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653833 item(s)/page
Japanese Meiji Period 1864 - 1912 Pair of Fine Quality Signed Small Satsuma Vases, Decorated In Superb Hand Painted Images to Front and Back of Vase, With Blue Overlaid Gold Borders and Neck Area - Please Confirm with Photos of Bases, Signed Character Marks. Each Vase Stands 5 Inches - 12.5 cms High. Condition Report - One vase has been restored around the neck area.
Large Box of Collectible Porcelain & Pottery, including blue and white Willow pattern, plates, side plates, cups, etc. Together with two green Rye pottery vases, large Clifton planter decorated with scenes of coach and horses, tall cream and tan motted vase, tin vintage tea pot, and a boxed set of vintage fish knives and forks.
Royal Worcester Fine Handpainted Twin Mask Handle Pedestal Lidded Vase, with painted floral decoration on blush ivory to centre of pedestal vase. Date 1903. Shape No. 1572. Reg. No. 188129. Height 11" - 27.5 cm. Condition Report - tip of the tip lid is missing, very small hairline crack to cherub.
Pair of Victorian Etruscan revival twin handled vases by Pratt & Co circa 1850-60 of baluster form decorated with classical couple and figures on black and gilt ground, backstamp to underside, 26.5cm high (2) Vase 1: Possible restoration to top rim, visible from inside. Paint scratched. Gilding rubbed throughout.Vase 2: Gilding rubbed and minor scratches throughout.
Pair of 19th century Qing Dynasty Chinese Kangxi style ginger jars, the oviform jars decorated with prunus blossom and precious objects on blue ground, approximately 21cm high, with a padouk wood stand and a zitan style wood stand.Chip in top rim of one vase. No obvious damage to foot rims. General ageing to both vases. No visble damage to one wooden stand other chip to outside amd missing section of underside - been painted over.
MIXED LOT OF SILVERcomprising six cased Apostle spoons, Birmingham 1914 by Mappin & Webb, cased silver cruet set, Birmingham 1946 by William Adams, spill vase with a silver base and cut glass body, Birmingham 1985 by W.I.Broadway & Co, two napkin rings, Birmingham 1937 and 1974, silver and mahogany bottle coaster, Birmingham 1997 by W.I.Broadway & Co, and a silver photograph frame, Sheffield 1992 by Carr's
An opaque blue Roman glass vase, probably 3rd-5th century AD or middle eastern origin, of sqaut bulbous form raised on a circular pedestal foot and a shortened neck, 8cm highOur client's Grandfather started the collection: Joseph Duncan Steel born in Southampton in 1910, he was a son of a White Star Line Captain. Engineer by trade hence his love of things well made but poet and historian by nature with an endless curiosity, all qualities which led to his passion for collecting in the 1950/60s, including the family car - a 1936 Rolls Royce! Father: Roberto Gnisci, born in Rome in 1942, was an engineer by profession, but purchased his first Roman coin at the age of 8 and continued to pursue his passion for collecting antiquities throughout his life, especially between 1970s to late 1990s.
A matched pair of Royal Crown Derby "Old Imari" pattern bone china small baluster vase and covers with flower bud finials, together with one other similar, 1925, 13 cm overall height, and other dates, together with other Royal Crown Derby imari wares including a goblet, Portland style vase, Campagna urn and a covered urn, a pair of small "Japan" bottle vase (10) These items formed part of the collection of the late Peter John Mitchell of the West Midlands.Peter found an interest/ fascination later in life in the collecting of any manner of items and was a regular and well-loved attendee at the local auction houses in and around the West Midlands and sometimes further afield. He had a good eye for detail and an appreciation of quality, coupled with a discernment for the finer things in life, namely fine writing equipment mostly by the prestigious manufacturer Mont Blanc and extending in a very large way to his passion for Royal Crown Derby especially his beloved “Old Imari” pattern 1128 and of course Waterford crystal. As can be seen from the breadth of items in his porcelain collection he enjoyed his chosen fields and was an active buyer, and I am sure he would have approved of the items we curated for his estate in his absence.James Lees Hairline crack to the inside cover of the smaller twin-handled urn, otherwise good.
A Roman bulbous glass vase, the rounded body going into a tall slender neck, the dark blue glass with oxidisation throughout, 10.5cm highOur client's Grandfather started the collection: Joseph Duncan Steel born in Southampton in 1910, he was a son of a White Star Line Captain. Engineer by trade hence his love of things well made but poet and historian by nature with an endless curiosity, all qualities which led to his passion for collecting in the 1950/60s, including the family car - a 1936 Rolls Royce! Father: Roberto Gnisci, born in Rome in 1942, was an engineer by profession, but purchased his first Roman coin at the age of 8 and continued to pursue his passion for collecting antiquities throughout his life, especially between 1970s to late 1990s.
A Chinese Famile Rose porcelain (Canton) square section trumpet vase, Qing Dynasty,19th century, painted with alternating scenes of court officials and courtly ladies seated at a low root wood table and roosting Chinese magpies, the body moulded with a pair of gilt rope handles and whimsical applied squirrels and grape vines at the angles, 17 cm wide x 19 cm overall height, together with a large Japanese Satsuma baluster vase decorated in high relief with sages, dragons, and Kanon. bearing a three-character mark to the base, a Japanese Satsuma circular charger, and a large kakiemon-style porcelain baluster vase table lamp.
A pair of Royal Crown Derby "Old Imari" Ltd edition 220/500 bone china dressing table candlesticks, produced for exclusively for The Guild Of Specialist China and Glass Retailers and dated 1994, 17.5 cm overall height, together with a pair of Royal Crown Derby "Old Imari" mallet form squat vases (differing dates), a small two handled urn and cover, and a flared trumpet spill vase and mantel clock and porcelain table bell. (8) Pair squat vase OK 1stsBell Ok 1stsMantel clock case Ok movement unknown, no battery, 1stsSpill vase Ok, 1stsPair candlesticks Ok, 1sts.
A pair of large Japanese Satsuma pottery vases, Meiji period, late 19th Century, bearing Shmazu and Sasuma marks and Kanji marks for Kitamura Yaihiro, of lobed ovoid form with everted rims and 'Daikoku's Mallet' handles, painted and gilt with scenes of Bijin beneath trailing wisteria and Immortals in bamboo groves, 38 cm highVase A. A probablle glaze crack to the rim but the body still rings (as much as pottery ever does). A slight firing fault to the base. See images.Vase B.The vase has some slight discolouration to the inside of the mouth, and a line inside that I think is a slight firing crack, as it doesn't translate through to the outside of the vase..
A Royal Crown Derby "Old Imari"two matching bone china heavy baluster potpourri with pierced domed covers bearing date marks for 1927 and 1932, 10 cm overall height, together with a Royal Crown Derby miniature Sevres style two handled boat form vase and cover, and a Royal Crown Derby Imari pattern squat urn form potpourri and cover (1928) These items formed part of the collection of the late Peter John Mitchell of the West Midlands.Peter found an interest/ fascination later in life in the collecting of any manner of items and was a regular and well-loved attendee at the local auction houses in and around the West Midlands and sometimes further afield. He had a good eye for detail and an appreciation of quality, coupled with a discernment for the finer things in life, namely fine writing equipment mostly by the prestigious manufacturer Mont Blanc and extending in a very large way to his passion for Royal Crown Derby especially his beloved “Old Imari” pattern 1128 and of course Waterford crystal. As can be seen from the breadth of items in his porcelain collection he enjoyed his chosen fields and was an active buyer, and I am sure he would have approved of the items we curated for his estate in his absence.James Lees No chips, cracks, damage or repair. Some minor wear to the gilt and other decoration in places, visible on close inspection. No strike-throughs to the marks to denote 2nd or below quality.
A large Crown Derby bone china two-handled vase of flattened rococo form, bearing the date letter for 1907, 19 cm wide x 20 cm high together with a Bloor Derby porcelain bleu de roi ewer with a scroll handle and panels of exotic birds in the manner of Dodson within raised gilt leafage on a pedestal base with plinth foot, gothic D mark to the base, 35 cm high, a small flared Royal Crown Derby panelled bleu de roi vase, bearing the date mark for 1926, a Royal Crown Derby bleu celeste amphora vase bearing the date mark for 1911.Qty: 4No major damage or repair. Some small chips to the base of the ewerm which also has extensive gilt loss. The other pieces with no apparent issues
A pair of Royal Crown Derby bone china Imari pattern (1128) two-handed urns and covers, 11 cm wide x 31 cm overall heightSmall chip to the interior rim of the underside of one vase (see image), and a strike-through mark on that vase to indicate 2nd quality. The other vase appears in good order, with no damage or repair. Decoration on both is good and clean.
A large Japanese Satsuma pottery baluster floor vase, Meiji/Taisho, early 20th century, with gently flared rim, the body painted with Edo feudal lords and Samurai in brocaded robes and eboshi caps within raised gilt borders. 60 cm overall height.The vase is in good order, but with inevitable rubbing to the gilding.
A Wedgwood black basalt jasper "Portland Vase", 20th century, 16 cm wide x 19.5 overall height, together with a pair of Aesthetic taste English porcelain vases (possibly Minton) painted with dog roses and vines, together with a first period Worcester blue scale with floral, fan-shaped reserves, late 18th century/early 19th century Derby inkstand, Worcester Bute cup and saucer and other itemsDamage and repair to the blue bowl. Several cups with hairline cracks, and one with a missing handle. Decoration rubbed and worn to many items. Portland vase with scratches to the body, but no damage.
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653833 item(s)/page