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Lot 154

A Bing & Grondahl porcelain vase designed by Ebbe Sandolin, model 537K, painted with an entwined serpent, in blue on a crackled ground, the rims glazed with brown bands, printed and painted marks, 29cm. high Literature Deutsche Kunst und Dekoration, 1928-29 this vase illustrated.

Lot 156

A Royal Brierley Crystal glass vase designed by Constance Spry, urn shaped with textured finish, acid etched Brierley and facsimile signature 18.5cm. high

Lot 162

A large Moncrieff's Monart Ware glass vase, shouldered form, mottled pink glass with whorls to shoulder, aventurine inclusions, cased in clear unsigned, 25cm. high

Lot 163

A Moncrieff's Monart Ware glass vase, shape VA, shouldered form, clear glass with red and orange mottled inclusions, with aventurine inclusions, original paper label, 23cm. high Provenance Originally retailed by Watson China Hall, Perth. The Morgan collection of Monart glass.

Lot 164

A rare Moncrieff's Monart Ware vase, milky off-white liner cased in red with millefiori cane inclusions, unsigned, 18cm. high Provenance The Morgan collection of Monart glass. Literature Ian Turner Ysart Glass, Volo Editions, page 98 catalogue number 91 and 92 for two comparable vase.

Lot 169

A shouldered clear and frosted green glass vase dated 1927, shouldered pale green glass decorated in low relief with a bird flying amongst stylised exotic foliage etched signature and 1927, 17cm. high

Lot 172

An Orrefors glass vase by Vicki Lindstrand, flaring cylindrical form on applied black glass foot, the body cut with a stylised female figure, etched marks to base, 18.5cm. high

Lot 173

A sapphire glass vase probably Stromberg, in the manner of Whitefriars designed by William Wilson, tapering cylindrical from with cut rectangular panels, unsigned, 24cm. high

Lot 174

A Daum acid-etched glass vase, flaring conical pink glass vase on shallow domed foot, etched with geometric design, an Art Deco decanter and five glasses enamelled with black geometric patterns, two modern Lalique wine glasses a pair of large green glass vases with applied prunts and four other glass items, etched Daum & Nancy France, 42cm. high (14) Provenance The late Greta Morrison, widow of Bryan Morrison.

Lot 182

An Etling opalescent glass Bird of Paradise vase, moulded in low relief, cast Etling France to base, 23.5cm. high

Lot 20

'Inspiration Lily' a rare Clarice Cliff goblet vase, painted in vivid colours on a turquoise ground, painted mark to base potted by Clarice Cliff for Dora Rose March 24 1930, 16.5cm high

Lot 202

'Boulouris' No.1094 a Lalique opalescent glass vase designed by Rene Lalique, modelled in relief, wheel-cut indistinct Lalique stencil mark, chip to top rim, 14cm. high Provenance The late Greta Morrison, widow of Bryan Morrison.

Lot 203

'Ormeaux' no.984 a Lalique cased glass vase designed by Rene Lalique, modelled in relief, white glass cased in clear etched R Lalique France, 17cm. high Provenance The late Greta Morrison, widow of Bryan Morrison.

Lot 205

'Ceylan' No.905 a Lalique opalescent glass vase designed by Rene Lalique, modelled in relief, wheel-cut R Lalique France 905, flat chip to foot rim, 24.3cm. high Provenance The late Greta Morrison, widow of Bryan Morrison.

Lot 206

'Ceylan' No.905 a Lalique opalescent glass vase designed by Rene Lalique, modelled in relief, wheel-cut R Lalique France 905, flat chip to foot rim, 24.3cm. high Provenance The late Greta Morrison, widow of Bryan Morrison.

Lot 25

'Crocus' a Clarice Cliff Bizarre Beehive Preserve pot and cover, painted in colours, a jug, a serving bowl and six dessert bowls in the same pattern and a Clarice Cliff moulded vase, printed factory marks, 10cm. high (11)

Lot 278

A Stevens and Williams Royal Brierley glass vase designed by Keith Murray, tapering cylindrical thick glass with regular air bubble inclusion decoration, acid etched mark and facsimile signature, 30.5cm. high

Lot 279

A Stevens & Williams Royal Brierley glass vase designed by Keith Murray, smokey-grey glass, shouldered form with cylindrical neck and everted top rim, unsigned, 31.5cm. high

Lot 280

A Stevens & Williams Royal Brierley glass vase designed by Keith Murray, flaring olive green glass on applied foot, the body with worked swag decoration, acid etched mark and facsimile signature, 21.5cm. high

Lot 281

A Stevens & Williams Royal Brierley Cactus engraved glass vase designed by Keith Murray, flaring cylindrical form, etched and polished with cactus stems, feint acid-etched factory mark and facsimile signature, 22cm. high

Lot 282

A Stevens & Williams Royal Brierley glass vase designed by Keith Murray, flaring cylindrical form etched with columns of stylised foliage acid etched factory mark and facsimile signature, 20cm. high

Lot 283

A rare Orrefors glass Applet (apple) vase designed by Ingeborg Lundin, designed in 1955, dated 1957, clear glass with cylindrical stem neck, etched Orrefors Expo 32-57 Ingeborg Lundin, 37cm. high Catalogue notes The Apple vase was exhibited at the Swedish Art Exhibition H55 in 1955 and also at the Milan Triennale (titled Expo in the catalogue). Literature Lesley Jackson The New Look Design in the Fifties, Thames & Hudson, front cover and page 18 an example in green illustrated. Bauhaus and other Important 20th Century Avant-garde Design, Sotheby's London, 1st November 1996 lot 255 for a comparable vase. Charlotte & Peter Fiell, Scandinavian Design, Taschen, page 63 for a comparable example illustrated,

Lot 284

An Iittala Finlandia Series glass vase designed by Timo Sarpaneva, moulded cylindrical form with everted rim, an Ultima Thule glass bowl designed by Tapio Wirkkala, a large glass Dodolo centrepiece designed by Vistosi, another similar, Nuutajarvi clear glass candlestick designed by Ovia Toikka and a collection of glass later etched TS to base, 25.5cm. high (a lot) Literature Charlotte and Peter Fiell Scandinavian Design, Taschen, page 589 for a comparable Finlandia vase illustrated.

Lot 285

An Iittala Finlandia bowl designed by Timo Sarpaneva, model no.3374, swollen cylindrical form, the bowl cast with textured design, and an Iittala Finlandia vase designed by Timo Sarpaneva, model no. 3375, etched Timo Sarpaneva 3374 and 3375 to base rims, 33cm. diam (bowl), 17.5cm. high (vase), (2) Literature Iittala 125 Years of Finnish Glass, Arnoldsche, page 229 this design illustrated.

Lot 286

A large Iittala Savoy clear glass vase designed by Alvar Aalto, tapering amorphic form, etched Alvar Aalto to base, 30cm. high, 31cm wide Literature Iittala 125 Years of Finnish Glass, Arnoldsche, page 108 for a comparable vase. Modernism Victoria & Albert Museum exhibition catalogue, 2006, page 337, catalogue number 221 for a comparable example illustrated,

Lot 287

Two Iittala glass Claritas vases designed by Timo Sarpaneva, designed 1983, model no.1577, thick clear glass of trilobe form, one with air bubble inclusions, etched Timo Sarpaneva iittala 1984 C1577, 29cm. high, (2) Literature A Private Collection of Finnish Glass, Christie's 7th March 2001 lot 96 for a comparable vase. Iittala 125 Years of Finnish Glass, Arnoldsche, page 56-57 for a detail of a comparable Claritas vase. Charlotte & Peter Fiell, Scandinavian Design, Taschen, page 591 for a comparable example illustrated.

Lot 288

An Iittala clear glass Claritas vase designed by Timo Sarpaneva, dated 1984, model no.0950, thick clear glass with simple indent to the side and two air bubble inclusions, etched mark to base rim, 26.5cm. high

Lot 291

An Iittala clear glass Arkipelago vase designed by Timo Sarpaneva, thick clear cylindrical glass with surface decoration and internal bubbles, and another smaller, etched Timo Sarpaneva 3144 to smallest, 20.5cm. high (tallest) 12cm. high (smallest), (2) Literature A Private Collection of Finnish Design, Christie's South Kensington, 7th March 2007, lot 89 for three comparable vases.

Lot 320

Joanna Constantinidis (1927-2000) a tall oxidised stoneware vase, 1971, flattened, elliptical form, covered in a pitted cream glaze over bronze, impressed seal mark to side of base, 67cm. high Exhibited International Ceramics 1972, Victoria & Albert Museum, catalogue number Great Britain, no.15, this actual vase.

Lot 321

Joanna Constantinidis (1927-2000) a stoneware vase, elliptical section, burnished to base with speckled brown glaze and bronze interior, impressed seal mark, 35.5cm. high

Lot 322

Joanna Constantinidis (1927-2000) a tall stoneware vase, tapering elliptical form with flaring top rim, covered in a pitted, bronze glaze impressed seal mark 43cm. high Provenance Contemporary Ceramics, Christie's King Street, 16th December 1985, lot 167.

Lot 323

Joanna Constantinidis (1927-2000) a stoneware vase, elliptical section, burnished to base with speckled brown glaze and bronze interior, impressed seal mark, 29cm. high

Lot 33

'Rhodanthe' a Clarice Cliff Bizarre single-handled Isis vase, painted in colours printed factory mark, 24.5cm. high

Lot 335

A large Art Nouveau Kralik surface decorated vase, waisted cylindrical form with knopped quatrlobe neck, pale green glass splashed with orange and decorated with red trails, unsigned, paper labels to base, 41cm. high

Lot 336

A Loetz Gold Papillon cameo glass vase, pale iridescent glass with golden-yellow splashes, highlighted with gilt surface trailing of waterlily flowers unsigned, 22cm. high

Lot 338

Rio De Janeiro an Art Nouveau Galle double-overlay cameo glass vase designed by Emile Galle, shouldered form, opaque glass cased in blue and purple, acid-etched with a lakeside landscape with Sugarloaf Mountain, cameo Galle signature and acid etched Rio De Janeiro title, 14.5cm. high

Lot 339

An Art Nouveau Galle cameo glass vase designed by Emile Galle, shouldered pink glass cased in yellow and green, acid etched cameo lakeside landscape, cameo signature Galle to side, 19.5cm. high

Lot 340

An Art Nouveau Daum Nancy cameo glass vase, swollen opaque glass cased in blue and purple, acid-etched with rose foliage sprays, on swollen foot, etched Daum Nancy to foot, 29cm. high Provenance The late Greta Morrison, widow of Bryan Morrison.

Lot 341

A modern Daum France vase, pierced, cylindrical form, the top rim cast with orchid flowers, purple graduating to blue etched Daum France, 31cm. high

Lot 343

A Hartley Wood Sunderland glass vase, shouldered amorphic form, pink and amber streaked glass with air bubble inclusions, another Hartley Wood streaked vase and an Orrefors etched and cut glass vase by Sven Palmqvist, flaring, faceted form engraved with a naked female figure, unsigned, Orrefors etched signature, 28.5cm. high (3)

Lot 344

A large modern Kosta Boda Caramba glass vase by Ulrica Hydman-Vallien, the opaque swollen glass body painted in black with Adam and Eve portraits, etched marks HV monogram, retail label and signed in black,33.5cm. high

Lot 346

A WMF Ikora glass bowl, shallow form, radiating, crackled green glass cased in clear, a shallow speckled green cased glass vase and a footed blue glass conical vase with colour inclusions, unsigned, 30cm. diam. (3)

Lot 348

Malcolm Sutcliffe (born 1954) an ovoid glass vase, purple graduating streaked blue and white sky, painted with a herd of walking elephants, a Krasna cameo glass vase decorated with a tree feller resting by deer in a wooded landscape, and a Rick and Nikki cameo glass vase, etched signature to base, 14.5cm. high, (3)

Lot 35

'Rhodanthe' a Clarice Cliff Bon Jour vase, circular form on disc feet, painted in colours printed factory marks, professional restoration, 12.5cm. high

Lot 350

Siddy Langley (born 1955) a glass vase and cover, lime green with stripes, cased in clear, the cover with an exotic fish amongst waterweed finial, an Anthony Stern glass vase, a Jonathan Harris Horizon pedestal bowl and another smaller, etched signature, 19cm. high, (5)

Lot 357

'Revived Cornflower/Brown Chrysanthemum' a James Macintyre & Co pottery vase designed by William Moorcroft, swollen form with loop handles, painted in shades of red, purple, ochre and green printed factory mark, painted green signature, 23.5cm. high Provenance From the collection of James Benson.

Lot 359

'Pomegranate' a tall Moorcroft Pottery baluster vase designed by William Moorcroft, shouldered form, painted in shades of red, purple, ochre and green on a blue ground, impressed marks, painted green signature 38.5cm. high Provenance Arts and Crafts Woolley and Wallis, 18th June 2014 lot 296.

Lot 360

'Flamminian Ware' a Moorcroft Pottery vase designed by William Moorcroft, retailed by Liberty & Co, baluster form, tubeline decorated with Art Nouveau roundel to the shoulder, highlighted in blue on a red ground incised Moorcroft signature, 23.5cm. high

Lot 363

'Claremont' a Moorcroft Pottery vase designed by William Moorcroft, ovoid with everted top rim, painted in shades of red, blue cream and yellow on a celadon green ground impressed marks, 9cm. high Provenance Private collection of British Art Pottery

Lot 365

'Claremont' a Moorcroft Pottery vase designed by William Moorcroft, ovoid with collar neck, tubeline decorated in pink and blue on a matt cream ground, impressed marks, painted green signature, minor professional restoration to rims, 10.5cm. high

Lot 366

'Dawn Landscape' a Moorcroft Pottery vase designed by William Moorcroft, tall, slender, shouldered form, tubeline decorated and glazed in shades of matt green and sand highlighted with flambe pink, impressed marks, painted signature, small nicks to base rim, 31cm. high

Lot 368

'Anemone' a Moorcroft Pottery baluster vase designed by William Moorcroft, painted in shades of blue, purple, pink and green on a pale blue ground, impressed factory marks, 28cm. high

Lot 369

'Flambe Anemone' a Moorcroft Pottery vase designed by Walter Moorcroft, footed, swollen cylindrical form, painted in colours under a light flambe ground, impressed factory marks, 15.5cm. high

Lot 37

'Solitude' a Clarice Cliff Fantasque Bizarre Mei Ping vase, painted in colours between yellow and green bands, printed factory marks, professional restoration, 15.5cm. high

Lot 370

'Bougainvillea' a Moorcroft Pottery vase designed by Walter Moorcroft, tapering cylindrical form, painted in shades of green, pink and purple on a blue ground, a Cobridge Stoneware circular tile painted with flowers and a Moorcroft Pottery dish and cover glazed white impressed marks, painted blue signature, 18.5cm. high (4)

Lot 371

'Swan' a Moorcroft Pottery limited edition vase designed by Sally Tuffin, ovoid, painted in shades of white, black and red on a pale blue ground, and a limited edition Moorcroft 'Swan' plate impressed factory marks, painted WM monogram, numbered 332/350, 17cm. high (2)

Lot 373

'Blue Gum' a large Moorcroft limited edition vase designed by Sally Tuffin, dated 1994, baluster form, tubeline decorated in shades of blue, green, yellow and red on a celadon ground painted John Moorcroft signature, factory marks, numbered 35/50, 42cm. high Provenance From the collection of James Benson.

Lot 374

'Malahide' a Moorcroft Pottery limited edition vase designed by Rachel Bishop, made for retail at James Macintyre & Co, Leeds, compressed form, painted in colours on a deep blue ground, printed and painted marks, 46/200, 12cm. high

Lot 376

A Poole Pottery Studio vase by Guy Sydenham, swollen, flat sided form on four spike feet, the sides with raised points, the pierced top with single small solifleur aperture, covered in a mottled turquoise and mushroom glaze, impressed Poole England and GS monogram 26.5cm. high

Lot 38

'Delicia Salisbury' a Clarice Cliff Bizarre Meiping vase, painted in colours printed factory mark, 23cm. high

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