carving of the door astragals. To the upper section there are minor marks to the right (as you view the cabinet) upright where door hinge screws were too long and disturbed the front surface. There are also minor blemishes around the escutcheon and an old door knob has been removed below the escutcheon. Patched repair to veneers to the lower member of the right door and the central division- well executed and well blended. The concealed side drawer released by a button on the right internal drawer. To the lower section, the fall front has a horizontal shrinkage split, the engraved escutcheon probably added. The fretted spandrels to the pigeon holes probably added. The central cabinet with mirrored interior released by a catch in its 'ceiling'. The interior of the pull-out section and the parquetry panel in front of it apparently original. Many of the small internal drawers with loose bottom boards. To the reverse are eight drawers concealed behind a sliding panel. There are patched repairs/replacement to veneers on the drawer divisions and the uprights. Drawer locks apparently replaced. The plinth a feet are a slightly lighter colour but the extravagant and idiosyncratic carving seems consistent with the remainder of the cabinet. Feet secure and with sturdy (apparently original) blocks behind). Minor old repairs to swan neck pediment. Overall a handsome and imposing cabinet, the quality of carving throughout is excellent.Condition Report Disclaimer
Lot 47
A GILT METAL MOUNTED MILK GLASS TABLE LAMP LATE 19TH CENTURY Possibly French, adapted from an oil lamp base 41.5cm high, 85cm high with current shade Condition Report: Adaption has failed at upper junction to top of vase and will require remedial work before domestic use. Gilding very dirty and would benefit strongly from a clean. The shade has perished completely. ELECTRICAL GOODS. These are sold as decorative items only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 115
AN UNUSUAL GEORGE II MAHOGANY BASIN OR VASE-STAND 18 CENTURY With circular open top supported by four pillars above a square platform on a turned tapering column and tripod base with pad feet, one foot repaired 108cm high, 33cm diameter (the top) Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use.The top fixed with an unusual filleted cross square.Vestiges of some darker staining variably to some areas.There are some losses and repairs including to the upper turned section of the pedestal; to one leg broken and repaired and some marks to the turned base section of the pedestal.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition. Condition Report Disclaimer
Lot 106
A SET OF TWELVE GEORGE II MAHOGANY DINING-CHAIRS CIRCA 1755 Each with a shaped foliate, flowerhead and shell-carved toprail above a pierced vase-shaped splat and padded seat on moulded and chamfered square legs joined by H-stretchers and with later brass castors 98cm high, 57 cm wide, 57cm deep Provenance: Acquired before 1910, `12 Old Chippendale Dining Room chairs of finest quality'
Lot 201
λ  LOUISE POWELL (1882-1956) FOR WEDGWOOD: A CREAM-COLOURED POTTERY VASE OF ITALIAN ALBARELLO FORM FIRST HALF 20TH CENTURY Artist's monogram and number 4319, 31cm high Together with a dish by the same artist, artist's monogram and numbered 4969, 32.5cm diameter Condition Report: Dish cracked, pierced holes to foot rim probably for hanging/display purposes- 1 with crack. Some rubbing to gilding. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 232
A GEORGE I GROS AND PETIT POINT NEEDLEWORK DOMED COFFER ON LATER STAND CIRCA 1720, THE STAND 20TH CENTURY The whole decorated with peacocks, love birds among flowers, possibly emblematic of marriage love, interior with ribbon and nailed letter P, close nailed decoration and brass embossed lock plate in the form of a vase of flowers, iron carrying handles, the associated mahogany stand, with chamfered moulded legs joined by stretchers 95cm high overall, 61cm wide, coffer 41cm high, 33cm deep Provenance: Probably acquired July 1910 Condition Report: wear, marks, knocks and scratches as per age, handling, use, and cleaning. Embroidery worn from use and handling, notably to top, handles and some corners where carcase and underlying canvas are visible in areas. Reverse with later replacement embroidered panel. Top colour has faded and is dirtier than the rest of the piece. No key. Wear and loss to base veneer and traces of old worm, interior with later retaining strap, also a concealed pocket/recess to inner side. Base with losses, later blocks, some stress cracks to tops of base legs. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 279
λ CYLLA DUGDALE (BRITISH 1931-2018) PURPLE IRISES IN A VASE Oil on canvas Signed (lower right) 73 x 63cm (28½ x 24¾ in.)Provenance: Acquired directly from the artist by the family of the present owners, May 1989 Condition Report: Appears to be in good original condition. Inspection under UV reveals no obvious evidence of restoration or repair. Condition Report Disclaimer
Lot 275
A GEORGE II MAHOGANY POLE SCREEN MID-18TH CENTURY The rectangular 18th Century panel worked in petit point needlework with a lady and a lap dog and a squirrel in a landscape among trailing flowering branches, the turned, fluted and vase-shaped shaft carved with foliate-carved shaft on a tripod base with claw and ball feet, restorations, pole replaced, the needlework distressed 144cm high Provenance: Probably acquired before 1910, `A fine claw & ball screen with original needlework'.
Lot 128
R. LALIQUE: VASE 'SAINT- MARC' DESIGNED BY RENE LALIQUE 1939 Clear, frosted and blue stained glass, stencilled 'R. LALIQUE FRANCE' 17cm high Provenance: With David J. Pym Antiques. F. Marcilhac, 'René Lalique, catalog raisonné', another example illustrated p. 471, under the number 10-934 Condition Report: Very minor contact wear to foot, otherwise good. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 425
A collection of Chinese jades and hardstones and a Japanese ginbari cloisonné-enamel box and cover,18th century - 20th century,Comprising: a silver and white jade hand mirror, with white jade dragon belt hook shaft, with silver mount decorated with bats and the Eight Buddhist Emblems, inset with jadeite cabochons and carved tourmalines, the centre with white jade plaque carved in shallow relief with a boy carrying a vase of flowers on a raft boat, 22cm long overall; a white jade figure of a handler with a monkey on his shoulder, carved from a pale even stone, the details finely fleshed out, 7.5cm high; a soapstone 'dragon' belt hook, 10.7cm long; a spinach jade box and cover carved with butterflies and orchids, 11.8cm long; an agate baluster vase and cover, 16cm high, with wood stand; a rock crystal figure of a sage and deer, 9cm wide; a soapstone screen carved with a dragon and phoenix, 16cm high; and a Japanese ginbari cloisonné-enamel box and cover with silver and gold wire, decorated with a butterfly amongst hydrangea, unmarked, 7.6cm diameter (9)
Lot 498
A Paduan bronze inkwell, 16th century, With four infants supporting a lidded vase, on a square section base raised on paw feet, 23.5cm high, 18.5cm wide, 15.5cm deepFootnotes: Note: The style and casting of the present lot points to Padua's late Renaissance bronze production. The four infants or putti in particular recall the work of Niccolo Roccatagliata (1593-1636).
Lot 477
A Japanese blue and white cylindrical vase, Meiji period, early 20th century, Finely painted with cranes in a continuous river landscape densely decorated with peony sprays, impressed seal mark to base, 32cm highCondition Report: There is a 2 x1cm firing flaw beneath the rim on the exterior.
Lot 408
A French gilt-bronze eight-light chandelier, In the manner of André-Charles Boulle, by Lacarrière frères & Delatour, Paris, dated 1888, With Bacchic term figures flanking a vase above female masks and friezes depicting bows and quivers, supporting foliate scroll arms, signed Lacarrière frères & Delatour - Paris 1888, approx. 88cm high, 91cm diameterLiterature: Ottomeyer, H. and Pröschel, P., Vergoldete Bronzen, Vol. I, p. 52, fig. 1.6.6.It is the buyer's responsibility to ensure that electrical items are professionally rewired for use. Footnotes: Note: The fonderie Lacarrière was first established in 1825 at 3 bis, rue Ste-Elisabeth, Paris, specialising in gas lighting fixtures. By 1875 the company had transformed to Lacarrière Delatour, et Cie., under which name they cast and chased a chandelier designed by Corboz for the new Opéra, Palais Garnier.
Lot 320
A pyriform polychrome pottery vase,Qajar Iran, c.1880,Loosely inspired by Iznik pottery, on splayed circular foot, the body rising to an elongated tapering neck, the polychrome painted decoration consisting of leaves and floral tendrils, the neck base with simplified lotus flowers within niches, floral twigs rising from tufts of grass and willows to the neck above, 47cm high
Lot 469
An English mahogany pole screen with needlework panel, Mid-18th century and later stand, The adjustable stand enclosing a needlework panel depicting a Chinese blue and white vase of flowers on a pierced giltwood base with a seated squirrel, with later extended border, backed with red damask, panel - 54.7 x 44.5cm; overall - 144cm high
Lot 264
A Persian Karabagh carpet, First quarter 20th century, The two long fields with geometric vase of flower motifs surrounded by stylised flowers, contained by geometric borders, on a blue ground, 416 x 212cmCondition Report: worn throughout, discoloured throughout, complete loss of fringe, one end has suffered water damage, some small rips, various repairs,
Lot 273
A Chinese silk Peking rug, Second quarter 20th century, The central field with floral medallion surrounded by bat, butterfly and vase of flower motifs, on a blue ground, contained by multicoloured border, 275 x 183cmCondition Report: worn throughout, complete loss of fringe, no rips or repairs
Lot 159
A group of three Chinese cloisonné vases, second half of 20th century, comprising a pair with tapering body rising from an everted circular foot to a flared rim, with cranes and flowers in a landscape on a sky blue ground, all below a broad boarder of scrolling floret on a blue ground to the shoulder, the other with flowers on a red ground, above a blue broad band,23.5 and 27.5cm high (3)Condition ReportPair of vases in good conditon with no damages or dents to the enamel.Floral vase in good condition with some small chips to the body.
Lot 267
A collection of glass items comprising a Andre Delatte glass bowl, c.1920, blown into a wrought iron frame, the glass body with silver mica inclusions, engraved signature, 21.6cm diameter, 12.5cm high, a Degue acid etched vase, c.1930, decorated with flowers in relief to a pale pink ground, acid etched signature, 14.6cm high, a Mdina glass vase, with applied bands, engraved signature, 16.6cm high, and an opaline glass vase, late 19th century, in the manner of Josef Ahne, enamelled with a lady and a butterfly, 15.5cm high (4)Condition ReportSmall polished chip to the rim of the Delatte bowl. Rubbing and wear to the gilding and enamelling. General rubbing and wear throughout.
Lot 241
A William Moorcroft 'Moonlit Blue' vase, c.1925, of baluster form, decorated with trees against a cobalt blue ground, signed 'W. Moorcroft' in underglaze green and impressed 'Made in England Moorcroft 65' to the underneath, 20cm diameter33.5cm highCondition ReportRestored to the neck and part of the shoulder.
Lot 166
A collection of Chinese porcelain, an Imari charger,27cm diameterten blue and white export saucers,13.5cm diametera canton plate,16cm diametertogether with a cloisonne miniature vase,depicting pigeons,6.5cm highCondition ReportSaucers) four with chips to the rim, one with cracks. Charger) wear to the foot rim. wear to the gilt decoration. The other with some rubbing to decoration in fine condition.
Lot 205
A Moorcroft pottery vase by Jeanne McDougall, dated 2000, decorated with sunflowers, limited edition 192/200, printed and impressed marks, 18cm hightogether with a Moorcroft pottery trial vase,dated 2013, decorated with yellow flowers, painted and impressed marks,17.5cm high (2)Condition ReportMinor crazing but no apparent chips or cracks.
Lot 144
A Chinese famille rose vase, 20th century, of tapering square form flanked by mask and ring handles, painted in the wushuangpu style with renowned historical figures and inscriptions of their stories alongside, with a six-character Daoguang mark to base,26cm highCondition ReportNo obvious faults.
Lot 213
An German Art Nouveau stoneware vase, early 20th century, possibly by Eichwald, of slender tapering form with long lugs, decorated with foliate motifs against a green ground, numbered to the base 905/4, 16cm diameter31cm highCondition ReportOne of the feet with a brown mark. With some minor chips to the glaze.
Lot 191
A Chinese hardwood vase stand, c.1900, the circular top inset with rouge marble enclosed by a beaded border, above a pierced apron with double gourds, on shaped legs with scroll feet,33.5cm wide38cm highCondition ReportSurface scratches. Splits and chips to corners and edges. Repaired with signs of glue to one apron, one leg and stretches. The band below the top stretched with losses. Two aprons damaged with losses.
Lot 272
A Loetz ‘Vesuvian’ iridescent glass vase, c.1901, Bohemian, of shouldered form with applied teardrop trails to a Candia iridescent ground, 16cm highCondition ReportOne of the droplets with a chip. The iridescence with some flaking to the neck and under the lip. With some bubbles to the side contemporaneous with manufacture. Additional images uploaded.
Lot 178
A group of Japanese cloisonné, 20th century, of three cloisonne jars, of ovoid form, the pair with dragons and phoenixes in blade-shaped panels, the other with flowers and waves between diapered borders,15 and 17.5cm diameter, a Japanese champleve vase,of double gourd style on three paw feet, decorated with scrolling lotus,27cm high, anda Chinese cloisonne jar,the ovoid body with a domed cover, decorated with peonies agianst a diapered ground,20 cm high (6)Condition ReportThe pair of cloisonne jars with chips and cracks to interior, exterior and base, one dented to neck, the other with mounted rim loose. Thethird Japanese cloissone jar with dents to base and scratches, chips to shoulder.The champleve in good condition with scratches to mouth and cracks to interior, drilled to base.The Chinese with losses to base and the cover, cover repaired.
Lot 148
A group of six Japanese and Chinese cloisonné vases, 19th-20th century, of tapering form, comprising two Chinese, enamelled with peonies on a midnight blue ground with scrolling florets, two Japanese, with phoenixes and dragons in blade-shaped panels, all below a band of scrolling florets, another Japanese with floral motifs in shaped panels against various shades of blue, and another, with a light purple peony and stems on green and white ombre ground,10-19cm high (6)Condition ReportTwo Chinese in good condition.Green and white ombre with a chip and star cracks to shoulder.Floral vase with smalls chips to enamel, dents to the rim and base.Japanese dragon vases - smaller one with star cracks to base, the taller one with dents to mouth and shoulder with losses and damages.
Lot 231
A Wedgwood black basalt fruit bowl, late 19th century, of fluted form, striped with engine turned bands, impressed marks26.5cm diameter a Jasperware jardiniere, mid 20th century, decorated with acanthus leaves and classical figures to a green ground, impressed marks15cm hightogether with a black twin handled mantle vase,20th century, of oval form, footed with ribbed decoration, impressed marks37cm widea black ribbed cup, impressed marks 8cm high, and a Queensware vase, stamped and impressed marks 22cm high (5)Condition ReportBasalt fuit bowl) with scratches and scuffs, manufacturing imperfections and indentations to the lower half of the bowl.Jasperware jardinerre) a few scuffs and nibbles. Residue to the interior. Mantle vase) with crack to rim above handle. Surface scratches.Cup) in need of cleaningQueensware vase) with 5cm hairline crack and 7cm crack to rim of the vase leading downwards. Star crack to the bottom of the vase interior.
Lot 220
A pair of porcelian bulb boxes with covers, 19th century, French, decorated with gilt and floral bouquets, with openwork and square pierced covers, terminating in feet modelled as swans 18.5cm high, together with a small porcelain dish decorated with a gentleman on horseback, to a gilt border with blue ground, with crossed swords mark, 13cm diameter, a small bud vase, decorated with encrusted flowers, impressed marks 8.5cm high, a Meissen Schneeballen style porcelain pin tray, 23cm wide, and a porcelain pot à jus with domed cover with knop, body decorated with flowers 9cm high (6)Provenance: The Collection of the late Rosemary and Theo Cutting. Condition ReportBulb boxes) With rubbing to the decoration and gilt. Knocks and wear. cracks and losses to one rim and cracks and repair to one lid. The other with minor nibbles.
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653685 item(s)/page