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Two Similar Chinese Porcelain Yellow Ground Bowls, each of circular form and ogee outline, one decorated with three circular reserves containing still life studies of vases and flowers, against a yellow ground enriched with gourds and fruits, the other with qilin near vases, the ground with further vase and Buddhistic emblem decoration, each bearing Daoguang seal mark, 5.3cm high, 11cm diameter, upon associated carved hardwood five-legged stands
A Chinese Underglaze Blue and Copper Red Decorated Export Vase, late18th/early 19th century, of flattened spherical form, the cupped neck applied with four panels of flowers growing from rocks and vases, the raised front and reverse panel depicting an extensive mountainous lakeland landscape, and a bird amongst flowering magnolia and other blossoms, against a red dotted ground with further floral sprays, and with outward angled foot, bearing six character mark of Kangxi, 43.2cm high
A Chinese Porcelain Three Colour Vase, 17th century, of compressed ovoid shape, with pointed leaf tip band to the rim, over a continuous frieze of peonies growing from rocks in underglaze blue, overglaze green enamels and iron red, 16cm high (shoulders previously drilled for handles, a/f),with associated later carved and pierced wood domed cover and five-legged stand, 33cm high
A Chinese Famille Verte Porcelain Baluster Vase, Kangxi (1662-1722), with narrow dentil band to the (reduced) neck, diapered and floret decorated shoulder band, the main frieze with a continuous pavilion scene with six figures around a desk amongst trees, blue string lines to the base, 26cm high, with later associated lamp fittings
A Japanese Ivory, Mother-of-Pearl, Soapstone, Lacquer and Bronze Inlaid Hardwood Panel in Shibayama Style, late Meiji period (1868-1912), the rectangular wood panel depicting a parrot on a perch with vase and feeder attached and with elephantine finials, supporting fish and tassel pendant, the bird looking downwards towards a still life of a bronze wine pot containing flowering blossoms, applied stylised seal mark and four character mark, 76cm high, 45cm wide, applied on the reverse with old label Worcester Royal Porcelain Works Museum No.200 (also ink written number 280)
A Chinese Pale Celadon Jade-Type Carving, early 20th century, as a flat sided gourd enclosing moveable yin yang roundel and floret, with scroll surmount, 8.1cm, on a carved and pierced wood elaborate small stand, 13.1cm high; and A Pale Celadon Jade-Type Pendant, early 20th century, as a vase with scroll handles supported from three-link chain, 7.8cm high, on a carved hardwood "door-frame" decorative stand (2)
An American White Metal Six Piece Tea and Coffee Set, Shreve & Co, San Francisco, circa 1920, the pedestal foot rising to an octagonal vase shaped body with beaded everted rim, scroll handle and domed cover with an urn finial, initialled, 26cm high, 77oz 10dwt including handles; and A Metal Strainer (2)
Harold Clayton (1896-1979) "Flowers in a vase" Signed, inscribed verso, oil on canvas, 46cm by 56cm Provenance: G M Lotinga Ltd, London Clayton was born in London, and studied at Hackney, Harrow, Hornsey, and later at St. Martins School of Art, under Norman James` tutorship. He exhibited oil paintings, watercolours and wood engravings at the Royal Academy, working in Hampstead and Suffolk.
A Pair of Fretted and Engraved Brass and Steel Mounted D Shape Fenders, in George III style, each with arched frieze incorporating pairs of crouched leaf spewing dragons within vitruvian scroll and grille piercements, a row of bosses to the base, the box ends with raised fire iron supports, with vase finials, 135cm long, 50cm high
A Victorian Figured Walnut, Tulipwood Banded and Ebony Strung Breakfront Credenza, 3rd quarter 19th century, the moulded top above a marquetry frieze and cupboard door inlaid with a classical vase and scrolling flowers, flanked by gilt foliate mounts, the glazed convex doors enclosing three fixed shelves, raised on a conforming base with toupie feet, 150cm by 40cm by 108cm
A William Moorcroft Macintyre Revived Cornflower Pattern Vase, circa 1910,with swollen base and tall cylindrical neck, against a mottled green/blue ground, brown printed Macintyre mark, printed MADE FOR W.W.FURSE ILFRACOMBE, green painted signature and impressed 153, 20cm (restored)
David Lloyd Jones (1928-1994): A Stoneware Vase, tenmoku glaze with wax-resist decoration, impressed seal mark, 24.5cm; A David Lloyd Jones Porcelain Bowl, oatmeal glaze with brush stroke decoration, impressed seal mark, diameter 18.5cm; and A Set of Four Bowls, by David Andrew Leach, celadon glazed, three with impressed seal mark and St Ives Pottery mark, one 13.5cm diameter, three 12cm diameter (6) David Lloyd Jones was born in Wimbledon in 1928. He trained at Guildford School of Art, doing some pottery 1951-2, but is largely self-taught. He produced a range of domestic ware, in short runs and individual pieces, in thrown stoneware and porcelain. He used a number of glazes and processes, including salt-glaze and wax resist.
Emile Galle (1846-1904): A Verrerie Parlante Vase, dated 1898, apple green and ochre, wheel-carved with trees and applied foil back half moon, with three tear drops from the rim, inscribed around the base with the poem O Forets! bois profonds! solitudes, asiles! Victor Hugo (O Forests, deep woods, solitudes and asylums), signed Galle 1898, 21.5cm
A Bohemian White Overlay Clear Glass Pedestal Vase, circa 1870, the ovoid bowl with ogee rim, painted with flower sprays in oval panels, on a circular socle and cylindrical column, with a bust portrait of a girl and a spray of flowers, all on a gilt foliate scroll ground, 37.5cm high
* A Victorian Bohemian glass commemorative goblet, ruby red, engraved with an exterior view of Crystal Palace `View of the Palace from the Great Exhibition`, grape and vine decoration, on a facet cut stem with shaped foot, 21.5 cm high, together with a similar large Victorian Bohemian glass vase engraved `The Industrial Exhibition for 1851`, grape and vine decoration around a vacant cartouche on a shaped foot, chipped, 32 cm high (2)
A contemporary Suzie Cooper (C2068) bone china tea service of plain black and white comprising 8 trios, sandwich plate, milk jug and sugar bowl, together with a contemporary Chinese ovoid lidded vase with typical polychrome floral/foliate design and a small Bohemia Crystal flower bowl (2 trays, as viewed)
A late 19th century blue glass ewer of tapering form with slender neck and scroll handle, overlaid in polychrome and gilt enamels with stylized flowers and leaves and a small Venetian ruby glass baluster shape vase decorated in cream and gilt enamels with the rialto bridge and scrolling flowers
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653833 item(s)/page