A large late 19th Century Royal Worcester Persian blush ivory twin handled vase and spire cover decorated with cartouche panels of tonal gilt birds amidst enamel and gilt foliage with enamel and gilt foliate panels to the neck, the whole in matt black with a platinum lustre repeat pattern, the gold base with green printed mark with date letter for circa 1882, height 40cm.
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A late 19th Century Moser glass vase of waisted sleeve form heavily engraved with cascading flowers over mitre and notch cut lines picked out in gold over a pale peach ground, height 23cm, together with a similar smaller example with scalloped rim and slice cut body with floral and gilded decoration, height 21cm. (2) NB - From the collection of Gary D. Baldwin - Illustrated - plate 50 - page 97 - Moser Artistic Glass - Edition Two - Gary D. Baldwin.
Four large cylindrical chemist jars each with facet cut tops, paper applied labels, White Beeswax, Yarrow Herb, Logwood, Cloves, height 24cm, a large clear glass chemist jar, height 55cm, a similar pale pink vase and stopper, a similar jar and stopper of bulbous pedestal form, height 35cm, and three stoneware blacking pots. (9)
A group of original Whitefriars master art work and workshop illustrative working boards for glass makers for various textured range vases designed by Geoffrey Baxter, all printed from the original working drawings with later annotations, corrections and amendments, including a shape 9680 Hoop vase, 9758 Onion vase, 9717 Volcano vase, 9731 Pineapple and 9683 & 9684 Nailhead vases. (6)
A Whitefriars Textured range Coffin vase designed by Geoffrey Baxter in meadow green, pattern 9686, retains pattern number label to the base, height 13cm, damaged, together with a Wedgwood green Sheringham three ring candlestick designed by Ronald Stennett-Willson, height 14cm.
A late 19th to early 20th Century Royal Bonn vase, hand painted by E. Volk with a lady stood beside an urn, signed, printed mark, height 18cm, together with twin handled pedestal urn and cover with purple and blue flowers, height 21cm, and a box and cover decorated to each face with a scene of figures by the waters edge, bears spurious Augustus Rex mark, height 12cm. (3)
A boxed Coalport 'The Lincoln Cathedral' vase and cover decorated with a hand painted scene of Lincoln Cathedral celebrating its 900th Anniversary AD 1072-1972 by Peter Gosling, commissioned by Francis Sinclair Georgian House, Doncaster, England, printed mark, numbered 36 of 100 to the certificate, height 24cm.
A later 20th Century studio glass vase by Tom Petit, of shouldered ovoid form with everted collar neck, decorated with a mutlicoloured swirl over clear ground, signed to the lower shoulder, height 15cm, together with a small spherical example with pulled line decoration. (2)
A 20th Century continental garniture comprising a vase and cover and a pair of single sconce candlesticks, each decorated with cherubs and encrusted flowers and foliage with pierced panels, each bears spurious Dresden mark, vase height 34cm, candlesticks height 18cm. (3)
A 1960s Ceramiche Giulianelli Italian pottery double neck vase decorated in a black and white lava glaze with a red cartouche panel with two incised portraits of stylish ladies with coloured enamel detail, printed mark, height 31cm, together with a matching trinket box, damaged. (2)
A mid 19th Century Bohemian Lithyalin glass vase, probably Friedrich Egermann refinery, of waisted slice cut octagonal form with upper collar rim, cased in a marbled tonal opal and brown over opal interior, height 13cm, together with an Aqua-Opal example of footed flared form with gilded highlights, height 11cm. (2)
A 1930s Pilkingtons Royal Lancastrian Art Deco shape 200 vase thrown by Edward Radford and decorated by Gladys Rogers with a banded pattern in blue and green over a mottled grey ground, impressed and painted marks, height 23cm, together with a small Pilkingtons Royal Lancastrian vase with banded decoration, height 13cm. (2)
A Royal Worcester blush ivory shape 1294 powder box and cover decorated with flowers and moulded detailing to the rim edge, puce mark with date letter for 1889, diameter 12cm, together with a blush ivory shape 677 vase decorated with a spray of daisies with moulded detailing to the side, puce mark, height 15.5cm, damaged. (2)
A late 19th Century Moser vase in the form of a Cornucopia raised to a rustic form base, the body relief paste gilded and enamelled to a graduated pale pink to clear ground, height 17cm, together with a similar period Moser Solifleur vase with gilded and enamelled decoration. (2) NB - From the collection of Gary D. Baldwin.
Two pieces of Poole Pottery Delphis comprising a shape 83 vase and a shape 86 bowl, both decorated in the typical manner, printed marks to both, vase height 15cm, together with a large continental mid 20th Century table centre glazed in a tonal black with red flame pattern, unmarked, length 50.5cm. (3)
Three pieces of late 18th to early 19th Century First Period blue and white Worcester comprising a footed bowl decorated in the Waiting Chinaman pattern, a vase in the Three Flowers pattern and a butter box and cover also in the Three Flowers pattern, all with painted marks, damages. (3)
A late 19th to early 20th Century Royal Worcester Hadley Ware vase decorated with hand painted violets and lily of the valley with a yellow neck and foot, printed mark, height 18cm, together with a Hadley Ware pedestal jug decorated with dandelion, height 18.5cm, and a twin handled vase in the style of royal Worcester, height 16.5cm, all restored and/or damaged. (3)
Five pieces of mid 20th Century continental pottery comprising a French twin necked vase with textured glazes, indistinctly signed to the base, an Italian Fratelli Fanciullacci pottery jardiniere, two German vases glazed in black and white with a wax resist effect and an Italian Ceramiche Giulianelli rectangular tray. (5)
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653833 item(s)/page