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Sarreguemines Majolica spill vase, in the form of a putti holding a large yellow flower and a small scythe, resting on a basket of flowers, in coloured glazes, impressed marks to base, 22cm wide, and a pair of continental porcelain figures of a man and woman in costume, 40cm high, (3), (restored)
A 19th century Staffordshire pottery jar in the form of a Turk's head, 11cm., a similar spill vase 'The Royal Family', 11cm., a Maws' Cherry Tooth Paste' pot and cover (unopened), a blue glazed jug, a Japanese slender vase and a Japanese eggshell cup and saucer painted with postage stamps and butterflies, a/f. (7)
A Queen Anne salver with moulded border, armorial engraved, on vase-shaped feet, maker William Lukin, London 1706, 20cm. diameter, 283gm., 9.09oz. * The quartered arms are of the Belasyse family, sometime Earls of Fauconberg. The Earldom became extinct in 1802. The subsidiary title of Visount Fauconberg continued until 1815. Newburgh Hall in Yorkshire passed through Lady Anne Belasyse, one of the daughters of the last Earl and wife of Sir George Wombwell, Bt., to the Wombwell family who still live there.
A George V three-piece cruet set, comprising: a mustard and spoon with blue glass liner and a pair of pepperettes, Sheffield 1911/12, a Victorian vase-shaped pepper with screw cover, Birmingham 1892 and a matched pair of Victorian salt and peppers with screw covers, one initialled 'M', maker Edward Hutton, London 1881/87, 4.5cm. high, together with three miscellaneous blue glass liners.
A Chinese watercolour depicting two doves perched amongst foliage, 38cm. x 46cm. and a set of four watercolours of baskets of flowers, 19 x 18cm., unframed. (5) #15-25. 558. A Japanese patinated bronze baluster vase decorated in relief with a landscape scene of buildings in a valley, Hatori factory mark, late Meiji, 18.5cm. Inscribed in artistic sosho style alluding to a Chinese poem 'With fine days and cloudy days, our hours tick away. . . .'
A Dutch Colonial rosewood and marquetry casket of arc-en-arbelette outline and with gilt-brass mounts throughout, the hinged top inlaid with a vase of flowers, birds and foliage, the sides similarly inlaid, a long drawer below and with cast brass carrying handles, 22cm. high x 56cm. wide (some alteration, top detached).
A Japanese Satsuma pottery vase by Ryozan, the shouldered body of gently rounded square section painted with four panels depicting travellers on a trackway, bijin, a study of blossom and trellised chrysanthemums on a scroll scattered ground above cloud scroll basal collar, collars of leaves and mille fleurs at the shoulders, Satsuma mon and Ryozan character mark, 7.5” high.
A Chinese blue and white porcelain vase and associated cover, the inverted baluster body painted with a figure on horse back crossing a bridge towards a fortified building complex below ruyi head and scroll border, lotus panel basal collar, domed cover with bud finial possibly associated, four character Kang-hsi mark, 9.5” high.
A Chinese porcelain polychrome decorated club vase, the body painted with chrysanthemums issuing from rock work and swallows above lotus scroll border rising to neck painted with cash symbols and floral cartouches below pleated everted rim, the interior with a collar of peony flowers, six character mark, 21.5” high.
A Japanese late Meiji period Satsuma pottery five flute crocus vase, the compressed body painted with chrysanthemum flowers on an ivory ground below scale and diaper borders with four outer flutes rising from the shoulder each painted with cloud scrolls, flower head and bearing a Satsuma mon centred around single centre flute, eight character mark and mon to base.
A Minton porcelain pedestal vase and cover, the ovoid body decorated with an oval cartouche of a young girl in Classical dress in a garden setting signed Anton Boullemier within raised beaded border on a turquoise ground decorated in raised gilt with blossom branches, rising to fluted neck and beaded collar with conforming loop handles, raised on square plinth base, conforming domed cover with bud finial. 13.25” high.
A late 19th Century Classically inspired ewer polychrome decorated with a continuous frieze depicting a battle between the Greeks and the Amazons, fully titled to the base, 8” high; a similar Bates, Brown-Westhead and Moore spill vase decorated with a lady dressing for the theatre, 4.5” high. (2).
A late 19th Century Bohemian cased body vase in the manner of Neuwelt, the terraced circular foot rising to a brass collar and ovoid body with facet shoulder and flared neck, the whole cased in deep blue over white over clear and cut back in an interlaced Gothic strap with conforming upper border detail all picked out in gold against the gilded foliate ground, height 15”.
A 1930’s Stourbridge clear crystal vase possibly by Thomas Webb & Corbett decorated in the Rock crystal style with relief moulded fruiting boughs above a collar of high relief fruit around the base each cased in pale amber, the whole further picked out with polished intaglio detail, height 6”.
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653685 item(s)/page