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A Japanese Satsuma earthenware tripod vase, by Yozan, Meiji period, the squat globular body painted and gilt with a procession of figures following and leading a chariot and a cart carrying a shrine, beneath a simulated brocade kiku bud collar, the three slender legs with simulated brocade, gilt and black signature to base, height approx 8.6cm.
A Chinese famille rose export porcelain vase, Qianlong period, the baluster body painted with opposing figural panels within gilt key fret borders against an iron red dragon filled ground (cracked), together with a collection of assorted Oriental items including a blue and white meat dish, three snuff bottles, a cloisonné box and a green quartz carving of Buddha`s head (some faults).
A Chinese blue and white porcelain circular bowl, 19th Century, the exterior painted with three figures and a pavilion in a rocky landscape, opposing lines of text, four character mark in underglaze blue to base, diameter approx 19.4cm, together with a later blue and white porcelain vase (chipped).
A Chinese blue and white porcelain vase, late 19th Century, the baluster body painted with a bird perched amongst flowers and rockwork, height approx 25.5cm, together with a Chinese blue and white baluster vase and cover, 19th Century, painted with a formal lotus and tendril design (cracked) and two other Chinese blue and white porcelain vases (one cracked).
A Chinese famille rose export porcelain tea caddy, Qianlong period, the ovoid body painted with opposing scenes of a seated mother and child, a blue and white saucer dish, Kangxi period, painted with lotus and tendrils, two famille rose export porcelain bowls, a similar tea bowl, a famille jaune bottle vase, a Chinese Imari tea caddy and a blue and white barrel and cover (faults).
A Japanese silver wire cloisonné vase, Meiji period, the pale terracotta ground ovoid body finely worked with a band of lappet panels filled with dragons and phoenix beneath a red band with six white ground butterfly vignettes, the slender flared neck with foliate collars, flanked by a pair of handles filled with flowerheads and scrolling tendrils, height approx 24.5cm (minor faults).
A Chinese underglaze blue and red decorated celadon ground porcelain bottle vase, mark of Qianlong and probably of the period, the rounded square baluster body and neck painted with butterflies and prunus opposing lines of text and seal marks, flanked by a pair of dragon fish handles, underglaze blue seal mark to base, height approx 21.5cm.
A Chinese fahua vase, Qing dynasty, of tapering square form, the aubergine ground trailed with flowers and shrubs under clouds on the shoulder, flanked by a pair of turquoise dragon handles, height approx 48.5cm (chip to foot). Provenance: purchased by the current vendor from Groombridge Place, Kent sale in 1992.
A large Chinese famille rose porcelain ornamental vase, mid-19th Century, of hexagonal true baluster form with a pair of green and blue ruyi sceptre handles, the dense brown whorl ground filled with polychrome flowerheads, green leaves and tendrils, reserved with broad and narrow landscape scenes with figures and buildings, height approx 89.5cm (hairline crack around neck).
A Chinese Canton famille rose porcelain vase and cover, mid 19th Century, the baluster body painted with a continuous figural scene beneath a gilt ground collar filled with bats, flowers and tendrils, height approx 28cm, together with a similar vase and cover painted with figural panels flanked by landscape vignettes on a simulated brocade ground, height approx 28cm (some faults).
A Wedgwood sage green jasperware biscuit barrel, sprigged with white classical figures, fitted with an overhead plated swing handle and plated cover with `Biscuits` label before a coil of rope, together with a group of ceramics, including a Beswick dog, model No. 286, a pair of Shelley `Violette` posy vases and a Minton celadon glazed fish vase (some faults).
A pair of Royal Doulton stoneware Slaters Patent vases, decorated with white, turquoise and gilt flowers against a buff textured ground within the blue glazed foliate moulded neck and lower body, together with a similar smaller pair of vases, impressed and incised factory marks to bases (small repair to foot of one large vase).
An Archimede Seguso Murano glass scent bottle and stopper, the lobed ovoid body with polychrome detail beneath the clear spherical stopper, engraved mark to base, together with a small group of glass including a Victorian cut glass trumpet vase hung with pendant drops and a vaseline glass posy vase.
A Berlin porcelain vase, 19th Century, converted into a lamp base, painted to each side with a circular figural harbourside view within gilt framing against a green ground between the gilt enriched apricot glazed moulded foot and shoulders, underglaze blue mark to foot (faults and restoration).
A pair of Waterford cut glass vases, of gently flared cylindrical shape cut with vertical panels of diamonds beneath vertically fluted rims, together with five other pieces of Waterford, comprising a pair of faceted vases, a waisted vase, a flared cylindrical vase and another footed vase, acid etched marks to bases.
A Crown Ducal Persian Rose pattern vase designed by Charlotte Rhead, with colourful flowers against a mottled grey ground, yellow glazed rim and foot, black printed factory mark to base with tubelined signature, pattern No. 4040, height approx 27cm, together with three pieces of Crown Ducal designed by Charlotte Rhead, comprising a bulbous and globular shaped vase decorated in the Persian Rose pattern, and a swollen ovoid vase in the Byzantine pattern, printed and painted factory marks to bases (minor faults).
A Royal Bonn Secessionist two handled vase, the cerise pink ground enamelled with long stems of stylized foliage in pale pink and black to the cylindrical neck rising from heart shaped motifs to the bulbous body, flanked by loop handles, brown printed, black painted and impressed factory marks to base, height approx 23cm.
A Royal Worcester bone china violet vase, circa 1908, painted with flowers on a blush ground, puce printed factory mark and shape number `991` to base, together with a Royal Worcester white glazed coral handled jug, a Royal Worcester diminutive mug, a Locke & Co. Worcester vase, a Royal Crown Derby Imari pattern cup and saucer and a Belleek heart shaped bowl, third black mark to base.
An Orient & Flume iridescent glass vase, dated 1985, the bulbous blue ground body decorated with pink and white flowers on trailing stems, engraved marks to base, height approx 10cm, together with two Carlson iridescent glass vases, a `The Glass Eye` pink iridescent glass vase and another piece of iridescent glass.
A Staffordshire pottery pastille burner in the form of a tall two storey house, late 19th Century, the pale blue glazed building with shredded roof detail, height approx 28cm (minor faults), together with a green glass scent bottle and stopper, a Zsolnay vase and two cherub figures (faults).
A Bernard Moore flambé glazed ginger jar and cover, early 20th Century, decorated to the shoulders with wisteria and processions of flying insects, the shoulder additionally enamelled in turquoise and green with branches of wisteria, the cover enamelled with stylized petals, black printed factory marks to base of vase and underside of cover, height approx 12.5cm.
A Minton majolica Christmas jug, circa 1872, the cobalt blue glazed body relief decorated with holly, the gently flared neck with mistletoe and mask moulded spout, impressed factory marks to base with shape No. `580` (neck broken and glued), together with a Sowerby purple malachite pressed glass vase relief moulded with Gathering Apples, after Walter Crane (repaired), and a pressed glass obelisk (minor chips).
An Alan Caiger-Smith Aldermaston Pottery lustre vase, circa 1974, the gently ribbed body of swollen ovoid shape painted in ruby lustre and yellow highlights with two parrots and an owl amidst flowers and foliage, black painted and printed factory marks to base, height approx 28.5cm.
A two handled art pottery vase, circa 1900, possibly De Morgan or Burmantofts, the tapered ovoid body painted with fish against a ground of spiralling waves, flanked by high loop handles with black spiral and wavy line detail, the bulbous neck painted to each side with a crab, unmarked, height approx 36cm (faults).
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653685 item(s)/page