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Lot 91

Eight pieces of Wedgwood Jasperware, a blue and white ginger jar, a Royal Vienna style vase with shield / beehive mark to the base, a Royal Grafton ceramic condiment jar in box. (qty)

Lot 6

An early 20th Century miniature Japanese vase of ovoid form decorated with purple and orange iris, gilt four character mark to the base, height 3cm, S/D.

Lot 616

An assorted collection of glass to comprise a pair of figural bottles modelled as a Victorian lady, together with a late 19th Century Stourbrdge glass epergene and an early 20th Century Czechoslovakian glass vase relief moulded with putti figures, A/F. From the estate of the late Richard Beer

Lot 67

A Ruskin Pottery mallet vase decorated in an orange lustre glaze, impressed marks, dated 1922, height 20cm.

Lot 719

Eight pieces of assorted 19th Century Mauchline Ware comprising an egg timer, a stamp holder formed as a letter rack, two vesta cases, two cylindrical boxes, a small footed bowl and a goblet vase, scenes to include The Needles, Isle of Wight, Dryburgh Abbey and Pwllheli (8)

Lot 720

Eight pieces of assorted 19th Century Mauchline Ware comprising a calling card, a book mark, two toddy glass holders, a spill vase, a pedestal vase and cover and two vesta holders, scenes to include Strathearn Hydropathic Establishment, Chatsworth Derbyshire and Edinburgh Castle (8)

Lot 86

A late 19th Century Royal Worcester shape 1762 twin handled blush ivory vase decorated with a spray of ferns and foliage in raised gilt against the pale ground, puce mark with date code for 1896, height 21cm.

Lot 87

A Royal Worcester Fallen Fruits shape 2491 squat vase panel decorated by Roberts with hand painted peaches and cherries, signed, black printed mark, height 7cm.

Lot 891

A set of eight mahogany dining chairs to include six standard chairs and two carvers, with vase shaped pierced splat backs above drop-in seat pads and reeded square tapered legs. (8)

Lot 93

A Moorcroft Pottery vase decorated in the Hidden Kings pattern designed by Vicky Lovatt, commissioned and produced for the Born Free Foundation, numbered 38 from a limited edition of 100, height 15cm

Lot 94

A large Moorcroft Pottery vase of footed form known as the 'Absentee Pot' designed by Sian Leeper, signed to the base and numbered 4, impressed marks, height 27cmThe Absentee Pot was awarded to an employee in the production departments, on the day the factory closed for Christmas, who had not been absent all year. If a number of staff had not been absent all names were put into a hat and one picked out, it was awarded to a different member of staff each year. This has been confirmed by Moorcroft Pottery.

Lot 95

A small Moorcroft Pottery vase of compressed form decorated in the Oranges and Blossom pattern designed by Rachel Bishop, impressed and painted marks, marked GR (graded), height 11cm

Lot 96

A Moorcroft Pottery vase of compressed globe and shaft form decorated in the Fiery Mouse pattern (from the William de Morgan Smiles collection) designed by Emma Bossons, impressed and painted marks, numbered 57 of 60, signed E. Bossons, height 7cm

Lot 99

A Moorcroft Pottery vase decorated in the Cowslip pattern designed by Nicola Slaney, impressed and painted marks, numbered 52 from a limited edition of 75, signed N. Slaney, height 14cm

Lot 100

A Moorcroft Pottery vase decorated in the Rosehip Rambler pattern designed by Nicola Slaney, impressed marks, signed N Slaney and numbered 20 of 30, height 20cm

Lot 102

A Moorcroft Pottery vase decorated in the Windrush pattern designed by Debbie Hancock, impressed and painted marks, marked as a second, height 22cm

Lot 108

A Moorcroft Pottery vase decorated in the Phoenix pattern designed by Rachel Bishop with tubelined peacock feathers, impressed and painted marks, height 26.5cm

Lot 109

A Moorcroft Pottery vase decorated in the Tribute to Charles Rennie Mackintosh pattern designed by Rachel Bishop, printed and painted marks, height 31cm

Lot 116

A Moorcroft vase of compressed ovoid form decorated in the Diamond Jubilee pattern designed by Nicola Slaney, impressed and painted marks, signed in green, height 10cm

Lot 127

A contemporary Italian Murano glass vase by C. Nason, of inverted baluster form cased in a black over an opal interior, acid mark, retains original labels, boxed, height 38cm

Lot 129

A large contemporary Italian Murano glass vase by C.Nason, of shouldered ovoid form with flared collar neck, cased in clear crystal over opal with a blue core, acid mark and original labels, boxed, height 50cm.

Lot 130

A large contemporary Italian Murano glass vase by C.Nason, of shouldered ovoid form with flared collar neck and everted rim, cased in clear crystal over opal with a purple core, acid mark and original labels, boxed, height 50cm.

Lot 133

A 20th Century glass vase in the manner of Loetz, of stepped flared form decorated with pulled green trailing to the pale opal ground, unmarked, height 21cm.

Lot 134

An early 20th Century glass vase in the manner of Kralik, of footed baluster form with an applied cherry bough to the opalescent ground, height 16cm.

Lot 136

A late 19th Century Continental glass vase of footed shouldered form, decorated with flowers and fan motifs in relief in coloured enamelling over a deep amethyst black ground, unmarked, height 19.5cm.

Lot 137

Amendment - A group of early 20th Century Kralik glass comprising a globe form vase with moulded decoration, a vase of tapered form with fluted moulding, an example of slender form with applied white metal collar and similar example (4)Please note the Agate Flambe vase is no longer included in this lot

Lot 148

An early 20th Century Continental glass vase by Kralik of ovoid form with collar neck, decorated with whiplash lines over a green iridescent ground, S/D.

Lot 150

An early 20th Century Daum glass vase of globular form below a long slender neck, decorated with mottled orange to a satin finish, acid marked, height 37cm.

Lot 151

An early 20th Century John Walsh Walsh Opaline Brocade glass vase of conical form with pleated rim atop a coiled stem and spread foot, decorated with relief moulded fan motifs in a straw opalescent finish, height 24cm.

Lot 165

A post war Thomas Webb & Sons clear crystal glass vase for the coronation of Queen Elizabeth, of footed sleeve form with a central crown and date surrounded by cut and engraved flowers and foliage, acid marked, height 25cm, together with a similar roll rim bowl engraved with monogram and date with coat of arms opposing, diameter 27cm. (2)

Lot 169

A Thomas Webb & Sons Bronze Ware vase of footed ovoid form with a quatrelobed rim, acid etched decorated with deer to a parkland setting between geometric and fern pattern borders over a purple iridescent ground, unmarked, height 20cm, S/D.

Lot 193

A late 19th Century Continental posy vase, possibly Harrach, of footed ovoid form with a crimped and folded rim, cased in a graduated pink to pale yellow over a blue interior, hand enamelled and gilded with a butterfly over flowering boughs, enamel numerical mark to the base, height 14cm.

Lot 199

An early 20th Century clear crystal solifleur vase of slender cylindrical form with a circular spread foot, cut and polished with stylised flowers and foliage, height 36cm.

Lot 202

A later 20th Century Siddy Langley studio glass vase of ovoid form decorated with a stylised landscape of clouds and rolling hills over an iridescent blue ground, engraved signature, dated 1981, height 10cm.

Lot 208

A later 20th Century studio glass vase in the manner of Allum Bay Glass, of waisted form with a tri-form neck, decorated with a whiplash pattern over a purple iridescent ground, unmarked, height 27cm.

Lot 209

A 1930s Stevens & Williams clear crystal tumbler vase with blue spiral line over an optic diamond mould ground, height 20cm.

Lot 210

A 1930s Barolac vase of flared form, relief moulded with flag iris picked out in a graduated opalescence, unmarked, height 25cm.

Lot 211

A large 1930s Stuart & Sons clear crystal glass vase of compressed flared form with knop and circular spread foot, cut and polished with stylised flowers and foliage between repeat pattern borders, acid mark, height 26cm.

Lot 217

A later 20th Century Adam Aaronson studio glass vase made for the Royal Academy of Arts, of hexagonal form cased in clear crystal over a cinnamon interior with white spots and random whiplash lines, engraved signature to the base, height 15cm.

Lot 219

A large later 20th Century Italian Murano glass vase of swollen sleeve form by Kreiss Collections, cased in clear crystal over deep amber with a frosted external finish, acid and engraved signature, height 33cm.

Lot 22

An early 20th Century copy of the Portland Vase decorated in the typical manner with relief applied scenes of Peleus and Thetis, the base with a portrait of Paris, son of King Priam of Troy, unmarked, possibly Dudson, height 21cm, S/D.

Lot 242

A post war Theresienthal glass vase designed by Gunnel Nyman, of triangular sleeve form decorated with controlled air bubbles over a green core cased in clear crystal, height 21cm.

Lot 250

A large late 19th Century Stourbridge uranium green glass vase of footed baluster form, engraved with a fruiting vine pattern, height 29cm.

Lot 255

A large contemporary Adam Aaronson studio glass vase, of compressed elongated form with flattened edge, with two tone pink and blue core cased in clear crystal with a satin finish, dated 2003, engraved signature, length 39.5cm.

Lot 258

A post war Whitefriars Textured range Coffin vase designed by Geoffrey Baxter, pattern 9686 in Aqua, height 13cm, together with a Dartington FT66 vase designed by Frank Thrower, a square form with flared neck, decorated with relief moulded abstract motifs to a sea green ground, height 12.5cm. (2)

Lot 3

A Japanese Meiji period miniature Satsuma vase hand decorated with a pagoda to a lake scene with Mount Fuji in the distance below floral borders, faint character mark, height 5.5cm.

Lot 75

"Tuscan Vase with Lemons", oil on board, 18 x 17.5 cm

Lot 41

Dale Chihuly (b. 1941). Cylindrical glass vase with rippled sides. Signed and dated 1981 along the base.Provenance: Directly from artist.                      Collection of Edward Claycomb. Biography: Dale Chihuly first encountered glass art as an interior design student at the University of Washington. Immediately fascinated, he went on to study glass at the University of Wisconsin, which was the first university in the United States to teach glassblowing. From there, he went on to the Rhode Island School of Design, where he continued to learn about glass and eventually ended up teaching. His education continued with a Fulbright Fellowship to go to the famous glassblowing studios of Venice. After his time in Italy, he returned to his home state of Washington to found his own glass school, the Pilchuck Glass School, with Ann and John Hauberg, influential supporters of the arts in Seattle. At this school, his art style and process truly flourished. In particular, Chihuly first fostered the collaborative method of glassblowing he had witnessed in Italy at Pilchuck, something that would become a hallmark of his artistic process.Dimensions: Height: 16 in x width: 8 in x depth: 11 3/4 in.Condition: Good condition; for a detailed condition report, please contact us.

Lot 54

Fritz Dreisbach (b. 1941). Large orange glass vase. Provenance: Directly from artist Collection of Edward ClaycombDimensions: Height: 13 in x width: 7 ½ in x depth: 5 ¾ in.Condition: Good condition; for a detailed condition report, please contact us.

Lot 56

Lino Tagliapietra (b. 1934). Squat baluster glass vase with ribbed body. Transparent glass with thin purple filaments forming a checked pattern. Provenance: Directly from artist Collection of Edward Claycomb. Dimensions: Height: 7 1/2 in x diameter: 6 in.Condition: Good condition; for a detailed condition report, please contact us.

Lot 1006

Four boxes of glass including Waterford Crystal vase, Dartington jug, Edinburgh tumblers, and various other drinking glasses, vases etc.

Lot 171

A DOULTON LAMBETH STONEWARE VASE of baluster form, incised decoration glazed in colours blue and ochre, applied rosettes to the body, raised on circular platform base, impressed factory marks include numbers 1883 and 625, various incised potters mark s, 28cm high

Lot 175

A JAPANESE MEIJI PERIOD SATSUMA CERAMIC VASE, having globular body with cylindrical neck, gilded and painted with Bijin, courtly figures and landscapes, 31cm high

Lot 200

A WILLIAM MOORCROFT POTTERY GLOBULAR VASE in berry and leaf pattern, tube lined and painted on a green ground, impressed and painted factory marks to base, including signature and paper label "... Potter to H.M. Queen Mary", circa 1930, 21cm high

Lot 206

AN EMILE GALLE TYPE GLASS VASE, having thistle cameo decoration, inscribed "Galle" and "Tip", 15.5cm high

Lot 213

A LATE 19TH CENTURY POTTERY VASE AND COVER, painted with exotic birds amidst flowers, cast gilt metal mounts, raised on paw feet, 43cm high

Lot 215

A ROYAL WORCESTER PORCELAIN VASE, with narrow bottle neck, moulded Lion mask handles, on circular platform foot, blush ivory ground with floral painted decoration, 15.5cm high, together with a ROYAL WORCESTER BLUSH IVORY GROUND FLAT BACK JUG having f loral decoration, 9cm high (2)

Lot 225

A "JAMES MACINTYRE & CO." FLORIAN WARE VASE, of tear drop form with flared neck, tube trailed floral decoration in shades of blue, a William Moorcroft design, with painted and printed factory marks to the base, circa 1902, 13cm high

Lot 238

A ROSENTHAL VERSACE CERAMIC VASE, of waisted hexagonal form, black ground, with Greek key borders, classical mask gilded to one side, matt pewter to the verso, factory stamps to base, 23cm high

Lot 248

A LATE 19TH CENTURY CUT AND ENGRAVED GLASS VASE, with baying Stag decoration, verso a tree, 32cm high

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