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Click here to subscribeAn 18thC Chinese porcelain plate, decorated with central panel of a vase of flowers in blue, green and red, within enamelled floral borders and an outer border of scrolling white flowers, the reverse with a panelled border and green, red and blue floral branches and underglaze blue double ring, 30cm diameter.
painted with a dragon and phoenix amongst peony blossoms, bats to the rim and underside, 23.8cm diameter: a small turquoise glazed bottle vase, painted with a tiger and foo dog, a dragon modelled to the neck, 11.5cm high: a Chinese export saucer dish, Qing, circa 1790, painted with Manchu women and a child on a terrace, 15.5cm diameter (3)Condition report: The small mandarin plate has a little rubbing to the enamel, especially to the blue seat.
comprising an agate lobed pedestal cup, Tang style 5.4cm high; a dark stone pierced censer, 10cm high; a green stone quatre-lobed tray, in Tang style, 25cm long; a mottled cream/brown stone vase and cover, in Tang style 10cm high (5)Footnote: The Chinese Buddhist statuary and associated collection was acquired by C Roger Moss OBE in Hong Kong during the period 1980 to 2003. All items were officially exported from Hong Kong by shippers and handlers recommended and approved by the Mass Transit Railway Corporation of Hong Kong on 10th May 2003, with full documentation. Itemised inspection certificates - dated 24th February, 16th and 23rd April and 7th May 2003 (report No 0254/03) by J & H Surveying Co Ltd, Marine Surveyors - number and detail the items exported. A copy is available at Cheffins’ offices. The shipment arrived in Felixstowe, UK on 29th May 2003 and was received for transhipment by Redfern International Logistics of Leeds, recorded in their sales invoice no. IDSI2926, which details fees paid for the appropriate Sea Import Customs and Sea Import Documentation. The dating of Chinese sculpture is notoriously difficult and all such references in this catalogue are based entirely upon style and should not be relied on as a statement of fact. 1980年至2003年期间，C Roger Moss OBE在香港购买了中国佛教佛像及相关藏品。所有物品均由香港地下铁路公司于2003年5月10日推荐并批准的托运和装卸机构从香港正式出口，并附有完整的单据。逐项检验证书-由海洋测量师J＆H Surveying Co Ltd于2003年2月24日，4月16日，23日和5月7日签发（报告号0254/03），对出口的物品进行编号和详细说明。您可以在Cheffins拍卖行获取一份副本。这批货物于2003年5月29日到达英国费利克斯托，并被利兹的Redfern International Logistics转运，记录在其销售发票中- IDSI2926，其中详细囊括了这次海关进口细节和相关文件的支付费用。众所周知，我们很难判定中国雕塑的历史时期，本目录中的所有相关参考文献均取决于它们的风格，因此买家不应作为事实陈述。
his right arm on a vase, raised upon a rug covered cushion base, 5cm highFootnote: The Chinese Buddhist statuary and associated collection was acquired by C Roger Moss OBE in Hong Kong during the period 1980 to 2003. All items were officially exported from Hong Kong by shippers and handlers recommended and approved by the Mass Transit Railway Corporation of Hong Kong on 10th May 2003, with full documentation. Itemised inspection certificates - dated 24th February, 16th and 23rd April and 7th May 2003 (report No 0254/03) by J & H Surveying Co Ltd, Marine Surveyors - number and detail the items exported. A copy is available at Cheffins’ offices. The shipment arrived in Felixstowe, UK on 29th May 2003 and was received for transhipment by Redfern International Logistics of Leeds, recorded in their sales invoice no. IDSI2926, which details fees paid for the appropriate Sea Import Customs and Sea Import Documentation. The dating of Chinese sculpture is notoriously difficult and all such references in this catalogue are based entirely upon style and should not be relied on as a statement of fact. 1980年至2003年期间，C Roger Moss OBE在香港购买了中国佛教佛像及相关藏品。所有物品均由香港地下铁路公司于2003年5月10日推荐并批准的托运和装卸机构从香港正式出口，并附有完整的单据。逐项检验证书-由海洋测量师J＆H Surveying Co Ltd于2003年2月24日，4月16日，23日和5月7日签发（报告号0254/03），对出口的物品进行编号和详细说明。您可以在Cheffins拍卖行获取一份副本。这批货物于2003年5月29日到达英国费利克斯托，并被利兹的Redfern International Logistics转运，记录在其销售发票中- IDSI2926，其中详细囊括了这次海关进口细节和相关文件的支付费用。众所周知，我们很难判定中国雕塑的历史时期，本目录中的所有相关参考文献均取决于它们的风格，因此买家不应作为事实陈述。
Two Aynsley bone china hand painted lidded two handled commemorative vases for Her Majesty Queen Elizabeth, The Queen Mother commemorating her 90th year, hand painted with the Castle of Mey. A limited edition for The Peter Jones collection, no. 2 and 3 of 90. Signed by the artist L Woodhouse, with separate mahogany bases. Vase 21cm high approx plus bases. (2)(B.P. 21% + VAT) No obvious damage.
A Chinese five dragon mallet shape vase, the everted rim with ruyi head border above five polychrome enamel imperial style dragons amongst stylised clouds, the shoulder with three applied rams masks in relief, above a band of waves, pseudo six character Youngzheng seal mark, with wood stand, 29cm highCondition report: Some light gilt rubbing to the rim, otherwise in good condition throughout.
A pair of Russian enamel silver gilt vases, the rims set with diamonds between gilt scroll handles, the ovoid bodies decorated with mythical beasts amongst foliate scrolls, 12.5cmCondition report: One vase with a dark line around the base, possibly a repair, the other with no obvious faults visible.
A Pilkingtons Royal Lancastrian vase, shape number 2634, with sponged deep blue ground, impressed marks to base, 18 cm high, together with an early 20th century mottled orange glass vase, of shouldered form with silver mounted collar, 15.5 cm.Qty: 2Condition report: Some dents to the silver collar, no other apparent issue to either item.
A collection of Chinese carved hardwood stands, Qing, 18th/19th century, to include and intricately carved and pierced example with lingzhi funghus, chrysanthemums and rockwork, 11cm wide, a further stand carved and pierced with lingzhi funghus, 10.5cm wide, an open tri stand with ruyi head feet, 16cm diameter, a cinnabar lacquer stepped vase stand, carved with bands of lotus flowers, leiwen (Greek key), and gadroons, 21.5cm wide, 13cm high, three square topped stands and two others, and two Japanese metal stands, one bronze and of octagonal form with simulated bamboo legs, 10.5cm diameterQty: 12Condition report: Cinnabar stand with some small losses to the gallery, one section of the gallery has been broken and glued. Tallest square top stand has a 3cm split to the top. The smallest square stand has small shrinkage cracks to two surface corners. A small section missing from the rim of the lingzhi and flowers stand, but has been missing quite some timw as the patination is uniform with the remainder. Generally no major faults, some good stands.
A pair of Chinese Shi shi vases and covers, the cover with Shishi and ball knop with clouds, the shoulder with applied and pierced lion masks, the body painted with a variety of playful Shishi amongst clouds, 46cm high, and a Chinese Museum reproduction vase and cover, of square form, 35cm highCondition report: No obvious faults.
A large and elaborate Victorian brass mantel clock, the dial with Roman numerals and with eight day movement chiming on a single gong, the case with a flowering vase knop above griffins to each corner united by floral swags, seated upon columns flanking protruding mask faces with beaded and floral bands, with pierced frieze, on beaded foliate scroll and lion paw feet, 56cm high, 28.5cm wideCondition report: No pendulum. The case in good condition.
A limited edition Aynsley 'Concorde Celebration Vase', commemorating 25 years of passenger flight (1976-2001), of twin handled form with cover and mounted to a wooden base, numbered 3 of 100, with certificate in presentation box, together with two related First Day Covers, marking the 'Tribute to Conconcorde Farewell Flight' (October 2003) and 'Concorde 206 G-BOAA BAC Delivery Flight' (1976).Qty: 3Condition report: In good unsued condition, with original packaging.
An Edwardian mahogany and boxwood strung corner armchair, with central vase shape splat flanked by pierced vase splats with bellflowers, with tapestry seat, on cabriole legs, 90cm high, 64cm wideCondition report: Cracks and repaired cracks to each end of the top rail. otherwise a clean and structurally sound chair.
A Chinese vase depicting the eight immortals, 20th century, the immortals depicted crossing the sea to attend the Conference of the Magical Peach, with twins He-He Erxian alongside on a carp and lotus flower, finely painted and detailed, in polychrome enamels, a poem verso of the Queen Mother of the West celebrating her birthday, with pseudo four character Yongzheng mark,Condition report: No obvious faults.
A Murano AVeM 1950's multicolour glass cylindrical vase, 22.5 cm high, together with a Murano Fratelli Toso millefiori twin-handled glass vase, circa 1920, 16 cm high, unsigned.Qty: 2Condition report: Neither of the vases are signed. The cylindrical vase has some surface scratches (see images) otherwise both with no apparent damage or repair.
A Moorcraft vase by Walter Moorcroft, in the hibiscus pattern, decorated with orange-pink blooms against a green ground features full blown Hibiscus blossoms, bearing initials WM to base and the impressed mark 'Moorcroft', and incised mark 'Made in England'; also bearing sticker stating that William Moorcroft had been ‘By Appointment’ the ‘Potter To The late Queen’. 32 cm high.Note: Queen Mary died in 1952. This label, denoting the personal patronage of (the late) Queen Mary was attached to Moorcroft items up to 1978 when it was discontinued.
A small pair of Yabu Meizan Satsuma spill vases, circa 1880, of cylindrical form, finely painted with three bands of flowers, a procession of figures and a landscaped snow scene, all beneath a key border and bands of diaper, on three shaped feet, signed in gilt, 9cmCondition report: One vase in good condition, the other broken and glued with small losses
A Loetz iridescent glass bowl, 12.5cm diameter; a Charles Ramsay iridescent glass vase, etched marks, London Glassworks 92, 12cm; and a set of five Murano glass champagne flute, the pink/green and gold bowls with trailed glass and gilt prunts, 18cmQty: 7Condition report: One champagne flute with chipped foot and trailed glass missing. Two further flutes each with a 3cm section of trailed glass missing. All other items are in good order with no obvious faults.
A Chinese green glazed vase, of slender baluster form, with a brown rim, the glaze with fine crazing, and a small ribbed body brush pot, in a green glaze with fine crazing, on three short integral legs, 22.5cm & 6.5cm respectivelyQty: 2Condition report: Both items are in good condition, with no obvious chips, cracks or signs of restoration.
Japanese Meiji period wares, comprising a pair of cloisonne vases, decorated with Irises and leaves in fine silver wirework and musen, the interiors a dark aubergine, with white metal rims, 8.2cm, a lacquer and shell inlaid butterfly box with interior tray, 12.5cm diameter, an antimony box, decorated with fish and dragons amongst spuming waves, manufacturers mark to the underside, 18.5cm wide and a small cloisonne pot, 6cm highQty: 5Condition report: One vase with thumbnail size chip to shoulder, the white lines on the interior appear to be dried polish residue. Both vases have a lot of kiln dirt in the enamel, specifically around the shoulder and base. The butterfly box is missing some shell inlay, a repair to the rear of the lid and a 2.5cm section of rim missing to the rear of the box and a small chip tp the rim of the inner tray. The small cloisonne pot is missing a lid, has a couple of chips to the neck, a chip to one panel and a chip above the foot rim.
A pair of Chinese Famille rose vases, the neck painted with a band of ruyi heads above a shoulder of bladed leaves, the body with blossoming peony, chrysanthemum, birds and insects, above a blue lappet and key banded base, with gilt rim, shoulder and foot, the underside with pseudo six character Qianlong seal mark, 23cmCondition report: Gilding partially erased on both vases. Some enamel flowerheads erased. Some surface scratches to the glaze. One vase with vertical 3.5cm glaze crack, located just beneath the bird in flight and terminating on the flowerhead below. not visible on the interior. Otherwise, there are no further obvious signs of any chips, cracks or restorations.
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