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Three Royal Doulton Lambeth advertising stoneware pieces to include two ashtrays for 'Courage's Ales and Stout', a miniature baluster vase for 'Colman's' with raised hunting scene and a miniature Doulton Lambeth flagon and a Doulton Lambeth stem vase (5).
A pair of black ground cloisonné vases, each decorated with a dragon, height of each 13cm (both af), a larger pair of blue ground cloisonné vases decorated with chrysanthemums and cherry blossom, height of each 18cm and a further blue ground cloisonné vase decorated anemones (5).
A 19th century Chinese famille rose vase of tapering form with figural and landscape decoration, gilt highlights and flared rim, height 24cm and a Chinese provincial blue-over-white decorated storage jar, approx height 16.5cm. CONDITION REPORT The tapering vase has substantial damage to the rim, loss of paint particularly to the corners and edges, and the storage jar has light pitting throughout, no cover present, no other visible chips, cracks or restoration. No markings to either.
Two Mdina glass paperweights, a larger similar glass abstract study, height 24cm, a heavy glass vase, signed to base 'Kosta LH 1792' and a mid 20th century Art Deco style frosted glass mantel clock (5). CONDITION REPORT In overall good condition. The pink clock has one or two flea bites to the base, the glass face is cracked, otherwise OK.
A small collection of glass to include a 19th century blue Mary Gregory style claret jug with four matching glasses and a matching glass tray, also a blue glass jug and a retro rectangular abstract blue glass vase (6). CONDITION REPORT The claret jug has been restored, all parts are present.
Peter Tereszczuk - an Art Nouveau brown patinated cast bronze dish, decorated in relief with a profile portrait of a young shepherdess, the side bearing cast signature, length approx 27cm, together with an Austrian Art Nouveau cast bronze vase, height approx 12cm, and a pair of early 20th Century pewter plaques, decorated with seated maidens, indistinctly signed.
A pair of 20th Century Cambodian silver novelty boxes and covers, each in the form of a frog, marked 'T90' to bases, length approx 4.5cm, together with a Chinese silver diminutive vase, decorated with panels of blossom, bamboo and pagodas, a hexagonal box with hinged lid, decorated in relief with a dragon, and a two bottle condiment stand, fitted with two Bristol blue glass bottles and stoppers.
An early Victorian silver cream jug of low bellied form with scroll handle, raised on a scroll apron and four feet, London 1840 by Charles Lias, height approx 13.5cm, a silver cream jug of oval form with reeded rim, Sheffield 1914, a silver cream boat, Birmingham 1930, and a silver posy vase, Birmingham 1910.
A Mintons pâte-sur-pâte porcelain vase, circa 1891-1902, the gilt decorated neck above an ovoid body decorated in white with three blue tits perched on blossoming and fruiting branches, against a turquoise ground, flanked by two gilt scroll moulded handles, on a similarly decorated circular foot, gilt printed factory mark and gilt painted '3112' to base, height approx 24.5cm (damage to rim), together with a similarly decorated smaller Mintons pâte-sur-pâte vase, height approx 19.5cm (damage to rim).
A Royal Crown Derby porcelain two-handled posy vase, circa 1885, of squat baluster form, enriched in gilt with leaves and flowers against a blue ground, flanked by moulded scroll handles, each terminating with a female mask and similarly decorated circular foot, iron red printed factory mark and painted '64' above 'A' to base, height approx 9cm (gilt rubbed to rim of neck and handle).
A Doulton Lambeth stoneware vase, late 19th Century, by Frank A. Butler, the flared narrow neck and shouldered elongated ovoid body incised with scrolling acanthus leaves and geometric panels against a buff dotted textured ground within mottled brown borders, impressed factory mark and incised artist's monogram to base, height approx 44cm (rim of neck damaged).
A Royal Doulton Lambeth stoneware wall pocket, early 20th Century, by Francis C. Pope, the tapering body tubelined with a stylized flower, leaves and tendrils against a pale green ground, impressed factory marks and incised artist initials to reverse, height approx 17cm, a Royal Doulton stoneware small posy vase, together with a small group of other pottery, including a pair of jardinières decorated with iris.
A Max Verboeket clear art glass vase with internal blue and red swirling decoration, etched 'Max Verboeket, 'Maastricht' and '503-82' to base, length approx 42cm, another red and amber coloured art glass vase, a frosted glass dish, decorated in relief with a maiden swimming amongst rocks, a near pair of blue and clear glass vases and a cut glass fruit bowl (minor chips).
A Staffordshire porcelain potpourri vase and cover, circa 1830, the pierced cover with gilt flame finial, the urn shaped body painted with opposing flower vignettes within gilt scroll borders, above gilt lyres and foliate scrolls, all reserved against a pale yellow ground, flanked by a pair of gilt dolphin handles, on a circular foot, height approx 16cm (minor hairline crack to rim).
A Staffordshire bone china potpourri vase, cover and liner, circa 1830, the pierced cover with gilt dragon/phoenix finial, the rounded barrel shaped body finely painted with opposing flower sprays, flanked by a pair of gilt moulded dragon handles, height approx 21cm (finial repaired and minor re-touching to gilt rim).
A Whitefriars sea green glass lobed vase, designed by William Wilson, circa 1950, of tapering form with bubble inclusions, height approx 18.5cm, a Scottish art glass vase, probably Monart, of tapering cylindrical form with shaded green to amber coloured decoration, height approx 18cm, a small group of other similar glass and a pair of clear glass storm lantern shades.
Two pieces of Royal Crown Derby miniature bone china, each decorated in the Imari palette with flowers, comprising a heart shaped box and cover, circa 1910, and a vase, circa 1929, together with a group of other similar bone china, including a Mintons posy vase, decorated with scattered flowers, a Crown Staffordshire tyg, decorated with pink roses beneath a blue and gilt scale border, and a Wedgwood mug.
A Coalport porcelain cabinet cup, late 19th/early 20th Century, with gilt scroll handle and interior, the blue ground exterior ornamented in gilt with bellflower and palmette decoration, height approx 11cm, a Coalport porcelain vase, painted with an oval reserve panel of an exotic bird in a landscape against a green and gilt ground, raised on scroll feet, height approx 11cm, a Mintons gilt decorated cabinet cup and saucer and a Mintons two handled cup of ovoid form, decorated with birds and flowers, raised on a tapering stem and circular foot.
A Moorcroft pottery Anemone design vase of squat baluster form, decorated with a band of anemones against a dark blue ground, impressed factory mark to base, height approx 11cm, together with a Moorcroft pottery Sally Tuffin design circular dish, decorated with Lemon pattern, and a Moorcroft pottery heart shaped box and cover, decorated with Hibiscus pattern against a cream ground.
A Sitzendorf porcelain figural table centre piece, late 19th Century, the oval two handled flower encrusted basket with pierced rim above a naturalistic column, painted with panels of flowers flanked by a young lady and gentleman, on scroll feet, height approx 47cm, and a Vienna style porcelain vase of urn form, decorated with a scene of classical figures, on a similarly decorated rectangular base, height approx 39cm.
A Doulton Lambeth stoneware vase by Edith D. Lupton, of gourd form, incised with brown leaves and berries against a buff concentric circles ground, impressed factory mark and incised artist's monogram to base, height approx 21cm, together with a Royal Doulton stoneware jardinière, tubelined with a continuous stem of fruiting vines between blue borders, height approx 18cm.
A Royal Crown Derby bone china posy vase, circa 1897, the blue and gilt flared neck above a tapering shouldered body, decorated in the Imari palette with stems of flowers, printed factory mark and painted '876' to base, height approx 10cm, together with a group of other Royal Crown Derby, including two vases, three teacups and saucers and a coffee can and saucer.
A pair of Royal Doulton stoneware ewers, each green glazed flared neck and handle above tubelined blue flowers, impressed factory marks to bases, together with a collection of other Doulton stoneware vases and condiments and a Gouda pottery small posy vase, retailed by Liberty & Co, decorated with stylized motifs against a blue ground, painted factory marks to base, height approx 7cm.
A group of five pieces of Poole Pottery, comprising a vase decorated with cockerels amongst flowers, two plates, a dish and posy vase, all decorated with flower sprays, a Grays Pottery vase with grey, green and brown banded decoration (chip to rim), a Samuel Alcock & Co, Cobridge water jug and bowl and a Yardley English Lavender ceramic display stand, modelled as three girls and a dog.
A Royal Doulton stoneware Lord Nelson commemorative milk jug and matching sugar bowl, early 20th Century, each decorated on one side with a portrait of Lord Nelson and with a warship on the other, the neck inscribed 'England expects every man will do his duty', heights approx 8cm and 7cm, together with a collection of other Doulton stoneware, including two pairs of miniature vases, two condiments and another vase.
CAROLYN SERGEANT (b. 1937)A Still Life of mixed Flowers in a vasesigned with initials and date 81oil on canvas20 x 17 1/2 in; together with a selection of other still lifes by the same artist; and a folio containing a selection of unframed botanical and still life subjects (qty)Carolyn Cann married John Sergeant in 1962. She studied at the Royal Academy Schools from 1959-1962 where she was a silver medallist.
A fine Japanese inlaid bronze VaseBy Koichi for the Koroda workshop, Meiji Periodof ovoid form, decorated in silver, shibuichi, shakudo and gilt takazogan with goose in flight beneath a full moon, signed to the reverse Koichi, the base signed Kyoto Kuroda Zo, 4 1/2in highFOOTNOTE: Koichi was part of a group of talented artisans working for the Kuroda workshop, which was regarded as one of the best in Kyoto. Kuroda metalwares were awarded numerous prizes at international exhibitions.
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653685 item(s)/page